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Deana Lawson is one of the most powerful photographers of her generation. Her subject is black expressive culture and her canvas is the African Diaspora. Over the last ten years, she has created a visionary language to describe black identities, through intimate portraiture and striking accounts of ceremonies and rituals.Deana Lawson: An Aperture Monograph features forty beautifully reproduced photographs, an essay by the acclaimed writer Zadie Smith, and an extensive interview with the filmmaker Arthur Jafa.

Deana Lawson is one of the most intriguing photographers of her generation. Over the last ten years, she has created a visionary language to describe identities through intimate portraiture and striking accounts of ceremonies and rituals. Using medium- and large-format cameras, Lawson works with models she meets in the United States and on travels in the Caribbean and Africa to construct arresting, highly structured, and deliberately theatrical scenes animated by an exquisite range of color and attention to surprising details: bedding and furniture in domestic interiors or lush plants in Edenic gardens. The body—often nude—is central. Throughout her work, which invites comparison to the photography of Diane Arbus, Jeff Wall, and Carrie Mae Weems, Lawson seeks to portray the personal and the powerful in black life. Deana Lawson: An Aperture Monograph features forty beautifully reproduced photographs, an essay by the acclaimed writer Zadie Smith, and an expansive conversation with the filmmaker Arthur Jafa.

A vibrant and inspiring celebration of America’s leading Black interior designers

In the House is a groundbreaking showcase of the talent, vision, determination, and impact of today’s leading Black interior designers. With gorgeous photography, compelling profiles, and vivid narratives spotlighting signature projects, this book offers an intimate look into the work and inspiration of 33 trailblazing designers, including Brigette Romanek, Tiffany Brooks, Elliott Barnes, Ishka Designs, Forbes Masters, Beth Diana Smith, Keita Turner, Laura Hodges, Justina Blakeney, Leyden Lewis, Rayman Boozer, and many more.

Featuring designers working in an extensive variety of styles and aesthetics, In the House spotlights the breadth and collective brilliance of Black interior designers in one volume. These creatives are redefining style, forging new paths within the industry, and setting new standards in residential spaces across the country and around the world.

Author Alton LaDay’s introduction draws on his extensive interviews to explore the Black experience in interior design, honoring pioneers such as Cecil Hayes (the first Black designer to be featured in Architectural Digest, in 1997, and included on the AD 100 list, in 2000) and examining how far the field has come - and where it’s headed.

Perfect for design enthusiasts and professionals alike, In the House is more than a visual feast; it’s a powerful testament to the creative impact of today’s Black interior designers, and a source of inspiration for the next generation of talent.

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Remember that moment when you first encountered a character who seemed to be written just for you? That feeling of belonging remains with readers the rest of their lives—but it doesn’t happen as frequently for all of us. In this timely anthology, “well-read black girl” Glory Edim brings together original essays by some of our best black female writers and creative voices to shine a light on how important it is that everyone—regardless of gender, race, religion, or abilities—can find themselves in literature.

Contributors include Jesmyn Ward (Sing Unburied Sing), Lynn Nottage (Sweat), Jacqueline Woodson (Another Brooklyn), Gabourey Sidibe (This Is Just My Face), Morgan Jerkins (This Will Be My Undoing), Tayari Jones (An American Marriage), Rebecca Walker (Black, White and Jewish), Barbara Smith (Home Girls: A Black Feminist Anthology), and others.

Whether it’s learning about the complexities of femalehood from Zora Neale Hurston and Toni Morrison, finding a new type of love in The Color Purple, or using mythology to craft an alternative black future, each essay reminds us why we turn to books in times of both struggle and relaxation. Edim has created a space where black women’s writing and knowledge and life experiences are lifted up, to be shared with all readers who value the power of a story to help us understand the world and ourselves.

One World is proud to present THE 1619 PROJECT: A New Origin Story, a book that dramatically builds on the vision of the original magazine project with major expansions of the original essays, seven new essays by historians, and dozens of new poems and pieces of fiction. The book includes a significant elaboration of the project’s Pulitzer Prize-winning lead essay by Nikole Hannah-Jones and a new introduction that together offer a stirring rebuttal to critics. Hannah-Jones has also written a third essay that makes the case for reparative solutions to the legacy of injustice the project documents.

Edited by Hannah-Jones, along with New York Times Magazine editor-in-chief Jake Silverstein, features editor Ilena Silverman, and New York Times executive producer Caitlin Roper, the book offers work from some of the country’s most outstanding journalists, thinkers, historians and scholars, including: Michelle Alexander, Leslie Alexander, Carol Anderson, Jamelle Bouie, Anthea Butler, Matthew Desmond, Martha Jones, Ibram Kendi, Kevin Kruse, Trymaine Lee, Tiya Miles, Wesley Morris, Khalil Gibran Muhammad, Dorothy Roberts, Jeneen Interlandi, Bryan Stevenson, and Linda Villarosa.

Woven throughout the book are works of fiction and poetry that bring to life four hundred years of history with imaginative writing by Joshua Bennett, Reginald Dwayne Betts, Rita Dove, Camille Dungy, Cornelius Eady, Eve L. Ewing, Nikky Finney, Vievee Francis, Yaa Gyasi, Forrest Hamer, Terrance Hayes, Honorée Fanonne Jeffers, Barry Jenkins, Tyehimba Jess, Robert Jones, Jr., A. Van Jordan, Yusef Komunyakaa, Kiese Laymon, Jasmine Mans, Terry McMillan, Lynn Nottage, ZZ Packer, Gregory Pardlo, Darryl Pinckney, Claudia Rankine, Jason Reynolds, Evie Shockley, Tim Siebles, Clint Smith, Danez Smith, Patricia Smith, Tracy K. Smith, Nafissa Thompson-Spires, Natasha Trethewey, Jesmyn Ward and Sonia Sanchez.

The book also includes archival portrait photography of Black Americans paired with each essay, curated by Kimberly Annece Henderson.

After a rough breakup, gay romance author Renny Ross heads to the Bay Area for a fresh start. His new gig writing the anniversary story for a local university is supposed to be a fresh chapter (thanks to university president Dr. Taylor James). But Renny didn't expect to run into a familiar face from his past.

After dropping off his youngest child at college, recently divorced Brent D. King DuPree, is on a journey to freedom, liberation, and living the life he put on hold for over twenty years to raise his family. Figuring out life as a newly out and newly single man, Brent is hesitant about stepping into the Bay Area gay scene until a chance reunion with his first real crush, and the guy he never quite forgot, his peer mentor and tutor in college: Renny Ross.

Neither man expected a second chance. But working together at the same university stirs up feelings that never really faded. Their love doesn't have to be a secret anymore, but will they get it right this time?

This festive picture book celebrates the culture, community, and family at the heart of Kwanzaa’s seven principlesby a two-time Coretta Scott King Award recipient.

When Kanoni receives a kinara for Christmas, she begins to learn about Kwanzaa and prepare for her first celebration. That same night, her neighbor's home catches fire and burns down. Emboldened by the holiday spirit of giving, Kanoni, with her big heart, pledges to do everything she can to help her friends through this difficult ordeal. Her first Kwanzaa is full of kindness and community―just the way Kwanzaa should be.

Through lyrical poems full of holiday warmth, this heartfelt picture book follows Kanoni’s first Kwanzaa and highlights the many different ways to uplift its seven principles.

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The expansion of Marvel and DC Comics’ characters such as Black Panther, Luke Cage, and Black Lightning in film and on television has created a proliferation of poetry in this genre—receiving wide literary and popular attention.

This groundbreaking collection highlights work from poets who have written verse within this growing tradition, including Terrance Hayes, Lucille Clifton, Gil Scott-Heron, A. Van Jordan, Glenis Redmond, Tracy K. Smith, Teri Ellen Cross Davis, Joshua Bennett, Douglas Kearney, Tara Betts, Frank X Walker, Tyree Daye, and others. In addition, the anthology will also feature the work of artists such as John Jennings and Najee Dorsey, showcasing their interpretations of superheroes, Black comic characters, Afrofuturistic images from the African diaspora.

In this new series from #1 New York Times bestselling author Ian K. Smith, an ex-cop turned private investigator seeks justice on the vibrant, dangerous streets of Chicago.

Former Chicago detective Ashe Cayne is desperate for redemption. After refusing to participate in a police department cover-up involving the death of a young black man, Cayne is pushed out of the force. But he won’t sit quietly on the sidelines: he’s compelled to fight for justice as a private investigator…even if it means putting himself in jeopardy.

When a young woman, Tinsley Gerrigan, goes missing, her wealthy parents from the North Shore hire Cayne to find her. As Cayne looks into her life and past, he uncovers secrets Tinsley’s been hiding from her family. Cayne fears he may never find Tinsley alive.

His worries spike when Tinsley’s boyfriend is found dead―another black man murdered on the tough Chicago streets. Cayne must navigate his complicated relationships within the Chicago PD, leveraging his contacts and police skills to find the missing young woman, see justice done, and earn his redemption.

A sweeping survey of Black quiltmaking in America with stunning archival photographs of quilters and quilting bees, as well as full-page reproductions of both significant historical quilts and bold contemporary creations.

This compelling volume gives Black quilting traditions long-overdue attention, highlighting the artistry, innovation, and community solidarity of quilters from the 1700s through today. The deeply researched text of scholar and artist Dr. Sharbreon Plummer explores quilts as an archive of collective and personal memory, delves into methods of Black quiltmaking―both distinctive and endlessly diverse―and demonstrates the power of quilts and quilting as medicine against grief and oppression.

* This book evokes the craftsmanship and tactile beauty of quilts with stunning archival and full-color photos.
* Discover the stories of scores of individual creators throughout history, including self-taught seamstresses, community organizers, and archivists of everyday life.
* Delve deeper into the stories behind world-renowned artists, past and present, like Bisa Butler, Faith Ringgold, and the Quilters of Gee’s Bend.
* Each profile illuminates the reasons behind the quilts: to honor heritage, express political beliefs, process grief, find peace, or simply create beauty.

Stories in the Seams celebrates the act of sewing in solitude or in community, as resistance or as rest. Whether you’re a veteran quilter, a textile arts appreciator, or a beginner exploring the art form, this is an informative, inspiring, and indispensable resource.

JOIN THE QUILTING MOMENT: Whether you've been wowed by major museum exhibitions of textile arts, just joined a local quilting circle, or are simply a fan of patchwork styles and nostalgic Americana aesthetics, now is the perfect time to enrich your knowledge of quilt history.

UNTOLD HISTORY: This book shares the often-ignored stories of self-taught artists, independent women creators, intergenerational collaborations, and more. From artists who created under enslavement in the early 1800s to sewing cooperatives formed in the 1960s, Dr. Plummer traces the story of quilts through a lens of personal and communal healing.

A VIBRANT AND THRIVING CREATIVE TRADITION: Black quiltmaking isn't limited to one style or frozen in the past. This book highlights the kaleidoscopic variety and continual innovation that define this art form.

Perfect for: 

* Quilters, sewists, and other crafters, makers, and collectors
* Art history buffs and readers of artist biographies
* Anyone interested in Black culture, history, and art
* Professional artists and designers, art students, and researchers
* Creatives interested in the intersection of art and activism

The debut collection from a 2021 Whiting Award and Guggenheim Fellow recipient whose “astounding, dolorous, rejoicing voice is indispensable” (Tracy K. Smith)
  
The Sobbing School, Joshua Bennett’s mesmerizing debut collection of poetry, presents songs for the living and the dead that destabilize and de-familiarize representations of black history and contemporary black experience. What animates these poems is a desire to assert life, and interiority, where there is said to be none. Figures as widely divergent as Bobby Brown, Martin Heidegger, and the 19th-century performance artist Henry Box Brown, as well as Bennett’s own family and childhood best friends, appear and are placed in conversation in order to show that there is always a world beyond what we are socialized to see value in, always alternative ways of thinking about relation that explode easy binaries.

Edited by the magazine’s poetry editor, Kevin Young, a celebratory selection from one hundred years of influential, entertaining, and taste-making verse in The New Yorker

Seamus Heaney, Dorothy Parker, Louise Bogan, Louise Glück, Randall Jarrell, Langston Hughes, Derek Walcott, Sylvia Plath, W. S. Merwin, Czesław Miłosz, Tracy K. Smith, Mark Strand, E. E. Cummings, Sharon Olds, Franz Wright, John Ashbery, Sandra Cisneros, Amanda Gorman, Maggie Smith, Kaveh Akbar: these stellar names make up just a fraction of the wonderfulness that is present in this essential anthology.

The book is organized into sections honoring times of day (“Morning Bell,” “Lunch Break,” “After-Work Drinks,” “Night Shift”), allowing poets from different eras to talk back to one another in the same space, intertwined with chronological groupings from the decades as they march by: the frothy 1920s and 1930s (“despite the depression,” Young notes), the more serious ’40s and ’50s (introducing us to the early greats of our contemporary poetry, like Elizabeth Bishop, W. S. Merwin, and Adrienne Rich), the political ’60s and ’70s, the lyrical ’80s and ’90s, and then the 2000s’ with their explosion of greater diversity in the magazine, greater depth and breadth. Inevitably, we see the high points when poems spoke directly into, about, or against the crises of their times—the war poetry of W. H. Auden and Karl Shapiro; the remarkable outpouring of verse after 9/11 (who can forget Adam Zagajewski’s “Try to Praise the Mutilated World”?); and more recently, stunning poems in response to the cataclysmic events of COVID and the murder of George Floyd.

The magazine’s poetic influence resides not just in this historical and cultural relevance but in sheer human connection, exemplified by the passing verses that became what Young calls “refrigerator poems”: the ones you tear out and affix to the fridge to read again and again over months and years. Our love for that singular Billy Collins or Ada Limón poem—or lines by a new writer you’ve never heard of but will hear much more from in the future—is what has made The New Yorker a great organ for poetry, a mouthpiece for our changing culture and way of life, even a mirror of our collective soul.

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In a deliciously twisty tale of seduction, betrayal, and obsession from New York Times and USA Today bestselling author Shanora Williams, a scorned wife isn’t the only one looking for answers—at any price . . . Perfect for fans of Tarryn Fisher, Lisa Jewell, and Alyssa Cole!