One word is about to change everything you believe about yourself.

From sought-after coach, speaker, and author Wemi Opakunle, whose content has reached millions, a transformative guide to harnessing the power of “delulu” thinking—radical self-belief paired with bold, inspired action—to create the life, career, and opportunities you want.

For years, we've been told to be realistic, lower our expectations, and wait until we're fully qualified, fully prepared, or fully confident before going after what we want. But what if everything we've been taught is backwards? What if delulu belief is the bridge between who you are and who you want to be?

In BIG. DELULU. ENERGY., Wemi Opakunle introduces an unapologetic, powerful new approach to personal growth built on self-belief, intentional action, and the courage to think bigger than your current circumstances. Far from denying reality, “delulu” thinking is about refusing to let your fears, limitations, or past experiences define what’s possible for your future.

Through her transformative Eight Pillars of Delulu Success, Wemi shows you how to:
* Build unshakable confidence and trust yourself more deeply
* Stop waiting for certainty and move before you're ready
* Transform fear, setbacks, and self-doubt into fuel for growth
* Embody the mindset and emotions of the person you want to become
* Release perfectionism and detach from outcomes you can’t control
* Silence your inner critic and separate your identity from your inner dialogue to create lasting self-worth
* Reinvent yourself at any stage of life and create a future that feels aligned, joyful, and expansive
* Challenge the labels that have been placed on you, including the ones you've placed on yourself

Warm, practical, and passionately encouraging, BIG. DELULU. ENERGY. offers a refreshing alternative to self-help rooted in hustle and perfectionism. This is a guide to betting on yourself, embracing possibility, and becoming the person you’ve always imagined you could be.

An award-winning young scholar explores how Black women have remade―and continue to remake―our understanding of the past.

Across centuries, Black women have invented means to preserve what official history could not: friendship albums, kitchen-table philosophy, blogs, playlists, oral histories, and archives held in the mind. In The Light Keepers, Jessica Marie Johnson traces this radical tradition through the centuries-long prism of American empire, from the holds of slave ships to contemporary digital worlds, showing that there is nothing finished or settled about how Black women understand time, trauma, and survival.

Blending personal narrative, archival fragments, and ancestral wisdom, Johnson reframes Black women not as subjects of history but as archivists and historians. Against erasure, against shame, against death itself, Black women have transformed the bitterest waters of history into tools for living, loving, and imagining freedom. The Light Keepers offers readers a daring new way to think about the past―and a powerful lesson in how knowledge is made when survival demands it.

88 illustrations

NBC News Senior White House Correspondent Gabe Gutierrez offers a forceful, necessary exposé on the precarious realities and politics of modern Puerto Rico, detailing the decade of financial exploitation, federal negligence, and American ambivalence that pushed the most populous US territory to the brink and examining what must be done to insure the island’s survival.

For decades Puerto Rico has been on its own. Criminally underfunded and largely forgotten by the US government, the island has pivoted between financial and natural disasters, struggling without Congressional representation. While Hurricane Maria exposed the federal government’s ineptitude and apathy to aid Puerto Rico in its time of greatest need, the storm also laid bare a systemic crisis that had been building for years—a slow-motion train wreck of American neglect, institutional exploitation, and financial ruin with profound human consequences.

Now veteran NBC News reporter and senior White House correspondent Gabe Gutierrez, who has covered the island’s storms and its people for years, tells the urgent story of how Puerto Rico came to this precarious moment in its history, uncovering how decades of failed US policies have culminated in the tumultuous last ten years. Whether it’s the US hedge funds who leveraged the island into bankruptcy, or the federal bureaucracy that has robbed the island of the autonomy to shape its own destiny, the mismanagement of Puerto Rico has stretched across the island’s governorships, as well as US presidential administrations and political parties.

With each passing year, this negligence comes at a steeper price to US taxpayers, but more importantly to those who live there. Through moving portraits of the people working to preserve Puerto Rico for future generations, Gutierrez demonstrates the human cost of the recent turmoil that has left everyday Puerto Ricans with few good options and reinvigorated the island’s independence movement as they seek a viable future for their home.

What emerges is an eye-opening narrative of American ambivalence about an island so deeply tied to our uncomfortable, imperial past. A seasoned journalist’s ambitious examination of what it takes to change American institutions, The Island shows how our failure to care adequately for Puerto Rico is a failure to reckon with our own history.

An inventive haunted house story with an uncanny twist, in which a woman mourning the recent death of her abusive mother takes a housekeeping job with increasingly strange and dangerous tasks, for fans of Carissa Orlando and Monika Kim.

Loretta is numb with grief. Reeling after the death of her abusive—although she would never use that word—mother and estranged from her younger sister, Loretta finds herself unemployed and alone.

Resolutely out of options, she hears of an unusual job opportunity. The owner of a huge home on the outskirts of town is looking for a live-in housekeeper—and offering thousands of dollars every week, in cash. There are only two simple rules: complete the daily chores left in the mailbox and no overnight guests. It seems like the perfect escape.

The idyllic solitude quickly sours into a waking nightmare. The daily chores escalate from simple cleaning to grotesque demands for Loretta’s flesh and blood. Any resistance is met with painful and increasingly life-threatening punishments. Loretta is familiar with this situation—well trained by her mother and miserable childhood— and isolates herself inside the carnivorous mansion. As her sense of reality warps and she falls deeper into the house’s clutches, her friends and sister try to intervene before it’s too late. But to survive, Loretta must decide whether to accept the comfort of familiar cycles or find out how hard she’s willing to fight for herself.

Both a terrifying thriller and an emotional portrait of resilience in the face of abuse, This House Is Not a Home is an ambitious debut from an exciting new voice in adult horror.

An ambitious teen enrolls at an elite science institute in Morbid Curiosities, a young adult thriller from author S. Hati.

When the Institute’s invitation arrived at my doorstep, it felt like it had been inked in my blood, sweat, and tears.

Aarya’s life plan has been set for as long as she can remember: finish high school with a bang, attend the best college she can get into, then land a prestigious biology research job. Her ticket to this dream is a one-year program at the Elizabethan Institute, the preeminent organization for life sciences in the United States, currently on the cusp of revealing a major project that could transform the worlds of biology and medicine.

But as Aarya tries to settle in to a school with sky-high academic expectations and research cloaked in mystery, it becomes clear that someone doesn’t want her there. As the scholarship student surrounded by rich, cutthroat peers who seem all too willing to torment her, she never expected to make friends, but the notes warning her to run rattle her to her core. She finds an ally in Sofia, a mysterious girl who claims to be the subject of closed-door Institute experiments and begs for Aarya’s help in discovering the Institute's true goal.

As rumors of mutated flora and fauna in the nearby city circulate and a murder investigation rocks the Institute, Aarya must navigate Sofia’s growing paranoia and her own increasingly unreliable memory to determine which classmates she can trust―and which would rather see her dead.

"A sharply intelligent, darkly fascinating academic thriller about unraveling the hard truths of who you are and who you want to be - and the final twist made me gasp out loud." ―Andrew Joseph White, New York Times-bestselling and award-winning author of Compound Fracture

We Made the World: Five Centuries of Queens, Warriors, and Other Foremothers traces five centuries of history through twelve extraordinary women of African descent—from queens and warriors to artists and activists—weaving together collective memory, oral tradition, and personal grief into a landmark work that places Black women at the center of world history.

In 1949, a seamstress from a small coastal town in the Gold Coast colony stood up in a room full of men and voted to split from the most powerful political party in the country. Her name was Hannah Kudjoe. She spent the next decade organizing the women who would win Ghana's first democratic election and help make it the first sub-Saharan African nation to gain independence from European colonial rule. When Nkrumah published his autobiography, she wasn't in it.

We Made the World does for twelve women what it does for Hannah Kudjoe. It finds the woman who was in the room, who was essential to the room, and whose name was removed from the record the moment her usefulness to powerful men was exhausted.

We're talking about Queen Njinga of Angola, who fought the Portuguese to a standstill for forty years and died at eighty still a sovereign. Wangarĩ Maathai, the Nobel Peace Prize winner who saved a Nairobi forest by walking upstream through a river at dawn to plant trees while the police watched. Brenda Fassie, the queer Black pop icon who sang South Africa through the end of apartheid and whose music still stops a room on any continent.

The author traveled to eleven countries to write this book. She gathered oral histories from descendants and community keepers across four continents. And she wrote it while experiencing great loss and grief which means this book knows in its bones what it costs to carry someone's memory, and what it costs not to.

We Made the World is five hundred years of history rewritten from the inside. It is the book that asks what we have lost by not knowing these women's names, and begins the important work of giving that back to us all.

From the PEN-nominated author of The Blueprint comes a moving novel about two women connected by music, memory—and murder.

Texas, 1983. Lola Jones is in prison for the death of her mother’s former lover, a man whose presence tangled itself through both their lives. After years of silence, Lola writes a letter to the dead man’s daughter—the “secret sister” from the better part of town in whose shadow Lola has lived most of her life.

As Lola reaches across time and memory, her story unfolds in two mirrored movements: the first, a chronicle of her mother, Camille, a blues singer shaped by love, ambition, and loss; the second, a recounting of Lola’s own coming of age in the echo of Camille’s legacy.

Braided with music, memory, and the weight of being misunderstood, Sweet Water explores inheritance, identity, and the ways women learn to survive what they cannot control. It is a story about Black women connected and separated by their experiences with each other, and with the men in their lives. Written as a letter, structured like a blues song—call and response, verse and refrain—the novel asks what it means to reclaim your voice when someone else’s pain has defined your existence.

CORETTA SCOTT KING HONOR ARTIST, SEAN QUALLS

From Coretta Scott King Honor artist and illustrator of Questlove's The Idea in You, Sean Qualls comes a captivating introduction on how Black people have influenced music throughout history and what music means to Black culture.

The people sing; the people dance. The people have the music, and the music is the people.

Music has been embedded into the fabric of Black life since the first notes rang out and found their way into the souls of the first African inhabitants. From the melancholic blues to the funkifyingly upbeat disco, from earth-shattering rock ’n’ roll to groundbreaking jazz and hip-hop, music has been the bedrock of Black hope and culture. From its earliest arrival in the Americas, Black music has shaped American music and the world has never been the same because of it.

Coretta Scott King Honor illustrator Sean Qualls brings us the electrifying history of Black music and moves from one ground-breaking era to another, giving his own vibrant and hip spin on the rhythm and blues that will always have the power to comfort, guide, inspire, and remind us all.

The Music, The People will make for the most fun Black music history guide as it’s:

* A Picture Book That Makes History Fun: The fun, funky, and lively voice present in The Music, The People is unlike any other and delivers the history of music genres created, influenced, and loved by Black individuals in a way that is sure to readily engage and enlighten readers as they move through music history.
* Filled with Important Messages About Music: The Music, The People infuses its pages with important messages regarding music’s ability to uplift, transcend, break barriers, and lead revolutions. Music feeds the soul, and Qualls gratifyingly depicts that.
* Features Art Like No Other: Each page of The Music, The People features Qualls’ signature breathtaking art as he moves through each musical era, making for a reading experience that’s as gratifying as it is captivating.

A new book of poems from the Pulitzer Prize-winning poet Carl Phillips.

Is this who I must be,
or maybe just
what I am?

“Sir” is an honorific, a title that indicates the superiority of its recipient, the subordination of its speaker. Carl Phillips’s SIR examines power and submission, abandon and restraint, whether in our personal, intimate relationships with others and ourselves, or in our relationships with such abstract masters as grief, memory, desire, regret, and the traumas of history. These are all things we’re told to try to overcome, to gain mastery of. Do we have a choice, though? And if so, how to choose ‘correctly,’ in a time when appearance and reality are constantly in flux, when hierarchy is revealed to be a matter of perspective, when even language itself is suspect, with its ability both to structure emotion and to estrange us from it?

In poems filled with tenderness, moral inquiry, and self-reckoning, stretched across natural landscapes both familiar and uncertain, SIR confirms–once again–that Carl Phillips is one of our finest and most enduring poets writing today.

A sweeping history of the African American struggle against police brutality, exposing how state violence underpins the capitalist economy and tracing the long resistance movement in pursuit of racial justice and freedom for all

Rekia Boyd, Timothy Thomas, Jonathan Sanders, Breonna Taylor, Jordan Neely, and Michael Brown were casualties of war. Whether we call it a war on crime, a war on militants, or a war on drugs, law enforcement at every level has made Black neighborhoods across the country into killing fields and open-air prisons, stripping vulnerable people of equal rights, freedom of movement, and even protection from torture. In a smoldering indictment, Robin D. G. Kelley excavates the deep history of this war through the lives of the victims and their communities, drawing a direct line from today’s fatalities to the “blood at the root”―the racial terror at the heart of America’s system of exploitation and wealth accumulation.

It is a system, Kelley shows, that depends on racial and economic inequality and is maintained through not only tools of force but also tools of wealth extraction, from lynch law in Georgia to segregated housing in St. Louis to gentrification, predatory lending, civil forfeiture, and even today’s militarization of ICE.

At the same time, Making a Killing is a history of the counterwar, the legacy of collective Black resistance―the movements, tactics, thinkers, and leaders―that has long been a catalyst for change and the tip of the spear in a broader fight against rising fascism. Demanding not only justice for Black victims but also vast and visionary social transformation, these movements, from Reconstruction to the present day, hold out the possibility that we may lay to rest the America we know so that a new world may be born.

A girl's big sister’s Quinceañera is just cinco days away. They need to find a vestido, pick out a tiara, style the flores. . . . There’s so much to do! How can a little sister help?

With vibrant art and heartfelt bilingual storytelling, Five Days ‘til Quince shares a young girl’s experience counting down the days until her big sister's 15th birthday party, and the many preparations that go into making the day extra special – including something only a little sister can provide: courage.

Backmatter includes an author's note, a glossary of terms in English and Spanish, and an introduction to the quinceañera tradition!

The Talented Mr. Ripley meets the Wu-Tang Clan: An American Saga in this dark psychological thriller.

Thomas “Maz” Kincaid lives a lavish life as a rising rap star: money, influence, and fame. But Maz’s success rests on a lie—his lyrics to his chart-topping album belong to someone else, his foster brother, Adonis.

Adonis, fresh out of prison is done watching his brother live off his talent and launches a calculated campaign of vengeance. But Maz won’t let all he’s worked for be taken away. He’s willing to lie, manipulate, and even kill to protect the fraudulent life he’s built.

As the rivalry escalates, the line between victim and villain blurs. With both men—damaged, cunning, and ruthless, locked in a psychological war where only one can survive the spotlight. Who will rule the stage, and who will end up in a grave?

Dark, complex, and suspenseful, All the Smoke is a cautionary tale, exploring identity, trauma, and the psychopathy behind stardom in the music industry.