A beautiful, bold collection of more than 100 dazzling poems by Black poets for the whole family to treasure.

Discover classic favorites and new stars. This gorgeously illustrated children's anthology is the perfect introduction to poets such as Lucille Clifton, Langston Hughes, Benjamin Zephaniah, Gwendolyn Brooks, Maya Angelou, Amanda Gorman, Caleb Femi, and Joseph Coelho, and also features brand-new work by poets Nikki Grimes, Carole Boston Weatherford, and others.

Lovingly compiled by award-winning picture book writer and editor Traci N. Todd, this collection touches on a wide range of themes-hope and struggle, joy and pride, home and food, music and family. Each poem is paired with vibrant, inviting illustrations by Jade Orlando.

This beautiful gift book is a remarkable and moving tribute to the rich literary history and bright future of Black writing.

Dialect poems by one of the nineteenth century's most talented African American lyricists

Paul Laurence Dunbar was “the most promising young colored man” in nineteenth-century America, according to Frederick Douglass, and subsequently one of the most controversial. His plantation lyrics, written while he was an elevator boy in Ohio, established Dunbar as the premier writer of dialect poetry and garnered him international recognition. More than a vernacular lyricist, Dunbar was also a master of classical poetic forms, who helped demonstrate to post–Civil War America that literary genius did not reside solely in artists of European descent. William Dean Howells called Dunbar’s dialect poems “evidence of the essential unity of the human race, which does not think or feel black in one and white in another, but humanly in all.”

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

With a New Introduction and Notes by Henry Louis Gates, Jr. and Richard J. Ellis

A fascinating fusion of two literary models of the nineteenth century, the sentimental novel and the slave narrative, Our Nig, apart from its historical significance, is a deeply ironic and highly readable work, tracing the trials and tribulations of Frado, a mulatto girl abandoned by her white mother after the death of the child's black father, who grows up as an indentured servant to a white family in nineteenth-century Massachusetts.

This definitive edition of Our Nig includes a new Introduction by Henry Louis Gates, Jr. and Richard J. Ellis and a set of appendices:  "Harriet Wilson's Career as a Spiritualist";  "Hattie E. Wilson in the Banner of Light and Spiritual Scientist" a collection of her extant contributions to these newspapers;  "Documents from Harriet Wilson's Life in Boston," and a compilation of primary source material relating to Wilson's identity.  There is also a new chronology of the life of Harriet Wilson by Richard J. Ellis, as well as an up-to-date Select Bibliography of current scholarship regarding Harriet Wilson. This edition gives the fullest account to date of the life of Harriet Wilson, filling out many critical points regarding her life after writing Our Nig, in particular when she became a "medium" who communicated with the dead and as an educator in the "Spiritualist" movement after the Civil War.

A landmark collection documenting the social, political, and artistic lives of African American women throughout the tumultuous nineteenth century. Named one of NPR's Best Books of 2017.
 
The Portable Nineteenth-Century African American Women Writers is the most comprehensive anthology of its kind: an extraordinary range of voices offering the expressions of African American women in print before, during, and after the Civil War. Edited by Hollis Robbins and Henry Louis Gates, Jr., this collection comprises work from forty-nine writers arranged into sections of memoir, poetry, and essays on feminism, education, and the legacy of African American women writers. Many of these pieces engage with social movements like abolition, women’s suffrage, temperance, and civil rights, but the thematic center is the intellect and personal ambition of African American women. The diverse selection includes well-known writers like Sojourner Truth, Hannah Crafts, and Harriet Jacobs, as well as lesser-known writers like Ella Sheppard, who offers a firsthand account of life in the world-famous Fisk Jubilee Singers. Taken together, these incredible works insist that the writing of African American women writers be read, remembered, and addressed.
 
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Longtime NBC News reporter Char Adams writes a deeply compelling and rigorously reported history of Black political movements told through the lens of Black-owned bookstores, which have been centers for organizing from abolition to the Civil Rights Movement to Black Lives Matter.

In Black-Owned, Char Adams celebrates the living history of Black bookstores. Packed with stories of activism, espionage, violence, community, and perseverance, Black-Owned starts with the first Black-owned bookstore, which an abolitionist opened in New York in 1834, and after the bookshop’s violent demise, Black book-lovers carried on its cause. In the twentieth century, civil rights and Black Power activists started a Black bookstore boom nationwide. Malcolm X gave speeches in front of the National Memorial African Book Store in Harlem—a place dubbed “Speakers’ Corner”—and later, Black bookstores became targets of FBI agents, police, and racist vigilantes. Still, stores continued to fuel Black political movements.

Amid these struggles, bookshops were also places of celebration: Eartha Kitt and Langston Hughes held autograph parties at their local Black-owned bookstores. Maya Angelou became the face of National Black Bookstore Week. And today a new generation of Black activists is joining the radical bookstore tradition, with rapper Noname opening her Radical Hood Library in Los Angeles and several stores making national headlines when they were overwhelmed with demand in the Black Lives Matter era. As Adams makes clear, in an time of increasing repression, Black bookstores are needed now more than ever.

Full of vibrant characters and written with cinematic flair, Black-Owned is an enlightening story of community, resistance, and joy.

Featured on NPR's Morning Edition

A Best Book of the Year at The Guardian, The Sunday Times, Poetry School, New York Public Library, and Entropy Magazine

Winner of the Ted Hughes Award, Rathbones Folio Prize, and Somerset Maugham Award; finalist for the Griffin Poetry Prize and Reading the West Book Award

In the wake of his father’s death, the speaker in Raymond Antrobus’ The Perseverance travels to Barcelona. In Gaudi’s Cathedral, he meditates on the idea of silence and sound, wondering whether acoustics really can bring us closer to God. Receiving information through his hearing aid technology, he considers how deaf people are included in this idea. “Even though,” he says, “I have not heard / the golden decibel of angels, / I have been living in a noiseless / palace where the doorbell is pulsating / light and I am able to answer.”

The Perseverance is a collection of poems examining a d/Deaf experience alongside meditations on loss, grief, education, and language, both spoken and signed. It is a book about communication and connection, about cultural inheritance, about identity in a hearing world that takes everything for granted, about the dangers we may find (both individually and as a society) if we fail to understand each other.

Selected Poems is the classic volume by the distinguished and celebrated poet Gwendolyn Brooks, winner of the 1950 Pulitzer Prize, and recipient of the National Book Foundation Medal for Distinguished Contribution to American Letters. This compelling collection showcases Brooks's technical mastery, her warm humanity, and her compassionate and illuminating response to a complex world. This edition also includes a special PS section with insights, interviews, and more—including a short piece by Nikki Giovanni entitled "Remembering Gwen."

By 1963 the civil rights movement was in full swing across the United States, and more and more African American writers were increasingly outspoken in attacking American racism and insisting on full political, economic, and social equality for all. In that memorable year of the March on Washington, Harper & Row released Brooks’s Selected Poems, which incorporated poems from her first three collections, as well as a selection of new poems.

This edition of Selected Poems includes A Street in Bronzeville, Brooks's first published volume of poetry for which she became nationally known and which led to successive Guggenheim fellowships; Annie Allen, published one year before she became the first African American author to win the Pulitzer Prize in any category; and The Bean Eaters, her fifth publication which expanded her focus from studies of the lives of mainly poor urban black Americans to the heroism of early civil rights workers and events of particular outrage—including the 1955 Emmett Till lynching and the 1957 school desegregation crisis in Little Rock, Arkansas.

From The Unexpected Diva author Tiffany Warren—a dishy and dramatic novel of the Harlem Renaissance and its most famous Black debutante, Yolande Du Bois, daughter of W.E.B. Du Bois, whose spectacular wedding to poet Countee Cullen was the society event of the year...even though the bride and groom were not-so-secretly in love with other people.

A century ago, Harlem’s glittering social scene had a single princess: Yolande Du Bois, the only child of N.A.A.C.P. icon W.E.B. Du Bois. Yolande was bold, vivacious, and beloved of every gossip columnist. A true daddy’s girl, Yolande followed her father’s advice on everything: from where she went to college (Fisk—Papa’s alma mater) to which sorority she joined (Delta Sigma Theta). But in matters of the heart, Yolande and her father did not agree. Dr. Du Bois himself curated a string of handsome suitors from the “Talented Tenth” for her, but Yolande’s true love was jazz musician Jimmie Lunceford, son of a working-class family from far-off Denver, Colorado. Their romance was an open secret, and more than a little scandalous.

Despite it all, Yolande wound up marrying her father’s choice: famed poet Countee Cullen. Their lavish uptown wedding was the hottest social ticket of 1928. With three thousand attendees, sixteen bridesmaids, and Langston Hughes as a groomsman, it was truly a sight to behold.

But, immediately after the wedding, Yolande’s carefully constructed fairy tale begins to crumble. Torn between the expectations of her father and society and her heart’s true desire, Yolande is forced to decide whether she must leave Harlem to create a more authentic life on her own terms.

A Harlem Wedding is a heady read about love, notoriety, Black excellence, deception, and the très chic lifestyles of the Black elite, from speakeasies of Harlem and the green fields of Fisk University, all the way to Le Grand Duc in Paris.

A rediscovered classic from the Harlem Renaissance about a young Black woman’s journey passing as white in 1920s New York City and her quest for self-acceptance—with an introduction by Glory Edim, founder and author of Well-Read Black Girl.

Jessie Redmon Fauset is one of the literary titans and foremost tastemakers of the Harlem Renaissance—hired by W. E. B. Du Bois to edit The Crisis, she helped popularize writers like Nella Larsen, Claude McKay, Langston Hughes, amongst countless others. And yet, her own work has been largely underread in the twenty-first century. Written in 1929, at the height of the Harlem renaissance, Fauset’s celebrated second novel tells the story of Angela Murray.
 
Growing up in a Black middle-class Philadelphia neighborhood, Angela has always dreamed of becoming a painter. But the profession is largely reserved for white society. So when Angela’s parents prematurely pass away, she moves to roaring New York City, where she befriends elite artists and presents herself as a white woman. While her sister Virginia’s complexion resembles that of their father’s, Angela’s is lighter, like her mother’s, and passing, she believes, is the only way she’ll ever achieve success. Virginia, meanwhile, refuses to bow to racist pressures, and stays in Philadelphia to embrace her heritage with pride. 
 
Each time Angela thinks she’s found artistic, professional, and romantic fulfillment, her ethnicity gets exposed and she finds herself stripped of everything she cares about. As she navigates a world of seduction, betrayal, lust, and heartbreak, she’s forced to consider: What does it mean to find genuine success in a society marred by injustice? Fauset’s “novel without morals” never passes judgement and stays teeming with tenderness. Full of moments that underline the joy of every day Black life, Plum Bun is a pertinent meditation on art, identity, and what it means to find community—as relevant today as ever before.

A vibrant, deeply researched biography of A’Lelia Walker—daughter of Madam C.J. Walker and herself a central figure of the Harlem Renaissance—written by her great-granddaughter.

Dubbed the “joy goddess of Harlem’s 1920s” by poet Langston Hughes, A’Lelia Walker, daughter of millionaire entrepreneur Madam C.J. Walker and the author’s great-grandmother and namesake, is a fascinating figure whose legendary parties and Dark Tower salon helped define the Harlem Renaissance.

After inheriting her mother’s hair care enterprise, A’Lelia would become America’s first high profile black heiress and a prominent patron of the arts. Joy Goddess takes readers inside her three New York homes—a mansion, a townhouse, and a pied-a-terre—where she entertained Langston Hughes, Zora Neale Hurston, Paul Robeson, Florence Mills, James Weldon Johnson, Carl Van Vechten, W.E.B. DuBois, and other cultural, social and intellectual luminaries of the Roaring Twenties.

Now, based on extensive research and Walker’s personal correspondence, her great-granddaughter creates a meticulous, nuanced portrait of a charismatic woman struggling to define herself as a wife, mother, and businesswoman outside her famous mother’s sphere. In Joy Goddess, A’Lelia’s radiant personality and impresario instincts—at the center of a vast, artistic social world where she flourished as a fashion trendsetter and international traveler—are brought to vivid and unforgettable life.

Award-winning novelist Bernice McFadden's highly anticipated new historical novel set amidst the Harlem Renaissance.

―Glorious was a finalist for the 2011 NAACP Image Award for Fiction.

“McFadden’s lively and loving rendering of New York hews closely to the jazz-inflected city of myth. . . . McFadden has a wonderful ear for dialogue, and her entertaining prose equally accommodates humor and pathos.” ―New York Times Book Review

“Bernice L. McFadden’s novel Glorious, which starts with a bang-up prologue, has a strong main character (based in part on Zora Neale Hurston), hard-driving prose, and historic sweep of several decades, including the years of the Harlem Renaissance, which has always fascinated me.” ―Jane Ciabattari, National Book Critics Circle President

Glorious is set against the backdrops of the Jim Crow South, the Harlem Renaissance, and the Civil Rights era. Blending fact and fiction, Glorious is the story of Easter Venetta Bartlett, a fictional Harlem Renaissance writer whose tumultuous path to success, ruin, and ultimately revival offers a candid and true portrait of the American experience in all its beauty and cruelty.

It is a novel informed by the question that is the title of Langston Hughes’s famous poem Harlem: "What happens to a dream deferred?" Based on years of research, this heart-wrenching fictional account is given added resonance by factual events coupled with real and imagined larger-than-life characters. Glorious is an audacious exploration into the nature of self-hatred, love, possession, ego, betrayal, and, finally, redemption.