A chart-topping picture book biography about how Bad Bunny went from a small-town dreamer in Puerto Rico to one of the greatest global music icons of all time.

* A Junior Library Guild Gold Standard Selection

Right now, in any city in the world, you’ll hear the unmistakable beats of Bad Bunny’s music blasting from speakers.

A global superstar who has sold out stadiums around the world, Bad Bunny is redefining what it means to be an artist. But how did he get here? Born and raised in Puerto Rico, Benito Antonio Martínez Ocasio grew up surrounded by the rhythms and culture of reggaeton. He has not only become an icon of the genre but has transformed it by innovating its sound and challenging the machismo culture of the genre by embracing fluidity in fashion, masculinity, and the LGBTQ+ community. Could young Benito have imagined performing at the Super Bowl, making history by becoming the first artist to win Album of the Year for a project entirely in Spanish, and becoming a voice of hope for millions across the globe?

Inspiring and groundbreaking, Bad Bunny’s story is a must-have for every fan who sings along to his hits—and a reminder that breaking the rules can lead to building a legacy.

Evelyn Del Rey is Moving Away meets The Last Stop on Market Street in this touching story about what makes a place home.

Elysia's family is moving. It's the last day in her apartment. The last day in her neighborhood. The last day in her city. Elysia is going to miss it all so much, but her sister Penelope shows her that home comes in many forms.

As they walk down their block one last time, Elysia feels home in the sound of her neighbor's bachata music, in the taste of her favorite bodega hot chocolate, and in the smell of coconut oil from the hair salon. She finds home in her favorite books, playing with friends, and time spent with her sister.

Even though she may not always live in the same place, Elysia knows she will always carry these pieces of home in her heart.

From the Washington Post’s first race and ethnicity reporter, a poignant investigation into the aftermath of the Great Migration, the promise of a Second Great Migration, and what future Black communities could look like across America in this eye-opening and thoughtful study, a mix of The Warmth of Other Suns and How the Word Is Passed.

Since the 1990s, demographers have been documenting a new Great Migration: millions of Black Americans leaving Northern and Western cities for the South their parents and grandparents fled during Jim Crow. Huge numbers of Black people have been moving to Memphis, Houston, Charlotte, and other booming metropolises in the hopes of recreating the vibrant communities their grandparents once left. Have they found what they were looking for? Is it possible for Black Americans to have community, economic prosperity, and safety all in one place? And if so, where?

In the Search for Black Mecca, Emmanuel Felton examines how these questions are playing out in real lives today, going into the homes of Black Americans who are weighing what they want and where they hope to find it. He identifies three archetypes—“Those Who Stay,” “Those Who Leave,” and “Those Who Build Something New”—and reveals the costs and benefits of each decision, while seeking answers to deeper questions regarding communal responsibility, what’s needed to make Black neighborhoods thrive, and how to manage the fact that white people are often threatened by Black success. He also unravels his own family’s migration story through the lives of his two grandfathers—a prominent New Orleans dentist and a troubled musician who migrated to Oakland, California.

Through these stories, Felton crystalizes our understanding of what it means to find—or to create —our own meccas: radical spaces for Black joy, freedom, and imagination, even when the external world tries to take those places away.

The iconic NAACP magazine’s most dynamic and daring African American voices gathered together for the first time in a groundbreaking literary collection, from founding editor W. E. B. DuBois and Jessie Fauset to today's modern day cultural critics, including June Shagaloff and Michael A. Lawrence.

The Crisis magazine is the official publication of NAACP. It was created in 1910 by renowned historian, civil rights activist, and NAACP co-founder W. E. B. DuBois. The magazine appeared three years before Conde Nast launched an American version of Vanity Fair and fifteen years before Harold W. Ross introduced The New Yorker to readers.

Du Bois started The Crisis in one room of the New York Evening Post building in New York City and edited the publication until 1934. A group of NAACP leaders adapted the name from James Russell Lowell's poem The Present Crisis, written at the height of the Civil War.

In the premier issue Du Bois made clear of the publication’s goals: "The Crisis will record important happenings and movements in the world which bear on the great problem of inter-racial relations, and especially those which affect the Negro-American. Secondly, it will be a review of opinion and literature, recording briefly books, articles, and important expressions of opinion in the white and colored press on the race problem. Thirdly, it will publish a few short articles. Finally, its editorial page will stand for the rights of men, irrespective of color or race, for the highest ideals of American democracy."

At the time, Du Bois noted, "it was the rule of most white papers never to publish a picture of a colored person except as a criminal and the colored papers published mostly pictures of celebrities who sometimes paid for the honor. In general, the Negro race was just a little afraid to see itself in plain ink." Everything changed with the advent of The Crisis.

Now, for the first time ever The Best of the Crisis will bring together the magazine’s previously published most dynamic and daring voices and stories from its founding until today in one extraordinary collection, including W. E. B. Du Bois, Thurgood Marshall, Bayard Rustin, Francis Grimke, J.A. Rogers, Stetson Kennedy, E. Franklin Frazier, Oswald Garrison Villard, Jessie Fauset and Arna Bontemps.

This edition will spotlight the first section devoted to Negro children, the first presentation of Negro artwork, the first feature stories about successful Negroes, the first full-fledged drive for Pan-Africanism, the first special numbers devoted to Negro educational advancement, the first articles on consumers cooperation all tied together with contemporary voices on where we stand on these issues today.

A heartfelt, interracial, contemporary romance debut--and a love letter to K dramas--featuring a single mom whose chance to turn her neighborhood restaurant into a household name is upended by an unexpected spark with a swoon-worthy Korean business magnate, for fans of Kennedy Ryan, Tia Williams, and Susan Lee.

Keisha Thomson loves K-Dramas, but she never thought her life would turn into one. Keisha is a 37-year-old, divorced mom of her beloved autistic son, Kai, and the ambitious owner of True Soul, a Harlem soul-food restaurant. Set between Harlem and Seoul, the novel follows bold and pragmatic Keisha, charming yet duty-bound Han Seojun, and the viral red velvet cake that brings them together. What begins as a cultural and culinary clash becomes a whirlwind romance that upends everything they thought they knew about love, ambition, and what it means to put yourself first.

Life is a K Drama brings together Sherri Shepherd and Jayci Lee's complementary voices to create something truly fresh. Part escapism and part self-discovery, it’s for anyone who’s ever rebuilt themselves from scratch and for readers who crave joy that feels earned and real. With shades of Tia William’s Seven Days in June and Sally Thorne’s The Hating Game, it’s a sweeping, cinematic love story that glows with humor, heart, and hard-won hope. Importantly, it’s not just a romance between Keisha and Seojun, it’s also a love story about family, food, and culture.

For the first time in print! A definitive compilation of Nikki Giovanni’s best and most beloved poems from her extraordinary 60-year career.

Nikki Giovanni’s poems are some of the most quoted, most memorable, and most talked about gems in American literature, with a huge pop culture following that continues even after her death in 2024. But there has never been a single “best of” volume of her work—until now.

The Essential Poems compiles Nikki’s most beloved and thought-provoking work, drawn from her extraordinary 60+ year career. Included here are classics like “Nikki-Rosa,” “Ego Trippin’,” “Housecleaning,” “Cotton Candy for a Rainy Day,” “Bicycles,” and “The Sterling Silver Mirror.” Edited by Dr. Virginia Fowler, Nikki’s widow, it also includes an Introduction and an Afterword by literary superstars Kwame Alexander and Renée Watson.

It is a book to be savored, and shared.

Somewhere along the way, many of us learned how to survive, but forgot how to truly live. What if the version of you that helped you survive is now keeping you from being fully known and loved Sarah Jakes Roberts reveals how perfectionism, performance, and self-protection become armor and shows you how to lay it down, embrace who God created you to be, and experience genuine connection.

We became the dependable one. The achiever. The perfectionist. The people-pleaser. The strong one who never asks for help. We built lives that look orderly and pristine on the outside while quietly carrying the exhausting weight of proving ourselves, protecting ourselves, and performing for acceptance. But the armor that once helped us survive may now be keeping us from the very connection we long for.

In Get Over Yourself, New York Times bestselling author Sarah Jakes Roberts invites readers on a compassionate journey beneath the versions of themselves they've learned to become. Blending profound biblical insight, developmental research, and her own deeply personal story, including a life-altering accident that forced her to confront the identity she'd built around survival, Sarah reveals how God gently leads us beyond perfectionism, performance, and fear into lives marked by authenticity, freedom, and genuine connection.

Through vulnerable storytelling, practical wisdom, and fresh biblical perspective, readers will discover how to:

* Recognize the survival patterns shaping their relationships and identity.
* Release the pressure to constantly prove, protect, or perfect themselves.
* Heal from shame, fear, and the hidden lies that keep them emotionally guarded.
* Experience deeper intimacy with God, healthier relationships, and lasting inner freedom.
* Become the person love, not survival, requires.

Honest, hopeful, and transformative, Get Over Yourself is for anyone who's tired of carrying the weight of who they've had to become and ready to discover the freedom of becoming who God created them to be.

From computer scientist, astrophysicist, and dreamer, Terysa Ridgeway, comes a story of two starry-eyed sisters who shine in STEM together!

Eight-year-old Terysa is a born problem-solver with a galaxy of ideas―and she's determined to win the school science fair. There's just one tiny problem… she has too many brilliant ideas to choose from!

Luckily, her big sister, Shana, is an astronomy whiz. When Shana shares the inspiring story of Dorothy Vaughan―NASA's first Black supervisor and a trailblazing computer programming pioneer―Terysa is inspired. Together, the sisters dive into coding, teamwork, and a little trial-and-error to design a project that moves all on its own. It's creative. It's unique. It's out of this world. But will it be enough to win first place?

Perfect for readers who love:

* STEM-inspired stories for kids.
* Strong, curious girls in science.
* Coding and beginner programming concepts.
* Inspiring real-life role models like Dorothy Vaughan.
* Sister relationships and teamwork.

For the first time ever, one of the world’s most iconic business leaders shares the story of his remarkable life and career.

Ken Chenault has lived his life at the confluence of the historical forces that have shaped modern America, keenly aware of both the burdens of its past and the dynamic potential of its future. Born in 1951, when segregation was still inscribed in the laws of the land, he ascended to the peak of corporate America over the course of the next fifty years. In his thoughtful and wide-ranging memoir, Chenault reflects on his personal journey, the mentors who shaped him, and his lifelong quest to realize his own potential and make a meaningful difference in people’s lives. Equal to the Task is a classic American story for our times.

After joining American Express, Chenault steadily worked his way up to the very top. He led the company for almost two decades, driving market-leading innovations, before stepping down and making another surprising life choice. Eschewing the more traditional roles for former CEOs, he joined a dynamic venture capital firm, seeking to help build enduring companies that leverage technology for both profit and purpose. Over the past years, he has continued to be a steady voice of moral clarity in the public and private sectors.

“In these pages, I share how I managed the opportunities and challenges encountered over the course of my life and career. In doing so, I hope to convey the values I hold most dear. Values passed down to me by my ancestors, my parents, my teachers, my heroes, and my mentors. These values have guided me throughout my journey, and I consider them pivotal to meeting these extraordinary times as my country wrestles with its own identity, its future, and its role in the 21st century.”

From the critically acclaimed and award-winning creators of Crown and I Am Every Good Thing, Derrick Barnes and Gordon C. James, comes an illustrated nonfiction young adult homage to Black athlete activists throughout history.

This is not your typical book about sports. This one begins…
“AN ATHLETE PROTESTING THE MISTREATMENT OF AMERICAN CITIZENS DOES NOT MAKE THEM ANTI-AMERICAN.”
And through a series of powerful poems, freedom-oriented prose, and dynamic illustration, Derrick Barnes and Gordon C. James introduce young readers and change-makers to athletes such as Muhammad Ali, Curt Flood, and Elgin Baylor who used their voices and influence to shake up the landscape of American sports and justice.

* TIMELY AND TOPICAL: Teaches readers about a continued cultural discussion from a resonant and impactful perspective.
* MADE TO CAPTURE THE ATTENTION OF YOUNG READERS: With a mix of prose, poetry, quotes, and illustrations, readers can dive into important history that might otherwise go untold.
* FROM AN AWARD-WINNING TEAM: Caldecott Honoree Gordon C. James and Kirkus Prize, Coretta Scott King Honor, and Newbery Honor recipient Derrick Barnes have teamed up again to create a memorable, impactful, and important book---this time for young adults.

The Talented Mr. Ripley meets the Wu-Tang Clan: An American Saga in this dark psychological thriller.

Thomas “Maz” Kincaid lives a lavish life as a rising rap star: money, influence, and fame. But Maz’s success rests on a lie—his lyrics to his chart-topping album belong to someone else, his foster brother, Adonis.

Adonis, fresh out of prison is done watching his brother live off his talent and launches a calculated campaign of vengeance. But Maz won’t let all he’s worked for be taken away. He’s willing to lie, manipulate, and even kill to protect the fraudulent life he’s built.

As the rivalry escalates, the line between victim and villain blurs. With both men—damaged, cunning, and ruthless, locked in a psychological war where only one can survive the spotlight. Who will rule the stage, and who will end up in a grave?

Dark, complex, and suspenseful, All the Smoke is a cautionary tale, exploring identity, trauma, and the psychopathy behind stardom in the music industry.

A hidden history of twentieth-century American modernity that re-examines a mere twelve-block area on Manhattan’s Upper West Side with Thelonious Monk as its guiding star. 

The Jungles reclaims the largely forgotten world of San Juan Hill, a predominantly Black neighborhood on Manhattan’s West Side, was one of the most fertile centers of American cultural life in the twentieth century.

At once a biography, an urban history, and a cultural reckoning, Howard W. French’s The Jungles reveals how the neighborhood that would encompass Lincoln Center, previously known as the Jungles, fostered numerous pathbreaking Black artists, among them a young Thelonious Sphere Monk (1917–1982).

The story opens in Cuba in 1898, where we watch as Teddy Roosevelt’s forces triumph on San Juan Hill, with close to one-fifth of the overall invading force consisting of Black soldiers whose valor went largely unrecognized. After returning to the US, these veterans joined a broader wave of Black migrants moving northward, eventually settling in a Manhattan -neighborhood that would take the battle’s name. San Juan Hill became a lively, artistic Black community that preceded the Harlem Renaissance and inspired some of the highest twentieth- century creative triumphs―giving rise to the stride piano style and nurturing the genius of Monk, whose mold-breaking artistry struggled to gain traction in an industry then dominated by white producers.

As Robert Moses began tearing down the neighborhood under the guise of “urban renewal,” Monk became its most famous holdout, staying put in his cramped apartment in the Phipps Houses at 243 West 63rd Street, his upright piano protruding from his bedroom into the kitchen as he continued to make his iconic music.

By the late 1950s, Monk’s genius had finally been recognized, but the erasure already felt irreversible, extending even to the musical West Side Story, which reimagined the neighborhood’s streets as Latino gang territory, whitewashing the predominantly Black and Caribbean community that had actually lived there.

A compelling history from one of our finest American historians, The Jungles ultimately emerges as a new way of telling the history of music, of New York, and of America. The cradle of jazz was not only in New Orleans but also in San Juan Hill, and French’s magnificent recreation of that vanished world, and of the miraculous life of Thelonious Monk, restores to American cultural memory what erasure nearly stole for good.

12 illustrations