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In A Black Gaze, Tina Campt examines Black contemporary artists who are shifting the very nature of our interactions with the visual through their creation and curation of a distinctively Black gaze. Their work—from Deana Lawson’s disarmingly intimate portraits to Arthur Jafa’s videos of the everyday beauty and grit of the Black experience, from Khalil Joseph’s films and Dawoud Bey’s photographs to the embodied and multimedia artistic practice of Okwui Okpakwasili, Simone Leigh, and Luke Willis Thompson—requires viewers to do more than simply look; it solicits visceral responses to the visualization of Black precarity.

Centering Black culture and community for liberating, anti-racist therapeutic practice.

This innovative book lays out the journey of family therapist Makungu Akinyela in developing testimony therapy―a healing practice rooted in Black cultural traditions of testifying and storytelling. This book argues that traditional Eurocentric approaches to therapy often perpetuate colonial oppression in the lives of Black clients, and that decolonizing mental health requires centering African American cultural knowledge, history, and community.

Drawing from thinkers from the Black radical critical tradition like Frantz Fanon and W. E. B. Du Bois, Dr. Akinyela frames testimony therapy as a narrative practice grounded in Ubuntu (the African communal self) and the oral traditions of African diasporic peoples. Testimony Therapy maps out theory, practices, and supervision approaches that help therapists support clients in resisting internalized racism, reclaiming self-definition, and nurturing liberated Black identities. Ultimately, this work is a call for Black therapists and clients to engage therapy as cultural resistance―a pathway to repair our souls and build collective freedom beyond Eurocentric limitations.

Loretta Thurwar and Hamara "Hurricane Staxxx" Stacker are the stars of Chain-Gang All-Stars, the cornerstone of CAPE, or Criminal Action Penal Entertainment, a highly-popular, highly-controversial, profit-raising program in America's increasingly dominant private prison industry. It's the return of the gladiators and prisoners are competing for the ultimate prize: their freedom.

In CAPE, prisoners travel as Links in Chain-Gangs, competing in death-matches for packed arenas with righteous protestors at the gates. Thurwar and Staxxx, both teammates and lovers, are the fan favorites. And if all goes well, Thurwar will be free in just a few matches, a fact she carries as heavily as her lethal hammer. As she prepares to leave her fellow Links, she considers how she might help preserve their humanity, in defiance of these so-called games, but CAPE's corporate owners will stop at nothing to protect their status quo and the obstacles they lay in Thurwar's path have devastating consequences.

Moving from the Links in the field to the protestors to the CAPE employees and beyond, Chain-Gang All-Stars is a kaleidoscopic, excoriating look at the American prison system's unholy alliance of systemic racism, unchecked capitalism, and mass incarceration, and a clear-eyed reckoning with what freedom in this country really means from a "new and necessary American voice" (Tommy Orange, The New York Times Book Review).

From the National Book Award finalist and author of Pet comes a novel set in a magical West African world, about a teen girl who must save her missing twin while learning to navigate her own terrifying new powers.

Somadina and her twin brother, Jayaike, are practically the same person: they finish each other's sentences and make each other whole. When the twins come of age, their magical gifts begin to develop, but while Jayaike's powers enchant, Somadina's cause fear to ripple through her town.

Always an outsider, Somadina now faces blatant--and dangerous--hostility. And things go from bad to worse when her brother—the one person she trusted—vanishes. Somadina knows that no matter the dangers, she must track him down. Even if it means entering the Sacred Forest. Even if it means grueling, otherworldly travel she may not survive. Even if it means finding the hidden places where those closest to the spirit world don't dare to go. Does Somadina have the strength --within both her body and her soul -- for the trying journey ahead?

National Book Award finalist Akwaeke Emezi masterfully weaves a tale of family, identity, and the power of the past, in a world where the extraordinary is ordinary.

A multidisciplinary illustrated reader unpacking imperialist representations of Africa by promoting dialogue, memory and everyday practice, and reimagining cultural institutions and the arts—from museums to academia, from architecture to art.

In 2017, curator and art historian Anita N. Bateman and architect and professor Emanuel Admassu initiated research on the traditional positioning and mispositioning of the arts across the African continent. Where Is Africa has been an extended set of exchanges with contemporary artists, curators, designers and academics who are actively engaged in representing the continent—both within and outside its geographic boundaries. By examining artist collectives, new currents in art history and the rise of contemporary art festivals in and about Africa from the past 10 years, the project unpacks the imperialist foundations of cultural institutions and their anthropological fascination with African objects, people and places.

The interviews in Where Is Africa examine African and African-diasporic identities and spaces through questions of positionality in relation to specific disciplinary, cultural and political contexts. The texts address Afro-diasporic aesthetic practices and the curatorial, museological and artistic matrices that confront epistemologies of dominance and exclusion. The commissioned essays and images offer concise methodologies that expand or complicate issues addressed by the interviewees.

Where Is Africa is a conceptual project that accompanies a conceptual place, driven by the desire to dislodge Africa from categorical fixity and the representational logics of nation-states. Africa can never be fully enclosed by the residue of colonial violence or the totalitarian gaze of neoliberalism; instead, it creates infinite malleability, where place and concept are untethered from each other.

Contributors include: Mikael Awake, Salome Asega, Tau Tavengwa, Anthony Bogues, Jay Simple, Eric Gottesman, Rebecca Corey, Aida Mulkozi, Rakeb Sile, Mesai Haileleul, Mpho Matsipa, Naiama Safia Sandy, Adama Delphine Fawundu, Rehema Chachage, Robel Temesgen, Valerie Amani, Meskerem Assegued, Elias Sime, Olalekan Jeyifous, Amanda Williams, Germane Barnes and Mario Gooden.

“One of the best books of 2020” (Goop), the propulsive, unforgettable novel that asks: What does it mean for a family to lose a child they never really knew?

One afternoon, in a town in southeastern Nigeria, a mother opens her front door to discover her son’s body, wrapped in colorful fabric, at her feet. What follows is the tumultuous, heart-wrenching story of one family’s struggle to understand a child whose spirit is both gentle and mysterious. Raised by a distant father and an understanding but overprotective mother, Vivek suffers disorienting blackouts, moments of disconnection between self and surroundings. As adolescence gives way to adulthood, Vivek finds solace in friendships with the warm, boisterous daughters of the Nigerwives, foreign-born women married to Nigerian men. But Vivek’s closest bond is with Osita, the worldly, high-spirited cousin whose teasing confidence masks a guarded private life. As their relationship deepens—and Osita struggles to understand Vivek’s escalating crisis—the mystery gives way to a heart-stopping act of violence in a moment of exhilarating freedom. 

Propulsively readable, teeming with unforgettable characters, The Death of Vivek Oji is a novel of family and friendship that challenges expectations—a dramatic story of loss and transcendence that will move every reader.

A queer Palestinian refugee plans to come out at his elaborate birthday dinner party in this tragicomic modern reimagining of Virginia Woolf’s Mrs. Dalloway.

Firas Dareer wakes up on his twenty-third birthday with a sense of purpose: today he’ll jump from a Stage 3 to a Stage 6 in his self-determined Coming Out Scale, professing his sexuality to a captive audience of immediate and extended family, friends, acquaintances, coworkers, and neighbours. But despite the meticulously designed invitations, carefully chosen place settings and floral centerpieces, painstakingly curated playlist, and agonizingly fretted-over menu, factors begin to spin out of his control.

Threatening to thwart his big moment are his younger brother, whose mental fragility requires him to be monitored at all times; his cantankerous grandfather, who’s just completed his third escape from the retirement home; the Dareers’ embittered housekeeper (and Firas’s arch nemesis), who could scoop the story before he gets the chance; his harried boss, who on this of all days calls him into work at the architecture firm, where his colleagues share a talent for butchering his name; and his mother, whose accidental text message may have blown the cover of an illicit extra-marital affair. There’s also the fact that Firas too has found himself in a love triangle of sorts, choosing between soft and steady Tyrese and fiery Kashif, who makes a sport out of demonstrating how Palestinian he is.

As the future Firas has precisely architected for himself slips further out of his grasp, the past comes crashing in like a wrecking ball. Sharp, darkly funny, and full of surprises, Three Parties pays twisted homage to a literary classic, gleefully upends the western coming-out narrative, and sensitively explores the traumas and pressures faced by Palestinian immigrants—all in the span of a single life-changing day.

"It's time we bring forward Black autistic pain points and celebrate the triumphs of ourselves, family members, and organizations that care for these individuals. Through following the real stories of others from around the world, I hope fellow Black and autistic individuals will be empowered to realize that being Black and autistic is enough."

In this powerful insight into the lives of Black autistic people, Kala Allen Omeiza brings together a community of voices from across the world, spanning religions, sexuality and social economic status to provide a deep and rich understanding of what it means to be autistic and Black.

Exploring everything from self-love and appreciation, to the harsh realities of police brutality, anti-Black racism, and barriers to care, as well as amplifying the voices of the inspiring advocates who actively work towards change, protection, and acceptance for themselves and others, this book is an empowering force, reminding you that as a Black autistic person, you are enough.

They killed her father for speaking out

For decades, the oil-rich Niger Delta—an important wetland and farming region—has seen its environment devastated by oil extraction that has brought little economic benefit to its people. After a nonviolent campaign for environmental and human rights, Ken Saro-Wiwa and eight colleagues were executed by the military dictatorship in 1995. Their deaths sparked an armed insurgency marked by sabotage and oil theft in a bid for “resource control.”

Thirty years after Ken Saro-Wiwa’s death, his daughter Noo traces the rise of this insurgency and how it became entangled with politics, further damaging the environment and upending social hierarchies. In The Burning Ground, she travels across the delta to examine its aftermath, speaking with former militants, highlighting the undervalued role of women, and meeting individuals working toward sustainable development. Along the way, her sharp, humane reporting brings to life a region where environmental damage, political conflict, human-rights pressures, and accelerating climate threats converge in ways the world cannot ignore.

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What happens to a country that tells generation after generation of white men that they deserve power? What happens when success is defined by status over women and people of color, instead of by actual accomplishments?

Through the last 150 years of American history -- from the post-reconstruction South and the mythic stories of cowboys in the West, to the present-day controversy over NFL protests and the backlash against the rise of women in politics -- Ijeoma Oluo exposes the devastating consequences of white male supremacy on women, people of color, and white men themselves. Mediocre investigates the real costs of this phenomenon in order to imagine a new white male identity, one free from racism and sexism.

As provocative as it is essential, this book will upend everything you thought you knew about American identity and offers a bold new vision of American greatness.