In the dynamic new novel in this award-winning crime series, a young basketball phenom is being blackmailed, and Glory must navigate the ruthless world of college sports gambling before things turn deadly.

"Glory Broussard is a character for the ages."—The New York Times Book Review

Everything is finally falling into place for Glory Broussard. Her daughter Delphine has moved back to Louisiana to start a new legal practice and finally pursue a romance with Beau Landry. It doesn't take long for Glory to announce to everyone in town that her daughter is available for legal services, and for ancient Millie Broward—and her granddaughter Imani Breaux—to walk through the door with a troubling case.

A breakout college basketball star with the University of Lafayette, Imani is as electrifying as she is polarizing—brash and unapologetically aggressive on and off the court. But when she's suddenly suspended amid rumors of gambling, and whispers about her personal life spiral into something darker, her meteoric rise threatens to collapse overnight. Glory and Delphine are certain malign forces are at work to sabotage this rising basketball phenom.

Drawing on her years as a bookie, Glory soon finds herself immersed in the world of modern-day college sports, where NIL, social media, agents, and money blur the line between opportunity and exploitation. Naturally, Lafayette’s prominent Benoit family is one of these influential boosters, and Glory and Delphine are dismayed to learn that Imani has become entangled with this morally dubious family. Glory soon realizes the threats to Imani—and her and Delphine—are closer than she could have ever imagined.

And if that weren't enough, a new priest joins Glory’s congregation and is ruffling feathers in the parish and her long-standing friendship with Noah Singleton, owner of the town's popular coffee shop, begins to shift in ways she can no longer ignore.

Dreams of Glory is a riveting and thrilling read that cements Glory Broussard as one of crime fiction’s most delightful “character for the ages.”

By the actress, singer, dancer, director, and author, an honest and impassioned memoir that spans from her childhood in Atlanta to her years with Alvin Ailey, to Broadway and her time as a star in ’90s Black Hollywood.

Best known for her iconic role as Whitley in the '90s hit sitcom A Different World, Jasmine Guy grew up mixed in Atlanta, near Morehouse and Spelman, where her father taught philosophy. When she first encountered Alvin Ailey American Dance Theater, her life was given a sense of purpose. At seventeen, she moved to New York, fulfilling her childhood dream of dancing with the company.

Dance would give way to acting, first on the Broadway stage, then on screen with Spike Lee's School Daze. When she accepted a part on A Different World, she had no way of knowing the impact it would have on its era, or that it would cement her status as one of the greatest stars of Black Hollywood of the '80s and '90s.

In A Different Girl, Guy, with the help of her daughter and confidante Imani Guy Duckette, offers an unflinching and heartfelt account of her rise to stardom. She reveals her battles with depression, her wavering self-image, her brushes with racism in Hollywood, and her lifelong yearning to create beautiful work. Along the way, she crosses paths with some of her generation’s greatest talents, including Whitney Houston, Debbie Allen, and Tupac Shakur.

Frank, unfiltered, and often laugh-out-loud funny, Guy shares her vulnerabilities and gifts in the hope that readers see themselves in her words. A Different Girl is a book for dancers, mixed kids, dreamers, and anyone who needs to hear her hopeful message.

“They say that as a young pup she liked to bite. She ripped chunks of flesh from three servants and nearly bled one of them to death.”

In Barranquilla, Carnival belongs to the living, the dead, and the women who feed on both.

Julieta Vanterroso was born with fangs, a beautiful little monster in a family that knew exactly what to do with monsters. Her grandmother, Julia Vanterroso, has built an empire out of blood: the Sanguina factory, the Highblood Club, the old Carnival families, the politicians, the servants, the bodies that can be drained and paid and forgotten. In Barranquilla, the Vanterrosos do not hide what they are. They dress it in lace, teach it to dance, put it on a float, and call it tradition.

Now Julieta is meant to become Queen of Carnival. She must smile, dance, read the Bando, marry the man chosen for her, and step into the future her grandmother has prepared since the day she was born. But as Carnival approaches and the Vanterroso family begins to turn on itself, bodies appear where they shouldn’t, old rituals start to fail, and the women around Julieta grow hungry in ways even blood cannot satisfy.

By the time Carnival crowns its queen, Julieta will have to decide how much of herself she is willing to lose to become what her family has been waiting for.

Drawing from Afro-Caribbean spiritual traditions, Highblood transforms Barranquilla Carnival into a landscape of blood, spectacle, and ritual, where women inherit hunger like a family heirloom and survival depends on who is willing to devour whom first.

From nine-time Grammy Award–winning artist Anderson .Paak comes a kinky, surreal, and hilariously unhinged collection of stories about a fabled sex shop on Sunset Boulevard.

Peeps on Sunset is the last vestige for true freaks in Los Angeles. Rocco, the store’s reluctant heir, is yanked out of art school by his free-loving hippie parents to breathe new life into the struggling shop he grew up in. The store has questionable stains, dated design, and a weird hole in the bathroom. Now, Rocco has to fix it all while finding himself, not to mention field every fantasy and secret that walks through the door:

A woman has a dangerous sexual obsession with cactuses. A retiree Benjamin Buttons every time she has sex. A maid enjoys the perks of her job after walking in on her celebrity client mid-act. And nobody leaves the store unchanged.

Anderson .Paak’s first book lives somewhere between Goosebumps and Fifty Shades of Grey—a sexy and absurd fever-dream tour of modern desire that celebrate all the ways we come into ourselves. And each other.

Suge Knight was handed nothing in life. Anything he ever had, he fought for, knowing that he had to take what he deserved. Now in this unflinching memoir from behind bars, Suge takes readers on a thrilling ride through the Golden Age of Rap and the streets of Compton.

Back when the streets and the music business mixed freely, Suge Knight brought rap icons such as Dr. Dre, Snoop Dogg, and Tupac Shakur to global superstardom with the creation of his label Death Row Records. Living by the rules of the streets, where might makes right and only the strong survive, Suge made his artists household names the same way he fought his way out of Compton, Los Angeles: By overpowering anyone who got in his way.

Everyone in the rap game has a story about Suge Knight. Now, for the first time, Suge is telling his side. From his legendary encounter with Vanilla Ice to blow-out brawls with P. Diddy and the night when he and Tupac got shot in Vegas, Suge doesn’t shy away from the controversy that has followed him his entire life. He pulls no punches, asks for no forgiveness, and explains exactly how he battled his way to the top.

YOUR PAIN IS MY JOY is more than a music memoir: it’s a candid and unapologetic look inside the mind of the original rap kingpin. Electrifying, raw, and often hilarious, Suge gives readers a shotgun seat tour through the wild, wild west of gangsta rap.

A mother and son with synesthesia—the ability to experience one sense through another—share their unique perspective in this tender and charming picture book.

Have you ever tasted a triangle or felt the color purple? What if sound was something you could see? A mother and son, both synesthetes, embark on a whimsical, sensory journey that celebrates the varied ways they see, smell, hear, and feel the world around them.

As they watch Nana’s laughter bloom into a garden and feel colors on their cheeks, they shine a light on the beauty of neurodivergence, helping readers discover the deliciousness in our differences and the pure joy of painting the world with the beauty of our very own colors.

Celebrate the release of Carla Bakes with Carla Hall!

EVENT DEETS

When: Friday, December 11 @ 7PM CST

Where: 2310 Elgin St. Houston, TX 77004

How: 

• RSVP ONLY to reserve your seat.

• RSVP WITH BOOK to reserve your seat and purchase a copy of Carla Bakes, supporting both the author and our store programming. The book will be available for pickup at the event.

• RSVP (I ALREADY HAVE THE BOOK) to reserve your seat and bring your copy of Carla Bakes that you purchased from another retailer. 

Please Note: Copies of Carla Bakes purchased from other retailers are not permitted in the bookstore and are not eligible for the signing or photo line unless you select the RSVP: I Already Have the Book ticket option, which allows you to bring a copy purchased elsewhere. If you already purchased your book from Kindred Stories, you may select the RSVP Only ticket option and bring your Kindred Stories copy to the event.

If you purchase a ticket and are unable to attend the event, your ticket is non-refundable. If your ticket includes a book, an email will be sent to all attendees before and after the event with instructions on how to receive your book. Books must be claimed within 14 days following the event. If your book is not retrieved it will be returned to the publisher and will not be available for pick up in the future.

ABOUT THE BOOK

Acclaimed chef, TV host, Top Chef fan-favorite, and author Carla Hall returns to her first culinary love story—baking—with over 80 sweet and savory recipes.

For Carla Hall, baking is a creative outlet, her source of play, and her first true passion. But her journey from absolute beginner to Top Chef fan-favorite didn't start until she was well into her twenties with two careers— accounting and modeling —already behind her. Away from home and missing the Southern flavors she grew up with, she took to the kitchen and began to experiment, master, and perfect. 

Now, as a multi-cookbook author and guest judge on multiple baking competitions, Carla is ready to share all her baking knowledge that will guide you whether you're a novice baker or an expert one. Carla Bakes is filled with over 80 recipes for baking savory and sweet goods rooted in her Southern traditions and inspired by her world travels.  Carla brings her joy and playfulness to every recipe, showing you just how much fun it is to bake and bring your own twists to new recipes, including:

• breakfast treats like Sorghum Flour Drop Biscuits, Crisp Sweet Corn Waffles, and Savory Clafoutis with Tomatoes, Goat Cheese, and Smoky Tomato Curd
• cookies like Nut Butter Puffed Cereal Treats, Southern Pecan Crinkle Baklava, and Shortbread Cookie Canvas
• pastries like Giant Frosted Strawberry Pop Tart, Sweet Po-Punkin Pie, and Ham & Cheese Paris-Brest
• cakes like Double Chocolate Oat Flour Snack Cake, Lemon Meringue Cake, and Fairytale Forest Party Cake
• yeasted goods like Hot Cross Milk Buns with Port- and Hibiscus-Soaked Fruit, Butternut Squash Beignets with Spiced Sugar, and Chocolate Focaccia

If you've ever felt intimidated by baking, set those fears aside. Carla's expert guidance and encouragement in Carla Bakes will leave you feeling confident and inspired in your kitchen!

ABOUT THE AUTHOR

Carla Hall first won over audiences on Bravo’s Top Chef, where her “cook with love” philosophy became her hallmark. Her belief that food connects us all, provides a through-line in her work both on and off camera. Carla charmed viewers as a co-host on ABC’s Emmy Award–winning The Chew for seven years, appearing on the Food Network on various baking shows and now on Next Level Baker on Fox. She is also the host of the Emmy-winning travel-food series Chasing Flavor on HBO Max. Carla is the author or co-author of five cookbooks—including the NAACP Image Award–nominated Carla Hall’s Soul Food—and two children’s books. She also hosts the hit podcast Chewed Up and created and stars in her acclaimed one-woman show, Carla Hall: Please Underestimate Me. Carla is active in many charitable endeavors and focuses her board member-level participation in organizations where she can make an impact advocating for children through Beyond Bedtime (formerly Pajama Program) and GENYOUth.

In this charged collection of fifteen essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope. This commemorative edition includes a new foreword by Lorde-scholar and poet Cheryl Clarke, who celebrates the ways in which Lorde’s philosophies resonate more than twenty years after they were first published.

"Lorde's words — on race, cancer, intersectionality, parenthood, injustice — burn with relevance 25 years after her death." — O, The Oprah Magazine

Winner of the 1988 Before Columbus Foundation National Book Award, this path-breaking collection of essays is a clarion call to build communities that nurture our spirit. Lorde announces the need for a radical politics of intersectionality while struggling to maintain her own faith as she wages a battle against liver cancer. From reflections on her struggle with the disease to thoughts on lesbian sexuality and African-American identity in a straight white man's world, Lorde's voice remains enduringly relevant in today's political landscape.

Those who practice and encourage social justice activism frequently quote her exhortation, "Caring for myself is not self-indulgence, it is self-preservation, and that is an act of political warfare." In addition to the journal entries of "A Burst of Light: Living with Cancer," this edition includes an interview, "Sadomasochism: Not About Condemnation," and three essays, "I Am Your Sister: Black Women Organizing Across Sexualities," "Apartheid U.S.A.," and "Turning the Beat Around: Lesbian Parenting 1986," as well as a new Foreword by Sonia Sanchez.

"You don't read Audre Lorde, you feel her." — Essence

Our meeting will be on Thursday, May 25, 2023, at 7:00 PM CST at KINDRED STORIES. Be sure to RSVP and show up with the book read (or mostly read).  If you haven't read the book at all, that's ok too.

Please support the space and opportunities we create by purchasing your book from our store. 

About the Book

A little black girl opens her eyes in 1930s Harlem. Around her, a heady swirl of passers-by, car horns, kerosene lamps, the stock market falling, fried bananas, tales of her parents' native Grenada. She trudges to public school along snowy sidewalks, and finds she is tongue-tied, legally blind, left behind by her older sisters. On she stumbles through teenage hardships -- suicide, abortion, hunger, a Christmas spent alone -- until she emerges into happiness: an oasis of friendship in Washington Heights, an affair in a dirty factory in Connecticut, and, finally, a journey down to the heat of Mexico, discovering sex, tenderness, and suppers of hot tamales and cold milk. This is Audre Lorde's story. It is a rapturous, life-affirming tale of independence, love, work, strength, sexuality and change, rich with poetry and fierce emotional power.

Otherworldly Mothering argues that literary works by Toni Morrison, Gloria Naylor, Paule Marshall, Audre Lorde, and Toni Cade Bambara reimagine subjectivity in processual and relational terms through a rewriting of maternal praxis, a technique that unveils the historical continuities between antebellum and neoliberal America. By refiguring materials drawn from the tradition of slave narratives, Black women’s literature of the 1970s and 1980s often conjures maternal otherworlds where it is possible to engage alternative modes of being.

In conversation with the work of Hortense Spillers, Sylvia Wynter, and Saidiya Hartman, Marika Ceschia analyzes how Black women writers find in the maternal a means of creatively reenvisioning the figure of the human. Morrison’s Song of Solomon, Naylor’s Linden Hills, Marshall’s Praisesong for the Widow, Lorde’s Zami, and Bambara’s The Salt Eaters each change the strictures that dictate how the human is performed. As these texts show, maternal praxis can have a transformative ontological effect: confronting the toll exerted by centuries of racial violence, these writers reclaim the maternal as a site of subject formation.

Otherworldly Mothering reassesses canonical works of twentieth-century Black women’s literature alongside theoretical debates around the ontology of the human, antiblackness, and Black motherhood. Ceschia proposes a reappraisal of maternal praxis that challenges neoliberal discourse and questions recent critical turns toward Afropessimism and posthumanism.