The author of It’s Me They Follow chronicles the improbable true story of how she left an abusive past to build a bookshop that survived the Covid pandemic and become an international sensation.

Jeannine Cook always thought she’d open a bookshop in her old age. Raised by a blind librarian, books were integral to her life, and she expected she would eventually write one as well. Instead, Jeannine found herself a burnt-out workaholic with three jobs and no time to read or write, feeling like she hadn't fulfilled her purpose.

In her journal, Jeannine began an imaginary dialogue with Harriet Tubman, “Q&As” she dubbed Conversations with Harriett. Jeannine wondered how Harriet became a “wade through waist-high water in the winter: type of woman—and how she could become one too.

On February 1, 2020, Jeannine fulfilled her dream and opened a bookstore in Philadelphia which she named after her hero and inspiration, Harriet Tubman. Harriett’s Bookshop would be a place to celebrate women authors, artists, and activists. While the name was ironic—Harriet could neither read nor write—it was also fitting. The City of Brotherly love was one of Harriet's first stops to freedom on the Underground Railroad. But in only six weeks, Jeannine would be forced to shut the shop’s doors when Covid turned the world upside down—not knowing whether her dream would survive.

Five years later, this small independent bookshop is thriving, with satellite stores in unconventional places, from movie theaters to horse trailers. Despite global death and destruction, book bans, the downward spiral in readership, the lack of physical customers, AI, and more, Jeannine's shops have survived. Shut Up & Read is her story—the story of the little bookseller who could, and of the woman who has been the driving force behind it all.

"Téa Mutonji writes sharply about the subtle ruptures endemic to formative friendships." —Raven Leilani, bestselling author of Luster

"Searing . . . an essential new voice in contemporary fiction." —#1 New York Times bestselling author Carley Fortune

"Sexy, infuriating, and unbelievably fun to read . . . This is a writer who can read someone to filth in just one line." —Katie Yee, author of Maggie; or, A Man and a Woman Walk Into a Bar

A bold debut from an exhilarating, multi-award-winning young writer, following two lifelong friends who suddenly find themselves in an emotional deadlock when one abruptly proposes to break up after years of subtle betrayals.

Best friends of over twenty years, Tania and Margot are preparing to host their monthly Sunday Loaf dinner party, when Tania tells Margot this isn’t working for her anymore—they’ve been entangled for too long, she wants to "unknow" her. But how do you extricate yourself from someone whose family owns the apartment you live in, who has taken you in as their own, even claims you as their "person”?

As Tania attempts to live her life loudly on the outskirts of Margot’s bubble, Margot’s past betrayals become increasingly clear. But she means well, doesn’t she? They had felt like sisters from the start. Or had Tania just been blind to Margot’s antics? Set in the framework of a tense will-they-won’t-they break-up, Tania and Margot get entangled in a rigorous revision of history, their once delicate dance intensifying toward a frantic finale that neither person sees coming.

A taut, piercing exploration of race and privilege, codependency, and the ways in which world-defining friendships can be both beautifully and excruciatingly life altering, My Person is an addicting, astutely observed novel from an astonishing new talent.

Two friends must dig into their town's forgotten past and uncover the forgotten truth -- before their whole town goes up in flames. For fans of Small Spaces and Mary Downing Hahn, a spooky ghost story from the award-winning author of The Forgotten Girl and The Girl in the Lake.

Burn it all down.

Gianna and Carter John are best friends, but they couldn’t be more different. Gianna is small for her age, gets straight A’s, and is the teacher’s favorite. Meanwhile, Carter John gets in trouble no matter what he does, just because he’s tall and his voice is loud.

Then one day while working on a class project in the town library, Carter John gets in trouble yet again and reaches his breaking point. As his anger builds, a stack of books flies off the shelf, hitting the librarian.

Now everywhere he goes, strange things are happening. The smell of smoke hangs in the air. Sparks fly when Carter John gets in trouble. And he hears the voice of a young girl singing a song . . . a song about burning . . .

When fires start breaking out around town, Carter John and Gianna are determined to figure out who’s responsible. They are certain that these are no normal fires . . . Something terrible once happened where the town library now stands, and someone’s trying to send them a message about it.

But who is she―and why is she determined to get revenge?

From the author of The Forgotten Girl and The Girl in the Lake, this is both a bonechilling ghost story, and a book about the history of segregated libraries.

A long-overdue corrective to the history of rock ‘n’ roll and alternative music, repopulating it with the extraordinary Black artists and influential figures who steered its course, from an author, journalist, and front woman of the British post punk band Big Joanie.

The history of rock and roll and alternative music is often told in bold, sweeping, isolated moments that are removed from the context of their time. Upon closer inspection, however, it becomes clear that the stories we tell center primarily on the achievements of white men like Elvis Presley, The Ramones, Nirvana, and David Bowie. White men who were the stars, white men who supposedly changed the game, white men who seemingly were at the forefront of every musical innovation in the 20th and 21st centuries. These rock and roll retellings perpetuate the belief that white men were the most important people to wield a guitar, strut on stage, or pound out a pummeling drumbeat. What is missing in these stories is everything in between—the people, the places, and the scenes that connect the dots—and you can’t tell the history of any music scene, let alone alternative music, without the Black community.

From the genre's earliest moments, Black musicians—like gospel entertainer Sister Rosetta Tharpe in the 1930s-40s and rock and roll legend Chuck Berry in the 1950s—have consistently pushed musical boundaries that forever impacted the music that followed. Throughout the decades, numerous Black entertainers continued to add their take on rock and alternative genres, expanding and building on what was already there to create what we know as alternative music today: look no further than the electric fire of Jimi Hendrix’s guitar licks in the '60s, the kaleidoscopic melee of hardcore and reggae that was Bad Brains in the late '70s, and the funkadelic swagger of Living Colour in the '80s.

Despite their groundbreaking contributions, why have Black musicians been so neglected from the historical canon? Is alternative music still seen as a white genre, and how are Black musicians and fans making space for themselves in the music scenes they love? We Were Here tells the story of Black artists performing in alternative genres from punk to rock and roll, indie to new wave, alongside their Black fans. Through brand new interviews and meticulous research, Phillips documents the history of Black people’s influence on these genres, highlighting the key players, assessing the legacy of their work, and drawing attention to those who have been obscured from history.

Where rock magazines and music books previously omitted or misunderstood the stories of Black artists and fans, this book centers their voices and attempts to right the wrongs of the past. Along the way, Phillips infuses her own coming-of-age story as a Black female musician in the punk scene, alongside a cultural analysis of rock and alternative music history.

Within the Circle is the first anthology to present the entire spectrum of twentieth-century African American literary and cultural criticism. It begins with the Harlem Renaissance, continues through civil rights, the Black Arts Movement, and on into contemporary debates of poststructuralist and black feminist theory. Drawing on a quote from Frederick Douglass for the title of this book, Angelyn Mitchell explains in her introduction the importance for those "within the circle" of African American literature to examine their own works and to engage this critical canon.
The essays in this collection—many of which are not widely available today—either initiated or gave critical definition to specific periods or movements of African American literature. They address issues such as integration, separatism, political action, black nationalism, Afrocentricity, black feminism, as well as the role of art, the artist, the critic, and the audience. With selections from Langston Hughes, Sterling Brown, W. E. B. DuBois, Zora Neale Hurston, Richard Wright, James Baldwin, Toni Morrison, Barbara Smith, Alice Walker, Henry Louis Gates, Jr., and many others, this definitive collection provides a dynamic model of the cultural, ideological, historical, and aesthetic considerations in African American literature and literary criticism.
A major contribution to the study of African American literature, this volume will serve as a foundation for future work by students and scholars. Its importance will be recognized by all those interested in modern literary theory as well as general readers concerned with the African American experience.

Selections by (partial list): Houston A. Baker, Jr., James Baldwin, Sterling Brown, Barbara Christian, W. E. B. DuBois, Ralph Ellison, LeRoi Jones, Sarah Webster Fabio, Henry Louis Gates, Jr., W. Lawrence Hogue, Langston Hughes, Zora Neale Hurston, Alain Locke, Deborah E. McDowell, Toni Morrison, J. Saunders Redding, George Schuyler, Barbara Smith, Valerie Smith, Hortense J. Spillers, Robert B. Stepto, Alice Walker, Margaret Walker, Mary Helen Washington, Richard Wright

Death at a beauty pageant turns Tita Rosie's Kitchen upside down in the latest entry of this witty and humorous cozy mystery series by Mia P. Manansala.

Things are heating up for Lila Macapagal. Not in her love life, which she insists on keeping nonexistent despite the attention of two very eligible bachelors. Or her professional life, since she can't bring herself to open her new café after the unpleasantness that occurred a few months ago at her aunt's Filipino restaurant, Tita Rosie's Kitchen. No, things are heating up quite literally, since summer, her least favorite season, has just started.

To add to her feelings of sticky unease, Lila's little town of Shady Palms has resurrected the Miss Teen Shady Palms Beauty Pageant, which she won many years ago—a fact that serves as a wedge between Lila and her cousin slash rival, Bernadette. But when the head judge of the pageant is murdered and Bernadette becomes the main suspect, the two must put aside their differences and solve the case—because it looks like one of them might be next.

Discover the life of Serena Williams―a story about challenging yourself and achieving your dreams for kids ages 6 to 9

Serena Williams is one of the most famous and talented tennis players in history. Before she became a legendary professional athlete, she was a young girl who loved reading and gymnastics and started playing tennis at three years old! In this book about Serena Williams for kids, new readers will explore how she faced discrimination, injuries, and many other challenges, but still worked hard to be the best player she could be.

Independent reading―This biography book for kids is broken down into short chapters and simple language so they can read and learn on their own.

Critical thinking―Kids will learn the Who, What, Where, When, Why, and How of Serena's life, find definitions of new words, discussion questions, and more.

A lasting legacy―Find out how Serena's love for her family and her community inspired her to get involved with important charity work, helping people all over the world.

How will Serena's competitive spirit inspire you?

What starts as a financially motivated marriage of convenience threatens to become real love in this zombie apocalypse road trip romance.

It’s two years into the zombie apocalypse, and although society is hanging on by a thread, Sienna Young’s finances are not. Between having a father infected with the zombie virus and the numerous pay cuts at her job, Sienna’s bank accounts are running on empty. When the medical facility keeping her father alive threatens to kick him out over unpaid patient bills, Sienna’s friend, Josh Hill, offers a solution: they can get married, and Sienna will be eligible to receive the family hazard pay the government is offering through his job at the virus research laboratory. Sienna and Josh have…history…and a complicated present, but this would simply be a marriage on paper to get Sienna the money she needs for her father’s medical care. Fraudulent if they get caught, but they’ll pretend to be in love for real.

The only problem with this plan is Sienna and Josh currently live half a country apart. They each set out on road trips through uncontained virus zones to reach the Phoenix courthouse where they can get married, traveling with a wedding party of friends that includes a nine-month-old baby, an elderly neighbor, and a possibly symptomatic zombie patient. On their way to the altar, the couple fends off both human and zombie threats alike, all while trying to determine if they actually want this marriage to be as fake as they planned. But even if there are honest feelings between them, Sienna and Josh might not have hope for a future together if the apocalypse eats them alive.

ONE OF TIME’S TEN MOST IMPORTANT NONFICTION BOOKS OF THE TWENTIETH CENTURY

In the searing pages of this classic autobiography, originally published in 1965, Malcolm X, the Muslim leader, firebrand, and anti-integrationist, tells the extraordinary story of his life and the growth of the Black Muslim movement. His fascinating perspective on the lies and limitations of the American Dream, and the inherent racism in a society that denies its nonwhite citizens the opportunity to dream, gives extraordinary insight into the most urgent issues of our own time. The Autobiography of Malcolm X stands as the definitive statement of a movement and a man whose work was never completed but whose message is timeless. It is essential reading for anyone who wants to understand America.

Praise for The Autobiography of Malcolm X

“Extraordinary . . . a brilliant, painful, important book.”—The New York Times

“This book will have a permanent place in the literature of the Afro-American struggle.”—I. F. Stone

From the USA Today bestselling author of When Javi Dumped Mari comes a hilarious twist on How to Lose a Guy in Ten Days.

Vanessa Cordero used to run a profitable side gig: For a reasonable fee, she’d date your crush...and make his life miserable. Too clingy? Check. Jealous? Check. A parent's worst nightmare? Triple check. By the time Vanessa was done with him, your guy was practically begging for you.

Enter Jason Torres, a certified commitment-phobe who doesn't plan on getting married anytime soon, much to his mother’s dismay. What he needs is a temporary girlfriend. A totally inappropriate girlfriend. Someone his mother will hate, so she'll finally abandon her dreams of getting him to the altar.

Vanessa's younger sister, Lisa, has her eye on Jason, and convinces Vanessa to come out of retirement for one last starter ex engagement. The rules are simple: no touching, no fooling around, and definitely no falling in love. But nothing's going according to plan. Because Vanessa can't ditch Jason no matter how hard she tries to scare him away. And the longer they're around each other, the more neither of them wants to be apart.

A young man journeys from Paris to Rwanda to discover the truth about his family's past in this bestselling, prize-winning novel from internationally renowned Rwandan-French novelist and hip-hop artist Gaël Faye.

"Gaël Faye's talent is breathtaking."--Imbolo Mbue, author of Behold the Dreamers

Milan--the twelve-year-old son of a French father and a Rwandan mother--blames flunking his exams on the emotional toll of the genocide in his mother's homeland. In truth, his mother never talks about Rwanda; the violence is an abstraction that only reaches their French suburb through television broadcasts. That is, until Milan meets Claude, a small boy with a bandaged head whom Milan's mother introduces as a cousin who has come to France seeking medical treatment. Milan embraces him as the brother he's always wanted--until, one day, Claude is sent back to Rwanda without warning, leaving him heartbroken and confused.

Four years later, the boys reunite as teenagers when Milan visits Rwanda for the first time with his mother in the wake of her divorce and discovers a more fractured and vibrant community than he could have imagined. But the trip raises more questions for him than it answers--about family, the war, and its aftershocks. Over the course of many years, Milan will return to Rwanda again and again, compelled to unearth the secrets that have taken root in the shadows of long silences, confront the past, and imagine a new future.

Partly inspired by acclaimed author Gaël Faye's own relationship with Rwanda and its history, Jacaranda is a rich and deeply felt portrait of a man seeking to understand his family and his nation as it heals from the unthinkable.