The first intersectional history of the Black and Native American struggle for freedom in our country that also reframes our understanding of who was Indigenous in early America

Beginning with pre-Revolutionary America and moving into the movement for Black lives and contemporary Indigenous activism, Afro-Indigenous historian, Kyle T. Mays argues that the foundations of the US are rooted in antiblackness and settler colonialism, and that these parallel oppressions continue into the present. He explores how Black and Indigenous peoples have always resisted and struggled for freedom, sometimes together, and sometimes apart. Whether to end African enslavement and Indigenous removal or eradicate capitalism and colonialism, Mays show how the fervor of Black and Indigenous peoples calls for justice have consistently sought to uproot white supremacy.

A landmark survey of Black American photojournalism spanning 1945 to 1984, chronicling a critical period in the civil rights movements in the United States

This volume presents work by 57 Black photographers and contributions from scholars such as Joy Bivins, Tina M. Campt and Gerald Horne, chronicling historic events and daily life in the United States from the conclusion of World War II in 1945 to the presidential campaigns of 1984, including the civil rights movements through the 1950s, '60s and '70s. Drawn from archives and collections in the care of journalists, libraries, museums, newspapers, photographers and universities, the photographs in the catalog were circulated and reviewed in publishing offices across the country.
Responding to a dearth of stories about Black lives told from the perspectives of Black people, Black publishers and their staff created groundbreaking editorial and photojournalistic methods and news networks. During a period of urgent social change and civil rights advocacy, newspapers and magazines, including the Afro American News, Atlanta Daily World, Pittsburgh Courier, Chicago Defender and Ebony, transformed how people were able to access seeing themselves and their communities. Their impact on the media landscape continues into the digital present.
The catalog is published on the occasion of the exhibition of the same name at Carnegie Museum of Art. The exhibition and catalog are both designed by artist David Hartt, and organized and edited by Charlene Foggie-Barnett, Charles ""Teenie"" Harris, community archivist, and Dan Leers, curator of photography, in dialogue with an expanded network of archivists, curators, historians and scholars.
Photographers include: Harry Adams, Anthony Barboza, Kwame Brathwaite, Don Hogan Charles, Adger Cowans, Guy Crowder, Roy DeCarava, Doris Derby, Bob Douglas, Louis Draper, Theodore Gaffney, Charles "Teenie" Harris, Chester Higgins, Kojo Kamau, Jeanne Moutoussamy-Ashe, Marilyn Nance, Gordon Parks, Ming Smith, Bruce Talamon, Deborah Willis-Ryan.

A groundbreaking guide to understanding-and transforming-the psychological impact of being Black in America.

Despite centuries of systemic trauma, Black communities continue to demonstrate unmatched resilience, creativity, and strength. Yet the emotional burden of navigating race, identity, and survival in modern America remains one of the most overlooked public health issues of our time.

Healing While Black offers a compelling, research-informed look at how trauma shows up-and how to heal from it. Combining modern psychology, historical analysis, and culturally grounded practices, this book provides a practical roadmap for improving mental health, building resilience, and strengthening overall well-being.

Inside, readers will learn:

* How generational trauma affects the brain, body, and behavior
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* The psychological effects of racism and systemic inequity
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* Evidence-based tools for emotional regulation and stress recovery
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* Culturally relevant healing practices backed by science
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* How to transform personal healing into empowerment and legacy
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Engaging, accessible, and deeply relevant, this book is designed for individuals, families, educators, therapists, and organizations committed to supporting Black mental health.

Whether you're looking to understand your own healing, support a loved one, or build healthier communities, this book delivers clear insights and actionable strategies for long-lasting change.

This work reminds you of one truth: Healing is your birthright - and reclaiming it is revolutionary.

A classic and controversial critique of sexism in the black nationalist movement, this “landmark black feminist text” is essential reading for those engaged in discussions about feminism and race politics (Ms.)

Originally published in 1978, Black Macho and the Myth of the Superwoman caused a storm of controversy. Michele Wallace blasted the masculine biases of the black politics that emerged from the sixties. She described how women remained marginalized by the patriarchal culture of Black Power, demonstrating the ways in which a genuine female subjectivity was blocked by the traditional myths of black womanhood.
 
With a foreword that examines the debate the book has sparked between intellectuals and political leaders, as well as what has—and, crucially, has not—changed over the last four decades, Black Macho and the Myth of the Superwoman continues to be deeply relevant to current feminist debates and black theory today.

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An inspiring picture book biography of groundbreaking journalist and civil rights activist Ida B. Wells, as told by her great-granddaughter, Michelle Duster.

Ida B. Wells was an educator, journalist, feminist, businesswoman, newspaper owner, public speaker, suffragist, civil rights activist, and women’s club leader. She was a founder of the NAACP, the National Association of Colored Women, the Alpha Suffrage Club, and the Negro Fellowship League. Born in 1862, Ida challenged the racist and sexist norms of the late nineteenth and early twenthieth centuries through her writing and speaking. Faced with criticism and threats to her life, she never gave up.
Long overlooked, Ida's life and work shine in this picture book, timed for the 160th anniversary of her birth. This extraordinary true story is told by her great-granddaughter, Michelle Duster, who has been recognized for her activism and fight for contemporary racial justice, and is beautifully brought to life by Coretta Scott King Award Honoree artist Laura Freeman.

The Black Power movement represented a key turning point in American politics. Disenchanted by the hollow progress of federal desegregation during the 1960s, many black citizens and leaders across the United States demanded meaningful self-determination. The popular movement they created was marked by a vigorous artistic renaissance, militant political action, and fierce ideological debate.

Exploring the major political and intellectual currents from the Black Power era to the present, Cedric Johnson reveals how black political life gradually conformed to liberal democratic capitalism and how the movement’s most radical aims—the rejection of white aesthetic standards, redefinition of black identity, solidarity with the Third World, and anticapitalist revolution—were gradually eclipsed by more moderate aspirations. Although Black Power activists transformed the face of American government, Johnson contends that the evolution of the movement as a form of ethnic politics restricted the struggle for social justice to the world of formal politics.

Johnson offers a compelling and theoretically sophisticated critique of the rhetoric and strategies that emerged in this period. Drawing on extensive archival research, he reinterprets the place of key intellectual figures, such as Harold Cruse and Amiri Baraka, and influential organizations, including the African Liberation Support Committee, the National Black Political Assembly, and the National Black Independent Political Party in postsegregation black politics, while at the same time identifying the contradictions of Black Power radicalism itself.

Documenting the historical retreat from radical, democratic struggle, Revolutionaries to Race Leaders ultimately calls for the renewal of popular struggle and class-conscious politics.

Cedric Johnson is assistant professor of political science at Hobart and William Smith Colleges.

Each book pre-ordered with Kindred Stories will include a signed custom bookplate from Tabitha Brown. You must order prior to the book's on-sale date of January 19, 2027.  Available while supplies last.

America’s Mom, New York Times bestselling author, NAACP Award-winning personality, Emmy-winning host, and actress Tabitha Brown, is back with a heartwarming children’s book about hope, faith, and the beauty of the unseen.

Young Tabitha makes a wish, but she can’t see it. So, she wonders if wishes are real and what makes them come true…

That’s when Tab and Mama spend a day in the park, and she soon realizes that wishes—like most of the world’s invisible delights—come to life with a little bit of faith and a whole lot of love.

The #1 New York Times bestselling team behind Hello There, Sunshine, Tabitha Brown and Olivia Duchess, returns with a beautiful lyrical story, that will remind children everywhere about the magic of a single wish. 

• Beautiful lyricism paired with stunning artwork: the lush rhymes and artwork will please tiny readers who are fans of Tabitha’s previous books, as well as children’s books by Emily Winfield Martin and Joanna Gaines.
• Follow up to a New York Times bestseller: you can expect the same quality of storytime from the dynamic duo who brought you the bestseller, Hello There, Sunshine!
• Great lullaby for bedtime: with its soothing rhythm and starry scenes, this is a perfect pick for anytime, but especially for bedtime reading sessions.
• A light message about God’s love: littles will learn about how God’s love, faith, and prayer all have to do with wish fulfillment.

From the ancient kingdoms of Africa to the America of today, this important and accessible encyclopedia from National Geographic Kids explores more than 400 years of African American history through photos, maps, artifacts, stories, and more.

Created in consultation with leading Black historians, curators, and expert advisors, this comprehensive volume takes kids from humanity’s African roots through enslavement and rebellion in the Americas, from the Civil War to the Civil Rights Movement, and into cultural milestones like the Harlem Renaissance and hip-hop, offering a clear, accessible overview of African American history and heritage.

Inside, you’ll find engaging entries on iconic figures like Harriet Tubman and Malcolm X alongside coverage of less familiar topics such as the Exoduster Movement or Black fashion design. The National Geographic Kids Encyclopedia of African American History and Culture also features hundreds of photos, maps, and illustrations that highlight unsung heroes, recent discoveries, and traditional folktales. With a foreword by astronaut Leland Melvin, this one-of-a-kind encyclopedia showcases the power of storytelling, making it a must-have for both home and classroom libraries.

Join for an author talk with award-winning and beloved author, Renee Watson! 

EVENT DEETS

When: Saturday, October 28 at 2PM CST

Where: Kindred Stories Reading Garden (2304 Stuart Street, HTX, 77004)

How: RSVP ONLY to reserve your seat. RSVP WITH BOOK to grab your seat along with a copy of Renee's newest book, Ways to Build Dreams. There will be additional titles on sale. However, you must purchase her newest book to join the signing line.

ABOUT THE BOOK

Newbery Honor and Coretta Scott King Award winner Renée Watson continues her bestselling young middle grade series starring Ryan Hart.

Middle school is just around the corner for Ryan Hart, which means it’s time to start thinking about the future—and not just how to prank her brother, Ray!
Ryan wonders who she wants to be and what kind of person her family hopes she’ll become. Ryan has always been known for her sunny outlook, but can she keep hoping even when things seem hopeless? During Black History Month, Ryan learns more about her ancestors and local Black pioneers and their hopes for the future, for her generation. Drawing on the ambitions of those who came before her, and her own goals, Ryan is determined to turn her dreams into reality.
Grow and shine and share with Ryan Hart in this series that brings ever more humor, more love, and more fun.

ABOUT THE AUTHOR

Renée Watson is a #1 New York Times bestselling author. Her novel, Piecing Me Together, received a Newbery Honor and Coretta Scott King Award. Her books include the Ryan Hart series, Some Places More Than Others, This Side of Home, What Momma Left Me, Betty Before X, cowritten with Ilyasah Shabazz, Watch Us Rise, cowritten with Ellen Hagan, and Love is a Revolution, as well as acclaimed picture books: Places Where Hurricanes Happen, and Harlem’s Little Blackbird, which was nominated for an NAACP Image Award. Renée splits her times between Portland, Oregon and New York City.

ABOUT THE MODERATOR 

Jasminne Mendez is a best-selling Dominican-American poet, translator, playwright and award winning author of several books for children and adults. Including the middle grade novel in verse Aniana del Mar Jumps In (Dial) which was released to four starred reviews. Her other books have received prizes from the Texas Institute of Letters, the Writer’s League of Texas and the International Latino Book Awards. She is an MFA graduate of the creative writing program at the Rainier Writing Workshop at Pacific Lutheran University and a University of Houston alumni. She is the Program Director for the literary arts non-profit Tintero Projects and she lives and works in Houston, TX.

Traces the history of the Oakland Community School, the last Community Survival Program of the Black Panther Party

Education for the Revolution offers the first comprehensive historical account of the last standing survival program of the Black Panther Party, the Oakland Community School. First established as the Children’s House in 1970 and operational until 1982, the Oakland Community School provided grade school children with holistic educational and communal practices that oriented them to the Black Panther Party’s political consciousness. Drawing from newspapers, oral histories, and archives, historian Robert P. Robinson links the history of the school to the Black historical tradition of resistance via education, framing the school as a union of Black self-determination and education history.

Robinson situates the Oakland Community School within the Black Panther Party’s longstanding commitment to using education as a tool to achieve liberation. Long before terms like restorative justice, gender inclusion, and culturally relevant pedagogy were popular in classrooms, Robinson explores how students of the Oakland Community School were regarded as co-creators of knowledge alongside their teachers, local activists, and parents. Combining personal reflections from parents, students, and former faculty with an analysis of the school’s concrete teaching practices, the book asserts that their histories are vital to present-day educational efforts.

Whereas popular narratives of the Black Panther Party argue that their political activism ceased by the early 1970s, this history of the Oakland Community School illuminates Black Panther women’s continued efforts to grow power through education. At once compelling and revelatory, Education for the Revolution cements the Oakland Community School’s legacy as one of the most enduring Black independent education projects for social justice, as well as a fascinating precursor to critical forms of education seen today.

A bold manifesto arguing that there is a clear precedent for paying reparations to atone for America’s original sin of slavery, offering a compelling legal strategy to achieve this goal—from the acclaimed author of The Whiteness of Wealth.

The idea of reparations is not a new or original one; it is one that is baked into American history.

When the District of Columbia Emancipation Act of 1862 went into effect, wealthy slaveowners like Margaret Barber were compensated for the loss of their enslaved workers. Barber received $9,000—an equivalent to $250,000 today. When a group of Italian immigrants were lynched in 1892, President Harrison compensated Italy a total of $25,000 for their deaths—an equivalent to almost $766,000 today. The Indian Claims Commission, an arm of the federal government, paid Indigenous Americans $818 million for underhandedly stealing their land in the eighteenth and nineteenth centuries—an equivalent to almost $350 billion today.

Dorothy A. Brown addresses the glaring question: if reparations can be achieved for others, why not for Black Americans? If lynching can be remedied for Italian immigrants, and slaveholders compensated for losses associated with abolition and emancipation, then the government’s failure to provide such remedies to Black communities harmed by similar violence, loss, and destruction is long overdue. The fight for reparations is truly a fight for the soul of America, to produce the country our founding fathers idealized but never achieved.

Getting to Reparations makes a logical and necessary case for reparations for Black Americans. It lays out a path as to how we might achieve this, built on the frameworks used throughout U.S. history by the government to pay restitution. It is now time to do the same for America's Black population.

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A rare glimpse inside the mind of a National Book Award–winning, Guggenheim, and MacArthur fellow poet as he considers his influences and larger surrounding poetic history.

“Hayes leaves resonance cleaving the air.” —NPR

In these works based on his Bagley Wright lectures on the poet Etheridge Knight, Terrance Hayes offers not quite a biography but a compilation “as speculative, motley, and adrift as Knight himself.” Personal yet investigative, poetic yet scholarly, this multi-genre collection of writings and drawings enacts one poet’s search for another and in doing so constellates a powerful vision of black literature and art in America.

The future Etheridge Knight biographer will simultaneously write an autobiography. Fathers who go missing and fathers who are distant will become the bones of the stories.
There will be a fable about a giant who grew too tall to be kissed by his father. My father must have kissed me when I was boy. I can’t really say. . . . By the time I was eleven or even ten years old I was as tall as him. I was six inches taller than him by the time I was fifteen. My biography about Knight would be about intimacy, heartache.

Terrance Hayes is the author of How to Be Drawn, which received a 2016 NAACP Image Award for Poetry; Lighthead, which won the 2010 National Book Award for poetry; and three other award-winning poetry collections. He is the poetry editor at the New York Times Magazine and also teaches at the University y of Pittsburgh. American Sonnets for My Past and Future Assassin will also be forthcoming in 2018.