From a ferocious new talent, a debut story collection excavating the desire, humor, and horror in the everyday lives of Black women and girls—for readers of Deesha Philyaw and Kelly Link

With a voice that vibrates on the page, Lydia Mathis’ debut collection is set in the American South and her sharply drawn, authentic characters shine a light on what we’re willing to do to ourselves and to others in service of our desires. The madness in the ordinary rules here: an overworked college safety officer is confronted by a bloody figure who walks into her office; a sex worker runs into a client en route to a parent-teacher conference; a teacher is plagued by a ghost determined to tidy her apartment.

Desperate Bodies depicts the fragility, strength, and unruliness of Black women and girls’ bodies and the power in being honest about their desires. In unflinching prose, Mathis takes a frank and determined look at what it means to be subjected to imbalances of power through the perspectives of young girls and adult women. With surprising turns and a touch of the supernatural, these stories refuse to look away from the most honest, raw moments of womanhood.

Visceral and unyielding, Desperate Bodies is a thrillingly dark ride that introduces Lydia Mathis as a major new writer.

The poetry of Tom Postell, believed lost since a tragic death in 1980, appears here in its first authorized, comprehensive volume. While Postell ran with the masters of Beat, Black Power, and Hardbop in the 50's and 60's, he has remained elusive, enigmatic, unsung. His poems provide an astonishing look into how issues of race, music, and the political avant-garde intersect at this pivotal moment in post-WWII America. Essays and hybrid work by giovanni singleton, Derrick Harriell, and Aldon Lynn Nielsen complement interviews, typescripts, and archival photos, making this retrospective of Postell the first of its kind.

ABOUT TOM POSTELL

Tom Postell, born Thomas Freeman Postell Jr., was a Black American poet born in Cincinnati in 1927 and closely associated with the Beat Generation, Black Mountain School, and Black Arts Movement in New York City's Greenwich Village from 1953 to 1969. A close friend and mentor of poet Amiri Baraka, Postell's circle included musicians like Ornette Coleman and Archie Shepp and fellow poets like Allen Ginsberg and Ted Joans. Hindered by institutionalization, mental health struggles, and substance abuse, Postell disappeared from the literary scene in 1970, leaving a trove of innovative work thought lost upon his death in 1980.

"Postell wrote moon poems that would concern the authorities. A nature poet, jazz poet, love poet, and surrealist raconteur. He was multitudinous, hilarious, occasionally terrifying and always interstellar. In the pages of this iridescent collection, his voice arrives as if from another planet, another place in space-time, to call us forward.” —Dr. Joshua Bennett

"Tom Postell emerged from the mid-1960s Village literary scene as a self-sculpted, deft, barely-listened-to imaginal incessance. And yet, with this surprising new collection of unheralded poems, his work continues to radiate with incantatory significance. —Will Alexander

An Audacious Book Club Pick

The author of the award-winning national bestseller I Done Clicked My Heels Three Times returns with a new poetry collection that transforms the Black female speaker from object, artistic muse, and victim, to subject, critic, and master of her story

Resting Bitch Face is a book for women, for Black women, for lovers of art and film criticism, and for writers interested in work that finds a middle ground between poetry and prose. Taylor Byas uses some of our most common ways of “watching” throughout history (painting, films, sculpture, and photographs) to explore how these mediums shape Black female subjectivity.

From the examination of artwork by Picasso, Gauguin, Sally Mann, and Nan Goldin, Byas displays her mastery of the poetic form by engaging in intimate and inventive writing. Fluctuating between watcher and watched, the speaker of these poems uses mirrors and reflections to flip the script and talk back to histories of art, text, photography, relationships, and men. From Polaroids to gesso primer to sculpture, Byas creates a world in which the artist calls out and the muse responds. For not only does she enter the world of the long-revered classic artist, but she also infuses her poems with such iconic pop-culture works as The Joker, WandaVision, and Last Tango in Paris.

Ultimately, while watching lies at the crux of this collection’s poetic concerns, the goal of the speaker is to query her own self, rendering these poems as invitations for readers to question their own.

“Ahmad’s compassion, her deep care for the psychological and emotional nuances of her characters, never wavers.” – The New York Times Book Review

In a searing collection by the award-winning author of The Return of Faraz Ali, characters seek to make their futures their own in a Pakistan riven by class, gender and religion

In these seven powerful stories, Aamina Ahmad finds a world of pathos in the narrowest circumstances, from the fugitive intimacies of villages where nothing escapes notice to the crevices where city dwellers seek refuge from urban striving and indifference. Capturing the plight of ordinary people caught between love and duty, freedom and social constraint—a man who witnesses an illicit moment of tenderness, a police officer who must choose whether to follow the laws of God or of man, a woman who takes matters into her own hands in the face of an unexpected pregnancy—July Sun more than sustains the promise of Ahmad’s sure-footed debut.

The first major work of Yoruba mythology, retelling hundreds of traditional tales of the Orisa, Yoruba Heroes, and Ijapa from West Africa, Cuba, and Brazil.

Yoruba mythology is sacred to the religion and culture of the Yoruba people. A primarily oral tradition, its stories revolve around Olodumare, the Supreme Being, and a vast number of divinities or orisa, who govern all aspects of human life and nature.

Yoruba Mythology is, to date, the most comprehensive published collection of more than 300 myths of this ancient, profound, and beautiful storytelling tradition. Authors Ayodeji Ogunnaike and Oludamini Ogunnaike are uniquely qualified to impart these stories, having spent decades learning, collecting, and studying them. Many are remembered from their own childhood, while many more are the result of yearslong research and encounters with practitioners and elders in and from Nigeria, Cuba, and Brazil.

Alongside the myths of the orisa, the Ogunnaikes also include dozens of mythos of more cultural significant, such as the founding of Yoruba kingdoms, stories of heroes and other powerful beings, and classic fables. The final section is dedicated to the beloved Ijapa, the Yoruba trickster tortoise whose cunning and greed always land him trouble, but whose stories impart valuable lessons about honesty, perseverance, and character.

The book is made complete with stunning art by Data Oruwari, whose work brings the myths and characters to life in a manner that evokes traditional depictions of the orisa in West Africa and the diaspora.

A gift to both those familiar with Yoruba culture and religion and those who are encountering them for the first time, Yoruba Mythology is an important and long-awaited contribution to the mythological canon.

“Heartfelt, bizarre, and unexpected. . . . At once a novel about family and love, a creepy tale that questions what it means to be human, and a celebration of queer stories, Monstrilio is as shocking as it is profound, and as humorous as it is thoughtful.” ―Gabino Iglesias, The Boston Globe

A “wholly unique” and “uncompromising” literary horror debut about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes (Eric LaRocca, author of Things Have Gotten Worse Since We Last Spoke and Other Misfortunes)

Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago’s lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family’s decaying Mexico City estate. Eventually, Monstrilio begins to resemble the Santiago he once was, but his innate impulses―though curbed by his biological and chosen family’s communal care―threaten to destroy this fragile second chance at life.

A thought-provoking meditation on grief, acceptance, and the monstrous sides of love and loyalty, Gerardo Sámano Córdova blends bold imagination and evocative prose with deep emotional rigor. Told in four acts that span the globe from Brooklyn to Berlin, Monstrilio offers, with uncanny clarity, a cathartic and precise portrait of being human.

Hailed as "powerful," "accomplished," and "spellbinding," Lalita Tademy's first novel Cane River was a New York Times bestseller and the 2001 Oprah Book Club Summer Selection. Now with her evocative, luminous style and painstaking research, she takes her family's story even further, back to a little-chronicled, deliberately-forgotten time...and the struggle of three extraordinary generations of African-American men to forge brutal injustice and shattered promise into a limitless future for their children...

For the newly-freed black residents of Colfax, Louisiana, the beginning of Reconstruction promised them the right to vote, own property-and at last control their own lives. Tademy saw a chance to start a school for his children and neighbors. His friend Israel Smith was determined to start a community business and gain economic freedom. But in the space of a day, marauding whites would "take back" Colfax in one of the deadliest cases of racial violence in the South. In the bitter aftermath, Sam and Israel's fight to recover and build their dreams will draw on the best they and their families have to give-and the worst they couldn't have foreseen. Sam's hidden resilience will make him an unexpected leader, even as it puts his conscience and life on the line. Israel finds ironic success-and the bitterest of betrayals. And their greatest challenge will be to pass on to their sons and grandsons a proud heritage never forgotten-and the strength to meet the demands of the past and future in their own unique ways. An unforgettable achievement, a history brought to vibrant life through one of the most memorable families in fiction, Red River is about fathers and sons, husbands and wives-and the hopeful, heartbreaking choices we all must make to claim the legacy that is ours.

Toward a new “New World”―the interwoven 18th-century Americas as viewed through fine art, religious items, furniture, decorative objects and more

The story of 18th-century art from the Americas has traditionally emphasized a narrative of exceptionalism and independence. Yet the reality of this history is a far more nuanced story of encounter and interdependence across the geographic regions that are known today as North America, South America, Central America and the Caribbean. Drawing a cultural cartography with objects from the collection of the Museum of Fine Arts, Boston, Art in the Americas illustrates the exchange of ideas, materials, styles and techniques in the Western hemisphere. Family portraits by John Singleton Copley pair with pastel drawings of Black women in Guadeloupe; delicate blue-and-white Chinese export bowls sit alongside sterling silver Torah finials; an inlaid cabinet made in New Spain dazzles next to an Andean tapestry. Together with dozens of other objects, these works invert the typical dynamics of old world and new world; colonizer and colonized; tradition and innovation. Bolstered with essays by 27 writers, Art in the Americas reflects the range of voices who created fine and decorative arts in the 18th century, and those who study and present their legacy today.

Serial the podcast meets The Other Black Girl in a haunted house, as young African author disappears after being invited to an exclusive writing residency, and her sister is left only with a true crime podcast to help her uncover the truth about what really happened…

Anaya Sebeya is missing.

Before her disappearance, Anaya was a brilliant writer: a rising star. Invited to a prestigious writing residency at Günter Huis, an eerie colonial mansion on the slopes of Devil’s Peak, Anaya was supposed to craft the next great African literary masterpiece—and so were four other young, emerging writers, all competing for the grand prize. But Anaya never made it home.

When a sensationalized true crime podcast about Anaya emerges, claiming to reveal everything that happened at Günter Huis, her sister Ranewa is both skeptical and furious. But with each surreal episode, Ranewa begins to piece together a truth worse than she ever could have imagined…

At Günter Huis, Anaya’s nightmares consume her. Time slips away from her. Günter Huis inflicts distorted visions and terrible supernatural visitations, pushing Anaya to tell a story no one dares. But exorcising the house’s endless cycle of evil requires a sacrifice that neither Anaya nor her fellows are ready to make.

In House of Margins, award-winning Motswana author Tlotlo Tsamaase delivers a mesmerizing story of a young generation facing colonialism’s cultural legacy in Africa.

Hotly anticipated and destined to be an essential for the sneaker and streetwear hype crowd, this is the first book on and by Bembury, whose groundbreaking work with brands such as New Balance, Crocs, Puma, and Versace has made his one of the defining and most sought-after visions in the industry.

In the space of just fifteen years, Bembury has risen through the footwear industry to become one of the most influential voices in the sneaker world. Combining a lifelong passion for the culture with a unique appreciation for technical and material innovation, he is responsible for some of the most compelling silhouettes and collectible pairs of the last decade.

With remarkable versatility, Bembury has lent his touch to brands as diverse as Cole Haan and Moncler, New Balance and Yeezy, and to styles ranging from formal footwear to hiking sneakers, luxury runners to clogs—always with a unique aesthetic true to his vision. Trained as an industrial designer, Bembury has made textural experimentation a hallmark of his work. From the Cuban-link sole of the Chain Reaction he created during his tenure as head of sneaker design for Versace to the intertwined fingerprints that define the open form of the Crocs Pollex, his shoes have energized and broadened the horizons of the sneaker industry.

Collecting all of Bembury’s key designs from fifteen years of work—and with sketches, samples, renderings, and personal ephemera accompanying spectacular photography made specially for the book—this landmark monograph is a timeless celebration of the most original voice in footwear design.