From the #1 New York Times bestselling author of Babel and Yellowface comes an all-new, fully illustrated, collector’s edition of R. F. Kuang’s debut novel, The Poppy War. Considered one of Time Magazine’s 100 Best Fantasy Books of All Time, the story of orphaned Rin’s rise to power gets a fresh look with a full-wrap illustrated jacket and black-and-white interior art by JungShan Chang throughout, plus embossed case, designed end papers, and sprayed edges.

When Rin aced the Keju—the Empire-wide test to find the most talented youth to learn at the Academies—it was a shock to everyone: to the test officials, who couldn’t believe a war orphan from Rooster Province could pass without cheating; to Rin’s guardians, who believed they’d finally be able to marry her off and further their criminal enterprise; and to Rin herself, who realized she was finally free of the servitude and despair that had made up her daily existence. That she got into Sinegard—the most elite military school in Nikan—was even more surprising.

But surprises aren’t always good.

Because being a dark-skinned peasant girl from the south is not an easy thing at Sinegard. Targeted from the outset by rival classmates for her color, poverty, and gender, Rin discovers she possesses a lethal, unearthly power—an aptitude for the nearly mythical art of shamanism. Exploring the depths of her gift with the help of a seemingly insane teacher and psychoactive substances, Rin learns that gods long thought dead are very much alive—and that mastering control over those powers could mean more than just surviving school.

For while the Nikara Empire is at peace, the Federation of Mugen still lurks across a narrow sea. The militarily advanced Federation occupied Nikan for decades after the First Poppy War, and only barely lost the continent in the Second. And while most of the people are complacent to go about their lives, a few are aware that a Third Poppy War is just a spark away . . .

Rin’s shamanic powers may be the only way to save her people. But as she finds out more about the god that has chosen her, the vengeful Phoenix, she fears that winning the war may cost her humanity . . . and that it may already be too late.

Paperback Release Date - 9/29/2026

An allegorical love story — a modern day Alchemist meets The Never Ending Story —set in a world where a book shopkeeper becomes a reluctant matchmaker, bringing soulmates together through books.

It’s Me They Follow is an allegorical love story set in a not so distant past. It follows The Shopkeeper, a bookseller and reluctant matchmaker. Helping others find love through books comes easily for The Shopkeeper, until it is time for her to find love for herself.

She secretly yearns for her first customer, ME, who took both her most prized book and a piece of her heart when he left. But just when she begins to lose hope, she discovers that she may hold the key to her own happily ever after as well.

Real life Shopkeeper and author Jeannine A. Cook has conjured a magical story that is a book within a book within a book. Soon, readers will find themselves falling under the same love spell as her customers and characters. In this magical bookshop where the line between fiction and reality blurs, stories and real life intertwine in an enchanting and moving narrative about human connection, the power of storytelling, and the spirit of love.

A radical new vision of the nation's founding era and a major act of historical recovery 

Featuring more than 120 writers, this groundbreaking anthology reveals the astonishing richness and diversity of Black experience in the turbulent decades of the American Revolution

Black Writers of the Founding Era is the most comprehensive anthology ever published of Black writing from the turbulent decades surrounding the birth of the United States. An unprecedented archive of historical sources––including more than 200 poems, letters, sermons, newspaper advertisements, slave narratives, testimonies of faith and religious conversion, criminal confessions, court transcripts, travel accounts, private journals, wills, petitions for freedom, even dreams, by over 100 authors––it is a collection that reveals the surprising richness and diversity of Black experience in the new nation.

Here are writers both enslaved and free, loyalist and patriot, female and male, northern and southern; soldiers, seamen, and veterans; painters, poets, accountants, orators, scientists, community organizers, preachers, restaurateurs and cooks, hairdressers, criminals, carpenters, and many more. Along with long-famous works like Phillis Wheatley’s poems and Benjamin Banneker’s astonishing mathematical and scientific puzzles are dozens of first-person narratives offering little-known Black perspectives on the events of the times, like the Boston Massacre and the death of George Washington.

From their bold and eloquent contributions to public debates about the meanings of the revolution and the values of the new nation–– writings that dramatize the many ways in which protest, activism, and community organizing have been integral to the Black American experience from the beginning––to their intimate thoughts preserved in private diaries and letters, some unseen to the present day, the words of the many writers gathered here will indelibly alter our understandings of American history. 

A foreword by Annette Gordon-Reed and an introduction by James G. Basker, along with introductory headnotes and explanatory notes drawing on cutting edge scholarship, illuminate these writers’ works and to situate them in their historical contexts.

A 16-page color photo insert presents portraits of some of the writers included and images of the original manuscripts, broadside, and books in which their words have been preserved.

Finalist for the National Book Award for Nonfiction
Winner of the Andrew Carnegie Medal for Excellence in Nonfiction
Finalist for the PEN/Jean Stein Book Award
Long-listed for the National Book Critics Circle Award for Autobiography

One of the New York Times Notable Books of the Year

Yiyun Li’s remarkable, defiant work of radical acceptance as she considers the loss of her son James.

“There is no good way to say this,” Yiyun Li writes at the beginning of this book.

“There is no good way to state these facts, which must be acknowledged . . . My husband and I had two children and lost them both: Vincent in 2017, at sixteen, James in 2024, at nineteen. Both chose suicide, and both died not far from home.”

There is no good way to say this―because words fall short. It takes only an instant for death to become fact, “a single point in a time line.” Living now on this single point, Li turns to thinking and reasoning and searching for words that might hold a place for James. Li does what she can: doing “things that work,” including not just writing but gardening, reading Camus and Wittgenstein, learning the piano, and living thinkingly alongside death.

This is a book for James, but it is not a book about grieving or mourning. As Li writes, “The verb that does not die is ‘to be.’ Vincent was and is and will always be Vincent. James was and is and will always be James. We were and are and will always be their parents. There is no now and then, now and later; only now and now and now and now.” Things in Nature Merely Grow is a testament to Li’s indomitable spirit.

The beloved author of Don’t Cry for Me and Perfect Peace returns with a poignant, emotionally exuberant novel about a young queer Black man finding his voice in 1980s Chicago—a novel of family, forgiveness and perseverance, for fans of The Great Believers and On Earth We're Briefly Gorgeous

Isaac is at a crossroads in his young life. Growing up in Missouri, the son of a caustic, hard-driving father, he was conditioned to suppress his artistic pursuits and physical desires, notions that didn’t align with a traditional view of masculinity. But now, in late ’80s Chicago, Isaac has finally carved out a life of his own. He is sensitive and tenderhearted and has built up the courage to seek out a community. Yet just as he begins to embrace who he is, two social catalysts—the AIDS crisis and Rodney King’s attack—collectively extinguish his hard-earned joy.

At a therapist’s encouragement, Isaac begins to write down his story. In the process, he taps into a creative energy that will send him on a journey back to his family, his ancestral home in Arkansas and the inherited trauma of the nation’s dark past. But a surprise discovery will either unlock the truths he’s seeking or threaten to derail the life he’s fought so hard to claim.

Poignant, sweeping and luminously told, Isaac's Song is a return to the beloved characters of Don’t Cry for Me and a high-water mark in the career of an award-winning author.

Ignite-Her is a spark. A flame. An inferno.

In 2024, five fierce FEMMEnomenal poets-EbonyRose, Renee Blackwell, Sarahtonin, Skyy Danielle, and Tequila Smith-lit National Poetry Month ablaze with 30 days of original writing prompts and poetry that cracked open the soul. What began as a challenge became HERstory in motion.

This collection is more than ink on pages. It is sacred fire. Each poem was written daily, in real time, rising from the depths of grief, joy, rage, creativity, tenderness, faith, and fierce self-discovery. These women wrote their truths into existence and now they are passing the torch to you.

Inside these pages you'll find prompts designed to break the silence and unleash the stories trapped beneath the surface. You'll encounter poetry that dares to feel, to question, to heal, and to burn beautifully.

Write with vigor. Write with flame. A fire does not apologize for its existence.

Stay IGNITED.

The unforgettable story of a Black woman who creates her own chosen family after tragedy, in a “warm and wise” tale (Observer UK) of the enduring power of a mother’s love.

When Paulette arrived on English shores as a young girl, she left behind a grandmother in St. Kitts who called her “Sweet Pea,” taught her to cook, and admonished her to avoid temptation and embrace love and forgiveness, in that order. Now Paulette is twenty-nine and in love with Denton, who she hopes to start a family and have lots of children with. But then Denton is killed in a car accident, and Paulette is left to grieve, as Denton’s friend Garfield finds his way into her bed. Soon their son is born, Bird, and Paulette decides to give Bird the best of everything, even as she lets Garfield go. Then, in a twist of fate, she meets the man who was behind the wheel of the car that killed Denton, and the grandson who he is having trouble caring for, a young boy the same age as Bird. Despite her grief and anger, Paulette takes the boy under her wing, and soon she is cooking him meals, making sure his clothes are clean, and letting him call her Sweet Pea. As the years go by, Paulette begins to understand the value of forgiveness, and most of all, love, and how much allowing it to guide her life has provided the strength she needed.

Beautiful and profound, Sweet Pea is a tender and emotionally-compelling novel about the healing power of one woman’s love and care for her found family.

Includes If Beale Street Could Talk, now a major motion picture directed by Barry Jenkins.

The Library of America completes its edition of the collected fiction of the literary voice of the Civil Rights era with this volume gathering three revealing later works of the 1960s and ’70s.

With such landmark novels as Go Tell It on the Mountain, Giovanni’s Room, and the essay collections Notes of a Native Son and The Fire Next Time, James Baldwin established himself as the indispensable voice of the Civil Rights era, a figure whose prophetic exploration of the racial and sexual fissures in American society raised the consciousness of American readers. But by the late 1960s and ’70s many regarded Baldwin as being out of sync with the political and social currents transforming America: too integrationist for Black Arts Movement writers and others on the Left, yet too “pessimistic” for many white readers, and as a result his later novels have never received the consideration given his earlier fiction. Sober in outlook but ambitious in scope, these works show Baldwin responding with his signature passion—for music, for justice, for life—and searching intelligence to the new realities of a rapidly changing cultural landscape, as the Movement era gives way to the age of identity politics that we still live in today. This culminating volume in the Library of America edition of his fiction illustrates how Baldwin continues to be relevant in twenty-first-century America, especially in his dramatizing of the unequal treatment of black men by the police and the justice system, his nuanced depictions of the black family, and his explorations of sexuality.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The best in short fiction from around the world, from celebrated anthologist and author John Freeman and award-winning novelist Rabih Alameddine

In The Penguin Book of the International Short Story, writers from different nations, languages, and sensibilities come together to create a globe-spanning and long overdue tour of modern fiction. In “Super-Frog Saves Tokyo,” Haruki Murakami brings us a man who believes a giant toad is enlisting him to protect his city from an impending earthquake. In “War of Clowns,” Mozambique’s Mia Cuoto sketches a perfect allegory for our divided culture. In the predecessor story to her iconic novel The Vegetarian, Han Kang’s protagonist quietly undergoes an unlikely transformation. A Colm Tóibín character thinks, “I do not even believe in Ireland,” while Carol Bensimon reflects from Brazil, “All great ideas seem like bad ones at some point.” Salman Rushdie brings us to unsettled rural India, Olga Tokarczuk to an ugly woman exhibit at the circus, Abdallah Taia to the queer Arab world, Ted Chiang to a far-off galaxy.

As it turns out, America is far from the center of the literary universe. The anthology is reminiscent of iconic director Bong Joon Ho’s line about overcoming “the one-inch-tall barrier of subtitles” to enter a new world of film—through the work of thoughtful and accomplished translators, the writing gathered here opens the door wide for readers, writers, and educators curious for what lies beyond the Western canon and classroom. With writers from six continents, ranging from new voices to literary celebrities, each story is a window into a distinct point of view, transcending but illuminating its place of origin. They offer not only captivating prose but a reminder of the power of the imagination across space and time.

New York Times bestselling author Kalynn Bayron makes her graphic novel debut in this original graphic novel set in the massive Descendants universe, starring fan-favorite character Uma, showing how she became the headmaster of Auradon Prep!

Uma, daughter of the infamous villain Ursula, is at a crossroads. After helping King Ben and Queen Mal bring down the barrier between the Isle of the Lost and Auradon, Uma no longer knows where she fits in.

Unmoored, Uma readies herself and the Lost Revenge crew to leave Auradon’s shores and take to the seas once again. But with a newly open barrier comes new troubles: a group of Auradon Prep students have vanished at sea without a trace. Worried for the students’ safety, the King and Queen ask Uma and her crew to embark on a search-and-rescue mission.

Despite her fears of becoming too much of a do-gooder, Uma accepts. It’s time to drop the Jolly Roger and set sail!  As the Lost Revenge weathers dangerous storms―and even stormier emotions―the pirates quickly find that the missing students are a small part of a much larger conflict. Putting her seafaring knowledge, magic, and VK wits to the test, Uma must battle sea witches, her own first mate, and a vengeance-hungry rival ship.

Will Uma be able to rescue the students and put a stop a looming threat before it descends upon Auradon? Or is it all already too late?

A stunning visual homage to Black bookstores around the country along with profiles and essays that celebrate the history, community, activism, and culture these spaces embody, featuring an original foreword by Nikki Giovanni.

Black literature is perhaps the most powerful, polarizing force in the modern American zeitgeist. Today—as Black novels draw authoritarian ire, as Black memoirs shape public debates, as Black polemics inspire protest petitions—it’s more important than ever to highlight the places that center these stories: Black bookstores.

Traversing teeming metropolises and tiny towns, Prose to the People explores these spaces, chronicling the Black bookstore's past and present lives. Combining narrative prose, eye-catching photography, one-on-one interviews, original essays, and specially curated poetry, Prose to the People is a reader’s road trip companion to the world of Black books.

Thoughtfully curated by writer and Black bookstore owner Katie Mitchell, Prose to the People is a must-have addition to the shelves of anyone who loves book culture and Black history. A visually rich tribute, this dynamic book centers profiles of over fifty Black bookstores from the Northeast to the mid-Atlantic, the South, and the West Coast, complete with stunning original and archival photography.

Interspersed throughout are essays, poems, and interviews by New York Times bestsellers Kiese Laymon, Rio Cortez, Pearl Cleage, and many more journalists, activists, authors, academics, and poets that offer deeper perspectives on these bookstores' role throughout the diaspora. Complete with a foreword by world-renowned poet and activist Nikki Giovanni, Prose to the People is a beautiful tribute to these vital pillars of the Black community.

NATIONAL BESTSELLER

“Angela Garbes has given us the definitive explanation for something we all share: the sense that something is not right about our society’s treatment of parenting. Essential Labor is a beautifully written, painstakingly researched, and courageously personal book. Garbes reveals the way systems exploit caregiving and shows us how the essential work of mothering can fix not just family life, but society. A timely and unforgettable book.”—Heather McGhee, New York Times bestselling author of The Sum of Us

From the acclaimed author of Like a Mother comes a reflection on the state of caregiving in America, and an exploration of mothering as a means of social change.

The Covid-19 pandemic shed fresh light on a long-overlooked truth: mothering is among the only essential work humans do. In response to the increasing weight placed on mothers and caregivers—and the lack of a social safety net to support them—writer Angela Garbes found herself pondering a vital question: How, under our current circumstances that leave us lonely, exhausted, and financially strained, might we demand more from American family life? 

In Essential Labor, Garbes explores assumptions about care, work, and deservedness, offering a deeply personal and rigorously reported look at what mothering is, and can be. A first-generation Filipino-American, Garbes shares the perspective of her family's complicated relationship to care work, placing mothering in a global context—the invisible economic engine that has been historically demanded of women of color. 

Garbes contends that while the labor of raising children is devalued in America, the act of mothering offers the radical potential to create a more equitable society. In Essential Labor, Garbes reframes the physically and mentally draining work of meeting a child's bodily and emotional needs as opportunities to find meaning, to nurture a deeper sense of self, pleasure, and belonging. This is highly skilled labor, work that impacts society at its most foundational level.

Part galvanizing manifesto, part poignant narrative, Essential Labor is a beautifully rendered reflection on care that reminds us of the irrefutable power and beauty of mothering.