A "provocative, insightful, and urgent" (Peniel E. Joseph) new examination of Malcolm X that shows how the iconic figure was always dedicated to a global movement for Black liberation  

Malcolm X is one of the most iconic figures of the twentieth century. Across countless films, documentaries, and books, we have come to know him as a violent and tragic figure, who, when considered next to Martin Luther King Jr. and the civil rights movement, was ultimately and perhaps dangerously misguided. But in the wake of continued police brutality and the rise of white supremacy, it’s time to revisit Malcolm X and ask: What do we really know about what he believed, and what can we do with that political philosophy today? 
 
In Nobody Can Give You Freedom, Kehinde Andrews draws on the speeches and writings of Malcolm X to upend the conventional understanding of Malcolm—from his alleged misogyny to his putative proclivity for violence. Instead, Andrews argues that Malcolm X embraced equality across genders and foresaw a more inclusive approach to Black liberation that relied on grassroots efforts and community building.  
 
Far from a doomed ideologue, Malcolm X was in fact one of the most important, and misunderstood, intellectuals of the twentieth century, whose lessons on how to fight white supremacy are more important than ever.

A radical reframing of the past and present of Black resistance—both nonviolent and violent—to white supremacy 

Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse, historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women.  
 
The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away. 
 
Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.

A Civil Rights Journey presents the astonishing archive of Dr Doris Derby: photographer, activist, and professor of anthropology. Active throughout the Civil Rights Movements of the mid twentieth century in the southern United States, particularly Mississippi, Derby acted as a photographer, organiser and teacher, making photographs of the intimate and human side of the everyday struggle for survival and human rights. She photographed both the organisation of political events, meetings, and funerals, alongside the literacy, co-operative and community theatre programmes, many of which she founded, and encountered much danger and tragedy along the way. Here we see the speeches and protests that gave the movement its defining moments, as well as vital figures including Muhammad Ali, Alice Walker, Fannie Lou Hamer, and Jesse Jackson. We also see classrooms and church halls, doctors and secretaries: everyday scenes of joy, frustration, curiosity, and connection, in which the determination and collective actions and resolve and actions of the movement are equally expressed. This extensive volume presents Derby's images in sequences that between them document rural and urban poverty, offer lucid ethnographies of particular streets and families, track the day-to-day lives of African American children growing up in the Mississippi Delta, and bear witness to such pivotal events as the Jackson State University shooting, the funeral of Martin Luther King Jr., and the 1968 Democratic Convention. Derby's photographs offer us an invaluably rich portrait of a historical moment whose effects have defined today's world and issues a vital reassertion of the work that remains to be done. Artist photographer Hannah Collins has worked with Doris Derby to recount the events photographed in extensive texts which accompany the images.

Rediscover the sensational 1967 literary thriller that captures the bitter struggles of postwar Black intellectuals and artists

With a foreword by Ishmael Reed and a new introduction by Merve Emre about how this explosive novel laid bare America's racial fault lines

Max Reddick, a novelist, journalist, and presidential speechwriter, has spent his career struggling against the riptide of race in America. Now terminally ill, he has nothing left to lose. An expat for many years, Max returns to Europe one last time to settle an old debt with his estranged Dutch wife, Margrit, and to attend the Paris funeral of his friend, rival, and mentor Harry Ames, a character loosely modelled on Richard Wright.

In Amsterdam, among Harry’s papers, Max uncovers explosive secret government documents outlining “King Alfred,” a plan to be implemented in the event of widespread racial unrest and aiming “to terminate, once and for all, the Minority threat to the whole of the American society.” Realizing that Harry has been assassinated, Max must risk everything to get the documents to the one man who can help.

Greeted as a masterpiece when it was published in 1967, The Man Who Cried I Am stakes out a range of experience rarely seen in American fiction: from the life of a Black GI to the ferment of postcolonial Africa to an insider’s view of Washington politics in the era of segregation and the Civil Rights Movement, including fictionalized portraits of Martin Luther King, Jr., and Malcolm X. John A. Williams and his lost classic are overdue for rediscovery.

Few novels have so deliberately blurred the boundaries between fiction and reality as The Man Who Cried I Am (1967), and many of its early readers assumed the King Alfred plan was real. In her introduction, Merve Emre examines the gonzo marketing plan behind the novel that fueled this confusion and prompted an FBI investigation. This deluxe paperback also includes a new foreword by novelist Ishmael Reed.

A revealing look at the identity and mission of the Black church

What is the true nature and mission of the church? Is its proper Christian purpose to save souls, or to transform the social order? This question is especially fraught when the church is one built by an enslaved people and formed, from its beginning, at the center of an oppressed community’s fight for personhood and freedom. Such is the central tension in the identity and mission of the Black church in the United States.

For decades the Black church and Black theology have held each other at arm’s length. Black theology has emphasized the role of Christian faith in addressing racism and other forms of oppression, arguing that Jesus urged his disciples to seek the freedom of all peoples. Meanwhile, the Black church, even when focused on social concerns, has often emphasized personal piety rather than social protest. With the rising influence of white evangelicalism, biblical fundamentalism, and the prosperity gospel, the divide has become even more pronounced.

In The Divided Mind of the Black Church, Raphael G. Warnock, Senior Pastor of the historic Ebenezer Baptist Church, the spiritual home of the Rev. Dr. Martin Luther King, Jr., traces the historical significance of the rise and development of Black theology as an important conversation partner for the Black church. Calling for honest dialogue between Black and womanist theologians and Black pastors, this fresh theological treatment demands a new look at the church’s essential mission.

Visiting Martin Luther King Jr. during the Montgomery, Alabama, bus boycott, journalist William Worthy almost sat on a loaded pistol. "Just for self-defense," King assured him. It was not the only weapon King kept for such a purpose; one of his advisors remembered the reverend’s Montgomery, Alabama, home as "an arsenal." Like King, many ostensibly "nonviolent" civil rights activists embraced their constitutional right to self-protection—yet this crucial dimension of the Afro-American freedom struggle has been long ignored by history. In This Nonviolent Stuff’ll Get You Killed, Charles E. Cobb Jr. recovers this history, describing the vital role that armed self-defense has played in the survival and liberation of black communities.  Drawing on his experiences in the civil rights movement and giving voice to its participants, Cobb lays bare the paradoxical relationship between the nonviolent civil rights struggle and the long history and importance of African Americans taking up arms to defend themselves against white supremacist violence.   

About the Author:

Charles E. Cobb Jr. is a former field secretary for the Student Nonviolent Coordinating Committee and has taught at Brown University. An award-winning journalist, he is an inductee of the National Association of Black Journalists Hall of Fame. Cobb lives in Jacksonville, Florida.  

*Ships/ready for pick up in 5-8 business days*

Originally published in 1971, Gordon Parks’ Born Black was the first book to unite his writing and his photography. It was also the first to provide a focused survey of Parks’ documentation of a crucial time for the civil rights and Black Power movements. Today, more than 50 years later, this expanded edition of Born Black illuminates Parks’ vision for the book and offers deeper insight into the series within it. The original publication featured nine articles commissioned by Life magazine from 1963 to 1970―some never-before published―supplemented with later commentary by Parks and presented as his personal account of these important historical moments. Born Black includes the original text and images, as well as additional photographs from each series, spreads from the 1971 book, early correspondence, reproductions of related Life articles, and new scholarly essays. The nine series selected by Parks for Born Black―a rare glimpse inside San Quentin State Prison; extensive documentation of the Black Muslim movement and the Black Panthers; his commentaries on the deaths of civil rights leaders Malcolm X and Martin Luther King, Jr.; intimate portrait studies of Stokely Carmichael, Muhammad Ali and Eldridge Cleaver; and a narrative of the daily life of the impoverished Fontenelle family in Harlem―have come to define his legendary career as a photographer and activist. This reimagined, comprehensive edition of Born Black highlights the lasting legacy of these projects and their importance to our understanding of critical years in American history. Co-published with The Gordon Parks Foundation

Baldwin’s life and legacy as remembered by a pantheon of artists and writers: from Jamaica Kincaid and Barry Jenkins to Richard Avedon and Alice Neel

When author James Baldwin died in 1987, he left behind an extraordinary body of work: novels, poems, film scripts and, perhaps most indelibly, essays. A friend and supporter of Martin Luther King Jr., Malcolm X and Medgar Evers, Baldwin was a critical voice in the civil rights movement. After reaching acclaim in his early career as a writer, he struggled to retain the author’s “I,” while taking on the “we” of the people.
Edited by Pulitzer Prize–winning author Hilton Als and growing out of his landmark exhibition at David Zwirner in 2019, God Made My Face brings together an impressive assembly of contributors, ranging from Baldwin biographer David Leeming to novelist Jamaica Kincaid and Moonlight director Barry Jenkins, to create a memorial mosaic: one that not only mirrors Baldwin’s various tones but also closely examines his singular contributions to cinema, theater, the essay and Black American critical studies. These essays are illustrated by artwork from modern and contemporary artists who were either personal contemporaries of Baldwin or directly inspired by his work. In each piece assembled here, the authors speak from a personal, informed perspective, illuminating Baldwin’s deeply anguished and enlightened voice and his belief that, ultimately—because we are human—we share the potential to love, connect and live together in all our glory.
Artists include: Diane Arbus, Eugène Atget, Richard Avedon, Don Bachardy, Alvin Baltrop, Anthony Barboza, Njideka Akunyili Crosby, Beauford Delaney, Marlene Dumas, Glenn Ligon, George McCalman, Alice Neel, Elle Pérez, Cameron Rowland, Kara Walker, James Welling, Larry Wolhandler.
Authors include:Stephen Best, Daphne A. Brooks, Teju Cole, Marianne Jean-Baptiste, Barry Jenkins, Jamaica Kincaid, David Leeming, Darryl Pinckney.

Celebrate the life and legacy of Dr. Maya Angelou in this stunning 1000-piece jigsaw puzzle

Step into the world of iconic American writer, poet and civil rights activist Maya Angelou as you piece together this intricately detailed, beautifully illustrated jigsaw.

From the autobiographical book I Know Why the Caged Bird Sings to her work with Martin Luther King Jr., learn about Angelou's change-making career, as well as her early life and far-reaching legacy. The World of Maya Angelou will explore her life story and important themes in her work, with significant friends, collaborators and key milestones illustrated, accompanied by a fold-out poster with more information detailing what you can spot.

1000-PIECE PUZZLE: this detailed illustration is packed with real people and places to seek and find. The completed puzzle measures 48.5 x 68 cm (19 x 27 in.)

PERFECT LITERARY GIFT: celebratea well-loved and inspiration figure who made an incredible impact on the literary world and beyond

INCLUDES A PULL-OUT POSTER: discover Maya Angelou's life story and explore the people and places that had the most impact on her life. Written with The Caged Bird Legacy, who continue celebrate and champion Angelou's life and work

BESTSELLING SERIES: 'The World Of...' jigsaws are a fun way of celebrating the lives and works of creative greats. Also available in the series: The World of Frida Kahlo, The World of Jane Austen, The World of the Brontës, The World of James Joyce and more.

LAURENCE KING has been capturing imaginations and inspiring creativity in new and unexpected ways for over 30 years, with playful and eye-catching games, gifts and books

The late, legendary performer and activist’s candid reflections on American race relations and social movements, based on previously unpublished conversations with the award-winning historian

Harry Belafonte was more than a bestselling folk singer and Hollywood’s first Black matinée idol; he was also the secret weapon of human rights movements for seventy years—a close confidante of Martin Luther King Jr. and Eleanor Roosevelt; a trusted whisperer to JFK; and a political advisor to African heads of state.

Belafonte simultaneously advised Robert F. Kennedy on how to win the Black vote, openly supported Communist leaders including Fidel Castro, and skillfully avoided being blacklisted by J. Edgar Hoover. He was also a masterful fundraiser, almost singlehandedly bankrolling the civil rights movement from his own earnings as well as donations solicited from Hollywood friends and Vegas mobsters. It was Belafonte’s idea to organize superstar artists to record the hit song, “We Are the World” in 1984 to benefit famine victims in Africa.

In this candid, revelatory book, drawn from a series of conversations with historian Kevin Baker shortly before Belafonte’s death in 2023, the legendary singer of “Day-O” shares his philosophy on racial politics, African colonialism, the emergence of Israel, the shortcomings of Barack Obama, and the rise of Donald Trump. A Burning House offers a primer on celebrity activism at its best—as well as a cautionary tale about the rise of American authoritarianism.