A New York Times Notable Book

A landmark reinterpretation of the civil rights movement that challenges reductive heroic narratives of the 1950s and 1960s and invigorates new debates and possibilities for the future of the struggle for liberation.

We are all familiar with the romantic vision of the civil rights movement: Heroic African Americans and their allies courageously triumphed over racial oppression, forging a new consensus in American life and law. What are the effects of this celebratory storytelling? What happens when a living revolt against injustice becomes an embalmed museum piece?

In this innovative work, Brandon Terry rejects the authority of the romantic narrative―the “arc of justice” story found in popular histories, the speeches of Barack Obama, and the writings of John Rawls―while also pushing back against the rival ironic mode of Afropessimism. Though sympathetic to the critiques of Afropessimists, Terry ultimately finds their thought self-undermining.

Instead of romance or irony, he argues, the civil rights movement is best understood through the lens of tragedy. By challenging the attachment to triumphant pasts, Terry demonstrates that tragedy exemplifies what the civil rights movement has been and can still be. Provocative and original, Shattered Dreams, Infinite Hope offers optimism without naïveté, to train our judgment and resilience in the face of reasonable despair.

A sweeping history of the African American struggle against police brutality, exposing how state violence underpins the capitalist economy and tracing the long resistance movement in pursuit of racial justice and freedom for all

Rekia Boyd, Timothy Thomas, Jonathan Sanders, Breonna Taylor, Jordan Neely, and Michael Brown were casualties of war. Whether we call it a war on crime, a war on militants, or a war on drugs, law enforcement at every level has made Black neighborhoods across the country into killing fields and open-air prisons, stripping vulnerable people of equal rights, freedom of movement, and even protection from torture. In a smoldering indictment, Robin D. G. Kelley excavates the deep history of this war through the lives of the victims and their communities, drawing a direct line from today’s fatalities to the “blood at the root”―the racial terror at the heart of America’s system of exploitation and wealth accumulation.

It is a system, Kelley shows, that depends on racial and economic inequality and is maintained through not only tools of force but also tools of wealth extraction, from lynch law in Georgia to segregated housing in St. Louis to gentrification, predatory lending, civil forfeiture, and even today’s militarization of ICE.

At the same time, Making a Killing is a history of the counterwar, the legacy of collective Black resistance―the movements, tactics, thinkers, and leaders―that has long been a catalyst for change and the tip of the spear in a broader fight against rising fascism. Demanding not only justice for Black victims but also vast and visionary social transformation, these movements, from Reconstruction to the present day, hold out the possibility that we may lay to rest the America we know so that a new world may be born.

Celebrate the beautiful brown and black girls in your life with this magical and empowering ABC board book.

Tell your little one that they are magic with ABCs of Black Girl Magic. Featuring enchanting illustrations showcasing the power, beauty, and magic of black and brown girls alongside positive affirmations, this board book is a wonderful way to show your child they are loved and important.

From read alouds to bonding moments, this beautiful board book is the perfect baby shower gift, birthday present, and gift for your daughter, sister, mother, or any strong woman in your life that needs to know they are magic.

You are…

Amazing

Beautiful

Courageous

…and so much more!

From the Washington Post’s first race and ethnicity reporter, a poignant investigation into the aftermath of the Great Migration, the promise of a Second Great Migration, and what future Black communities could look like across America in this eye-opening and thoughtful study, a mix of The Warmth of Other Suns and How the Word Is Passed.

Since the 1990s, demographers have been documenting a new Great Migration: millions of Black Americans leaving Northern and Western cities for the South their parents and grandparents fled during Jim Crow. Huge numbers of Black people have been moving to Memphis, Houston, Charlotte, and other booming metropolises in the hopes of recreating the vibrant communities their grandparents once left. Have they found what they were looking for? Is it possible for Black Americans to have community, economic prosperity, and safety all in one place? And if so, where?

In the Search for Black Mecca, Emmanuel Felton examines how these questions are playing out in real lives today, going into the homes of Black Americans who are weighing what they want and where they hope to find it. He identifies three archetypes—“Those Who Stay,” “Those Who Leave,” and “Those Who Build Something New”—and reveals the costs and benefits of each decision, while seeking answers to deeper questions regarding communal responsibility, what’s needed to make Black neighborhoods thrive, and how to manage the fact that white people are often threatened by Black success. He also unravels his own family’s migration story through the lives of his two grandfathers—a prominent New Orleans dentist and a troubled musician who migrated to Oakland, California.

Through these stories, Felton crystalizes our understanding of what it means to find—or to create —our own meccas: radical spaces for Black joy, freedom, and imagination, even when the external world tries to take those places away.

From the author of the acclaimed novel, House of Cotton, comes an electric, haunting new Southern noir following the residents of Better Tomorrow Trailer Park in the aftermath of a gruesome murder.

Summer ’97. Deadly sins. Misguided obsessions.

When Better Tomorrow Trailer Park’s owner, Joe Candle, is found nailed to a cross in the center of the lot, the police have one question for the park’s eccentric residents: Who killed Candle?

No one is safe from suspicion. Not the pretty, calf-eyed cashier with a shadowed past, or the barber and his strange, altered demeanor, or the young son of a cop who harbors a volcanic temper.

As the investigation begins and satanic panic grips this small town in the heart of Appalachia, the low-grade paranoia spreads beyond the borders of the park. With the arrival of a lone, mysterious detective, a darker plot is soon unearthed. The questions that arise threaten the very existence of Better Tomorrow, and the community is tested to its breaking point.

Thundering towards the dreaded summer solstice, Lonesome Holler is a beautifully written exploration of loneliness, a blue-tuned elegy for community, and a comedic, devastating ode to the South.

A visionary new collection by former poet laureate of the United States and winner of the Pulitzer Prize Tracy K. Smith

The forest in Tracy K. Smith’s brilliant new work is and is not a metaphor. While these poems strive to hear and to heed the voices of the earth and its nations of trees, they also test a discomfiting view of humanity, not as divided and opposing factions but as a vast cacophonous family connected by a single deep root.

The Forest grapples with violence, cynicism, and injustice by tapping into the ecstatic for much-needed insight, humility, and conviction. Enlivened by slow time and spiritual desire, Smith’s poems are political and devotional conduits that bear witness to meditative visions and channeled conversations with ancestors and ascended guides. Several poems honor motherhood and the particular care bound up in mothering Black sons. Others come to terms with grief and a failed marriage now so distant as to be another life. Hovering always near, the divine feminine is a figure called forth to refute the God of War.

The Forest is a magnificent act of foresight beyond the granular realities of partisan depravity, polarization, and indifference. Smith reaches an exhilarating new height, in contact with the mythic and the rapturous.

A hidden history of twentieth-century American modernity that re-examines a mere twelve-block area on Manhattan’s Upper West Side with Thelonious Monk as its guiding star. 

The Jungles reclaims the largely forgotten world of San Juan Hill, a predominantly Black neighborhood on Manhattan’s West Side, was one of the most fertile centers of American cultural life in the twentieth century.

At once a biography, an urban history, and a cultural reckoning, Howard W. French’s The Jungles reveals how the neighborhood that would encompass Lincoln Center, previously known as the Jungles, fostered numerous pathbreaking Black artists, among them a young Thelonious Sphere Monk (1917–1982).

The story opens in Cuba in 1898, where we watch as Teddy Roosevelt’s forces triumph on San Juan Hill, with close to one-fifth of the overall invading force consisting of Black soldiers whose valor went largely unrecognized. After returning to the US, these veterans joined a broader wave of Black migrants moving northward, eventually settling in a Manhattan -neighborhood that would take the battle’s name. San Juan Hill became a lively, artistic Black community that preceded the Harlem Renaissance and inspired some of the highest twentieth- century creative triumphs―giving rise to the stride piano style and nurturing the genius of Monk, whose mold-breaking artistry struggled to gain traction in an industry then dominated by white producers.

As Robert Moses began tearing down the neighborhood under the guise of “urban renewal,” Monk became its most famous holdout, staying put in his cramped apartment in the Phipps Houses at 243 West 63rd Street, his upright piano protruding from his bedroom into the kitchen as he continued to make his iconic music.

By the late 1950s, Monk’s genius had finally been recognized, but the erasure already felt irreversible, extending even to the musical West Side Story, which reimagined the neighborhood’s streets as Latino gang territory, whitewashing the predominantly Black and Caribbean community that had actually lived there.

A compelling history from one of our finest American historians, The Jungles ultimately emerges as a new way of telling the history of music, of New York, and of America. The cradle of jazz was not only in New Orleans but also in San Juan Hill, and French’s magnificent recreation of that vanished world, and of the miraculous life of Thelonious Monk, restores to American cultural memory what erasure nearly stole for good.

12 illustrations

For readers of Nightcrawling, My Absolute Darling, and My Dark Vanessa, this captivating debut centers on nineteen-year-old Keke as she sets out on a desperate quest for freedom and a stable life for herself and her young daughter.

Keke is a young mother living in the basement of a house in Newark, New Jersey under the watchful eye of a man called Daddy. For five years, she has been told that she’ll be able to move upstairs once she and the other “girls” being trafficked hit the magic number. When that happens, she will no longer have to work the motels along the interstate. Her daughter, Angel, will be able to go to school, and Keke will live with Daddy in a real home, like a real family.

But then Keke gets picked up by vice cops and diverted to a women’s shelter, upending the delicate balance of her life. Hope for a new beginning starts shining through the cracks―but she doesn’t trust the system to save her. Unwilling to surrender Angel to foster care, Keke needs to figure out how to get both herself and her daughter to freedom.

Sakinah Hofler’s debut is a taut, incendiary testament to a mother’s love, and an uncompromising evocation of how desperation can drive you through to the light.

The story that captivated readers―now complete for the first time.

Passion for the Heist introduced readers to the love story of Passion Adams and Percy “Pain” Wells―a tale of survival, betrayal, and love. Now, experience The Wild Hearts Duology in one volume, including Passion for the Heist and the never-before-published sequel, Murder of Crows.

A crime brought them together. Grief bound them. Love made them infamous.

Percy “Pain” Wells returned from prison with two things: a ruined reputation and his grandmother’s medical bills. Debts don’t care if he’s trying to go straight, and the streets he once ruled now whisper his name like a warning.

Passion Adams has nothing left but the locket holding her parents’ ashes, a monster for an uncle, and habits that numb the pain. When the locket is stolen in a robbery, she thinks it’s gone forever. Then it turns up in the hands of a stranger with hardened eyes and a calm that screams danger.

Pain should walk away, but something about Passion―her fire, her pain―won’t let him go. Their lives collide, and what starts as a mission to make things right becomes a fight to stay alive. Their explosive love turns two broken souls into the most wanted names in the city, hunted by cops and the underworld alike.

For Passion and Pain, there are only two ways out: disappear into the shadows or become the story everyone tells.

Acclaimed author Richard Ho and artist Xuân Lan take readers on a tour of Asian homes around the world—just please remember to leave your shoes at the door! A rich exploration of cultures, families, and traditions for fans of A Big Mooncake for Little Star and Eyes that Kiss in the Corners.

Welcome. You are about to step into an Asian home. But before you do. . . please remove your shoes.

Slippers are allowed. Socks and bare feet, too. You may have always taken off your shoes before stepping into a home, or it may be new to you. But have you ever stopped to wonder why it is a common practice to take off your shoes in Asian households?

Richard Ho explains the custom, which spans across cultures and generations, in his thoughtful, richly layered text that is excellent for reading aloud. Xuân Lan's playful artwork showcases a variety of Asian cultures and introduces a young cat to lead readers on a journey through time and place.

Along with the curious cat, readers will:

* Visit an ancient Chinese village, an historic Korean classroom, a modern Japanese dining room, and many more places.
* Honor the cultures and traditions of the Asian diaspora.
* Celebrate our feet, which work so hard every day.
* Learn more from the author's note and visual glossary providing further details about each culture's customs.

CORETTA SCOTT KING HONOR ARTIST, SEAN QUALLS

From Coretta Scott King Honor artist and illustrator of Questlove's The Idea in You, Sean Qualls comes a captivating introduction on how Black people have influenced music throughout history and what music means to Black culture.

The people sing; the people dance. The people have the music, and the music is the people.

Music has been embedded into the fabric of Black life since the first notes rang out and found their way into the souls of the first African inhabitants. From the melancholic blues to the funkifyingly upbeat disco, from earth-shattering rock ’n’ roll to groundbreaking jazz and hip-hop, music has been the bedrock of Black hope and culture. From its earliest arrival in the Americas, Black music has shaped American music and the world has never been the same because of it.

Coretta Scott King Honor illustrator Sean Qualls brings us the electrifying history of Black music and moves from one ground-breaking era to another, giving his own vibrant and hip spin on the rhythm and blues that will always have the power to comfort, guide, inspire, and remind us all.

The Music, The People will make for the most fun Black music history guide as it’s:

* A Picture Book That Makes History Fun: The fun, funky, and lively voice present in The Music, The People is unlike any other and delivers the history of music genres created, influenced, and loved by Black individuals in a way that is sure to readily engage and enlighten readers as they move through music history.
* Filled with Important Messages About Music: The Music, The People infuses its pages with important messages regarding music’s ability to uplift, transcend, break barriers, and lead revolutions. Music feeds the soul, and Qualls gratifyingly depicts that.
* Features Art Like No Other: Each page of The Music, The People features Qualls’ signature breathtaking art as he moves through each musical era, making for a reading experience that’s as gratifying as it is captivating.

“Engrossing and informative.” ―Zaakir Tameez, New York Times Book Review

From one of the most acclaimed and influential historians of the United States, an insightful guide to our history and why it matters.

Eric Foner has done more to shape the public and professional understanding of American history than any other scholar. The preeminent historian of the Civil War era, Foner’s keynote has been American freedom and the recurring battles over its meanings and boundaries. His award-winning works show that freedom has been a birthright for some and a struggle for others, that rights gained can also be lost, and that they must always be tended with knowledge and vigilance. The present political moment makes the importance of these themes abundantly clear.

This collection of Foner’s recent reviews and commentaries demonstrates the range of his interests and expertise, running from slavery and antislavery, through the disunion and remaking of the United States in the nineteenth century, Jim Crow and the civil rights movement, and into our current politics. Each piece shows a master at work, melding historical knowledge and balanced judgment with crystalline prose. Foner takes up towering figures from Washington to Lincoln, Douglass, and Rosa Parks, pivotal events such as the Fugitive Slave Act and the Tulsa Race Massacre, and the fragility of constitutional guarantees to civil liberties, due process, and birthright citizenship, whether in times of war or peace. He also explores recent controversies over how to commemorate, and how to teach, our history.