An eloquent, prize-winning historian chronicles the rise of Black enterprise in America.

Entrepreneurs like Booker T. Washington and Madam C.J. Walker are familiar figures in the history of Black business. But from the hopeful dawn of emancipation to the crucible of Jim Crow, from rural Mound Bayou, Mississippi, to the bustling blocks of Harlem, many others built extraordinary businesses in pursuit of prosperity and freedom. Nevertheless, their efforts to pursue the American Dream were steadily undermined by people intent on profiting on their innovations and reining in their opportunities. Award-winning historian Shennette Garrett-Scott reveals the everyday genius of the people who refused to accept exclusion as identity: former slaves turned cotton mill owners, washerwomen turned financiers, and self-taught visionaries who built banks, real estate empires, and grocery store chains. Their successes were real, but ventures that promised economic independence often provoked backlash as white elites, politicians, and vigilantes tried to contain Black success. Even the boldest dreams often buckled under the combined weight of limited resources and state obstruction.

A daring tale, lyrically told, The Business of Freedom reveals the history, strengths, and weaknesses of Black capitalism as a strategy for both individual and collective empowerment and shows why free enterprise alone could never deliver the freedom its champions promised.

26 illustrations

Originally published in 2005, former NBA star Etan Thomas’s first poetry collection defies the stereotype of the apolitical athlete; featuring brand-new poems by Thomas and his son―and University of Dayton basketball star―Malcolm Thomas

RETIRED NBA STAR, AUTHOR, AND OUTSPOKEN POLITICAL ACTIVIST, Etan Thomas is more than an athlete. In this, his first collection of poems―originally published in 2005 and reissued here with many new poems―the former center for the NBA’s Washington Wizards defies the stereotype of the apolitical athlete, and plants his roots in his budding literary career. With the conviction of a Bill Russell, and the poetic finesse of Muhammad Ali, Thomas takes on controversial topics such as the Death Penalty, the GOP, and racism. 

This fiery poet approaches his work fearlessly, writing in the strong, historical lineage of his literary elders Amiri Baraka and Sonia Sanchez, and in the tradition of more contemporary poets Ras Baraka, Tony Medina, and asha bandele. More Than an Athlete is not just a book of poetry; it’s a statement about new generations not being confined to a box, a definition, or a label. Some people play ball, and some people write poems. Etan Thomas has mastered the art of both.

The reimagined 2027 edition features brand-new poems by Thomas as well as his son Malcolm, who is following in his father’s footsteps on the court as a collegiate athlete, and on―and off―the page as a poet and activist.

From the award-winning author Jared Lemus comes a novel where myth and danger collide in an isolated Guatemalan town

Huecotenango is a small town in a remote corner of Guatemala, where residents—outcasts, wanderers, and people running from the past—have gathered as if drawn by some unspoken calling. Behind Huecotenango’s daily rhythms, something has been silently approaching for fifteen years, and its inhabitants sense that their lives are about to change forever.

A crash on the outskirts brings two brothers into Huecotenango. The townspeople offer to help without knowing who the brothers are or what danger they might bring. Leo and Santiago see Huecotenango as a place to disappear and continue their illicit work, but their presence soon unsettles the community. Rumors spread and loyalties are tested as the town’s humble existence comes under threat. Extraordinary residents come into focus—a woman who can shapeshift into a jaguar, a healer who absorbs the ailments of others, a young woman with a debt to the god of the underworld—and their pasts, powers, and choices gradually converge with the brothers’ story in ways both dangerous and profound.

Jared Lemus has written a suspenseful, morally complex debut novel about survival, devotion, greed, and the inexorable pull of the past. In Magic in the Land of Eternal Spring, ordinary lives are tested by extraordinary forces, and the consequences of small decisions ripple fatally outward.

In a brilliant departure from the novels that made Jesse Q. Sutanto a USA Today bestselling author—including Dial A for Aunties—comes the first book in a debut dark fantasy duology, following an assassin, a scholar, a con man, and a guard in a race to rediscover powerful lost magic and save their world...

Mara has no memory of life before her assassin training behind the fortress-like walls of Tchu-Morrokhai, which has been her world since she was five. Practicing discipline and strategy, sacrifice and solitude, she has dedicated herself to resisting the Divine Empress’s plans of eradicating the all-but-forgotten magic. She longs for a world once again filled with magic—and freedom and love. And she’ll do whatever it takes to find those things.

In the faraway city of Velingard, Livya is the privileged daughter of the revered scientist whose invention of an indestructible new metal was the catalyst for a great revolution. Yet Livya’s bored of suitors and balls, more interested in philosophical debates. But when an invite to a secret salon leads to a kidnapping attempt, Livya is suddenly on the run—with the unlikely aid of charming con man Kaian, a once dear childhood friend inexplicably turned frosty stranger.

Captain Fonde has served Velingard faithfully in the twenty years since the revolution, and all has been peaceful... until now, when he’s informed that their “indestructible” metal is inexplicably starting to crumble. Ships, bridges, buildings, statues—their entire post-revolution world is literally about to come apart. Could it be that the metal—and therefore the revolution—was flawed all along? Or is there something darker—evil, ancient, inhuman—at play?

With stunning world-building, Jesse Q. Sutanto weaves an epic tale of characters whose lives irrevocably intertwine—and unravel—as paths collide across continents, racing toward an explosive twist that will forever change all of their fates...

“Engrossing and informative.” ―Zaakir Tameez, New York Times Book Review

From one of the most acclaimed and influential historians of the United States, an insightful guide to our history and why it matters.

Eric Foner has done more to shape the public and professional understanding of American history than any other scholar. The preeminent historian of the Civil War era, Foner’s keynote has been American freedom and the recurring battles over its meanings and boundaries. His award-winning works show that freedom has been a birthright for some and a struggle for others, that rights gained can also be lost, and that they must always be tended with knowledge and vigilance. The present political moment makes the importance of these themes abundantly clear.

This collection of Foner’s recent reviews and commentaries demonstrates the range of his interests and expertise, running from slavery and antislavery, through the disunion and remaking of the United States in the nineteenth century, Jim Crow and the civil rights movement, and into our current politics. Each piece shows a master at work, melding historical knowledge and balanced judgment with crystalline prose. Foner takes up towering figures from Washington to Lincoln, Douglass, and Rosa Parks, pivotal events such as the Fugitive Slave Act and the Tulsa Race Massacre, and the fragility of constitutional guarantees to civil liberties, due process, and birthright citizenship, whether in times of war or peace. He also explores recent controversies over how to commemorate, and how to teach, our history.

A comprehensive survey of Ghanaian sculptor El Anatsui’s experimental prints and paper works

Acclaimed contemporary artist El Anatsui (b. 1944) is renowned for his intricate large-scale sculptures across a range of media―from clay and wood to discarded materials such as bottle caps and cassava graters. Less well known are his inventive prints and paper works, which share an important relationship to his sculptural practice. Examining the connection between the experimental quality of his prints and the radical compositions of his metal sculptures, this book uncovers the invaluable role of printmaking in the development of his artistic imagination and studio practice.

Beginning with Anatsui’s first encounter with printmaking at the University of Nigeria, Nsukka, author Chika Okeke-Agulu traces the artist’s engagement with the techniques and modalities of the medium, investigating how this allowed him to explore line, color, texture, and form. Offering an overview of Anatsui’s six decades of work on paper and aluminum, the book also includes a comprehensive catalogue of his prints. An essay placing Anatsui’s print work within the context of contemporary collaborative studio practices enriches our understanding of the global field of printmaking, and the book is further enlivened by a conversation with the artist himself. 

Distributed for the Philadelphia Museum of Art

Exhibition schedule:

Philadelphia Museum of Art

(December 19, 2026–May 2, 2027)

Written by an engineer who has worked for the FBI and the White House, this STEMinist picture book biography tells the story of Bessie Blount, a groundbreaking Black inventor.

What do you do when people tell you no? This is a true story of what happens when you tell yourself yes!

When a teacher said she couldn’t write with her left hand, Bessie taught herself to be right-handed. At a time when many people were unfairly denied more education, Bessie studied hard and became a nurse and physical therapist. And when her patients—injured World War II soldiers—couldn’t feed themselves, Bessie invented a device to assist them. Bessie‘s determination allowed her to help others in so many ways.

From celebrated STEMinist (STEM-feminist) Afua Bruce and award-winning artist Laura Freeman comes the inspiring true story of the extraordinary Bessie Blount.

* A trailblazing inventor who overcame oppression to succeed
* Informational back matter, including a timeline, author’s note, and guide to inventing
* Inspiring true story for fans of Maya’s Song, Ketanji, and Because Claudette

There are so many things we once believed were true, good, and beautiful that we now no longer believe. Ideas we once defended with confidence now seem naive, misguided, or even harmful.

Every generation looks back at what their parents believed and rolls their eyes. Every generation thinks they stand on the right side of history, but history has a way of humbling our confidence. That only means future generations will look back and judge us to be wrong, false, and bad.

One day, we also will be on the wrong side of history. It's okay to be wrong about things that don't matter, like cultural trends, personal tastes, and leisure activities. But what if we're wrong about things that really matter, like faith, God, and eternal consequences? What if we've been believing all the wrong things? In How to Be on the Right Side of History, Sam Chan reveals how--when it comes to things of ultimate truth, goodness, beauty, and God--we can have confidence that our beliefs aren't just fads but are grounded in eternal reality.

The iconic NAACP magazine’s most dynamic and daring African American voices gathered together for the first time in a groundbreaking literary collection, from founding editor W. E. B. DuBois and Jessie Fauset to today's modern day cultural critics, including June Shagaloff and Michael A. Lawrence.

The Crisis magazine is the official publication of NAACP. It was created in 1910 by renowned historian, civil rights activist, and NAACP co-founder W. E. B. DuBois. The magazine appeared three years before Conde Nast launched an American version of Vanity Fair and fifteen years before Harold W. Ross introduced The New Yorker to readers.

Du Bois started The Crisis in one room of the New York Evening Post building in New York City and edited the publication until 1934. A group of NAACP leaders adapted the name from James Russell Lowell's poem The Present Crisis, written at the height of the Civil War.

In the premier issue Du Bois made clear of the publication’s goals: "The Crisis will record important happenings and movements in the world which bear on the great problem of inter-racial relations, and especially those which affect the Negro-American. Secondly, it will be a review of opinion and literature, recording briefly books, articles, and important expressions of opinion in the white and colored press on the race problem. Thirdly, it will publish a few short articles. Finally, its editorial page will stand for the rights of men, irrespective of color or race, for the highest ideals of American democracy."

At the time, Du Bois noted, "it was the rule of most white papers never to publish a picture of a colored person except as a criminal and the colored papers published mostly pictures of celebrities who sometimes paid for the honor. In general, the Negro race was just a little afraid to see itself in plain ink." Everything changed with the advent of The Crisis.

Now, for the first time ever The Best of the Crisis will bring together the magazine’s previously published most dynamic and daring voices and stories from its founding until today in one extraordinary collection, including W. E. B. Du Bois, Thurgood Marshall, Bayard Rustin, Francis Grimke, J.A. Rogers, Stetson Kennedy, E. Franklin Frazier, Oswald Garrison Villard, Jessie Fauset and Arna Bontemps.

This edition will spotlight the first section devoted to Negro children, the first presentation of Negro artwork, the first feature stories about successful Negroes, the first full-fledged drive for Pan-Africanism, the first special numbers devoted to Negro educational advancement, the first articles on consumers cooperation all tied together with contemporary voices on where we stand on these issues today.

From the PEN-nominated author of The Blueprint comes a moving novel about two women connected by music, memory—and murder.

Texas, 1983. Lola Jones is in prison for the death of her mother’s former lover, a man whose presence tangled itself through both their lives. After years of silence, Lola writes a letter to the dead man’s daughter—the “secret sister” from the better part of town in whose shadow Lola has lived most of her life.

As Lola reaches across time and memory, her story unfolds in two mirrored movements: the first, a chronicle of her mother, Camille, a blues singer shaped by love, ambition, and loss; the second, a recounting of Lola’s own coming of age in the echo of Camille’s legacy.

Braided with music, memory, and the weight of being misunderstood, Sweet Water explores inheritance, identity, and the ways women learn to survive what they cannot control. It is a story about Black women connected and separated by their experiences with each other, and with the men in their lives. Written as a letter, structured like a blues song—call and response, verse and refrain—the novel asks what it means to reclaim your voice when someone else’s pain has defined your existence.

We Made the World: Five Centuries of Queens, Warriors, and Other Foremothers traces five centuries of history through twelve extraordinary women of African descent—from queens and warriors to artists and activists—weaving together collective memory, oral tradition, and personal grief into a landmark work that places Black women at the center of world history.

In 1949, a seamstress from a small coastal town in the Gold Coast colony stood up in a room full of men and voted to split from the most powerful political party in the country. Her name was Hannah Kudjoe. She spent the next decade organizing the women who would win Ghana's first democratic election and help make it the first sub-Saharan African nation to gain independence from European colonial rule. When Nkrumah published his autobiography, she wasn't in it.

We Made the World does for twelve women what it does for Hannah Kudjoe. It finds the woman who was in the room, who was essential to the room, and whose name was removed from the record the moment her usefulness to powerful men was exhausted.

We're talking about Queen Njinga of Angola, who fought the Portuguese to a standstill for forty years and died at eighty still a sovereign. Wangarĩ Maathai, the Nobel Peace Prize winner who saved a Nairobi forest by walking upstream through a river at dawn to plant trees while the police watched. Brenda Fassie, the queer Black pop icon who sang South Africa through the end of apartheid and whose music still stops a room on any continent.

The author traveled to eleven countries to write this book. She gathered oral histories from descendants and community keepers across four continents. And she wrote it while experiencing great loss and grief which means this book knows in its bones what it costs to carry someone's memory, and what it costs not to.

We Made the World is five hundred years of history rewritten from the inside. It is the book that asks what we have lost by not knowing these women's names, and begins the important work of giving that back to us all.

An award-winning young scholar explores how Black women have remade―and continue to remake―our understanding of the past.

Across centuries, Black women have invented means to preserve what official history could not: friendship albums, kitchen-table philosophy, blogs, playlists, oral histories, and archives held in the mind. In The Light Keepers, Jessica Marie Johnson traces this radical tradition through the centuries-long prism of American empire, from the holds of slave ships to contemporary digital worlds, showing that there is nothing finished or settled about how Black women understand time, trauma, and survival.

Blending personal narrative, archival fragments, and ancestral wisdom, Johnson reframes Black women not as subjects of history but as archivists and historians. Against erasure, against shame, against death itself, Black women have transformed the bitterest waters of history into tools for living, loving, and imagining freedom. The Light Keepers offers readers a daring new way to think about the past―and a powerful lesson in how knowledge is made when survival demands it.

88 illustrations