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Through paintings, sculptures, drawings and more, John Wilson's work foregrounds the human experience and refuses invisibility

American artist John Wilson was not only a master draftsman, printmaker, painter and sculptor active for over seven decades, but he was also a keen observer and social activist. In his representations of Black Americans in particular, he sought to pay homage to the beauty and truths of ordinary Black people in such a way that all viewers, across race and culture, might see themselves reflected. His multidisciplinary works include unflinching representations of racial violence and war, tender family portraits, monumental bronze heads and landmark commissions such as the bust of Martin Luther King, Jr., which stands in the United States Capitol.
The first major retrospective of the artist’s work, Witnessing Humanity sheds light on Wilson’s life and artistic evolution. Reproductions of artworks and photographs accompany critical essays and personal reflections, including analyses by art historians, interviews with Wilson’s peers, remembrances from fellow Black creatives and a full chronology by the late artist’s gallerist. The varied voices which resonate through this catalog illustrate that it is long past time to recognize Wilson’s art―to celebrate his lifelong dedication to depicting what he described as the "reality of being Black in this impossible world."
John Woodrow Wilson (1922–2015) was born in Roxbury, Massachusetts, and studied at the School of the Museum of Fine Arts, Boston, and Tufts University. He lived in Mexico for five years and became a friend and colleague of artist Elizabeth Catlett. Wilson taught fine art at Boston University from 1964 until 1986.

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Whether infused by movement or stillness, Mlengeya's black-and-white portrait paintings radiate both power and peace

Born in 1991 in Dar es Salaam, Sungi Mlengeya captures the essence of Black womanhood in her haunting monochromatic acrylic portraits. The meticulously painted figures are set against a minimalist white background, creating a striking contrast that emphasizes skin texture and form. Her portraits, whether infused by movement or stillness, radiate both power and peace, offering the viewer intimate moments of strength and serenity. In this first monograph dedicated to Mlengeya, the curator Tandazani Dhlakama brilliantly analyzes how African, Black and feminist conditions are intertwined in her work, and the intimate conversation between Sungi and her model, Jemima Michael, takes us behind the scenes of a work in the making.

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Dedicated to Gilliam's late-career sewn and collaged fabric works, this colorful catalog embraces the artist's restless creativity and visionary approach to abstraction

A pioneering artist who redefined the boundaries of painting, Sam Gilliam (1933–2022) transformed the medium with his radical approach to color, material and space. Sewing Fields focuses on a lesser-known yet crucial period in Gilliam's later career: that of his sewn and collaged works. His residency at the Ballinglen Arts Foundation in 1993 reshaped his artistic practice. Far from his Washington, DC, studio, Gilliam embraced new materials, working with pre-stained fabrics that he shipped to Ireland, cutting and layering them into sculptural compositions. A collaboration with a local dressmaker further expanded his process, reinforcing his innovative fusion of painting and textile techniques. Sewing Fields brings these groundbreaking works back to the Irish Museum of Modern Art, nearly 50 years after Gilliam's first Dublin exhibition, positioning him within a broader transatlantic dialogue on abstraction.

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As featured in The Wall Street Journal’s 2024 Holiday Gift Books: Fine Art

The definitive monograph of Sam Gilliam one of the great innovators in post-war American painting

An African American artist in the nation’s capital at the height of the Civil Rights movement, Sam Gilliam blazed a trail with his singular artistic vision. Gilliam emerged from the Washington, DC art scene in the mid 1960s with works that disrupted established artistic norms and styles.

Relentlessly experimental and inspired by the improvisatory ethos of jazz, Gilliam’s lyrical abstractions took on an increasing variety of forms, moods, and materials.

This book, made in close collaboration with the Sam Gilliam Foundation, is the first to comprehensively survey the breadth of his extraordinary career, and features never-before-seen archival materials an insightful newly commissioned texts that shine light on the artist, his life, and his work, together with examples of Gilliam's work spanning five decades.

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In this spicy new rom-com, an ambitious entrepreneur working to get her speakeasy supper club off the ground is pushed off balance when her childhood crush turns up, hotter than ever––then tells her she's off-limits.

Now that Kendra’s returned home, she can’t help feeling like a kid again—back in her big brother’s shadow, trying to get her restaurant off the ground while his new venture is flying high right out the gate. It doesn’t help that everyone refuses to stop calling her Keke, the childhood nickname she loathes.

The only bright spot is her longtime crush BJ. He’s been her big brother’s best friend for most of her life, and he’s always been that cool, chill guy who was easy to talk to and made her laugh. Now he’s looking at her like she’s all grown up, and there’s nothing childish about the chemistry brewing between them. Even better, he takes her dreams seriously, and he’s ready to help her make her supper club a reality.

But then BJ extinguishes the sparks flying between them, insisting nothing romantic can ever happen because she’s “off limits.” As her investors fall through and her best chance at fulfilling her professional dreams points toward leaving home again for a fresh start, will BJ be ready for love before Kendra moves on? Or will he sweep her off her feet when she least expects it?

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A gripping, elegant debut novel about a young Black man caught between worlds of race and class, glamour and tragedy, a friend’s mysterious death and his own arrest, from an electrifying new voice.

An arrest for cocaine possession on the last day of a sweltering New York summer leaves Smith, a queer Black Stanford graduate, in a state of turmoil. Pulled into the court system and mandated treatment, he finds himself in an absurd but dangerous situation: his class protects him, but his race does not.

It’s just weeks after the death of his beloved roommate Elle, the daughter of a famous soul singer, and he’s still reeling from the tabloid spectacle—as well as lingering questions around how well he really knew his closest friend. He flees to his hometown of Atlanta, only to buckle under the weight of expectations from his family of doctors and lawyers and their history in America. But when Smith returns to New York, it’s not long before he begins to lose himself to his old life—drawn back into the city’s underworld, where his search for answers may end up costing him his freedom and his future.

Smith goes on a dizzying journey through the nightlife circuit, anonymous recovery rooms, Atlanta’s Black society set, police investigations and courtroom dramas, and a circle of friends coming of age in a new era. Great Black Hope is a propulsive, glittering story about what it means to exist between worlds, to be upwardly mobile yet spiraling downward, and how to find a way back to hope.

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“Alluring, shadowy Edinburgh with its hints of sophisticated academic magic will draw you in, but it’s Ropa - a hard knocks ghostalker on her paranormal grind to pay the rent - who grabs hold. The moment you meet her, you’ll follow wherever she goes.” - Olivie Blake, New York Times bestselling author of The Atlas Six

T.L. Huchu returns with the gripping Our Lady of Mysterious Ailments, the next in the Alex-Award-winning Edinburgh Nights series.

Some secrets are meant to stay buried

When Ropa Moyo discovered an occult underground library, she expected great things. She’s really into Edinburgh’s secret societies – but turns out they are less into her. So instead of getting paid to work magic, she’s had to accept a crummy unpaid internship. And her with bills to pay and a pet fox to feed.

Then her friend Priya offers her a job on the side. Priya works at Our Lady of Mysterious Maladies, a very specialized hospital, where a new illness is resisting magical and medical remedies alike. The first patient was a teenage boy, Max Wu, and his healers are baffled. If Ropa can solve the case, she might earn as she learns – and impress her mentor, Sir Callander.

Her sleuthing will lead her to a lost fortune, an avenging spirit and a secret buried deep in Scotland’s past. But how are they connected? Lives are at stake and Ropa is running out of time.

Edinburgh Nights series:
The Library of the Dead
Our Lady of Mysterious Ailments
The Mystery at Dunvegan Castle
The Legacy of Arniston House

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A perfect book club read for those who love morally gray women

In a village in rural Pakistan, Tara is watching and waiting. The smell of dung and dust hangs over her world. She is desperate to leave her petty life in the village and escape the iron grip of her violent, unpredictable brother.

Marrying a middle-class accountant allows her to escape to the capital, but she soon finds that life as a respectable housewife is not enough. She wants what the rich mothers at her children’s school have. Her desire for wealth and freedom becomes an obsession—one for which she’ll push her marriage and herself to the brink. When her brother comes back into her life, dragging the specter of all she’s escaped, Tara must decide if there are any lines she won’t cross to live the life she deserves.

Set against a hypnotic, oppressive backdrop of political violence and natural disaster, A Splintering traces the class struggle of a woman stuck between province and metropolis, between motherhood and ambition. Disquieting and utterly gripping, it is an extraordinary achievement by Dur e Aziz Amna, an exploration of a complex and unforgettable character who will risk everything to carve out a life of her own.

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A gripping and incisive psychological gameshow drama from one of the biggest stars in Korean fiction, author of million-copy bestseller The Dallergut Dream Department Store.

Eight unsuspecting people receive an invitation to participate in a new reality show called Break Room. But what starts as an opportunity for fame is quickly revealed to be something far more unsettling when they learn how they were chosen--voted in by their respective coworkers as "the office villain."

Among them is an imposter--a mole planted by the show's producers. The only way to win the prize money is to uncover the saboteur before time runs out.

As alliances shift and paranoia festers, the contestants begin to realize that the true challenge isn't surviving the show--it's facing their own selves.

Welcome . . . Step into the world of the reality show, Break Room, where every smile hides suspicion, and every word could be a clue.

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Combining representation and abstraction, Abney's vibrant works reference gender, sexuality and pop culture

Committed to sharing social realities through fantastic, expansive forms, Nina Chanel Abney is an artist possessed of an iconic style and wit. Through stylized, cubistic and highly charged painterly symbols, she references radical traditions of graphic design and street art to communicate urgent political and cultural realities with immediacy to the largest possible audience. Abney’s paintings and collages use dynamic color and form to draw viewers into complex narratives.
Big Butch Energy/Synergy features Abney’s recent exhibitions at ICA Miami and moCa Cleveland. In these works, Abney mines cinematic and media representations of student Greek life to explore how gender perception and performance is inspired by the legacies of social ritual and visual culture. The complex compositions reference scenes from popular slapstick comedy films such as National Lampoon’s Animal House (1978) and Porky’s (1981), while citing traditions of Baroque portraiture and fraternity composites. Inspired by her experience as a masculine-of-center woman, with this body of work Abney asks how viewers gender a figure in a work of art.
Nina Chanel Abney was born in 1982 in Harvey, Illinois, and is based in New York, where she attended Parsons School of Design. Abney’s work is held in the collections of the Whitney Museum of American Art, New York; the Museum of Modern Art, New York; the Brooklyn Museum, New York; the Bronx Museum, New York; the Nasher Museum of Art, North Carolina; and the Pennsylvania Academy of the Fine Arts, among others.

This book was published in conjunction with Institute of Contemporary Art, Miami/Museum of Contemporary Art Cleveland

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Monsters, magic, and mischief abound once more in the spellbinding sequel to Where There Be Monsters, perfect for fans of The Marvellers and Amari and the Night Brothers.

Glory Brown is finally set to start her training as a junior spherinaut at the Parliamentarium. Will she turn out to be an owl, a bee, a fox, or a magpie, like her mama? She's been waiting a lifetime for this adventure . . . and yet all she wants to do is make her family proud and try not to be homesick for the Seam and all its charm.

As Glory struggles to find her place as the new kid―one with a lot of questions and a soft spot for monsters―she's also coping with the after-effects of Paxton's treachery, like the curse that still plagues her. In fact, the worlds of the Outersphere are all in the process of recovering―and Glory suspects they haven't seen the last of Paxton, either.

When top secret spherinautical charts go missing, parcels are tampered with, and the pocket-orreries go haywire, the Parliamentarium of Junior Spherinauts plunges into chaos. Now, Glory, Marcus, and their new friends must work together to figure out who the thief is and if they have what it takes to save the worlds again.

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A bold, inventive, and fiercely original debut novel that begins with an uncle dead and his tween niece’s private confession to the reader—she and her sister killed him, and they blame the British.

Summer, 1986. The Creel sisters, Georgie Ayyar and Agatha Krishna, welcome their aunt, uncle and young cousin—newly arrived from India—into their house in rural Wyoming where they’ll all live together. Because this is what families do. That is, until the sisters decide that it’s time for their uncle to die.

According to Georgie, the British are to blame. And to understand why, you need to hear her story. She details the violence hiding in their house and history, her once-unshakeable bond with Agatha Krishna, and her understanding of herself as an Indian-American in the heart of the West. Her account is, at every turn, cheeky, unflinching, and infectiously inflected with the trappings of teendom, including the magazine quizzes that help her make sense of her life. At its heart, the tale she weaves is:
a) a vivid portrait of an extended family
b) a moving story of sisterhood
c) a playful ode to the 80s
d) a murder mystery (of sorts)
e) an unexpected and unwaveringly powerful meditation on history and language,
trauma and healing, and the meaning of independence

Or maybe it’s really:

f) all of the above.