Penguin announces a prestigious new series under presiding editor Arthur Schlesinger, Jr.

Many works of history deal with the journeys of blacks in bondage from Africa to the United States along the "middle passage," but there is also a rich and little examined history of African Americans traveling in the opposite direction. In Middle Passages, award-winning historian James T. Campbell vividly recounts more than two centuries of African American journeys to Africa, including the experiences of such extraordinary figures as Langston Hughes, W.E.B. DuBois, Richard Wright, Malcolm X, and Maya Angelou. A truly groundbreaking work, Middle Passages offers a unique perspective on African Americans' ever-evolving relationship with their ancestral homeland, as well as their complex, often painful relationship with the United States.

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With a poet's precision and an intellectually adventurous spirit, Elizabeth Alexander explores a wide spectrum of contemporary African American artistic life through literature, paintings, popular media, and films, and discusses its place in current culture. In The Black Interior, she examines the vital roles of such heavyweight literary figures as Gwendolyn Brooks, Langston Hughes, and Rita Dove, as well as lesser known, yet vibrant, new creative voices. She offers a reconsideration of "afro-outré" painter Jean-Michel Basquiat, the concept of "race-pride" in Jet magazine, and her take on Denzel Washington's career as a complex black male icon in a post-affirmative action era. Also available is Alexander's much heralded essay on Rodney King, Emmett Till, and the collective memory of racial violence.

Alexander, who has been a professor at the University of Chicago and Smith College, and recently at Yale University, has taught and lectured on African American art and culture across the country and abroad for nearly two decades. In The Black Interior, she directs her scrupulous poet's eye to the urgent cultural issues of the day. This lively collection is a crucial volume for understanding current thinking on race, art, and culture in America.

A collection of private correspondence from one of the Harlem Renaissance’s brightest and most radical voices
 
The Jamaican-born, queer author Claude McKay (1890–1948) was a central figure of the Harlem Renaissance. His 1919 poem “If We Must Die” expressed a revolutionary vision for militant Black protest art, while his novels, including Home to Harlem, Banjo, and Banana Bottom, described ordinary Black life in lyrical prose. Yet for all that McKay connected himself to Harlem, he was a restless world traveler who sought spiritual, artistic, and political sustenance in France, Spain, Moscow, and Morocco.
 
Brooks E. Hefner and Gary Edward Holcomb bring together two decades of McKay’s never-before-published dispatches from the road with correspondents including W. E. B. Du Bois, Langston Hughes, Alain Locke, Max Eastman, and Louise Bryant. With wit, wisdom, insight, and sometimes irascible temper, McKay describes how he endured harassment from British authorities in London and worked alongside Leon Trotsky and Alexander Kerensky in Bolshevik Moscow. He reflects on Paris’s Lost Generation, immerses himself in the Marseille dockers’ noir subculture, and observes French colonialism in Morocco. Providing a new perspective on a unique figure of American modernism, this collection reveals McKay gossiping, cajoling, and confiding as he engages in spirited debates and challenges the political and artistic questions of the day.

Celebrate E. Hughes' debut poetry collection, Ankle - Deep in Pacific Water! 

EVENT DEETS

When: Thursday, December 5 @ 7PM 

Where: Kindred Stories (2304 Stuart Street, Houston, Texas, 77004) 

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and our programming. 

ABOUT THE BOOK

Ankle-Deep in Pacific Water, a debut collection by E. Hughes, marries personal narrative with historical excavation to articulate the intricacies of Black familial love, life, and pain. Tracing the experiences of a southern Black family, their migration to the San Francisco Bay area, and the persistent anti-Blackness there (despite the state’s insistence that it is/was not involved in the US’ projects of imperialism or chattel slavery), Hughes illuminates the intersections of history, grief, and violence.

At the book’s heart is “The Accounts of Mammy Pleasant,” a persona poem written from the perspective of the formerly enslaved abolitionist and financier Mary Ellen Pleasant who is thought to have helped fund John Brown’s raid on Harpers Ferry. Alongside this historical account, Hughes deftly weaves in the story of a contemporary Black family navigating the generational trauma resulting from the Great Migration: domestic violence and racialized violence, familial love and loyalty, the work of parenting, and the work of being a child. Ankle-Deep in Pacific Water reveals in its pages that, while many things have changed over time, ultimately the question of what “freedom” meant and looked like for Black people in the early 20th century retains the same murkiness and contradictions for Black people today. 

ABOUT THE AUTHOR 

E. Hughes’ poems have been published or are forthcoming in The Rumpus, Guernica, Poet Lore, Indiana Review, and Gulf Coast Magazine—among others. They are a Cave Canem fellow and have been a finalist for the 2021 Elinor Benedict Poetry Prize, longlisted for the 2021 Granum Fellowship Prize, and a semifinalist of the 2022 and 2023 92Y Discovery Contest. In 2021, they received their MFA+MA from the Litowitz Creative Writing Program at Northwestern University. Currently, Hughes is a PhD student in Philosophy at Emory University studying black aesthetics, psychoanalysis, and poststructuralism

The beloved novel about a New York City girlhood that heralded a renaissance in Black women’s literature, with a new foreword by Nicole Dennis-Benn, the bestselling author of Patsy and Here Comes the Sun

One of The New York Times Magazine’s 25 Most Significant New York City Novels from the Last 100 Years

A Penguin Classic

Selina Boyce comes of age in 1940s New York as the daughter of two immigrants from Barbados: a free-spirited father she adores and who dreams of returning to his Caribbean island home, and a disciplined, hardworking mother she admires and who is determined to purchase their Brooklyn brownstone. When her father comes into an unexpected inheritance, Selina is torn between his nostalgia for the past and her mother’s ambition for the future, all while negotiating racism, sexuality, Depression-era poverty, and the competing values of African Americans and her West Indian immigrant community.

First published in 1959, Brown Girl, Brownstones opened a window into the rich inner life of Black women and today ranks with A Tree Grows in Brooklyn as one of the great New York City novels. With her autobiographical debut, Paule Marshall paved the way for Toni Morrison, Alice Walker, Audre Lorde, June Jordan, and Maya Angelou—and took her place in the American literary canon.

Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The Emancipation Proclamation is one of the most important documents in American history. As we commemorate its 150th anniversary, what do we really know about those who experienced slavery?

In their pioneering book, Envisioning Emancipation, renowned photographic historian Deborah Willis and historian of slavery Barbara Krauthamer have amassed 150 photographs—some never before published—from the antebellum days of the 1850s through the New Deal era of the 1930s. The authors vividly display the seismic impact of emancipation on African Americans born before and after the Proclamation, providing a perspective on freedom and slavery and a way to understand the photos as documents of engagement, action, struggle, and aspiration.

Envisioning Emancipation illustrates what freedom looked like for black Americans in the Civil War era. From photos of the enslaved on plantations and African American soldiers and camp workers in the Union Army to Juneteenth celebrations, slave reunions, and portraits of black families and workers in the American South, the images in this book challenge perceptions of slavery. They show not only what the subjects emphasized about themselves but also the ways Americans of all colors and genders opposed slavery and marked its end.

Filled with powerful images of lives too often ignored or erased from historical records, Envisioning Emancipation provides a new perspective on American culture.

Three years ago, I decided to have my first one-night stand. The plan was simple: research how to do it and meet a man at the bar before nerves playing with my guts got the best of me. I wanted to ring in the new year between a stranger's legs. Someone with good hygiene and exceptional tensile strength to take the edge off of studying mechanical engineering.

Then he walked in.

I'd heard whispers about "a night with Knight," tales of toe cramps and matted hair. Antonio is the biggest player and not the man to relieve me of my pent-up tension. His thick thighs, veiny forearms, and charming smile promised a trip to the hospital.

I shouldn't have followed him back to his condo, but I did.

Dinner turned into a kiss, and that kiss led to accidental humping. That's how we ended up in the emergency room. He had a broken nose, and my wig was stuck on his watch.

Three years and a PhD later, Antonio has cemented himself in my life as my best friend. Moving to the city where my sister lives-and where he plays professional rugby-wasn't a big deal at first. But everything changed when we hugged. His cologne surrounded me, and his eyes stayed locked on mine.

Our friendship is platonic, ironclad after the one-night stand gone wrong. So why can't I shake the feeling that we've barely scratched the surface?

The classic, New York Times-bestselling book on the psychology of racism that shows us how to talk about race in America.

Walk into any racially mixed high school and you will see Black, White, and Latino youth clustered in their own groups. Is this self-segregation a problem to address or a coping strategy? How can we get past our reluctance to discuss racial issues?

Beverly Daniel Tatum, a renowned authority on the psychology of racism, argues that straight talk about our racial identities is essential if we are serious about communicating across racial and ethnic divides and pursuing antiracism. These topics have only become more urgent as the national conversation about race is increasingly acrimonious. This fully revised edition is essential reading for anyone seeking to understand dynamics of race and racial inequality in America.

From one of our most distinguished historians comes a groundbreaking new examination of the myths and realities of the period after the Civil War.

Drawing on a wide range of long-neglected documents, Eric Foner places a new emphasis on black experiences and roles during the era. We see African Americans as active agents in overthrowing slavery, in shaping Reconstruction, and creating a legacy long obscured and misunderstood. He compellingly refutes long-standing misconceptions of Reconstruction, and shows how the failures of the time sowed the seeds of the Civil Rights struggles of the 1950s and 60s. Richly illustrated and movingly written, this is an illuminating and essential addition to our understanding of this momentous era.

Celebrate the release of No Sense in Wishing with Lawrence Burney!

EVENT DEETS

When: Friday July 10 @ 6 PM CST

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to grab your copy of No Sense In Wishing, support the author and our store programming.

Please note outside copies of the book will not be allowed in the bookstore and you will not be eligible for the signing/photo line. You must buy a book from Kindred Stories 

ABOUT THE BOOK

A personal and analytical essay collection from culture critic Lawrence Burney that is a personal and analytical look at his home city of Baltimore, music from throughout the global Black diaspora, and the traditions that raised him.

There are moments in our lives when we discover an artist, an album, a film, or a cultural artifact that leaves a lasting impression. These moments inform how we understand the world, and ourselves, moving forward.

In a time when music is spurring Black Americans’ connection with Africans on the Continent, culture critic Lawrence Burney takes us on a journey from the streets of Baltimore to the concert halls of Lagos, reminisces on seeing his mother perform as the opening act of a Gil Scott-Heron show when he was a child, and sits at a Maryland crab feast with family, assessing how the Black people in his home state have historically improvised paths for their liberation. Burney explores these profound interactions with incisive and energizing prose, offering us a personal and critical perspective on the people, places, music, and art that transformed him.

No Sense in Wishing is a kaleidoscopic exploration of Burney’s search for self. With its gutsy and uncompromising criticism alongside intimate personal storytelling, this “powerful collection of essays” (Rolling Stone) is like an album that hits all the right notes, from a promising writer on the rise.

ABOUT THE AUTHOR

Lawrence Burney is a writer, editor, critic, and the founder of True Laurels, an independent magazine covering Baltimore’s music and culture scene. His work has appeared in publications such as New York Magazine, GQ, Washington Post and Pitchfork. He has also worked as an editor at The Fader, a staff writer at VICE, and an editor/reporter at The Baltimore Banner. His first book, No Sense in Wishing, a collection of essays, was published in July 2025 via Atria Books. His second book, Sing Back To Me, will also be published by Atria Books. Follow him on Instagram and X @TrueLaurels.

ABOUT THE CONVERSATION PARTNER

Kiese Laymon is a Black southern writer from Jackson, Mississippi. Laymon is the Libbie Shearn Moody Professor of English and Creative Writing at Rice University. Laymon is the author of Long Division, which won the 2022 NAACP Image Award for fiction, and the essay collection, How to Slowly Kill Yourself and Others in America, named a notable book of 2021 by the New York Times critics. Laymon’s bestselling memoir, Heavy: An American Memoir, won the Andrew Carnegie Medal for Excellence in Nonfiction, the Christopher Isherwood Prize for Autobiographical Prose, the Barnes and Noble Discovery Award, the Austen Riggs Erikson Prize for Excellence in Mental Health Media, and was named one of the 50 Best Memoirs of the Past 50 Years by The New York Times. The audiobook, read by the author, was named the Audible 2018 Audiobook of the Year. Laymon is the recipient of 2020-2021 Radcliffe Fellowship at Harvard.

Laymon is at work on the books, Good God, and City Summer, Country Summer, and a number of other film and television projects. He is the founder of The Catherine Coleman Literary Arts and Justice Initiative, a program based out of the Margaret Walker Center at Jackson State University, aimed at aiding young people in Jackson get more comfortable reading, writing, revising and sharing on their on their own terms, in their own communities. He is the co-host of Reckon True Stories with Deesha Philyaw. Kiese Laymon was awarded a MacArthur Fellowship in 2022.

A dramatic and thought-provoking novel of one family's triumph in the face of the hardships and challenges of the post-Civil War South, from the award-winning author of Family

"Rendered with compassion and beautiful simplicity."--The Washington Post Book World

"[A] provocative and at times painful family portrait . . . It should be required reading."--Detroit Free Press

Opening in Texas during the waning years of the Civil War, The Wake of the Wind tells the epic story of a remarkable heroine, Lifee, and her husband, Mor. When news of Emancipation finally comes to Texas, Mor, Lifee, and their family set out in search of hope and a piece of land they can work and call their own. Miraculously, they manage not only to survive but to succeed--their crops grow, their children thrive, they educate themselves and others. But the South during Reconstruction is not a place that takes kindly to the achievements of former slaves, and as lynchings and injustices become a plague across the region, time and time again they must make the anguished decision to leave their land in search of a safer place.

Land, however, is the least of their worldly possessions. Lifee and Mor are the descendants of a long and vital line. Having used their intelligence, strength, and ingenuity to make their place in the new post-Civil War world, they in turn pass those talents along to their children--the next generation to surge forward, accomplishing more than their parents could ever dream.

At once tragic and triumphant, The Wake of the Wind is a penetrating look at the challenges that generations of African Americans have had to overcome in order to carve out a home and a future for themselves and their families.