A wild, rollicking, firsthand account of the good ole days of funk from Bootsy Collins, the legendary Rock & Roll Hall of Fame bass guitarist for James Brown, George Clinton, and Parliament-Funkadelic. Funky foreword courtesy of Snoop Dogg.

He’s a bona fide funk legend, a rhinestone-clad style icon, and arguably one of the best bassists to ever live. (At least, according to Rolling Stone.) His career has spanned five decades: from rising to stardom playing alongside James Brown; to setting the bar, the groove, and the look of Parliament-Funkadelic; to collaborating with today’s most innovative and beloved musicians, like Anderson .Paak, Snoop Dogg, and Bruno Mars. Bootsy Collins has more than a few stories to tell.

He is no stranger to the spotlight, and tales of his escapades are whispered among music nerds and the general public. Yet Bootsy’s story has never been put on the page.

Now, in his own words — “the straight up, real deal, if I’m lyin’, I’m dyin’, and I ain’t ready to go yet”— Bootsy is ready to share with fans legendary stories about:

* the ins and outs of his three-decade relationship with mentor and sometimes tormentor James Brown—including dropping acid with the Godfather of Soul himself
* how a one-night stand almost resulted in him being killed by a member of Florida’s Black Mafia
* when he and the Parliament-Funkadelic crew were mistaken for a group of escaped convicts, and during a detailed cavity search, the LAPD found George Clinton’s a**-stash
* his collaborative and tumultuous relationship with funk legend George Clinton
* eventually getting clean and becoming the favorite OG for a new crop of musicians and artists

Bootsy’s story is full of heart, humor, joy, sorrow, and a whooooole lot of funk. True to its iconic creator, Funked Around, Found Out includes psychedelic photos, costumes, guitars, and other surprises that are as closely associated with Bootsy as his thumping grooves. Music fans, pop culture aficionados, and other acolytes will rejoice.

In a brilliant departure from the novels that made Jesse Q. Sutanto a USA Today bestselling author—including Dial A for Aunties—comes the first book in a debut dark fantasy duology, following an assassin, a scholar, a con man, and a guard in a race to rediscover powerful lost magic and save their world...

Mara has no memory of life before her assassin training behind the fortress-like walls of Tchu-Morrokhai, which has been her world since she was five. Practicing discipline and strategy, sacrifice and solitude, she has dedicated herself to resisting the Divine Empress’s plans of eradicating the all-but-forgotten magic. She longs for a world once again filled with magic—and freedom and love. And she’ll do whatever it takes to find those things.

In the faraway city of Velingard, Livya is the privileged daughter of the revered scientist whose invention of an indestructible new metal was the catalyst for a great revolution. Yet Livya’s bored of suitors and balls, more interested in philosophical debates. But when an invite to a secret salon leads to a kidnapping attempt, Livya is suddenly on the run—with the unlikely aid of charming con man Kaian, a once dear childhood friend inexplicably turned frosty stranger.

Captain Fonde has served Velingard faithfully in the twenty years since the revolution, and all has been peaceful... until now, when he’s informed that their “indestructible” metal is inexplicably starting to crumble. Ships, bridges, buildings, statues—their entire post-revolution world is literally about to come apart. Could it be that the metal—and therefore the revolution—was flawed all along? Or is there something darker—evil, ancient, inhuman—at play?

With stunning world-building, Jesse Q. Sutanto weaves an epic tale of characters whose lives irrevocably intertwine—and unravel—as paths collide across continents, racing toward an explosive twist that will forever change all of their fates...

Capone promised he’d keep his family safe, but Erin’s afraid he’ll die trying, in the third book of #BookTok favorite Jahquel J.’s Delgato Family saga.

Everything’s looking up for Erin. She married her best friend in a picturesque sunset ceremony on the beaches of Barbados, they’re expecting a baby girl, and the pair are surrounded by their loved ones. Erin’s even made nice with Capone’s ex.

But danger’s never far away, and that scares Erin. Every day, Capone risks his life handling business in the streets. Then, a serious health scare forces him to slow down, and Erin and her brother, Jaiden―now entrenched in Capone’s world himself―purchase firearms to protect themselves.

Having dealt with arrests, shoot-outs, high-speed chases, and Molotov cocktails, Erin just wants to live with her husband and daughter in peace. Now that Capone has decided to take a step back from the grind, will she finally get the happily-ever-after she longs for?

The third book in the Delgato Family universe, Capone took BookTok by storm.

Capone III is an urban romance featuring depictions of murder, domestic violence, and substance abuse as well as explicit scenes. It is intended for mature readers.

Jahquel J. returns to the Rich family in the sequel to her traditional debut, the USA Today and Publishers Weekly bestseller Rich and Rotten.

Grittier, steamier, and more dangerous than the first book, this dynasty saga goes deeper into the streets beneath Greenwich Pointe’s wealth, where loyalty is tested at every turn and fighting for family may cost blood. Commercial urban crime fiction at its pinnacle.

Tatiana Rich is left with nothing.

With nowhere else to turn, she must depend on the one man who has let her down before. His help may be her only way forward, but she isn't sure it's worth the risk of being disappointed again.

Jonah has always put protecting Tatiana and his goddaughter first. Now, with a new romance building with Yaya, he must find a way to make room for her in his plans without stepping back from the people he has always considered family.

Nazir is working to blend his family, introducing his daughters to each other and the love of his past to his best friend, all while protecting the woman he loves from her own father.

Malcolm Rich kept Nazir from Tatiana once before. Nazir refuses to let him stand in the way of getting his family back, or let him take what isn't his.

This time, he will do whatever it takes, even if it leaves blood on his hands.

Winner of the Bancroft Prize
Winner of the David J. Langum Prize
Winner of the Merle Curti Social History Award
Finalist for the Cundill History Prize 2026

A revelatory history of the laws that conditioned the everyday lives of Chinese people in the American West―and of those who negotiated, circumvented, and resisted discrimination.

Legal discrimination against Chinese people in the United States began in 1852, with a California tax on foreign gold miners that was explicitly designed to exploit Chinese labor. In the ensuing decades, California, Oregon, Washington, and other western states instituted more than five thousand laws that marginalized and controlled Chinese residents. Long before the Chinese Exclusion Act banned Chinese immigration, these laws constrained the activities and opportunities of Chinese people already living in the United States.

In this eye-opening account, Beth Lew-Williams describes a legal architecture redolent of Jim Crow but tailored to the people whom official records often referred to only as “John Doe Chinaman” and “Mary Chinaman.” Enforced by police, tax collectors, schoolteachers, missionaries, and neighbors, these laws severely limited Chinese access to American society. Cementing stereotypes of Chinese as criminals, invaders, and predators, states regulated everything from healthcare and property ownership to business formation and kinship customs. Yet Chinese communities reacted resourcefully. Many fought, evaded, and manipulated racist laws, finding ways to maintain prohibited traditions, resist unfair treatment in court, and insist on their political rights.

Revealing the depth of anti-Chinese discrimination beyond federal exclusion, John Doe Chinaman tells the stories of those who refused to accept a conditional place in American life.

A comprehensive survey of Ghanaian sculptor El Anatsui’s experimental prints and paper works

Acclaimed contemporary artist El Anatsui (b. 1944) is renowned for his intricate large-scale sculptures across a range of media―from clay and wood to discarded materials such as bottle caps and cassava graters. Less well known are his inventive prints and paper works, which share an important relationship to his sculptural practice. Examining the connection between the experimental quality of his prints and the radical compositions of his metal sculptures, this book uncovers the invaluable role of printmaking in the development of his artistic imagination and studio practice.

Beginning with Anatsui’s first encounter with printmaking at the University of Nigeria, Nsukka, author Chika Okeke-Agulu traces the artist’s engagement with the techniques and modalities of the medium, investigating how this allowed him to explore line, color, texture, and form. Offering an overview of Anatsui’s six decades of work on paper and aluminum, the book also includes a comprehensive catalogue of his prints. An essay placing Anatsui’s print work within the context of contemporary collaborative studio practices enriches our understanding of the global field of printmaking, and the book is further enlivened by a conversation with the artist himself. 

Distributed for the Philadelphia Museum of Art

Exhibition schedule:

Philadelphia Museum of Art

(December 19, 2026–May 2, 2027)

An essential history of modern Black cinema, as led by avant-garde filmmaker, director, novelist, composer, and playwright Melvin Van Peebles.

Beg Borrow Steal, a title inspired by Black artists’ make-a-way-out-of-no-way ethos, is a stirring and remarkable deep dive into Black independent film and culture, as modeled by raconteur and iconoclast Melvin Van Peebles. Award-winning writer Santi Elijah Holley enriches the extraordinary history with interviews from today’s most innovative Black independent filmmakers and actors, such as Julie Dash, Charles Burnett, and Samuel L. Jackson, as well as Van Peebles’s published and unpublished manuscripts, critical reviews, analyses, and reflections.

Independent Black artists across all disciplines—from music and theater to literature and poetry—continue to push boundaries, challenge stereotypes, and pursue their own vision, away from traditional gatekeepers. The success of artists like Spike Lee, Barry Jenkins, Ava DuVernay, Jordan Peele, and Ryan Coogler can be traced directly to the pioneering work of Van Peebles, whose ambitious and innovative multidisciplinary artistry never yielded to anybody else’s vision but his own.

As a Black American who’d overcome poverty, discrimination, and other obstacles, Van Peebles refused to let White America take advantage of him and his talent. It’s made him a beacon for every Black auteur and independent filmmaker of the past 50 years. Sinners, Black Panther, Sorry to Bother You, Get Out, She's Gotta Have It, Do the Right Thing, Boyz n the Hood, Shaft, Superfly, Daughters of the Dust, Selma, the list goes on. It is impossible to imagine any of these culturally defining films existing, if not for the groundwork laid by Melvin Van Peebles’s 1971 Sweet Sweetback’s Baadasssss Song. It is canon in Black film.

Beg Borrow Steal is the story of the legendary man who provided the blueprint for independent Black cinema, and a tribute to the power of radical Black creativity in American art and culture.

Enter St. Paradise, a city pulsing with blood magic, where clan secrets and shifting allegiances rule the land. For the first time, bestselling novelist Akwaeke Emezi brings their powerful talents to epic fantasy!

Ten years ago, Eclipse Orinabe and her aunt, Silver, were the sole survivors of a massacre that nearly wiped out their clan.

Then the Orinabe unleash their revenge: the annihilation of the clans who betrayed them, and the release of rapture, a drug so potent that the clan—once peaceful pharmaceutical makers—soon have St. Paradise in a chokehold.

Disturbed by the Orinabe’s bloody rise, the surviving clan leaders nonetheless make nice with Silver, known as the Butcher, and accept Eclipse—a weapon disguised as a glamorous clan princess—into society.

With the foundations of St. Paradise trembling, one spark will set the city aflame. And embers are everywhere: Wolf, Heir to the Goldshot clan, is on the run from his own people, armed with holy golden bullets. He claims sanctuary with Clan Heron, spies so secretive that no one knows their true Heir.

Noah, Heir to the psychic Solarin clan, is pushed into a consuming relationship with Eclipse by his clan leaders. But neither Heir is what the other thinks—and the secret Noah is keeping is powerful enough to blink out St. Paradise’s entire existence in an instant.

An ancient magic ties these clans together and a brutal reckoning will come as the Heirs collide and claim their fraught inheritance.

Emotionally rich, explosively thrilling, and finely wrought as all of Emezi’s work, their new standalone novel is perfect for fans of the author or Fonda Lee, R.F. Kuang, and V.E. Schwab.

An inventive haunted house story with an uncanny twist, in which a woman mourning the recent death of her abusive mother takes a housekeeping job with increasingly strange and dangerous tasks, for fans of Carissa Orlando and Monika Kim.

Loretta is numb with grief. Reeling after the death of her abusive—although she would never use that word—mother and estranged from her younger sister, Loretta finds herself unemployed and alone.

Resolutely out of options, she hears of an unusual job opportunity. The owner of a huge home on the outskirts of town is looking for a live-in housekeeper—and offering thousands of dollars every week, in cash. There are only two simple rules: complete the daily chores left in the mailbox and no overnight guests. It seems like the perfect escape.

The idyllic solitude quickly sours into a waking nightmare. The daily chores escalate from simple cleaning to grotesque demands for Loretta’s flesh and blood. Any resistance is met with painful and increasingly life-threatening punishments. Loretta is familiar with this situation—well trained by her mother and miserable childhood— and isolates herself inside the carnivorous mansion. As her sense of reality warps and she falls deeper into the house’s clutches, her friends and sister try to intervene before it’s too late. But to survive, Loretta must decide whether to accept the comfort of familiar cycles or find out how hard she’s willing to fight for herself.

Both a terrifying thriller and an emotional portrait of resilience in the face of abuse, This House Is Not a Home is an ambitious debut from an exciting new voice in adult horror.

A heartfelt, interracial, contemporary romance debut--and a love letter to K dramas--featuring a single mom whose chance to turn her neighborhood restaurant into a household name is upended by an unexpected spark with a swoon-worthy Korean business magnate, for fans of Kennedy Ryan, Tia Williams, and Susan Lee.

Keisha Thomson loves K-Dramas, but she never thought her life would turn into one. Keisha is a 37-year-old, divorced mom of her beloved autistic son, Kai, and the ambitious owner of True Soul, a Harlem soul-food restaurant. Set between Harlem and Seoul, the novel follows bold and pragmatic Keisha, charming yet duty-bound Han Seojun, and the viral red velvet cake that brings them together. What begins as a cultural and culinary clash becomes a whirlwind romance that upends everything they thought they knew about love, ambition, and what it means to put yourself first.

Life is a K Drama brings together Sherri Shepherd and Jayci Lee's complementary voices to create something truly fresh. Part escapism and part self-discovery, it’s for anyone who’s ever rebuilt themselves from scratch and for readers who crave joy that feels earned and real. With shades of Tia William’s Seven Days in June and Sally Thorne’s The Hating Game, it’s a sweeping, cinematic love story that glows with humor, heart, and hard-won hope. Importantly, it’s not just a romance between Keisha and Seojun, it’s also a love story about family, food, and culture.

In this radiant and incisive debut novel in the tradition of works by ZZ Packer and Toni Cade Bambara, a Black woman fights to reclaim—and reinvent—her world after a little understood illness and a public health crisis threatens to upend everything she has.

Forty-seven-year-old Harmony Johnston is not suited for New York City life in 2019. From shampoos to synthetics to cell phones—the ubiquitous staples of modern daily life cause her physical pain, for reasons no one, including Harmony, understand. Doctors deny her illness is real, after seven years of enduring this private war, Harmony has her doubts too. Betrayed by her body and mind, as well as those closest to her—her obstinate physician sister, her sneaky best friend, and a spectral aunt who appears and disappears at whim—Harmony clings to the one doctor who offers hope.

In war, there are sacrifices: hair, boyfriend, sleep. Conditioned to place the comfort of others above her own needs, Harmony strives to be accommodating in an increasingly inhospitable world. But when the prestigious non-profit she works for relocates to an office with new wiring, painting, and carpeting (and the same old racial tensions) that exacerbate her pain, she quits her job and begins to set firm boundaries that upend her life, make her universe a little smaller, and magnify her loneliness.

As Harmony grows increasingly ill threatening her relationship with her one sympathetic doctor, she cuts herself off completely from the outside world and plunges into depression and literal darkness. When she eventually resurfaces, the world is irreversibly altered. With everyone now nearly as isolated as she is, Harmony resolves to re-connect with all she has lost. But can things ever really go back to normal?

At turns devastating, funny, and affirming, I Can Feel It All Over is an unforgettable debut novel about bodily autonomy, art, connection, and the pursuit of an authentic life amid the world's confines.

In a piercing blend of biography, criticism, and memoir, Pulitzer Prize-winning writer Salamishah Tillet explores Nina Simone’s life and the impact of her legacy.

In Nina Simone and the World She Made, Salamishah Tillet traces Nina Simone’s transformation from child prodigy to musical icon and fearless civil rights activist. When racism thwarted her dreams of becoming a classical pianist, Simone reinvented herself and created a sound wholly her own—one that would catapult her into stardom and the heart of the Black Power movement.

Decades later, Simone’s music inspired the hip-hop generation and Tillet’s own profound political awakening. From buying her first Nina Simone album to becoming a creative and activist, Tillet’s private encounters with Simone’s work grew into a broader exploration of her legacy. Exploring Simone’s unique impact on the American cultural landscape through the women who shaped her and those whom she shaped, Tillet reveals how art can be a powerful driver of social activism, and the struggles and sacrifices it involves.

With honest, lyrical prose, Tillet’s intimate portrait brings us close to Simone, while showing us how the singer’s voice captured the pain and promise of America and resonates in the fight for equality today. Nina Simone and the World She Made urges us to listen to Simone’s music—not just as a reflection of the past, but as a guide for the future.