From NAACP Image Award–nominated author Elise Bryant comes a tender, funny novel following a type-A teen whose meticulously coordinated life unravels when she develops a chronic illness.
Jubilee Foster is busy. Between caring for her two younger siblings while her single dad is working, maintaining her perfect GPA, and volunteering at her beloved local community center, she doesn’t have time for trivial things like hobbies or sleep.
And that’s just the way Jubilee likes it. When her to-do list is endless and her color-coded planner is full, it’s easier to ignore the glaring fractures in her life—like her mom’s abandonment, or that her community center is on the brink of closing down for good. Or the reappearance of Neal, her childhood friend turned nemesis, and all of the annoying, distracting feelings he brings.
But then Jubilee starts breaking out in mysterious hives, and her ability to be a perfect student, daughter, sister, and friend begins to fray. As her life buckles under symptoms and side effects, Jubilee will have to tackle the most difficult task on her to-do list yet: accepting help.
Critically acclaimed author Elise Bryant returns with a love letter to eldest daughters, recovering people pleasers, and those managing chronic illnesses in desperate search for the care they deserve.

“Engrossing and informative.” ―Zaakir Tameez, New York Times Book Review

From one of the most acclaimed and influential historians of the United States, an insightful guide to our history and why it matters.

Eric Foner has done more to shape the public and professional understanding of American history than any other scholar. The preeminent historian of the Civil War era, Foner’s keynote has been American freedom and the recurring battles over its meanings and boundaries. His award-winning works show that freedom has been a birthright for some and a struggle for others, that rights gained can also be lost, and that they must always be tended with knowledge and vigilance. The present political moment makes the importance of these themes abundantly clear.

This collection of Foner’s recent reviews and commentaries demonstrates the range of his interests and expertise, running from slavery and antislavery, through the disunion and remaking of the United States in the nineteenth century, Jim Crow and the civil rights movement, and into our current politics. Each piece shows a master at work, melding historical knowledge and balanced judgment with crystalline prose. Foner takes up towering figures from Washington to Lincoln, Douglass, and Rosa Parks, pivotal events such as the Fugitive Slave Act and the Tulsa Race Massacre, and the fragility of constitutional guarantees to civil liberties, due process, and birthright citizenship, whether in times of war or peace. He also explores recent controversies over how to commemorate, and how to teach, our history.

From the critically acclaimed and award-winning creators of Crown and I Am Every Good Thing, Derrick Barnes and Gordon C. James, comes an illustrated nonfiction young adult homage to Black athlete activists throughout history.

This is not your typical book about sports. This one begins…
“AN ATHLETE PROTESTING THE MISTREATMENT OF AMERICAN CITIZENS DOES NOT MAKE THEM ANTI-AMERICAN.”
And through a series of powerful poems, freedom-oriented prose, and dynamic illustration, Derrick Barnes and Gordon C. James introduce young readers and change-makers to athletes such as Muhammad Ali, Curt Flood, and Elgin Baylor who used their voices and influence to shake up the landscape of American sports and justice.

* TIMELY AND TOPICAL: Teaches readers about a continued cultural discussion from a resonant and impactful perspective.
* MADE TO CAPTURE THE ATTENTION OF YOUNG READERS: With a mix of prose, poetry, quotes, and illustrations, readers can dive into important history that might otherwise go untold.
* FROM AN AWARD-WINNING TEAM: Caldecott Honoree Gordon C. James and Kirkus Prize, Coretta Scott King Honor, and Newbery Honor recipient Derrick Barnes have teamed up again to create a memorable, impactful, and important book---this time for young adults.

One word is about to change everything you believe about yourself.

From sought-after coach, speaker, and author Wemi Opakunle, whose content has reached millions, a transformative guide to harnessing the power of “delulu” thinking—radical self-belief paired with bold, inspired action—to create the life, career, and opportunities you want.

For years, we've been told to be realistic, lower our expectations, and wait until we're fully qualified, fully prepared, or fully confident before going after what we want. But what if everything we've been taught is backwards? What if delulu belief is the bridge between who you are and who you want to be?

In BIG. DELULU. ENERGY., Wemi Opakunle introduces an unapologetic, powerful new approach to personal growth built on self-belief, intentional action, and the courage to think bigger than your current circumstances. Far from denying reality, “delulu” thinking is about refusing to let your fears, limitations, or past experiences define what’s possible for your future.

Through her transformative Eight Pillars of Delulu Success, Wemi shows you how to:
* Build unshakable confidence and trust yourself more deeply
* Stop waiting for certainty and move before you're ready
* Transform fear, setbacks, and self-doubt into fuel for growth
* Embody the mindset and emotions of the person you want to become
* Release perfectionism and detach from outcomes you can’t control
* Silence your inner critic and separate your identity from your inner dialogue to create lasting self-worth
* Reinvent yourself at any stage of life and create a future that feels aligned, joyful, and expansive
* Challenge the labels that have been placed on you, including the ones you've placed on yourself

Warm, practical, and passionately encouraging, BIG. DELULU. ENERGY. offers a refreshing alternative to self-help rooted in hustle and perfectionism. This is a guide to betting on yourself, embracing possibility, and becoming the person you’ve always imagined you could be.

From National Book Award Longlist K. Ancrum comes a striking YA novel about the unexpected bond between a troubled girl and an otherworldly creature, for fans of Kacen Callender and Ari Tison.

Ellie is counting down the days until high school is over. Between her negligent guardian, abusive stepparents, and impoverished small town, every day is worse than the last. One night, Ellie’s reality explodes when she collides with an ancient shape shifter trapped in human form, who she finds stealing food at a gas station.

This beautiful angry creature reveals that he’s on the run from his captors after years of bondage. Seeing the same desperation in Ellie, he offers her the tools she needs to free herself, as well. As the two share their tales of subjugation, violence, and triumph, they begin to seize the life of peace they both deserve.

K. Ancrum's breathtaking new YA novel is magical, visceral, and memorable -- a must have for fans of deeply emotional reads like EVERY DAY and COMPOUND FRACTURE.

We Made the World: Five Centuries of Queens, Warriors, and Other Foremothers traces five centuries of history through twelve extraordinary women of African descent—from queens and warriors to artists and activists—weaving together collective memory, oral tradition, and personal grief into a landmark work that places Black women at the center of world history.

In 1949, a seamstress from a small coastal town in the Gold Coast colony stood up in a room full of men and voted to split from the most powerful political party in the country. Her name was Hannah Kudjoe. She spent the next decade organizing the women who would win Ghana's first democratic election and help make it the first sub-Saharan African nation to gain independence from European colonial rule. When Nkrumah published his autobiography, she wasn't in it.

We Made the World does for twelve women what it does for Hannah Kudjoe. It finds the woman who was in the room, who was essential to the room, and whose name was removed from the record the moment her usefulness to powerful men was exhausted.

We're talking about Queen Njinga of Angola, who fought the Portuguese to a standstill for forty years and died at eighty still a sovereign. Wangarĩ Maathai, the Nobel Peace Prize winner who saved a Nairobi forest by walking upstream through a river at dawn to plant trees while the police watched. Brenda Fassie, the queer Black pop icon who sang South Africa through the end of apartheid and whose music still stops a room on any continent.

The author traveled to eleven countries to write this book. She gathered oral histories from descendants and community keepers across four continents. And she wrote it while experiencing great loss and grief which means this book knows in its bones what it costs to carry someone's memory, and what it costs not to.

We Made the World is five hundred years of history rewritten from the inside. It is the book that asks what we have lost by not knowing these women's names, and begins the important work of giving that back to us all.

From everyday apps to complex algorithms, Ruha Benjamin cuts through tech-industry hype to understand how emerging technologies can reinforce White supremacy and deepen social inequity.

Benjamin argues that automation, far from being a sinister story of racist programmers scheming on the dark web, has the potential to hide, speed up, and deepen discrimination while appearing neutral and even benevolent when compared to the racism of a previous era. Presenting the concept of the “New Jim Code,” she shows how a range of discriminatory designs encode inequity by explicitly amplifying racial hierarchies; by ignoring but thereby replicating social divisions; or by aiming to fix racial bias but ultimately doing quite the opposite. Moreover, she makes a compelling case for race itself as a kind of technology, designed to stratify and sanctify social injustice in the architecture of everyday life.

This illuminating guide provides conceptual tools for decoding tech promises with sociologically informed skepticism. In doing so, it challenges us to question not only the technologies we are sold but also the ones we ourselves manufacture.

The iconic NAACP magazine’s most dynamic and daring African American voices gathered together for the first time in a groundbreaking literary collection, from founding editor W. E. B. DuBois and Jessie Fauset to today's modern day cultural critics, including June Shagaloff and Michael A. Lawrence.

The Crisis magazine is the official publication of NAACP. It was created in 1910 by renowned historian, civil rights activist, and NAACP co-founder W. E. B. DuBois. The magazine appeared three years before Conde Nast launched an American version of Vanity Fair and fifteen years before Harold W. Ross introduced The New Yorker to readers.

Du Bois started The Crisis in one room of the New York Evening Post building in New York City and edited the publication until 1934. A group of NAACP leaders adapted the name from James Russell Lowell's poem The Present Crisis, written at the height of the Civil War.

In the premier issue Du Bois made clear of the publication’s goals: "The Crisis will record important happenings and movements in the world which bear on the great problem of inter-racial relations, and especially those which affect the Negro-American. Secondly, it will be a review of opinion and literature, recording briefly books, articles, and important expressions of opinion in the white and colored press on the race problem. Thirdly, it will publish a few short articles. Finally, its editorial page will stand for the rights of men, irrespective of color or race, for the highest ideals of American democracy."

At the time, Du Bois noted, "it was the rule of most white papers never to publish a picture of a colored person except as a criminal and the colored papers published mostly pictures of celebrities who sometimes paid for the honor. In general, the Negro race was just a little afraid to see itself in plain ink." Everything changed with the advent of The Crisis.

Now, for the first time ever The Best of the Crisis will bring together the magazine’s previously published most dynamic and daring voices and stories from its founding until today in one extraordinary collection, including W. E. B. Du Bois, Thurgood Marshall, Bayard Rustin, Francis Grimke, J.A. Rogers, Stetson Kennedy, E. Franklin Frazier, Oswald Garrison Villard, Jessie Fauset and Arna Bontemps.

This edition will spotlight the first section devoted to Negro children, the first presentation of Negro artwork, the first feature stories about successful Negroes, the first full-fledged drive for Pan-Africanism, the first special numbers devoted to Negro educational advancement, the first articles on consumers cooperation all tied together with contemporary voices on where we stand on these issues today.

CORETTA SCOTT KING HONOR ARTIST, SEAN QUALLS

From Coretta Scott King Honor artist and illustrator of Questlove's The Idea in You, Sean Qualls comes a captivating introduction on how Black people have influenced music throughout history and what music means to Black culture.

The people sing; the people dance. The people have the music, and the music is the people.

Music has been embedded into the fabric of Black life since the first notes rang out and found their way into the souls of the first African inhabitants. From the melancholic blues to the funkifyingly upbeat disco, from earth-shattering rock ’n’ roll to groundbreaking jazz and hip-hop, music has been the bedrock of Black hope and culture. From its earliest arrival in the Americas, Black music has shaped American music and the world has never been the same because of it.

Coretta Scott King Honor illustrator Sean Qualls brings us the electrifying history of Black music and moves from one ground-breaking era to another, giving his own vibrant and hip spin on the rhythm and blues that will always have the power to comfort, guide, inspire, and remind us all.

The Music, The People will make for the most fun Black music history guide as it’s:

* A Picture Book That Makes History Fun: The fun, funky, and lively voice present in The Music, The People is unlike any other and delivers the history of music genres created, influenced, and loved by Black individuals in a way that is sure to readily engage and enlighten readers as they move through music history.
* Filled with Important Messages About Music: The Music, The People infuses its pages with important messages regarding music’s ability to uplift, transcend, break barriers, and lead revolutions. Music feeds the soul, and Qualls gratifyingly depicts that.
* Features Art Like No Other: Each page of The Music, The People features Qualls’ signature breathtaking art as he moves through each musical era, making for a reading experience that’s as gratifying as it is captivating.

From the 2025 Children’s Literature Legacy Award winner, New York Times bestselling, and multiple award-winning author Carole Boston Weatherford comes a powerful nonfiction picture book that follows the individual acts of courage behind the 1955 Montgomery Bus Boycott.

In Montgomery, everyone relied on the city’s buses, but only white riders could sit in the front. If white riders needed more seats, Black riders had to give theirs up. And the white bus drivers would call the police whenever they wanted to. How could the Black community fight for their rights?

With incredible coordination and planning, Black people across the city carefully planned a boycott. When Rosa Parks was arrested after refusing to give her seat up to a white rider, they were ready to act. But, as the months drew on, everyone found themselves wondering: What would it take to end the boycott?

Award-winning team Carole Boston Weatherford and Noa Denmon unite to tell the remarkable story of the 1955 Montgomery Bus Boycott and the people who achieved justice by working together.

* Important American History: This book spotlights the collective action of the Civil Rights Movement.
* Unsung Heroes: Strength in Numbers celebrates the many people who made the long bus boycott a success.
* Impressive Back Matter: This book features an extensive timeline, along with additional information about the Montgomery Bus Boycott.

An eloquent, prize-winning historian chronicles the rise of Black enterprise in America.

Entrepreneurs like Booker T. Washington and Madam C.J. Walker are familiar figures in the history of Black business. But from the hopeful dawn of emancipation to the crucible of Jim Crow, from rural Mound Bayou, Mississippi, to the bustling blocks of Harlem, many others built extraordinary businesses in pursuit of prosperity and freedom. Nevertheless, their efforts to pursue the American Dream were steadily undermined by people intent on profiting on their innovations and reining in their opportunities. Award-winning historian Shennette Garrett-Scott reveals the everyday genius of the people who refused to accept exclusion as identity: former slaves turned cotton mill owners, washerwomen turned financiers, and self-taught visionaries who built banks, real estate empires, and grocery store chains. Their successes were real, but ventures that promised economic independence often provoked backlash as white elites, politicians, and vigilantes tried to contain Black success. Even the boldest dreams often buckled under the combined weight of limited resources and state obstruction.

A daring tale, lyrically told, The Business of Freedom reveals the history, strengths, and weaknesses of Black capitalism as a strategy for both individual and collective empowerment and shows why free enterprise alone could never deliver the freedom its champions promised.

26 illustrations

A New York Times Notable Book

The Pulitzer Prize-winning critic investigates the roles of race and sex in his own life and in literary history.

Daring and fiercely original, The Women is at once a memoir, a psychological study, a sociopolitical manifesto, and an incisive adventure in literary criticism. It is conceived as a series of portraits analyzing the role that sexual and racial identity played in the lives and work of the writer's subjects: his mother, a self-described "Negress," who would not be defined by the limitations of race and gender; the mother of Malcolm X, whose mixed-race background and eventual descent into madness contributed to her son's misogyny and racism; brilliant, Harvard-educated Dorothy Dean, who rarely identified with other Black people or women, but deeply empathized with white gay men; and the late Owen Dodson, a poet and dramatist who was female-identified and who played an important role in the author's own social and intellectual formation.

Hilton Als submits both racial and sexual stereotypes to his inimitable scrutiny with relentless humor and sympathy. The results are exhilarating. Written in 1996, long before the rise of the genre-defying memoir, The Women was a prescient work of criticism and self-investigation whose clear-eyed insight still feels fresh and urgent to this day. The Women is that rarest of books: a memorable work of self-investigation that created a form all its own.