A new reissue of the acclaimed collection of essays blurring cultural criticism, memoir, even nonfiction itself, from the beloved Pulitzer Prize winner.

White Girls is about, among other things, Blackness, queerness, movies, Brooklyn, love (and the loss of love), AIDS, fashion, Basquiat, Capote, philosophy, porn, Eminem, Louise Brooks, and Michael Jackson. Freewheeling and dazzling, tender and true, it is an invaluable guide to the culture of our time, rendered in Hilton Als’s daring and provocative prose.

From the Washington Post’s first race and ethnicity reporter, a poignant investigation into the aftermath of the Great Migration, the promise of a Second Great Migration, and what future Black communities could look like across America in this eye-opening and thoughtful study, a mix of The Warmth of Other Suns and How the Word Is Passed.

Since the 1990s, demographers have been documenting a new Great Migration: millions of Black Americans leaving Northern and Western cities for the South their parents and grandparents fled during Jim Crow. Huge numbers of Black people have been moving to Memphis, Houston, Charlotte, and other booming metropolises in the hopes of recreating the vibrant communities their grandparents once left. Have they found what they were looking for? Is it possible for Black Americans to have community, economic prosperity, and safety all in one place? And if so, where?

In the Search for Black Mecca, Emmanuel Felton examines how these questions are playing out in real lives today, going into the homes of Black Americans who are weighing what they want and where they hope to find it. He identifies three archetypes—“Those Who Stay,” “Those Who Leave,” and “Those Who Build Something New”—and reveals the costs and benefits of each decision, while seeking answers to deeper questions regarding communal responsibility, what’s needed to make Black neighborhoods thrive, and how to manage the fact that white people are often threatened by Black success. He also unravels his own family’s migration story through the lives of his two grandfathers—a prominent New Orleans dentist and a troubled musician who migrated to Oakland, California.

Through these stories, Felton crystalizes our understanding of what it means to find—or to create —our own meccas: radical spaces for Black joy, freedom, and imagination, even when the external world tries to take those places away.

A gripping historical novel about two mothers, still reeling from the loss of a beloved soldier, whose opposing views on an impending Gold Star pilgrimage ignite personal journeys of their own.

Bound by grief, two women must choose how much they will sacrifice for one last goodbye.

It's 1933, and thousands of American mothers have already crossed the ocean to France to visit the graves of their sons lost during the Great War. Yet for Black Gold Star Mothers and Widows, this government-sponsored pilgrimage is an insult. As the final group of mourners prepare to sail cross the Atlantic—with white women aboard luxury liners and Black women relegated to cargo ships—many must decide if the long, segregated journey is worth the unfair treatment.

One widow wants to remember...

Thelma Hayes just wants to see her husband again—or at the very least, his final resting place. Widowed only a year after marrying the love of her life, she longs to give her fourteen-year-old son something he’s never had: a connection to the father he never knew. When an unexpected opportunity places France within reach, Thelma is willing to sacrifice almost anything to make the journey.

One mother refuses to forget...

Charlotte Hayes has already lost too much. After surviving the murder of her husband, the destruction of her home, and the death of her only son, she refuses to surrender one more piece of herself. Standing firm against the segregated pilgrimage to France, Charlotte vows not to accept anything less than equal acknowledgment of her son’s sacrifice.

Bound together by the man they both lost—and divided by how to best honor his memory—these two grieving women must decide what matters more: demanding dignity—or getting to say goodbye one last time.

Inspired by the true story of the segregated Gold Star Mothers Pilgrimage, THE COLOR OF SACRIFICE is a gripping historical novel about love, loss, reconciliation, and the painful cost of war.

From MacArthur Genius, award-winning expert on justice transformation, James Bell, Sorrow’s Kitchen presents a groundbreaking and unapologetically hopeful vision of what is possible if we center our communities and justice systems around care and wellbeing rather than punishment and control.

Weaving together powerful stories and solutions from his frontline work with justice practitioners, law enforcement officers, and community members throughout the states and around the globe, James Bell has written a book with a simple and powerful idea at its core: A justice system based on punishment makes all of us less safe. But we each have the power to reimagine and recreate justice in our communities in such a way that all of us are seen and cared for. And justice transformation begins with youth justice.

Sorrow’s Kitchen: The End of Punishment and the Beginning of True Safety delves into the deeply entrenched racial inequities within America’s justice system, tracing their roots to slavery, segregation, and systemic oppression. Through personal anecdotes, historical analysis, and a critique of current practices, James Bell exposes how structural racism has shaped the administration of justice, perpetuating cycles of harm and inequality. The metaphor of "Sorrow’s Kitchen," borrowed from Zora Neale Hurston, serves as a poignant symbol of the collective suffering endured by Black communities, while highlighting their resilience and determination to rise above systemic injustices.

A central focus of Sorrow’s Kitchen is the failure of punitive justice systems to ensure public safety or address the root causes of harm. Bell’s critiques of mass incarceration, racialized social control, and the over-policing of marginalized communities, make the argument that these approaches exacerbate inequality rather than resolve it. He advocates for a transformative vision of justice rooted in care, equity, and community-centered solutions. By centering the voices and expertise of those most impacted by systemic injustice, Sorrow’s Kitchen calls for dismantling harmful structures and replacing them with restorative practices that prioritize wellbeing and healing.

Ultimately, Sorrow’s Kitchen is a call to action, urging readers to reckon with America’s history of racial violence and to imagine a more equitable future. It emphasizes the importance of collective action, power-sharing, and authentic inclusion in reimagining justice systems that serve all people with dignity and humanity. Infused with hope and determination, Sorrow’s Kitchen challenges the status quo and inspires a vision of a society where care replaces control, and justice is truly transformative.

From the landmark writer and activist of the Harlem Renaissance, Alice Dunbar Nelson, A Carnival Jangle is a powerful and unflinching collection of stories inspired by her early life in New Orleans.

These are stories of love, betrayal and fortitude, peopled by an array of vivid characters whose dramas bring alive Creole life in the late nineteenth century.

Women must walk a tightrope between respectability and desire in stories such as 'A Carnival Jangle'. Poverty is tackled head-on in the moving stories 'M'sieu Fortier’s Violin' and 'Little Miss Sophie', whilst Catholic faith mixed with Creole spirituality looms large in 'The Goodness of St. Rocque and Odalie'.

This series of pocket-sized paperbacks celebrates the art of the short story and marks Macmillan Collector's Library's 10th anniversary. Each contains a curated selection of short stories from a literary giant: Katherine Mansfield, Arthur Conan Doyle, Edgar Allen Poe, Oscar Wilde, Jane Austen, James, Joyce, Virginia Woolf, Alice Dunbar Nelson, F. Scott Fitzgerald and Rabindranath Tagore.

Weaving ancestral wisdom with contemporary insight, Black Women Rising speaks directly to Black women’s lived realities of racial trauma, chronic stress, care fatigue, and resilience through a wholistic lens.

Filling a long-standing gap in the self-help and wellness market, Black Women Rising is a culturally grounded, deeply resonant guide created specifically for Black women seeking balance, purpose, and grounding in perilous times. This bold, African-centered book arrives at a moment of profound urgency. Informed by the authors’ expertise in African-centered social work and trauma-informed psychotherapy, each chapter brings to life one of the 18 Principles—rooted in Ma’at and the Nguzo Saba (Kwanzaa)—and closes with an action-oriented exercise readers can immediately apply.

Moving beyond reflection to action, this book offers clear pathways to healing and sustained liberation. Positioned at the intersection of race, gender, and mental health, the book meets a growing demand for self-care that is culturally intentional and affirming. With far-reaching impact in wellness, mental health, and social justice spaces, giving Black women a self-help book that sees and supports their capacity to rise and thrive individually and in community.

Black Women Rising positions healing as sacred and care as a powerful force for renewal and transformation, making it a timely, standout title in wellness, mental health, and cultural nonfiction.

The iconic NAACP magazine’s most dynamic and daring African American voices gathered together for the first time in a groundbreaking literary collection, from founding editor W. E. B. DuBois and Jessie Fauset to today's modern day cultural critics, including June Shagaloff and Michael A. Lawrence.

The Crisis magazine is the official publication of NAACP. It was created in 1910 by renowned historian, civil rights activist, and NAACP co-founder W. E. B. DuBois. The magazine appeared three years before Conde Nast launched an American version of Vanity Fair and fifteen years before Harold W. Ross introduced The New Yorker to readers.

Du Bois started The Crisis in one room of the New York Evening Post building in New York City and edited the publication until 1934. A group of NAACP leaders adapted the name from James Russell Lowell's poem The Present Crisis, written at the height of the Civil War.

In the premier issue Du Bois made clear of the publication’s goals: "The Crisis will record important happenings and movements in the world which bear on the great problem of inter-racial relations, and especially those which affect the Negro-American. Secondly, it will be a review of opinion and literature, recording briefly books, articles, and important expressions of opinion in the white and colored press on the race problem. Thirdly, it will publish a few short articles. Finally, its editorial page will stand for the rights of men, irrespective of color or race, for the highest ideals of American democracy."

At the time, Du Bois noted, "it was the rule of most white papers never to publish a picture of a colored person except as a criminal and the colored papers published mostly pictures of celebrities who sometimes paid for the honor. In general, the Negro race was just a little afraid to see itself in plain ink." Everything changed with the advent of The Crisis.

Now, for the first time ever The Best of the Crisis will bring together the magazine’s previously published most dynamic and daring voices and stories from its founding until today in one extraordinary collection, including W. E. B. Du Bois, Thurgood Marshall, Bayard Rustin, Francis Grimke, J.A. Rogers, Stetson Kennedy, E. Franklin Frazier, Oswald Garrison Villard, Jessie Fauset and Arna Bontemps.

This edition will spotlight the first section devoted to Negro children, the first presentation of Negro artwork, the first feature stories about successful Negroes, the first full-fledged drive for Pan-Africanism, the first special numbers devoted to Negro educational advancement, the first articles on consumers cooperation all tied together with contemporary voices on where we stand on these issues today.

New York Times bestselling author Alyssa Cole is back with another chilling thriller, set in the world of her megahit When No One Is Watching.

It was too good to be true.

Eboni Goodman has earned her Master’s in Social Work… only to be stuck delivering groceries. So when she lands a position as Administrator for an experimental village designed to reduce homelessness, she’s thrilled. Her stubborn optimism has finally borne fruit, and she is ready to change lives―starting with her own.

Except the South Jersey town isn’t exactly welcoming of their new neighbors. Eboni is determined to prove the program works, even when the hostility outside the gates is nothing compared to the glitches happening inside the village. And the only person she can rely on is Michael, a broody security guard and former local who's only recently returned to town.

As the town's buried history comes to light and strange occurrences stack up, cracks begin to show in the organization’s philanthropic facade. Eboni and Michael are pulled into a web of intrigue that threatens not just the program but everyone living there.

After all, it takes a village…

Our meeting will be on Thursday, June 22, 2023, at 7:00 PM CST at KINDRED STORIES. Be sure to RSVP and show up with the book read (or mostly read).  If you haven't read the book at all, that's ok too.

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About the Book

A New York Times Notable Book

A landmark reinterpretation of the civil rights movement that challenges reductive heroic narratives of the 1950s and 1960s and invigorates new debates and possibilities for the future of the struggle for liberation.

We are all familiar with the romantic vision of the civil rights movement: Heroic African Americans and their allies courageously triumphed over racial oppression, forging a new consensus in American life and law. What are the effects of this celebratory storytelling? What happens when a living revolt against injustice becomes an embalmed museum piece?

In this innovative work, Brandon Terry rejects the authority of the romantic narrative―the “arc of justice” story found in popular histories, the speeches of Barack Obama, and the writings of John Rawls―while also pushing back against the rival ironic mode of Afropessimism. Though sympathetic to the critiques of Afropessimists, Terry ultimately finds their thought self-undermining.

Instead of romance or irony, he argues, the civil rights movement is best understood through the lens of tragedy. By challenging the attachment to triumphant pasts, Terry demonstrates that tragedy exemplifies what the civil rights movement has been and can still be. Provocative and original, Shattered Dreams, Infinite Hope offers optimism without naïveté, to train our judgment and resilience in the face of reasonable despair.

Hip, hip, hooray! Today is election day!

Hairiette's class is starting a book club, and she wants to win the vote to be the club's president. No one loves books more than Hairette! Plus, she knows reading can keep her brain healthy―Dr. Bob told her so at her last checkup.

But her classmates think reading is boring! Hairiette decides to show them that they're wrong―reading makes your brain healthy AND it can take you to magical places without ever leaving your room! She does it all the time with Charlie the Comb and Barbara the Barrett. All her friends need is a good book…and a little imagination!

Commemorative and contemporary style posters in honor of the original Black ABC's, issued in the 1970's in Chicago. Large format print poster on weighted paper. Posters measure 11" wide x 17" tall; no framing included. Matte, offset printing. Will ship flat in cardstock envelope. Please select preferred prints from the menu.

About the Black ABC's: The Black ABC’s was created by two Black women educators, June Sark Heinrich, and consultant Bernadette H. Triplett in Chicago, Illinois. Heinrich received her MA in English at the University of Chicago and was an author and editor of programs for early childhood education. Heinrich and Triplett teamed up to produce the Black ABCs in 1970 for the Society of Visual Education. The organization was started in Chicago in 1919 and by the early 1970s became a leading supplier of classroom learning materials. The original sets of twenty six poster-sized study prints feature a color photograph corresponding to the letter of the alphabet and educational keywords, biographies, and suggested activities on the reverse side - learning aides that centered the achievements, histories and popular sociopolitical affirmations of Black Americans during the Black Power era.