Their Eyes Were Watching God for a new generation craving a romantic finale—a sweeping historical tale that is a journey of the heart and of the times.

If it wasn’t for Zora Neale Hurston’s Their Eyes Were Watching God, Nola Denny didn’t know how she would have survived her father’s tragic death or her mother’s descent into mental illness. Inspired by Hurston’s main character, Janie Crawford, Nola sets out to find her own voice, silenced by the weight of being a caretaker and the pains of her past. On her journey to New York, Nola stops in Meridian—a detour that unexpectedly leads to a fresh start, a home, and her own Tea Cake, a Pullman Porter named Baldwin Carter.

Baldwin escaped a loveless childhood and found a caring stranger who invited him into her home and gave him a chance at a new life. A proud, hardworking Pullman Porter, Baldwin must endure bowing and scraping to passengers who barely see him as a man. When he encounters Nola, he instinctively knows he has met his anchor, a woman who makes every inch of him stand tall.

Experiencing loss, hardship, and months of separation, Nola and Baldwin must come to terms with their pasts to share a future together. The young couple know that time and distance cannot separate them, and that the sacrifices they must make are not only for themselves, but for all those who come after them, searching for a better life.

Set during the end of the Great Depression, and shaped by real-world events, crisscrossing the country from South to Midwest to North, Nola and Baldwin is an epic tale of a love powerful enough to overcome the dark forces of racism that threatens to tear it apart.

From the author of the National Book Award finalist Ghostroots, a debut novel that thrills with its eerie mix of folklore and history.

The lonely daughter of a distant mother, Yosoye arrives in Lagos ready to change her life. Weeks after she begins an internship at a fancy architectural firm, she discovers she is pregnant. Yosoye is joyful―a new life brings the hope of connection and companionship.

But an inexplicable force is haunting the pregnant women of Lagos. As construction speeds ahead on the firm’s glossy new development on land reclaimed from the ocean, stories of the uncanny deaths in the city’s open waters reach a fever pitch. Yosoye finds herself stalked by a presence she can neither ignore nor appease―without risking her unborn baby and her precarious hopes for the future.

In One Leg on Earth, ‘Pemi Aguda turns the question of who belongs in a city into an arresting exploration of what it means to be a mother in an unforgiving world, and a haunting vision of the dark side of progress.

A sweeping narrative of the unique beauty and trials of Black matriarchy in America that weaves a sharp, tender examination of three single Black mothers—the author's grandmother, mother, and the author herself—with stories of influential Black women in our culture

"Bonét tells the whole history of this country through the relationships of and between Black mothers and daughters."—Imani Perry, National Book Award-winning author of South to America

“Bonét dances on our hearts in this classic creation of will and wit. Electrifying... Wow.”—Kiese Laymon, author of Heavy: An American Memoir

Betty Jean, the author’s grandmother, had a house along a bayou in Texas, a home paid for and run without a man by her side. This home served as the center of Bonét’s family’s universe, the one place that was a constant through all of life’s changes.

Mama Connie, one of Betty Jean’s eleven children, vowed that her life would be different. And in many ways it was: she got married, lived in suburbia, and built a life resembling the American dream. But when it came to raising children of her own, she was more like Betty Jean than she cared to admit. But, like her mother before her, Connie’s sweat was the founding salt of her own universe.

Today, Sasha Bonét navigates all aspects of being a mother—escape, promise, burden, assent, and rebellion—not just for the women in her family who came before her, but for Black women with whom society is acquainted, too: figures like Nina Simone, Betty Davis, and Darnella Frazier, who filmed the murder of George Floyd.

Generations of Black women have borne children, borne the burdens of events untold, and borne witness to unspeakable trials. The Waterbearers carries this history, its fierce eloquence capturing a masterpiece of life written by an author who is intimately acquainted with how Black women have passed down knowledge and culture. Sasha Bonét doesn’t just present genealogical lineages but illuminates the cultural and societal connections of strong Black women who have built legacies and changed the world, sometimes in the most mundane of moments. The fierce eloquence of this story confirms Sasha Bonét as a voice we all now need to hear.

Published in 1982, But Some of Us Are Brave was the first-ever Black women's studies reader and a foundational text of contemporary feminism. 

Featuring writing from eminent scholars, activists, teachers, and writers, such as the Combahee River Collective and Alice Walker, All the Women Are White, All the Blacks Are Men, But Some of Us Are Bravechallenges the absence of Black feminist thought in women’s studies, confronts racism, and investigates the mythology surrounding Black women in the social sciences. 

As the first comprehensive collection of Black feminist scholarship, But Some of Us Are Brave was recognized by Audre Lorde as “the beginning of a new era, where the ‘women’ in women’s studies will no longer mean ‘white.’” 

Coeditors Akasha (Gloria T.) Hull, Patricia Bell-Scott, and Barbara Smith are authors and former women's studies professors. Brittney C. Cooper is a professor of Women's and Gender Studies and Africana Studies at Rutgers University. She is the author of several books, including Eloquent Rage, named by Emma Watson as an Our Shared Shelf read for November/December 2018.

Both an epic history and an intimate family story, a startling account of the lives of Black cops in one Midwestern city.

In the wake of the George Floyd protests, a Black police organization in Cleveland called the Black Shield was causing a stir. Officers broke ranks with their fellow cops, aligning themselves with local Black Lives Matter activists and supporting demands for radical reforms. In the midst of these fissures, Wilbert L. Cooper returned to his hometown to write a profile of the organization's president, who had become notorious years earlier for shooting a young unarmed Black man.

For Cooper, the news was deeply personal. Both of his parents are retired Black Cleveland cops, his sister was a Cleveland cop, and on his mother's side, there’s been a Cleveland cop in the family since 1950. Unearthing the dramatic histories of the Black Shield and his own family, Cooper tells the intertwined stories of the two: his relatives, who trace their roots back to the Great Migration and who chose policing because it was one of the few stepping stones to economic security and status in a segregated city; and an organization that, over decades of cultural and political upheaval, cycled endlessly between rebellion and acquiescence.

An intimate, bold work of literary nonfiction, The Black Shield is an urgent exploration of the complex duality of the Black cop. Cooper grapples with a knot of contradictions: Is the Black officer a sign of progressive change, or of the system’s masterful way of changing its appearance without changing its outcomes? How can he reconcile the fact that policing helped lift his family out of poverty, and the equally real panic that accompanies being pulled over? Fearless and singularly powerful, Cooper gives us an American story about race and power of a kind that has never been told before.

A collectible hardcover edition of our greatest African American poet's award-winning first novel, about a black boy's coming-of-age in a largely white Kansas town, featuring an introduction by National Book Award finalist Angela Flournoy

A Penguin Vitae Edition

When first published in 1930, Not Without Laughter established Langston Hughes as not only a brilliant poet and leading light of the Harlem Renaissance but also a gifted novelist. In telling the story of Sandy Rogers, a young African American boy in small-town Kansas, and of his family--his mother, Annjee, a housekeeper for a wealthy white family; his irresponsible father, Jimboy, who plays the guitar and travels the country in search of employment; his strong-willed grandmother Hager, who clings to her faith; his Aunt Tempy, who marries a rich man; and his Aunt Harriet, who struggles to make it as a blues singer--Hughes gives the longings and lineaments of black life in the early twentieth century an important place in the history of racially divided America.

Penguin Vitae--loosely translated as “Penguin of one’s life”--is a deluxe hardcover series from Penguin Classics celebrating a dynamic and diverse landscape of classic fiction and nonfiction from seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.

A high-stakes, propulsive young adult thriller with a body-swap twist thoughtfully explores themes of friendship and identity, perfect for fans of Tiffany D. Jackson.

Seventeen-year-old Megan has been jumping from friend group to friend group in her Atlanta-area suburb, trying on identities like outfits. Nothing ever felt right. Until she meets LC, the adventurous, charismatic girl who appeared at Megan’s favorite coffee shop like magic. They’ve been inseparable ever since, and Megan feels like she’s coming into who she’s really meant to be: someone like LC.

But LC has secrets—dangerous ones. On the night of their friendiversary, LC offers Megan a drug that makes Megan pass out at a party. When she awakens, she realizes that she and LC have swapped bodies and even worse . . . LC is already at Megan’s house, pretending to be Megan.

Now Megan has to fight against the horror of being trapped in someone else’s body while trying to figure out how to get her life back. The only way to do that is to own what makes Megan Megan . . . or die trying.

What began as an effort to prevent the neglect and potential loss of hundreds of African objects at the University of Texas at Austin has evolved into one of the most significant collections on campus. The art collections at Black Studies were born from the John L. Warfield Center for African and African American Studies’ Art and Archive Initiative, under the leadership of Cherise Smith, Omi L. Jones, and Edmund T. Gordon.

Today Black Studies at the University of Texas boasts approximately 900 objects from sub-Saharan Africa, over 200 contemporary works from African American and Afro-Caribbean artists, and more than 100 pieces jointly held with other collecting entities on campus, adding a diverse richness to the overall collections. Collecting Black Studies gathers and presents these holdings—including costumes, jewelry, paintings, sculptures, works on paper, and photography—and prominently features five Black artists whose work is particularly significant. Scholars and curators examine how John Biggers, Michael Ray Charles, Christina Coleman, Angelbert Metoyer, and Deborah Roberts—artists with deep relationships to Texas—contributed to the Black Studies collections, to art history, and to the culture of our state and beyond.

They may be the author of the #1 most banned book in America, but George M. Johnson isn't finished telling their story yet. Written with unflinching emotion and unapologetic boldness, And If I Die Before I Wake is nothing short of a testimony -- one the world desperately needs to hear.

George M. Johnson is no stranger to death. In this debut adult memoir, readers are invited to witness as they navigate an HIV diagnosis, alcoholism, tremendous loss, and nationwide book bans over the span of 15 years. Through the highs and lows of life in the spotlight, they have clung to family and community like never before -- finding their most authentic self along the way.

Drawing inspiration from Toni Morrison, Jesmyn Ward, and Ta-Nehisi Coates, And If I Die Before I Wake explores grief, trauma, sexuality, and the Black family through the lens of transformation, healing, and hope. Poetic, grounded, and bursting with signature humor, this is New York Times-bestselling author George M. Johnson more bold, more brave, and more daring than ever.

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A powerful novel in verse by award-winning and bestselling author Elizabeth Acevedo, about two sisters grieving the devastating loss of their father who learn about each other after his death and must grapple with what this bittersweet new bond means for them.

Camino Rios lives for the summers, when her father visits her in the Dominican Republic. But this year, on the day when his plane is supposed to land, Camino arrives at the airport to see crowds of crying people…

In New York City, Yahaira Rios is called to the principal’s office, where her mother is waiting to tell her that her father, her hero, has died in a plane crash.

Separated by distance—and Papi’s secrets—the two girls are forced to face a new reality in which their father is dead and their lives are forever altered.

And then, when it seems like they’ve lost everything of their father, they learn of each other.