A visionary new collection by former poet laureate of the United States and winner of the Pulitzer Prize Tracy K. Smith

The forest in Tracy K. Smith’s brilliant new work is and is not a metaphor. While these poems strive to hear and to heed the voices of the earth and its nations of trees, they also test a discomfiting view of humanity, not as divided and opposing factions but as a vast cacophonous family connected by a single deep root.

The Forest grapples with violence, cynicism, and injustice by tapping into the ecstatic for much-needed insight, humility, and conviction. Enlivened by slow time and spiritual desire, Smith’s poems are political and devotional conduits that bear witness to meditative visions and channeled conversations with ancestors and ascended guides. Several poems honor motherhood and the particular care bound up in mothering Black sons. Others come to terms with grief and a failed marriage now so distant as to be another life. Hovering always near, the divine feminine is a figure called forth to refute the God of War.

The Forest is a magnificent act of foresight beyond the granular realities of partisan depravity, polarization, and indifference. Smith reaches an exhilarating new height, in contact with the mythic and the rapturous.

A wild, rollicking, firsthand account of the good ole days of funk from Bootsy Collins, the legendary Rock & Roll Hall of Fame bass guitarist for James Brown, George Clinton, and Parliament-Funkadelic. Funky foreword courtesy of Snoop Dogg.

He’s a bona fide funk legend, a rhinestone-clad style icon, and arguably one of the best bassists to ever live. (At least, according to Rolling Stone.) His career has spanned five decades: from rising to stardom playing alongside James Brown; to setting the bar, the groove, and the look of Parliament-Funkadelic; to collaborating with today’s most innovative and beloved musicians, like Anderson .Paak, Snoop Dogg, and Bruno Mars. Bootsy Collins has more than a few stories to tell.

He is no stranger to the spotlight, and tales of his escapades are whispered among music nerds and the general public. Yet Bootsy’s story has never been put on the page.

Now, in his own words — “the straight up, real deal, if I’m lyin’, I’m dyin’, and I ain’t ready to go yet”— Bootsy is ready to share with fans legendary stories about:

* the ins and outs of his three-decade relationship with mentor and sometimes tormentor James Brown—including dropping acid with the Godfather of Soul himself
* how a one-night stand almost resulted in him being killed by a member of Florida’s Black Mafia
* when he and the Parliament-Funkadelic crew were mistaken for a group of escaped convicts, and during a detailed cavity search, the LAPD found George Clinton’s a**-stash
* his collaborative and tumultuous relationship with funk legend George Clinton
* eventually getting clean and becoming the favorite OG for a new crop of musicians and artists

Bootsy’s story is full of heart, humor, joy, sorrow, and a whooooole lot of funk. True to its iconic creator, Funked Around, Found Out includes psychedelic photos, costumes, guitars, and other surprises that are as closely associated with Bootsy as his thumping grooves. Music fans, pop culture aficionados, and other acolytes will rejoice.

A New York Times Notable Book

A landmark reinterpretation of the civil rights movement that challenges reductive heroic narratives of the 1950s and 1960s and invigorates new debates and possibilities for the future of the struggle for liberation.

We are all familiar with the romantic vision of the civil rights movement: Heroic African Americans and their allies courageously triumphed over racial oppression, forging a new consensus in American life and law. What are the effects of this celebratory storytelling? What happens when a living revolt against injustice becomes an embalmed museum piece?

In this innovative work, Brandon Terry rejects the authority of the romantic narrative―the “arc of justice” story found in popular histories, the speeches of Barack Obama, and the writings of John Rawls―while also pushing back against the rival ironic mode of Afropessimism. Though sympathetic to the critiques of Afropessimists, Terry ultimately finds their thought self-undermining.

Instead of romance or irony, he argues, the civil rights movement is best understood through the lens of tragedy. By challenging the attachment to triumphant pasts, Terry demonstrates that tragedy exemplifies what the civil rights movement has been and can still be. Provocative and original, Shattered Dreams, Infinite Hope offers optimism without naïveté, to train our judgment and resilience in the face of reasonable despair.

For the first time ever, one of the world’s most iconic business leaders shares the story of his remarkable life and career.

Ken Chenault has lived his life at the confluence of the historical forces that have shaped modern America, keenly aware of both the burdens of its past and the dynamic potential of its future. Born in 1951, when segregation was still inscribed in the laws of the land, he ascended to the peak of corporate America over the course of the next fifty years. In his thoughtful and wide-ranging memoir, Chenault reflects on his personal journey, the mentors who shaped him, and his lifelong quest to realize his own potential and make a meaningful difference in people’s lives. Equal to the Task is a classic American story for our times.

After joining American Express, Chenault steadily worked his way up to the very top. He led the company for almost two decades, driving market-leading innovations, before stepping down and making another surprising life choice. Eschewing the more traditional roles for former CEOs, he joined a dynamic venture capital firm, seeking to help build enduring companies that leverage technology for both profit and purpose. Over the past years, he has continued to be a steady voice of moral clarity in the public and private sectors.

“In these pages, I share how I managed the opportunities and challenges encountered over the course of my life and career. In doing so, I hope to convey the values I hold most dear. Values passed down to me by my ancestors, my parents, my teachers, my heroes, and my mentors. These values have guided me throughout my journey, and I consider them pivotal to meeting these extraordinary times as my country wrestles with its own identity, its future, and its role in the 21st century.”

A landmark study of twentieth-century Black picture magazines and their impact on Black American life

From the late 1930s through the early 1970s, national publications such as Our World, Sepia, Color, Elegant, Flash, Brown, and Ebony framed emerging definitions of success for Black middle-class audiences. These magazines featured dynamic photo essays, sometimes by photographers as renowned as Gordon Parks and Moneta Sleet Jr., that shaped perspectives on Black cultural life and influenced the way millions of Americans understood the world through photography.

This history of Black picture magazines and their contribution to American photography, journalism, and cultural production is the first to consider these publications through a visual and scholarly lens. It features more than 250 illustrations, essays by prominent curators and thinkers, and thematic contributions by celebrity experts, including

• Tina Beyoncé Knowles, businesswoman and House of Deréon fashion designer, on beauty culture
• Doug Glanville, sports journalist and former MLB player, on sports
• Carla J. Williams, photographer and 2025 Guggenheim fellow, on pulp pinups
• Jason Moran, jazz musician and MacArthur “genius” award-winner, on music
• TAYLOR ALXNDR, activist and performer, on drag and queer/trans representation

With a comprehensive list of Black picture magazines and the photographers whose work appeared in them, this volume will serve as both a foundational reference and a compelling visual history that reveals the profound role these publications played in defining and circulating images of Black life, achievement, and aspiration in the United States.

Published in association with the Museum of Fine Arts, Houston

Exhibition Schedule:

Museum of Fine Arts, Houston
(February 28 to May 31, 2027)

Portland Museum of Art, Maine
(October 8, 2027, to January 9, 2028)

New Orleans Museum of Art
(May 11 to August 6, 2028)

The action guide to building serious financial power.

For too long, women have worked twice as hard to earn less than men, and women have felt emotionally broke and financially stressed. It's time for a change and time for women—especially women of color—to make bank.

In her first book, We Should All Be Millionaires, Rachel Rodgers—Black woman, mother of four kids, and self-made millionaire—shared her personal story. How she climbed from crushing debt and financial stress to wealth and abundance, running a multi-million-dollar company, and owning a blissful 57-acre horse ranch.

Her book inspired thousands of readers and listeners to construct a new attitude about money, claim their power, and build the financial security that we all need and deserve. Now, with Hello Seven, Rachel provides a practical framework to achieving seven-figure wealth.

This is the book that makes it happen. Rachel lays out the Hello Seven Growth Scale so you can identify where you fall on one of seven levels — from $0 to 7 figures — and map out the specific action steps you need to take to grow from one level to the next.

COMPANION TO NAACP IMAGE AWARD WINNER, BLACK GOLD
In this companion picture book to Black Gold, the NAACP Image Award winner, Laura Obuobi and Society of Illustrators’ honoree London Ladd team up to tell a story that celebrates Black life, brims with black joy, and instills an important message about Black resilience.
Black is precious.
Black is holy.
Black is powerful.
Black is many things, and its magnificence can be found all throughout the world. It’s in obsidian, in the rolling fields of calla lilies, and the birth of the universe. Most importantly, Black is a people whose strength, grace, and resilience would foster change, creativity, and a culture from which would emerge a world that would never be the same and a community whose genius continues to inspire all. Despite everything that Black people have endured, they are still present—living and thriving.
Powerhouse duo Laura Obuobi and London Ladd return with another poignant, lyrical text that celebrates all that being Black is, positively reinforcing the magnitude of possibilities that being Black can—and will—be. With its important themes, Black Is will enchant young readers with events and achievements by people in Black history and the Black diaspora, like uprisings, innovations in culture, entertainment, literature, including civil rights work by West Africans, Caribbeans, and Black Americans.

· Brimming with Black Joy: This book is magical, heartwarming, and a bright reminder that diverse stories are hopeful too. Laura has created a world where all facets of Black life, especially joy, are brought to light.
· Champion for Self-Love: This uplifting, impactful, and lyrical book will empower Black children and will inspire them to love themselves exactly as they are. This book delivers the important message that Black is beautiful and powerful.
· Bedtime Story with Lyrical, Poignant Text: Laura spins a story with language that is so rich, it is as though she has captured a dream on the page. Readers will be enthralled by this sweeping, meditative tale.
· Timely and Timeless Picture Book: This is a book that will always resonate with readers as they move on through every stage of their lives, uplifting and empowering, and is the perfect baby shower gift and graduation gift.

The next book in the New Haven series, interconnected standalones featuring second chances, fiery passion, and Black heroines who get their happily ever afters.

Rae

Loving someone with demons is hard but leaving them is harder.

That's a lesson I learned roughly a decade ago when I left the love of my life behind. Choosing the child we made but weren't ready for over any hope for what could be. Trading in potential for reality, my dreams for motherhood and the warmth of his embrace for a cold, lonely world.

Despite how tragic it all sounds, everything turned out okay. I made peace with my decisions, soothed the ache in my heart with harsh truths that have remained firmly in tact until...well, until now.

Now, I'm back in New Haven and nothing is the way it should be. The man I left behind is not the one I keep running into around town. He's steady, dependable, stable, ready to be a father to our daughter and desperate to do more than co-parent with me.

Hunter

couldn't stop wanting Rachel Prince if I tried. Not that I ever have. Tried, that is. Why would I when she's the only good thing I've ever craved, the only addiction I've had that didn't try to destroy me?

When she left me, I wasn't mad. I didn't want her to go, but I think by the end we both knew she couldn't stay. There was too much darkness around us, and it was all emanating from me.

My addiction. My pain. My grief overshadowing hers.

I wasn't the man she needed or the partner she deserved. She did the right thing, getting out, taking our kid with her. But knowing that doesn't make it hurt any less.

It does, however, make me determined.

To keep my decade long sobriety streak going.

To make up for every day I missed of my daughter's life.

To win back the love of my life and never let her go again.

An eloquent and original exploration of the Atlantic slave trade―now featuring the essay “Venus in Two Acts” and a new introduction by Dionne Brand.

A monumental work of first-person history, Lose Your Mother traces the legacy of the Atlantic slave trade by recounting a journey Saidiya Hartman took along a slave route in Ghana. Following the trail of captives from the hinterland to the Atlantic coast, she reckons with the blank slate of her own genealogy and the rippling effects of slavery on three centuries of African and African-American history.

The slave, Hartman observes, is a stranger―torn from family, home, and country. To lose your mother is to be severed from your kin, to be uprooted from your past, and to inhabit the world as an outsider. There are no known survivors of Hartman’s lineage, no relatives in Ghana whom she came hoping to find. Instead, she is a stranger in search of strangers, forging connections with others living in the wake of atrocity.

A rigorous and intimate reflection on the afterlife of slavery, Lose Your Mother is both a book of history and a book of grief. This 20th anniversary edition now includes Hartman’s landmark essay “Venus in Two Acts” and a new introduction by Dionne Brand―perfect for introducing new readers to Hartman’s lived-in way of contending with the past.

From everyday apps to complex algorithms, Ruha Benjamin cuts through tech-industry hype to understand how emerging technologies can reinforce White supremacy and deepen social inequity.

Benjamin argues that automation, far from being a sinister story of racist programmers scheming on the dark web, has the potential to hide, speed up, and deepen discrimination while appearing neutral and even benevolent when compared to the racism of a previous era. Presenting the concept of the “New Jim Code,” she shows how a range of discriminatory designs encode inequity by explicitly amplifying racial hierarchies; by ignoring but thereby replicating social divisions; or by aiming to fix racial bias but ultimately doing quite the opposite. Moreover, she makes a compelling case for race itself as a kind of technology, designed to stratify and sanctify social injustice in the architecture of everyday life.

This illuminating guide provides conceptual tools for decoding tech promises with sociologically informed skepticism. In doing so, it challenges us to question not only the technologies we are sold but also the ones we ourselves manufacture.

From high fashion to everyday clothes, this book looks at the personal and political importance of Black style from the 1880s to the present.

Both during and after slavery in North America, “Sunday best” referred to clothes reserved for church or special occasions. Dressing in one’s Sunday best conveyed a sense of dignity and self-worth. Sunday best styling evolved after emancipation into the twentieth century, reflecting subsequent periods of Black cultural liberation, empowerment, and upward mobility. It is emblematic of the ways that self-fashioning in African-diasporic communities affirms humanity and communicates identity.

With examples from Canada, the Caribbean, the United States, and the United Kingdom, Sunday Best features archival and contemporary fashion alongside photography, painting, sculpture, and time-based media, looking at the significance of Black style. Essays by an interdisciplinary group of curators, designers, and scholars consider how communities throughout the African diaspora have used style as a reminder of one’s value, visibility, and agency, and the enduring influence of Sunday best dressing on artistic expression.

This richly illustrated volume is organized around the following themes:

• Origins, featuring fashion design by Christopher John Rogers and photography by James Van Der Zee
• Black church, with art by Coreen Simpson, Gordon Parks, and Laura Wheeler Waring
• Migration, through designers such as Foday Dumbuya
• Liberation, with fashion design by Spencer Badu and photography by Chantal Regnault
• Call and response, including fashion design by Patrick Kelly and photography by Melodie McDaniel

Published in association with the Art Gallery of Ontario and the Philadelphia Museum of Art

Exhibition Schedule

Art Gallery of Ontario
(October 6, 2026–February 28, 2027)

Philadelphia Museum of Art
(May 1, 2027–August 8, 2027)

When an isolated young woman finds herself struggling to cope with new motherhood in a new country, she begins to feel like things can’t get much worse—until her baby goes missing.

Friday, 2:30 PM: Reema takes her infant daughter Anaya to the park for a playdate with Elizabeth, a friend she made online.

Friday, 4:04 PM: Elizabeth offers to watch Anaya while Reema goes to the restroom.

Friday, 4:08 PM: Anaya is gone.

Upon returning to an empty bench where Elizabeth and Anaya should be, Reema is overwhelmed with panic—why can't she see them anywhere? Was Elizabeth trying to soothe a fussy Anaya with a walk? Was she trying to move Anaya out of the sun so she didn't get overheated? With each minute that ticks by as Reema searches the park in a frenzy, a terrifying truth begins to sink in—Elizabeth has taken her child.

Friday, 4:45 PM: The police arrive.

But their presence is far from comforting—in fact, the more questions the detectives ask, the more their focus seems to shift away from Elizabeth and onto...Reema? As hours go by, Reema can sense that the police, her husband, his family, her neighbors, the media, they all blame her, even as the investigation exposes secrets and lies that everyone around her has been hiding.

Saturday, 3:12 PM: Reema takes matters into her own hands. Everyone thinks she’s not a good mother, but she’ll prove them wrong. She has to. . . .

Karabi George’s riveting, pulse-pounding debut thriller asks a terrifying question that lingers in the back of all our minds: How much can we really trust the people closest to us?