The first biography of a controversial, iconoclastic architect of Black Studies, from a leading scholar of the Black intellectual tradition

In the 1960s and 1970s, Harold Cruse (1916–2005) was one of the most prominent Black intellectuals in the world, mentioned in the same breath as James Baldwin, Frantz Fanon, and Malcolm X. Today, Cruse is nearly forgotten. In this biography, Vincent W. Lloyd reclaims the story of an influential contrarian, a man who was beloved, feared, hated, reviled, praised.

Cruse grew up poor in Virginia and Harlem, worked as a critic and organizer, and then spent years making his living through manual labor while writing The Crisis of the Negro Intellectual (1967). The book electrified Black America, and the activist who never finished high school became a tenured college professor, a founder of the field of Black Studies, and a mentor to countless student activists. By the 1980s, however, Cruse’s distaste for integration, liberal pluralism, and multiculturalism meant that his influential work was fading from view.

Drawing on Cruse’s letters and unpublished writings, along with scores of interviews, Lloyd offers a fast-paced narrative of an extraordinary life―and a new perspective on Black justice struggles. Ultimately, this is the story of a singular man: passionate, brilliant, strange, and visionary.

Within the Circle is the first anthology to present the entire spectrum of twentieth-century African American literary and cultural criticism. It begins with the Harlem Renaissance, continues through civil rights, the Black Arts Movement, and on into contemporary debates of poststructuralist and black feminist theory. Drawing on a quote from Frederick Douglass for the title of this book, Angelyn Mitchell explains in her introduction the importance for those "within the circle" of African American literature to examine their own works and to engage this critical canon.
The essays in this collection—many of which are not widely available today—either initiated or gave critical definition to specific periods or movements of African American literature. They address issues such as integration, separatism, political action, black nationalism, Afrocentricity, black feminism, as well as the role of art, the artist, the critic, and the audience. With selections from Langston Hughes, Sterling Brown, W. E. B. DuBois, Zora Neale Hurston, Richard Wright, James Baldwin, Toni Morrison, Barbara Smith, Alice Walker, Henry Louis Gates, Jr., and many others, this definitive collection provides a dynamic model of the cultural, ideological, historical, and aesthetic considerations in African American literature and literary criticism.
A major contribution to the study of African American literature, this volume will serve as a foundation for future work by students and scholars. Its importance will be recognized by all those interested in modern literary theory as well as general readers concerned with the African American experience.

Selections by (partial list): Houston A. Baker, Jr., James Baldwin, Sterling Brown, Barbara Christian, W. E. B. DuBois, Ralph Ellison, LeRoi Jones, Sarah Webster Fabio, Henry Louis Gates, Jr., W. Lawrence Hogue, Langston Hughes, Zora Neale Hurston, Alain Locke, Deborah E. McDowell, Toni Morrison, J. Saunders Redding, George Schuyler, Barbara Smith, Valerie Smith, Hortense J. Spillers, Robert B. Stepto, Alice Walker, Margaret Walker, Mary Helen Washington, Richard Wright

Winner of the 2003 Lambda Literary Award for Fiction Anthology

Showcasing the work of literary giants like Langston Hughes, James Baldwin, Audre Lorde, Alice Walker, and writers whom readers may be surprised to learn were "in the life," Black Like Us is the most comprehensive collection of fiction by African American lesbian, gay, and bisexual writers ever published. From the Harlem Renaissance to the Great Migration of the Depression era, from the postwar civil rights, feminist, and gay liberation movements, to the unabashedly complex sexual explorations of the present day, Black Like Us accomplishes a sweeping survey of 20th century literature.

Loving Black Boys is not just a love letter to Tamura Lomax’s own sons, but to all Black boys, men, fathers, and brothers. With understanding and urgency, Lomax writes honestly about Black endangerment and what it means to endure living in what James Baldwin called the “burning house” of white supremacist capitalist heteropatriarchal America. Seeing the full humanity of Black boys and men, and the liberation of all Black people, Lomax writes, requires a Black feminist lens. A companion piece to Freeing Black Girls, this book connects the everyday and extraordinary moments of Black mothering: phenomena as varied as “the talk” about police brutality, physical and emotional violence, Christian nationalism, miseducation, emotional health, sports, and more, which produce not only shared vulnerabilities but also tensions among Black folks. To her sons and to all Black men, Lomax insists that Black feminism, which emphasizes mutuality, protection, ethical autonomy, and healing, is vital to forging a safer future for individual and collective survival.

*Use discount code SALE at checkout for 30% off*

The unique social, cultural, and political life of the incomparable LeBron James
 
LeBron James is the hero in two very American tales: one, a success story the nation loves; the other, the latest installment in an ongoing chronicle of American antiblackness. He’s the poor boy from a “broken” home who makes good. He’s also the poor Black boy from a “broken” home who makes good, then at the apex of his career finds “n*****” spray-painted across the gate to his home.
 
James has lived in the public eye ever since high school when his extraordinary athletic skills subjected his every action, every statement, every fashion choice to intense public scrutiny that tells us less about James himself and more about a nation still wrestling with many social inequities. He uses his celebrity not to transcend Blackness, but to give it a place of cultural prominence, and the backlash he receives exposes the frictions between Blackness and a country not fully comfortable with its presence. As a result, James’s story is a revelatory narrative of how much Blackness is loved, hated, misunderstood, and just plain cool in an America that has changed and yet not changed at all.

It's raining Black holiday romances and women's fiction this year and we're here to celebrate it all!

EVENT DEETS

When: Sunday, November 24 @ 3:30 PM CST

Where: Virtual via Zoom. We'll send you the Zoom link!

How: RSVP here to let us know you're coming! Also, check out the cool book bundles to support the authors. 

The Grinch (includes Only for the Holidays by Abiola Bello, A Novel Christmas by Charity Shane and Christmas in Spite of You by K.C. Mills)

The Hallmark (I'll Be Gone for Christmas by Georgia Boone, The Christmas Catch by Toni Shiloh, Only for the Holidays by Abiola Bello) 

Home Alone (Christmas in Spite of You by K.C. Mills,  I'll Be Gone for Christmas by Georgia Boone, A Novel Christmas by Charity Shane) 

ABOUT THE AUTHORS 

Abiola Bello is a British-Nigerian author from London, England. She is the bestselling, award-winning author of the children’s series Emily Knight I Am and the YA novel Love in Winter Wonderland, as well as a contributor to The Very Merry Murder Club anthology. Abiola has won London’s BIG Read 2019, was a finalist for the People’s Book Prize Best Children’s Book and was nominated for the Yoto Carnegie Award.

Charity Shane holds a bachelor’s degree and a Juris Doctor degree. Author. Higher Education Leader. Legal Expert. Writing stories that create feelings through her words is her true passion. Her soul sings AA romance and urban romance fiction. To date, she has published twelve books, one of which became a #1 Bestseller in Urban Fiction on Amazon. Charity Shane’ is dedicated to giving readers robust and diverse stories centered around love.

K.C. Mills penned her first novel in July 2015. One of her many talents is the ability to move between multiple genres and fully execute stories which are whole, realistic and heart-warming that leave readers wanting more. Her soul tends to feel at home with contemporary adult romance and urban fiction novels. To date, she has over one hundred titles, thirty-seven of which were published independently. Mills’ goal as an author is to craft Romance with an Edge that displays love in all shades of brown, with beautifully flawed humans that deserve to find their happily ever after.

Toni Shiloh is a wife, a mom, and an award-winning Christian contemporary romance author. Her novel In Search of a Prince won the first ever Christy Amplify Award. It has also been praised by Oprah Daily, POPSUGAR, Library Journal, and Booklist and is a Parable bestseller. Her books have won the Christy Award and Selah Award and have been finalists for the Carol Award and the HOLT Medallion. As a member of American Christian Fiction Writers (ACFW), Toni loves connecting with readers and authors alike via social media. Learn more at ToniShiloh.com

Georgia K. Boone is a writer, a poet, and the daughter of storytellers. Sometimes, she writes songs she may one day share. Once, in a Brooklyn community center, she read James Baldwin’s quote “You can’t tell the children there’s no hope,” and she carries those words from the city to the desert and beyond. She lives on the West Coast with her family

ABOUT THE MODERATOR

Theresa Arline, is a Birmingham, AL native, graduate of Texas Southern University and the owner of Public Displays of Reading, a book accesories company based in Houston, Texas. Her lifelong passion for reading has evolved into a mission to promote books by Black authors across genres. 

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Black figuration and portraiture as realized in the works of Amy Sherald, Jordan Casteel and other contemporary artists

“There is never a time in the future in which we will work out our salvation. The challenge is in the moment, the time is always now,” wrote James Baldwin. Published in conjunction with the eponymous exhibition at the National Portrait Gallery, London, The Time is Always Now is edited by curator Ekow Eshun, former director of the Institute of Contemporary Arts in London. The book brings together 22 contemporary African diasporic artists working primarily in the United Kingdom and the United States, whose practices―whether through painting, drawing or sculpture―foreground the Black figure. Acknowledging the paradox of race as both a “socially constructed fiction” and a “lived reality,” as Eshun writes, The Time is Always Now celebrates these Black figurative artworks against a background of heightened cultural visibility. Through a three-part structure, this book examines Black figuration as a means to address the absence and distortion of Black presence within Western art history. Each artist receives a detailed biographical profile alongside reproductions of their included works. The catalog is also supplemented by three original essays from Dorothy Price, Professor of Modern and Contemporary Art and Critical Race Art History at the Courtauld Institute of Art; Bernardine Evaristo, Booker Prize–winning author of Girl, Woman, Other; and Esi Edugyan, two-time Giller Prize winner for her novels Half-Blood Blues and Washington Black.

Artists include: Njideka Akunyili Crosby, Hurvin Anderson, Michael Armitage, Jordan Casteel, Noah Davis, Godfried Donkor, Kimathi Donkor, Denzil Forrester, Lubaina Himid, Claudette Johnson, Titus Kaphar, Kerry James Marshall, Wangechi Mutu, Chris Ofili, Toyin Ojih Odutola, Jennifer Packer, Thomas J. Price, Nathaniel Mary Quinn, Lorna Simpson, Amy Sherald, Henry Taylor, Barbara Walker.

In the spirit of American cultural prophecy―from Ta-Nehisi Coates to Rebecca Solnit―acclaimed writer Casey Gerald offers a groundbreaking work of joyous dissent and stunning vision, a survival guide to a society in crisis.

“Somehow Casey Gerald has pulled off the most urgently political, most deeply personal, and most engagingly spiritual statement of our time by just looking outside his window and inside himself. Extraordinary.” ―Marlon James on There Will Be No Miracles Here

Most afternoons for the past three years, Casey Gerald took a walk. He would pass the compound that Elon Musk was building in his neighborhood; the burned-down Freedman's church; the little house where he and his lover Jack had seen a shooting star. He knew the world was crumbling, but he didn't fret. He had been promised: When it breaks, you'll be ready.

"There is a great unfolding going on," Gerald writes, "and all the clues for what's to come are planted in the people." In this quietly redemptive and lyrical book, Gerald shares his map for finding those clues, finding each other, and finding our way out of this dark and wearied time. On the other side of No, Gerald insists, there is a Yes―an embrace of what we really want, what we might finally claim once we refuse.

Calling forth a kaleidoscopic cast, from Odysseus to D'Angelo, Sun Tzu to Simone Biles, Black literati and desert mystics, Gerald implores us to take our power back and to remake the world together, on our terms. Written with Didion's cold eye and Baldwin's unflinching urgency, and with the dark humor of a man who’s seen too much but still wants to see what’s next, The Great Refusal is a lifeline from the other side of ruin.

Named one of the GREAT AMERICAN NOVELS of the last 100 years by The Atlantic

The 50th anniversary edition of the classic, freewheeling novel by one of the most iconic satirists of our time—now with a new introduction by the author.

“Mumbo Jumbo is a mixtape, a collage, a palimpsest...Even if it didn't have an eerie bearing on our modern politics, it’d be worth reading simply for the pleasure of spending time in Reed’s roving mind.”—The Atlantic

“Part vision, part satire, part farce… A wholly original, unholy cross between the craft of fiction and witchcraft.” —The New York Times

It is the 1920s in New York City and an epidemic known as Jes Grew is sweeping the nation—a dancing plague, irresistible, joyful, and undeniably Black. Naturally, the powers-that-be are having none of it. A repressive conspiracy is operating in the shadows, and it is dead set on squelching Jes Grew and its Carriers—Black artists and musicians—by any means necessary.

So begins the classic novel by Ishmael Reed, the iconic satirist whose contributions to American literature have drawn praise from the likes of James Baldwin and Harold Bloom. Mumbo Jumbo is an ingenious deconstruction of Western civilization—a cinematic collage that mixes portraits of historical figures and incidents with sound bites on subjects ranging from ragtime to Greek philosophy. Now with a new introduction by the author, this timeless and crucial work of twentieth-century fiction is ready to be discovered by a new generation of readers.

With more than two million copies in print, Manchild in the Promised Land is one of the most remarkable autobiographies of our time—the definitive account of African-American youth in Harlem of the 1940s and 1950s, and a seminal work of modern literature.

Published during a literary era marked by the ascendance of black writers such as Richard Wright, Ralph Ellison, James Baldwin, and Alex Haley, this thinly fictionalized account of Claude Brown’s childhood as a hardened, streetwise criminal trying to survive the toughest streets of Harlem has been heralded as the definitive account of everyday life for the first generation of African Americans raised in the Northern ghettos of the 1940s and 1950s.

When the book was first published in 1965, it was praised for its realistic portrayal of Harlem—the children, young people, hardworking parents; the hustlers, drug dealers, prostitutes, and numbers runners; the police; the violence, sex, and humor.

The book continues to resonate generations later, not only because of its fierce and dignified anger, not only because the struggles of urban youth are as deeply felt today as they were in Brown’s time, but also because of its inspiring message. Now with an introduction by Nathan McCall, here is the story about the one who “made it,” the boy who kept landing on his feet and grew up to become a man.

Celebrate the release of Love Cake with author, Douglas Bell!

EVENT DEETS

When: Saturday, May 18, 2024 at 2 PM

Where: Kindred Stories Reading Garden (2304 Stuart Street, HTX, 77004)

How: RSVP ONLY to reserve your seat. RSVP WITH BOOK to support the author and our programming.

ABOUT THE BOOK

Love Cake is contemporary fiction about Bryan Hicks and his transgender girlfriend, Nadia Brooks. Together they own and operate a bakery in conservative Texas. At its red velvet core, Love Cake is a story about how love persists in the face of prejudice and about the value of found family. It speaks to the power of loving people despite the mistakes they make.

With thought-provoking insight, Douglas Bell in Love Cake, the second book of The Cakes Series duology and the sequel to Cake Walk, rings a bell again on an untold story that teaches how we can find the courage to show up for each other as the world tries to tear us apart.

ABOUT THE AUTHOR

Douglas Bell is a fiction writer based in the bustling city of Houston, Texas. He draws inspiration from a variety of sources, including the teachings of Buddha and the Dalai Lama, as well as the powerful storytelling of James Baldwin. When he's not writing, you can usually find him hitting the gym, experimenting with new recipes in the kitchen, or staying up to date with the latest fashion trends.