The first thrilling novel in a new adult romantasy duology following a young woman who finds herself the Chosen One to two conflicting prophecies—from the author of Lore of the Wilds.

Magic has always been something at the periphery of Audra’s life. As a human, she knows that magic exists, but it is something that is beyond the mist. Until one day the mist comes to shore, bringing with it the all too real Fae and upending Audra’s life entirely.

She is kidnapped from her home and taken to a school to be trained as a soldier by the Priestesses, Fae beings who are an ominous presence with a cult-like mentality. Audra must band together with a group of other prisoners to survive their new world filled with guilds, magic, and danger. The Priestesses are searching for the mythical Heir of Prophecy who will save them from an eternal winter. They know the Heir is among the student prisoners at the school and are getting more and more desperate to flush out him or her.

What Audra needs to know is what exactly it means to be the Heir... because she’s pretty sure it’s her. Her magic is wonky in exactly the way it was foretold. As she tries to hide her true nature, something strange keeps happening. A vision, a very hot and very underwordly vision comes to her. And what he has to say will put her life in even more danger and force her to make a decision that puts the fate of the entire world at risk.

A marriage on the rocks, a missing friend, and a tangle of shocking lies converge at a peaceful North Carolina lakefront cottage in this irresistibly twisty new psychological thriller from New York Times and USA Today bestselling author Shanora Williams – perfect for readers of Liv Constantine, Tarryn Fisher, Kellye Garrett, and Caroline Kepnes.

Investigative reporter Rose Howard is exhausted from trying to manage her seemingly perfect life. With her marriage to the man she thought was her one true love collapsing, she desperately needs for one thing to go right.

While striving for a promotion to senior reporter, her efforts are interrupted when she learns her former best friend and travel vlogger, Eve Castillo, isn't responding to attempts to contact her at the North Carolina cottage she's reviewing. Rose knows Eve can be flaky and irresponsible. And after Eve breaks the ultimate ethical friendship code and crosses boundaries to the point of no return, Rose wants nothing to do with her. Still, Rose heads to the tranquil small town of Sage Hill . . .

Rose soon discovers that Eve has vanished without her purse and passport—even after booking a trip abroad. The personable cabin owners’ accounts of Eve's stay just don’t add up . . . and most of the town's initially hospitable inhabitants become increasingly less helpful . . .

Rose's instincts tell her the solution lies somewhere in Eve's—and Sage Hill's—past. To get answers, she’ll have to ask inconvenient questions, stumble onto shocking truths, and face vicious attempts on her life. But some truths are best left alone. And secrets Rose never saw coming could easily sink her, and her future, without a
trace . . .

A Black Woman Did That! spotlights vibrant, inspiring Black women whose accomplishments have changed the world for the better.

A Black Woman Did That! is a celebration of strong, resilient, innovative, and inspiring women of color. Through vibrant illustrations and engaging storytelling, author Malaika Adero spotlights well-known historical figures including Ida B. Wells, Madam CJ Walker, Mae Jemison, and Shirley Chisholm, as well as contemporary stars including Stacey Abrams, Jesmyn Ward, Ava DuVernay, and Amy Sherald.

Readers will recognize some names in the book, but will also be introduced to many important Black women who have changed history or who are reshaping the cultural landscape. They’ll learn:
*how Barbara Harris became the first female bishop of the Episcopal Church
*how Misty Copeland became the first Black principal dancer of the American Ballet Theater
*how the work and inventions of Dr. Patricia Bath have saved or restored the eyesight of people around the world
*how Shirley Chisolm changed the face of politics in America
*how Glory Edim has turned her passion for reading into a thriving online community
*and much more!

The New York Times best-selling author’s time-travel classic that makes us feel the horrors of American slavery and indicts our country’s lack of progress on racial reconciliation

Soon to be an FX Networks TV series adaptation with a pilot directed by Janicza Bravo (Zola), written by Branden Jacobs-Jenkins (Watchmen), and executive produced by Jacobs-Jenkins and Darren Aronofsky (The Fountain)

“I lost an arm on my last trip home. My left arm.”

Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon realizes the purpose of her summons to the past: protect Rufus to ensure his assault of her Black ancestor so that she may one day be born. As she endures the traumas of slavery and the soul-crushing normalization of savagery, Dana fights to keep her autonomy and return to the present.

Blazing the trail for neo-slavery narratives like Colson Whitehead’s The Underground Railroad and Ta-Nehisi Coates’s The Water Dancer, Butler takes one of speculative fiction’s oldest tropes and infuses it with lasting depth and power. Dana not only experiences the cruelties of slavery on her skin but also grimly learns to accept it as a condition of her own existence in the present. “Where stories about American slavery are often gratuitous, reducing its horror to explicit violence and brutality, Kindred is controlled and precise” (New York Times).

A wickedly funny, adrenaline-rush of a novel about a graduate student who murders bad men and justifies it in the name of feminism, by a bold new voice in fiction

Yrsa is in a funk. She’s bored of her PhD program, bored of her research on Afropessimism, bored of the entitled undergrads she has to cater to. But most of all, she’s bored of the men in her life—especially the bad ones.

When her best friend, Nina, confesses to having an affair with her professor, and that he’s stolen her research, Yrsa is mad. On the quad, Yrsa bumps into the professor and witnesses his death: an unfortunate incident involving his San Pelligrino and a bee allergy. What she sees that afternoon awakens something in her: a taste for murder.

Emboldened, Yrsa decides to chase that high, and soon, no sexist, misbehaving man within commuting distance is safe.

With each murder, Yrsa feels a greater sense of meaning and purpose—finally, her doctoral research feels useful. But how long can killing in the name of feminist and racial solidarity justify her actions? Will her rampage ever assuage her feelings of rage and revenge? And how long until her actions—and buried family secrets—come back to haunt her?

From the bestselling author of Everything Inside comes a vivid, timely story, moving from Haiti to Brooklyn to Miami, of a woman whose sense of self and family are called into question when she gets caught in a random act of violence one sunny Florida day.

“Is home the place where we are born? Or is it the place where we die?” These questions haunt Magnolia, a successful Haitian American real estate agent in Miami, after she hears the terrifying sounds of gunfire while shopping for her daughter’s first-ever cell phone; she takes shelter in a restaurant called Oasis, cowering with fellow shoppers and diners, each praying to their respective gods.

Once she’s safely home, Magnolia hides the fact that she was at the mall shooting from everyone close to her. But given her life back, she begins to see it all clearly, and as if for the first time—what the extraordinary bond she has with her daughter, Zoë, really means to her, and what Zoë may feel in return; what the nearly broken relationship she has with her partner, Harrison, has cost her, despite his love for her and their daughter; why her mentally troubled mother—whose unraveling patterns Magnolia worries she’s spiraling toward herself—might be so ghost-haunted; what the source of her father’s pain, and his reason for seeking solace in the arms of a mistress, really is. As Magnolia struggles through the labyrinth of her past, she must also come to terms with the losses sustained that traumatic day, losses that we all bear witness to all too often in our troubling times.

Can love, can family, protect us from harm? Does optimism or fear win out in one’s heart, one’s soul? Which side will win out for Magnolia—and where does she really belong? Pulled between these questions, and her beloved, high-stakes choices and worlds—Miami or Haiti, single or married, mortal or ghost, before or after—Magnolia is one of the most compelling characters that Danticat has ever created—a narrator who is "yon pati koukouy, part firefly": shimmering, flitting between choices, drawn to the light yet emitting her own.

Taking its title from the Creole word for mourning, Dèy is a profoundly warm and moving novel about the importance of sharing grief and leave-taking, but also of the ties of family—takeout dinners around a table, fresh dirt on a plant’s roots in the garden, swimming together in the azure seas. As Magnolia questions whether all has not yet been lost, Dèy celebrates the complexity of life in a brave and striking novel that is one of Danticat’s most powerful and deeply affecting works yet, told with a signature “unfaltering voice and evocative beauty” (The Boston Globe).

A groundbreaking new direction for Claudia Rankine, the best-selling author of Citizen and Just Us

Claudia Rankine has widened contemporary literature with her consciousness-raising, genre-defying works. In her first book after her celebrated American trilogy, presented with full-color visuals, Rankine shifts into sustained narrative, memory, criticism, and essay to offer her most personal and emotionally resonant writing yet.

Triage follows the turbulent friendship between two composite characters, the narrator and the theorist, self-identified sisters struggling to define their wounded histories and their shared but separate lives. During college, they invent a game of collapse: Every time they see each other, they have to stop and fall to the ground. As their kinship continues off and on for decades, “collapse” takes on new meanings that are seen and felt in the violence of their pasts, artworks depicting couches where someone might ease their exhaustion, the ongoing devastation in Gaza, and the antagonism of their conversation and their love for each other.

Triage is an argument for the necessity of grieving and the demand for action in our time of relentless loss. “No matter our posture,” Rankine writes, “we are all among the rubble.” This is a book for those complicated but beautiful friendships that we come to rely on to unsettle us, to make us better.

A powerful and innovative debut collection—the first in the new Polaris Poetry Series—that captures the rhythms of Black girlhood as it navigates the spaces between city and southern roots.

Through poems rooted in Hoodoo spirituality and the author’s Gullah Geechee heritage, Shakeema Smalls’s Sweetwater Mass uncovers ways of knowing that transcend physical and temporal barriers, boldly addressing the lived realities of racism, classism, and economic struggle while simultaneously journeying toward joy and transcendence. Drawing on her identity as a Black, queer woman and her family lineage, the “red birds / of the ancestral arcana,” Smalls writes from a place of resistance—against capitalism and systems of oppression—and in search of higher spiritual truths. Smalls’s work finds lineage in the voices of Sonia Sanchez, Lucille Clifton, Joy KMT, and Nikky Finney, while offering something wholly unique that broadens conversations about systemic violence, poverty, and the complexities of Black girlhood. As she grapples with the intersections of gender, race, class, and resilience, Smalls weaves breath, brevity, and stream of consciousness into poems that hold space for both grief and growth.

The Polaris Poetry Series is edited by Cynthia Manick and features collections of Afrofuturistic and Afrofuturism-adjacent poetry. The series is a dedicated home for this innovative poetic style and for amplifying the voices of Black poets. Sweetwater Mass is the first in the series.

The electrifying and intimate first novel from the author of The Collection Plate and Fruit Punch, a searing story of a young Texan woman and the family she makes with two men

“A couple years after Noon and I fall in love, we fall in love with Micah—and a couple years after that, I have both of their babies. We choose, this land and this life. We share, ourselves and our sons. We name them, Morning and Night.”

In her arresting first novel, Kendra Allen investigates love, partnership, motherhood, pleasure and the pursuit of freedom in one young woman’s defiantly unconventional terms. Rae has just returned to her family after leaving for a stretch and suddenly – that family being her two male partners and the sons, named Morning and Night, that she has mothered with each of them. In the span of one year, they will experience unfathomable depths of devastation—and joys they could never predict.
Good Morning Means I Love You follows Rae as she makes choices around sex, mothering, and partnership that are as stunning to everyone else as they are natural to herself. With pain and pleasure, she watches as her children learn to walk and give language to the world as her lovers contend with their own ideas of masculinity, personhood, and fatherhood. Along the way, Rae begins to understand the hardest and most beautiful truth: that we have only so much time on earth to make love, to make family, and to make good on the promise of this one, short life.
This is a novel of the self in all its simultaneities and a living portrait of intimacy written in poetic, bold, and sensual prose that shines a light on what it means to redefine expectation.

Ignite-Her is a spark. A flame. An inferno.

In 2024, five fierce FEMMEnomenal poets-EbonyRose, Renee Blackwell, Sarahtonin, Skyy Danielle, and Tequila Smith-lit National Poetry Month ablaze with 30 days of original writing prompts and poetry that cracked open the soul. What began as a challenge became HERstory in motion.

This collection is more than ink on pages. It is sacred fire. Each poem was written daily, in real time, rising from the depths of grief, joy, rage, creativity, tenderness, faith, and fierce self-discovery. These women wrote their truths into existence and now they are passing the torch to you.

Inside these pages you'll find prompts designed to break the silence and unleash the stories trapped beneath the surface. You'll encounter poetry that dares to feel, to question, to heal, and to burn beautifully.

Write with vigor. Write with flame. A fire does not apologize for its existence.

Stay IGNITED.

In this steamy and sweet sapphic romance, set in the world of women's basketball, an uptight athletic trainer has one taboo night with a hot team member determined to play for her heart – and win.

In this steamy and sweet sapphic romance, an uptight athletic trainer has one taboo night with a hot basketball player, but are they ready to play for what they really want?

Scoring was the easy part…

Hard work has Khadijah Upton starting her dream job as an athletic trainer for the Atlanta Cannons. Then an evening of celebratory letting loose turns into a one-night stand with a beautiful stranger. It’s a reckless, wildly sexy encounter that Khadijah intends to forget…until her first day on the job lands her face-to-face with basketball star Shae Harris again.

Shae is a major player in every sense of the word, and Khadijah doesn’t plan to be the latest in a long line of “Harris Honeys.” Personal and professional just don’t mix. But Shae, who’s all about living life to the fullest, keeps tempting Khadijah to blur the boundaries. And the more Shae reveals about herself, the harder it is for Khadijah to resist her.

In the bedroom, their tension sizzles. On the court, it’s a liability. But unless Khadijah’s willing to really let Shae in, it won’t be just the team championship on the line, but a body-and-soul connection that rewrites all the rules.

Elmwood Ranch is Octavia Daniel's dream. A safe place to land after years on the road. But once she signs the paperwork and receives the keys, the nightmare begins.

Shadows move on their own, strange accidents become the norm, and injured ranch hands refuse to work a second longer. Octavia doesn't believe in ghosts, but she can't deny something's wrong with the land she's sunk her entire savings into.

Rae Jones is in the business of ending nightmares. She comes from a family of successful paranormal investigators. But she's set herself apart from the Jones sisters by making their legacy into a commercial success.

After years of enjoying said success, she's hit a wall. Whether it's burnout or a full-blown existential crisis, she doesn't know. One way to try to avoid a downward spiral? Take every interesting job she can get. And that includes one from a very stand-offish, nonbelieving horse rancher who thinks she's a scam artist and the things she hunts don't exist.

Octavia and Rae must figure out how to work together if they have any hope of solving what's truly going on at Elmwood. As they build trust, they begin to build something more. Something that could either help or harm their chances of making it out of this haunting alive.