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In 2016, Stewart was a rising leader at the predominantly white evangelical church he and his family were attending in Augusta, Georgia. Like many young church leaders, Stewart was thrilled at the prospect of growing his voice and influence within the community, and excited to break barriers as the church’s first Black preacher. But when Trump began his campaign, so began the unearthing. Stewart began overhearing talk in the pews—comments ranging from microaggressions to outright disparaging rhetoric towards Black Americans. As this violence began to reveal itself en masse, Stewart quickly found himself and his family alone amid a people unraveled—their community of faith became the same place where they soon found themselves most alone. This set Stewart on a journey—first out of the white church, and into a liberating pursuit of faith, by looking to the wisdom of the saints before us, like James Cone, James Baldwin, and Toni Morrison, and by heeding the paradoxical humility of Jesus himself.

This sharply observed journey is an intimate meditation on coming of age in the time of terror. Stewart reveals the profound faith found even after experiencing the violence of the American church: a faith that loves Blackness, speaks truth to pain and trauma, and pursues a truer, realer kind of love than the kind we’re taught—a love that sets us free.

Loving Black Boys is not just a love letter to Tamura Lomax’s own sons, but to all Black boys, men, fathers, and brothers. With understanding and urgency, Lomax writes honestly about Black endangerment and what it means to endure living in what James Baldwin called the “burning house” of white supremacist capitalist heteropatriarchal America. Seeing the full humanity of Black boys and men, and the liberation of all Black people, Lomax writes, requires a Black feminist lens. A companion piece to Freeing Black Girls, this book connects the everyday and extraordinary moments of Black mothering: phenomena as varied as “the talk” about police brutality, physical and emotional violence, Christian nationalism, miseducation, emotional health, sports, and more, which produce not only shared vulnerabilities but also tensions among Black folks. To her sons and to all Black men, Lomax insists that Black feminism, which emphasizes mutuality, protection, ethical autonomy, and healing, is vital to forging a safer future for individual and collective survival.

The first biography of a controversial, iconoclastic architect of Black Studies, from a leading scholar of the Black intellectual tradition

In the 1960s and 1970s, Harold Cruse (1916–2005) was one of the most prominent Black intellectuals in the world, mentioned in the same breath as James Baldwin, Frantz Fanon, and Malcolm X. Today, Cruse is nearly forgotten. In this biography, Vincent W. Lloyd reclaims the story of an influential contrarian, a man who was beloved, feared, hated, reviled, praised.

Cruse grew up poor in Virginia and Harlem, worked as a critic and organizer, and then spent years making his living through manual labor while writing The Crisis of the Negro Intellectual (1967). The book electrified Black America, and the activist who never finished high school became a tenured college professor, a founder of the field of Black Studies, and a mentor to countless student activists. By the 1980s, however, Cruse’s distaste for integration, liberal pluralism, and multiculturalism meant that his influential work was fading from view.

Drawing on Cruse’s letters and unpublished writings, along with scores of interviews, Lloyd offers a fast-paced narrative of an extraordinary life―and a new perspective on Black justice struggles. Ultimately, this is the story of a singular man: passionate, brilliant, strange, and visionary.

Within the Circle is the first anthology to present the entire spectrum of twentieth-century African American literary and cultural criticism. It begins with the Harlem Renaissance, continues through civil rights, the Black Arts Movement, and on into contemporary debates of poststructuralist and black feminist theory. Drawing on a quote from Frederick Douglass for the title of this book, Angelyn Mitchell explains in her introduction the importance for those "within the circle" of African American literature to examine their own works and to engage this critical canon.
The essays in this collection—many of which are not widely available today—either initiated or gave critical definition to specific periods or movements of African American literature. They address issues such as integration, separatism, political action, black nationalism, Afrocentricity, black feminism, as well as the role of art, the artist, the critic, and the audience. With selections from Langston Hughes, Sterling Brown, W. E. B. DuBois, Zora Neale Hurston, Richard Wright, James Baldwin, Toni Morrison, Barbara Smith, Alice Walker, Henry Louis Gates, Jr., and many others, this definitive collection provides a dynamic model of the cultural, ideological, historical, and aesthetic considerations in African American literature and literary criticism.
A major contribution to the study of African American literature, this volume will serve as a foundation for future work by students and scholars. Its importance will be recognized by all those interested in modern literary theory as well as general readers concerned with the African American experience.

Selections by (partial list): Houston A. Baker, Jr., James Baldwin, Sterling Brown, Barbara Christian, W. E. B. DuBois, Ralph Ellison, LeRoi Jones, Sarah Webster Fabio, Henry Louis Gates, Jr., W. Lawrence Hogue, Langston Hughes, Zora Neale Hurston, Alain Locke, Deborah E. McDowell, Toni Morrison, J. Saunders Redding, George Schuyler, Barbara Smith, Valerie Smith, Hortense J. Spillers, Robert B. Stepto, Alice Walker, Margaret Walker, Mary Helen Washington, Richard Wright

Winner of the 2003 Lambda Literary Award for Fiction Anthology

Showcasing the work of literary giants like Langston Hughes, James Baldwin, Audre Lorde, Alice Walker, and writers whom readers may be surprised to learn were "in the life," Black Like Us is the most comprehensive collection of fiction by African American lesbian, gay, and bisexual writers ever published. From the Harlem Renaissance to the Great Migration of the Depression era, from the postwar civil rights, feminist, and gay liberation movements, to the unabashedly complex sexual explorations of the present day, Black Like Us accomplishes a sweeping survey of 20th century literature.

Named one of the GREAT AMERICAN NOVELS of the last 100 years by The Atlantic

The 50th anniversary edition of the classic, freewheeling novel by one of the most iconic satirists of our time—now with a new introduction by the author.

“Mumbo Jumbo is a mixtape, a collage, a palimpsest...Even if it didn't have an eerie bearing on our modern politics, it’d be worth reading simply for the pleasure of spending time in Reed’s roving mind.”—The Atlantic

“Part vision, part satire, part farce… A wholly original, unholy cross between the craft of fiction and witchcraft.” —The New York Times

It is the 1920s in New York City and an epidemic known as Jes Grew is sweeping the nation—a dancing plague, irresistible, joyful, and undeniably Black. Naturally, the powers-that-be are having none of it. A repressive conspiracy is operating in the shadows, and it is dead set on squelching Jes Grew and its Carriers—Black artists and musicians—by any means necessary.

So begins the classic novel by Ishmael Reed, the iconic satirist whose contributions to American literature have drawn praise from the likes of James Baldwin and Harold Bloom. Mumbo Jumbo is an ingenious deconstruction of Western civilization—a cinematic collage that mixes portraits of historical figures and incidents with sound bites on subjects ranging from ragtime to Greek philosophy. Now with a new introduction by the author, this timeless and crucial work of twentieth-century fiction is ready to be discovered by a new generation of readers.

It's raining Black holiday romances and women's fiction this year and we're here to celebrate it all!

EVENT DEETS

When: Sunday, November 24 @ 3:30 PM CST

Where: Virtual via Zoom. We'll send you the Zoom link!

How: RSVP here to let us know you're coming! Also, check out the cool book bundles to support the authors. 

The Grinch (includes Only for the Holidays by Abiola Bello, A Novel Christmas by Charity Shane and Christmas in Spite of You by K.C. Mills)

The Hallmark (I'll Be Gone for Christmas by Georgia Boone, The Christmas Catch by Toni Shiloh, Only for the Holidays by Abiola Bello) 

Home Alone (Christmas in Spite of You by K.C. Mills,  I'll Be Gone for Christmas by Georgia Boone, A Novel Christmas by Charity Shane) 

ABOUT THE AUTHORS 

Abiola Bello is a British-Nigerian author from London, England. She is the bestselling, award-winning author of the children’s series Emily Knight I Am and the YA novel Love in Winter Wonderland, as well as a contributor to The Very Merry Murder Club anthology. Abiola has won London’s BIG Read 2019, was a finalist for the People’s Book Prize Best Children’s Book and was nominated for the Yoto Carnegie Award.

Charity Shane holds a bachelor’s degree and a Juris Doctor degree. Author. Higher Education Leader. Legal Expert. Writing stories that create feelings through her words is her true passion. Her soul sings AA romance and urban romance fiction. To date, she has published twelve books, one of which became a #1 Bestseller in Urban Fiction on Amazon. Charity Shane’ is dedicated to giving readers robust and diverse stories centered around love.

K.C. Mills penned her first novel in July 2015. One of her many talents is the ability to move between multiple genres and fully execute stories which are whole, realistic and heart-warming that leave readers wanting more. Her soul tends to feel at home with contemporary adult romance and urban fiction novels. To date, she has over one hundred titles, thirty-seven of which were published independently. Mills’ goal as an author is to craft Romance with an Edge that displays love in all shades of brown, with beautifully flawed humans that deserve to find their happily ever after.

Toni Shiloh is a wife, a mom, and an award-winning Christian contemporary romance author. Her novel In Search of a Prince won the first ever Christy Amplify Award. It has also been praised by Oprah Daily, POPSUGAR, Library Journal, and Booklist and is a Parable bestseller. Her books have won the Christy Award and Selah Award and have been finalists for the Carol Award and the HOLT Medallion. As a member of American Christian Fiction Writers (ACFW), Toni loves connecting with readers and authors alike via social media. Learn more at ToniShiloh.com

Georgia K. Boone is a writer, a poet, and the daughter of storytellers. Sometimes, she writes songs she may one day share. Once, in a Brooklyn community center, she read James Baldwin’s quote “You can’t tell the children there’s no hope,” and she carries those words from the city to the desert and beyond. She lives on the West Coast with her family

ABOUT THE MODERATOR

Theresa Arline, is a Birmingham, AL native, graduate of Texas Southern University and the owner of Public Displays of Reading, a book accesories company based in Houston, Texas. Her lifelong passion for reading has evolved into a mission to promote books by Black authors across genres. 

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Black figuration and portraiture as realized in the works of Amy Sherald, Jordan Casteel and other contemporary artists

“There is never a time in the future in which we will work out our salvation. The challenge is in the moment, the time is always now,” wrote James Baldwin. Published in conjunction with the eponymous exhibition at the National Portrait Gallery, London, The Time is Always Now is edited by curator Ekow Eshun, former director of the Institute of Contemporary Arts in London. The book brings together 22 contemporary African diasporic artists working primarily in the United Kingdom and the United States, whose practices―whether through painting, drawing or sculpture―foreground the Black figure. Acknowledging the paradox of race as both a “socially constructed fiction” and a “lived reality,” as Eshun writes, The Time is Always Now celebrates these Black figurative artworks against a background of heightened cultural visibility. Through a three-part structure, this book examines Black figuration as a means to address the absence and distortion of Black presence within Western art history. Each artist receives a detailed biographical profile alongside reproductions of their included works. The catalog is also supplemented by three original essays from Dorothy Price, Professor of Modern and Contemporary Art and Critical Race Art History at the Courtauld Institute of Art; Bernardine Evaristo, Booker Prize–winning author of Girl, Woman, Other; and Esi Edugyan, two-time Giller Prize winner for her novels Half-Blood Blues and Washington Black.

Artists include: Njideka Akunyili Crosby, Hurvin Anderson, Michael Armitage, Jordan Casteel, Noah Davis, Godfried Donkor, Kimathi Donkor, Denzil Forrester, Lubaina Himid, Claudette Johnson, Titus Kaphar, Kerry James Marshall, Wangechi Mutu, Chris Ofili, Toyin Ojih Odutola, Jennifer Packer, Thomas J. Price, Nathaniel Mary Quinn, Lorna Simpson, Amy Sherald, Henry Taylor, Barbara Walker.

In the spirit of American cultural prophecy―from Ta-Nehisi Coates to Rebecca Solnit―acclaimed writer Casey Gerald offers a groundbreaking work of joyous dissent and stunning vision, a survival guide to a society in crisis.

“Somehow Casey Gerald has pulled off the most urgently political, most deeply personal, and most engagingly spiritual statement of our time by just looking outside his window and inside himself. Extraordinary.” ―Marlon James on There Will Be No Miracles Here

Most afternoons for the past three years, Casey Gerald took a walk. He would pass the compound that Elon Musk was building in his neighborhood; the burned-down Freedman's church; the little house where he and his lover Jack had seen a shooting star. He knew the world was crumbling, but he didn't fret. He had been promised: When it breaks, you'll be ready.

"There is a great unfolding going on," Gerald writes, "and all the clues for what's to come are planted in the people." In this quietly redemptive and lyrical book, Gerald shares his map for finding those clues, finding each other, and finding our way out of this dark and wearied time. On the other side of No, Gerald insists, there is a Yes―an embrace of what we really want, what we might finally claim once we refuse.

Calling forth a kaleidoscopic cast, from Odysseus to D'Angelo, Sun Tzu to Simone Biles, Black literati and desert mystics, Gerald implores us to take our power back and to remake the world together, on our terms. Written with Didion's cold eye and Baldwin's unflinching urgency, and with the dark humor of a man who’s seen too much but still wants to see what’s next, The Great Refusal is a lifeline from the other side of ruin.

Their Eyes Were Watching God for a new generation craving a romantic finale—a sweeping historical tale that is a journey of the heart and of the times.

If it wasn’t for Zora Neale Hurston’s Their Eyes Were Watching God, Nola Denny didn’t know how she would have survived her father’s tragic death or her mother’s descent into mental illness. Inspired by Hurston’s main character, Janie Crawford, Nola sets out to find her own voice, silenced by the weight of being a caretaker and the pains of her past. On her journey to New York, Nola stops in Meridian—a detour that unexpectedly leads to a fresh start, a home, and her own Tea Cake, a Pullman Porter named Baldwin Carter.

Baldwin escaped a loveless childhood and found a caring stranger who invited him into her home and gave him a chance at a new life. A proud, hardworking Pullman Porter, Baldwin must endure bowing and scraping to passengers who barely see him as a man. When he encounters Nola, he instinctively knows he has met his anchor, a woman who makes every inch of him stand tall.

Experiencing loss, hardship, and months of separation, Nola and Baldwin must come to terms with their pasts to share a future together. The young couple know that time and distance cannot separate them, and that the sacrifices they must make are not only for themselves, but for all those who come after them, searching for a better life.

Set during the end of the Great Depression, and shaped by real-world events, crisscrossing the country from South to Midwest to North, Nola and Baldwin is an epic tale of a love powerful enough to overcome the dark forces of racism that threatens to tear it apart.