A collectible hardcover edition of our greatest African American poet's award-winning first novel, about a black boy's coming-of-age in a largely white Kansas town, featuring an introduction by National Book Award finalist Angela Flournoy

A Penguin Vitae Edition

When first published in 1930, Not Without Laughter established Langston Hughes as not only a brilliant poet and leading light of the Harlem Renaissance but also a gifted novelist. In telling the story of Sandy Rogers, a young African American boy in small-town Kansas, and of his family--his mother, Annjee, a housekeeper for a wealthy white family; his irresponsible father, Jimboy, who plays the guitar and travels the country in search of employment; his strong-willed grandmother Hager, who clings to her faith; his Aunt Tempy, who marries a rich man; and his Aunt Harriet, who struggles to make it as a blues singer--Hughes gives the longings and lineaments of black life in the early twentieth century an important place in the history of racially divided America.

Penguin Vitae--loosely translated as “Penguin of one’s life”--is a deluxe hardcover series from Penguin Classics celebrating a dynamic and diverse landscape of classic fiction and nonfiction from seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.

“This singular memoir stunned me. With a poet’s precision, Rachel Eliza Griffiths renders two interwoven tragedies few others could have lived through, much less written about with such clear-eyed candor.”—Mary Karr, New York Times bestselling author of The Liars’ Club

On September 24, 2021, Rachel Eliza Griffiths married her husband, the novelist Salman Rushdie. On the same day, hundreds of miles away, Griffiths’ closest friend and chosen sister, the poet Kamilah Aisha Moon, who was expected to speak at the wedding, died suddenly. Eleven months later, as Griffiths attempted to piece together her life as a newlywed with heartbreak in one hand and immense love in the other, a brutal attack nearly killed her husband. As trauma compounded trauma, Griffiths realized that in order to survive her grief, she would need to mourn not only her friend, but the woman she had been on her wedding day, a woman who had also died that day.

In the process of rebuilding a self, Griffiths chronicles her friendship with Moon, the seventeen years since their meeting at Sarah Lawrence College. Together, they embraced their literary foremothers—Lucille Clifton, Toni Morrison, Alice Walker, to name a few—and fought to embrace themselves as poets, artists, and Black women. Alongside this unbreakable bond, Griffiths weaves the story of her relationship with Rushdie, of the challenges they have faced and the unshakeable devotion that endures.

In The Flower Bearers, Griffiths inscribes the trajectories of two transformational relationships with grace and honesty, chronicling the beauty and pain that comes with opening oneself fully to love.

IN A FAMILY BUILT ON LIES, WHAT HAPPENS WHEN THE TRUTH COMES OUT?

‘A glamorous, dramatic portrait of the lives, desires, and tensions of Nigeria’s upper class.' Oyinkan Braithwaite

Bukola Obanile’s 60th birthday party is the hottest ticket in town. But champagne isn’t all that is being served…

The Obaniles' picture-perfect life is the envy of all Lagos society, and everyone wants a piece. So, when renowned matriarch Bukola’s birthday approaches, there are no expenses spared. Five hundred guests are invited, and her four children are all in attendance. Everything will be perfect, just as planned.

Except living the dream comes at a price and, as the party draws closer, each of the Obanile children find themselves embroiled in scandals that could shatter the flawless reputation their mother has carefully built.

As the music builds and chandeliers glitter, this one perfect night could be all it takes to destroy a family built on deception…

READERS LOVE THE TALK OF THE PARTY!

'The thrills and twist will keep you reading into the night' ⭐⭐⭐⭐⭐

'TWISTED AND SUSPENSEFUL' ⭐⭐⭐⭐⭐

'A sharp, unsettling novel' ⭐⭐⭐⭐⭐

‘A tender, incisive, and deeply human exploration of life and death―and everything in between. Agbaje writes beautifully of love and of secrets; of what we inherit, what we choose to protect, and the cost of knowing. And ultimately, if we are lucky, redemption.’ Chika Unigwe

‘A highly entertaining family drama’ Rukky Brume, author of It Comes in Waves

'With remarkable empathy and objectivity, Foluso Agbaje boldly exposes the shallowness and decadence of Lagos society’ Sefi Atta

A twisty and prescient new thriller in the #1 New York Times bestselling Avery Keene series, by nationally renowned author and leader Stacey Abrams, Coded Justice follows Avery down a dark rabbit hole into the breathtaking—and dangerous—use of AI in the medical industry.

Avery Keene is back! The fan-favorite former Supreme Court clerk has finally gone out on her own, securing a prestigious position at a high-end law firm in Washington, D.C., where she is about to earn real money and get her life in order after a tumultuous run working as a clerk on the Supreme Court. With her reputation preceding her, Avery is quickly tasked at her new job with becoming a corporate internal investigator. Her new client is Camasca—a mega-tech firm that's on the forefront of developing a new integrated AI system poised to revolutionize the medical industry, particularly by delivering vastly improved health care to veterans. The AI potential is breathtaking, but some disturbing anomalies have plagued Camasca in early testing—including the mysterious death of a Camasca engineer. Avery and her colleagues, Jared, Ling, and Noah, find themselves on a journey to determine whether the anomalies are mere technical glitches, or something much more concerning. Full of twists, behind-the-scenes financial machinations, and the continued blossoming of Avery and her vibrant cast of friends, Coded Justice finds Stacey Abrams' riveting series to be in full swing.

The next book in the New Haven series, interconnected standalones featuring second chances, fiery passion, and Black heroines who get their happily ever afters.

Rae

Loving someone with demons is hard but leaving them is harder.

That's a lesson I learned roughly a decade ago when I left the love of my life behind. Choosing the child we made but weren't ready for over any hope for what could be. Trading in potential for reality, my dreams for motherhood and the warmth of his embrace for a cold, lonely world.

Despite how tragic it all sounds, everything turned out okay. I made peace with my decisions, soothed the ache in my heart with harsh truths that have remained firmly in tact until...well, until now.

Now, I'm back in New Haven and nothing is the way it should be. The man I left behind is not the one I keep running into around town. He's steady, dependable, stable, ready to be a father to our daughter and desperate to do more than co-parent with me.

Hunter

couldn't stop wanting Rachel Prince if I tried. Not that I ever have. Tried, that is. Why would I when she's the only good thing I've ever craved, the only addiction I've had that didn't try to destroy me?

When she left me, I wasn't mad. I didn't want her to go, but I think by the end we both knew she couldn't stay. There was too much darkness around us, and it was all emanating from me.

My addiction. My pain. My grief overshadowing hers.

I wasn't the man she needed or the partner she deserved. She did the right thing, getting out, taking our kid with her. But knowing that doesn't make it hurt any less.

It does, however, make me determined.

To keep my decade long sobriety streak going.

To make up for every day I missed of my daughter's life.

To win back the love of my life and never let her go again.

A groundbreaking investigation of the Caribbean as both an idyll in the American imagination and a dark laboratory of Western experimentation, revealing secrets to racial and environmental progress that impact how we live today.

“Dark Laboratory is a gargantuan, soulful work. It obliterates most of what I thought I knew about the Caribbean’s utility to Western Wealth.”
—Kiese Laymon, New York Times bestselling author of Heavy

In 1492, Christopher Columbus arrived on the Caribbean Island of Guanahaní to find an Edenic scene that was soon mythologized. But behind the myth of paradise, the Caribbean and its people would come to pay the price of relentless Western exploitation and abuse. In Dark Laboratory, Dr. Tao Leigh Goffe embarks on a historical journey to chart the forces that have shaped these islands: the legacy of slavery, indentured labor, and the forced toil of Chinese and enslaved Black people who mined the islands’ bounty—including guano, which, at the time, was more valuable than gold—for the benefit of European powers and at the expense of the islands’ sacred ecologies.

Braiding together family history, cultural reportage, and social studies, Goffe radically transforms how we conceive of Blackness, the natural world, colonialism, and the climate crisis; and, in doing so, she deftly dismantles the many layers of entrenched imperialist thinking that shroud our established understanding of the human and environmental conditions to reveal the cause and effect of a global catastrophe. Dark Laboratory forces a reckoning with the received forms of knowledge that have led us astray.

Through the lens of the Caribbean, both guide and warning of the man-made disasters that continue to plague our world, Goffe closely situates the origins of racism and climate catastrophe within a colonial context. And in redressing these twin apocalypses, Dark Laboratory becomes a record of the violence that continues to shape the Caribbean today. But it is also a declaration of hope, offering solutions toward a better future based on knowledge gleaned from island ecosystems, and an impassioned, urgent testament to the human capacity for change and renewal.

The National Book Award-winning historian of Stamped from the Beginning charts how “great replacement theory” has moved from the margins to become the most dominant political theory of our time—and what we can do to safeguard democracy from this insidious threat.

Recall the words chanted in Charlottesville, Virginia, but heard around the world: “You will not replace us!” Recall the string of mass shooters around the world—in Oslo and Christchurch, Buffalo, El Paso, and Pittsburgh—who claimed their crimes were a defense against “White genocide.” Recall business and media figures cultivating anxiety and furor over demographic change. These incidents only scratch the surface of this ascendant idea: Popular and ruling politicians in every region of the world have been expressing some version of great replacement theory, eroding democratic norms in the name of preventing demographic change and restoring national greatness.

What is great replacement theory? Variations on the theory have existed for centuries, but it was given this name by a French novelist in 2011 who believed Black and Brown immigrants were “invading” Europe, brought by shadowy elites to “replace” Europe’s White population. From there, politicians and theorists—whether in the United States or the United Kingdom, Germany or Chile, Hungary or Australia—repackaged the conspiracy as a story of “globalists” welcoming “migrant criminals” and diversity initiatives to take away the jobs, cultures, electoral power, and the very lives of White people. Over time, great replacement theory has expanded the threat to include citizens, men, Jews, Christians, heterosexuals, and ethnic majorities in countries as distinct as Russia, El Salvador, Brazil, Italy, and India. All are targeted with the message that they are under an existential attack that only a strongman can prevent.

In our fast-shifting political landscape, most people are unfamiliar with this theory’s origins and its spread, which isn’t a coincidence. In Chain of Ideas, international bestselling author Ibram X. Kendi uses exacting and clear prose to uncover the roots of great replacement theory and its various mutations around the world. It is an unsettling but indispensable global history of how great replacement theory brought humanity into this authoritarian age—and how we can free ourselves from it.

This rich and moving novel traces the lives of two black heroines from their close-knit childhood in a small Ohio town, through their sharply divergent paths of womanhood, to their ultimate confrontation and reconciliation.

Nel Wright has chosen to stay in the place where she was born, to marry, raise a family, and become a pillar of the black community. Sula Peace has rejected the life Nel has embraced, escaping to college, and submerging herself in city life. When she returns to her roots, it is as a rebel and a wanton seductress. Eventually, both women must face the consequences of their choices. Together, they create an unforgettable portrait of what it means and costs to be a black woman in America.

A radical new vision of the nation's founding era and a major act of historical recovery 

Featuring more than 120 writers, this groundbreaking anthology reveals the astonishing richness and diversity of Black experience in the turbulent decades of the American Revolution

Black Writers of the Founding Era is the most comprehensive anthology ever published of Black writing from the turbulent decades surrounding the birth of the United States. An unprecedented archive of historical sources––including more than 200 poems, letters, sermons, newspaper advertisements, slave narratives, testimonies of faith and religious conversion, criminal confessions, court transcripts, travel accounts, private journals, wills, petitions for freedom, even dreams, by over 100 authors––it is a collection that reveals the surprising richness and diversity of Black experience in the new nation.

Here are writers both enslaved and free, loyalist and patriot, female and male, northern and southern; soldiers, seamen, and veterans; painters, poets, accountants, orators, scientists, community organizers, preachers, restaurateurs and cooks, hairdressers, criminals, carpenters, and many more. Along with long-famous works like Phillis Wheatley’s poems and Benjamin Banneker’s astonishing mathematical and scientific puzzles are dozens of first-person narratives offering little-known Black perspectives on the events of the times, like the Boston Massacre and the death of George Washington.

From their bold and eloquent contributions to public debates about the meanings of the revolution and the values of the new nation–– writings that dramatize the many ways in which protest, activism, and community organizing have been integral to the Black American experience from the beginning––to their intimate thoughts preserved in private diaries and letters, some unseen to the present day, the words of the many writers gathered here will indelibly alter our understandings of American history. 

A foreword by Annette Gordon-Reed and an introduction by James G. Basker, along with introductory headnotes and explanatory notes drawing on cutting edge scholarship, illuminate these writers’ works and to situate them in their historical contexts.

A 16-page color photo insert presents portraits of some of the writers included and images of the original manuscripts, broadside, and books in which their words have been preserved.

Bear it or Perish. Those are the words Helen Jean hears that fateful night in her cousin’s outhouse that changes the trajectory of her life.  
 
Spanning decades, PERISH tracks the choices Helen Jean—the matriarch of the Turner family—makes and the way those choices have ripped across generations, from her children, to her grandchildren and beyond.
Told in in alternate chapters that follows four members of the Turner clan: Julie B., a woman who regrets her wasted youth and the time spent under Helen Jean's thumb; Alex, a police officer grappling with a dark and twisted past; Jan, mother of two, who yearns to go to school and leave Jerusalem and all of its trauma behind for good; and Lydia, a woman whose marriage is falling apart because her body can't seem to stay pregnant; as they're called home to say goodbye to their mother and grandmother.
 
  This family's "reunion" unearths long-kept secrets and forces each member to ask themselves important questions about who is deserving of forgiveness and who bears the cross of blame.
 
 With stirring, evocative prose and a sense of place that is wholly immersive, offering a nuanced look into Black communities in Texas, and tackling themes like family, trauma, legacy, home, class, race and more, this beautiful yet heart-wrenching debut novel, will appeal to anyone who is interested in the intricacies of family and the ways bonds can be made, maintained or irrevocably broken.

Featuring a new original introduction by Opal Palmer Adisa

Avey Johnson--a Black, middle-aged, middle-class widow given to hats, gloves, and pearls--has long since put behind her the Harlem of her childhood. Then on a cruise to the Caribbean with two friends, inspired by a troubling dream, she senses her life beginning to unravel--and in a panic packs her bag in the middle of the night and abandons her friends at the next port of call. The unexpected and beautiful adventure that follows provides Avey with the links to the culture and history she has so long disavowed. Originally published in 1983, Praisesong for the Widow was a recipient of the Before Columbus Foundation American Book Award, and is presented here in a beautiful new hardcover edition as the second title in McSweeney's Of the Diaspora series.

"Astonishingly moving."
-Anne Tyler, The New York Times Book Review

About Of the Diaspora
McSweeney's Of the Diaspora is a series of previously published works in Black literature whose themes, settings, characterizations, and conflicts evoke an experience, language, imagery and power born of the Middle Passage and the particular aesthetic which connects African-derived peoples to a shared artistic and ancestral past. Wesley Brown's Tragic Magic, the first novel in the series, was originally published in 1978 and championed by Toni Morrison during her tenure as an editor at Random House. This Of the Diaspora edition features a new introduction written by Brown for the series. Tragic Magic will be followed by Paule Marshall's novel of a Harlem widow claiming new life. Praisesong for the Widow was originally published in 1983 and was a recipient of the Before Columbus Foundation American Book Award. The series is edited by writer Erica Vital-Lazare, a professor of creative writing and Marginalized Voices in literature at the College of Southern Nevada. Published in collectible hardcover editions with original cover art by Sunra Thompson, the first three works hail from Black American voices defined by what Amiri Baraka described as strong feeling "getting into new blues, from the old ones." Of the Diaspora-North America will be followed by series from the diasporic communities of Europe, the Caribbean and Brazil.