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For much of American history, Black people have been conceived and legally defined as nonpersons, a subgenre of the human. In Being Property Once Myself, prize-winning poet Joshua Bennett shows that Blackness has long acted as the caesura between human and nonhuman and delves into the literary imagination and ethical concerns that have emerged from this experience. Each chapter tracks a specific animal―the rat, the cock, the mule, the dog, the shark―in the works of Richard Wright, Toni Morrison, Zora Neale Hurston, Jesmyn Ward, and Robert Hayden. The plantation, the wilderness, the kitchenette overrun with pests, the valuation and sale of animals and enslaved people―all place Black and animal life in fraught proximity.

Bennett suggests that animals are deployed to assert a theory of Black sociality and to combat dominant claims about the limits of personhood. And he turns to the Black radical tradition to challenge the pervasiveness of anti-Blackness in discourses surrounding the environment and animals. Being Property Once Myself is an incisive work of literary criticism and a groundbreaking articulation of undertheorized notions of dehumanization and the Anthropocene.

Come celebrate the paperback release of The Long Songs of W.E.B DuBois with author, Honoree Fanonne Jeffers & Jacqueline Allen Tremble. 

Event Deets

When: May 10 at 7PM CST

Where: Virtual via Crowdcast

How: Register on this page or head over to register on Crowdcast directly using this link.  If you register using our website (with or without purchasing the book) and not Crowdcast, you will register a Crowdcast watch link at least 24 hours before the start of the event.

About the Book

“My life had its significance and its only deep significance because it was part of a Problem,” W. E. B. Du Bois once wrote. Since childhood, Ailey Pearl Garfield has understood these words all too well. Bearing the names of two formidable Black Americans—the revered choreographer Alvin Ailey and her great grandmother, the descendant of slaves and tenant farmers—Ailey carries the weight of this Problem on her shoulders.

The daughter of an accomplished doctor and a strict schoolteacher, Ailey is raised in the City but spends summers in the small Georgia town of Chicasetta, where her mother’s family has lived since their ancestors arrived from Africa in bondage. Growing up, she struggles with this duality, a battle for belonging that shapes her identity. On one side are her exacting parents and her imperious, light-skinned grandmother Nana Claire, to whom skin color is paramount. On the other, Ailey feels the pull of the “deep country” of her mother’s land-tending family, whose forebears endured the horrors of slavery and Jim Crow.

But how can Ailey live up to everyone’s expectations when half of her family rejects the truth of a fraught racial history, while the rest can’t ever seem to break away from it?

About the Author

Honorée Fanonne Jeffers is a fiction writer, poet, and essayist. She is the author of five poetry collections, including the 2020 NBA-nominated collection The Age of Phillis. She was a contributor to The Fire This Time: A New Generation Speaks About Race, edited by Jesmyn Ward, and has been published in the Kenyon Review, Iowa Review, and other literary publications. Jeffers was elected into the American Antiquarian Society, whose members include fourteen U.S. presidents, and is Critic at Large for Kenyon Review. She teaches creative writing and literature at University of Oklahoma.

About the Moderator

 JACQUELINE ALLEN TRIMBLE lives and writes in Montgomery, Alabama, where she is  a professor of English and chairs the Department of Languages and Literatures at Alabama State University. She a National Endowment for the Arts Creative Writing Fellow (Poetry), an Alabama State Council on the Arts Literary Fellow and a Cave Canem Fellow. Her work has appeared in various online and print publications including The Griot, The Offing, The Louisville Review,  and Blue Lake Review.  American Happiness (2016), her first collection, published by NewSouth Books, won the Balcones Poetry Prize.   Trimble's next collection, How to Survive the Apocalypse, is forthcoming from NewSouth Books in fall of 2022.

A Black Woman Did That! spotlights vibrant, inspiring Black women whose accomplishments have changed the world for the better.

A Black Woman Did That! is a celebration of strong, resilient, innovative, and inspiring women of color. Through vibrant illustrations and engaging storytelling, author Malaika Adero spotlights well-known historical figures including Ida B. Wells, Madam CJ Walker, Mae Jemison, and Shirley Chisholm, as well as contemporary stars including Stacey Abrams, Jesmyn Ward, Ava DuVernay, and Amy Sherald.

Readers will recognize some names in the book, but will also be introduced to many important Black women who have changed history or who are reshaping the cultural landscape. They’ll learn:
*how Barbara Harris became the first female bishop of the Episcopal Church
*how Misty Copeland became the first Black principal dancer of the American Ballet Theater
*how the work and inventions of Dr. Patricia Bath have saved or restored the eyesight of people around the world
*how Shirley Chisolm changed the face of politics in America
*how Glory Edim has turned her passion for reading into a thriving online community
*and much more!

In over a dozen interviews, Conversations with Kiese Laymon provides an in-depth look at author Kiese Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon’s life and craft. Within these pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody’s Coming of Age in Mississippi, Welty’s One Writer’s Beginnings, Jesmyn Ward’s Men We Reaped, and Natasha Trethewey’s Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues.

As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon’s humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, this volume provides an unfiltered look at the prolific Southern writer in his own words.

Join us for the official launch event of Black Chameleon: Memory, Womanhood & Myth with author, Deborah D.E.E.P Mouton and artist, Delita Martin. 

Event DEETS

When: March 7, 2023 at 7PM CST

Where: Project Row House Community Gallery (2521 Holman Street, HTX 77004)

How: Please RSVP reserve your spot. Checkout for RSVP with Book to support our store and the author/artists. 

About Black Chameleon

In the literary tradition of Carmen Maria Machado’s In the Dream House, Maxine Hong Kingston’s The Woman Warrior, and Jesmyn Ward’s Men We Reaped, this debut memoir confronts both the challenges and joys of growing up Black and making your own truth.

Growing up as a Black girl in America, Deborah Mouton felt alienated from the stories she learned in class. She yearned for stories she felt connected to—true ones of course—but also fables and mythologies that could help explain both the world and her place in it. What she encountered was almost always written by white writers who prospered in a time when human beings were treated as chattel, such as the Greek and Roman myths, which felt as dusty and foreign as ancient ruins. When she sought myths written by Black authors, they were rooted too far in the past, a continent away.

Mouton writes, “The phrases of my mother and grandmother began to seem less colloquial and more tied to stories that had been lost along the way. . . . Mythmaking isn’t a lie. It is our moment to take the privilege of our own creativity to fill in the gaps that colonization has stolen from us. It is us choosing to write the tales that our children pull strength from. It is hijacking history for the ignorance in its closets. This, a truth that must start with the women.”

Mouton’s memoir is a song of praise and an elegy for Black womanhood. With a poet’s gift for lyricism and poignancy, Mouton reflects on her childhood as the daughter of a preacher and a harsh but loving mother, living in the world as a Black woman whose love is all too often coupled with danger, and finally learning to be a mother to another Black girl in America. Of the moment yet timeless, playful but incendiary, Mouton has staked out new territory in the memoir form.

About Deborah DEEP Mouton

Deborah D.E.E.P. Mouton is an internationally known writer, educator, activist, and performer and the first Black poet laureate of Houston, Texas. She was formerly ranked the #2 Best Female Performance Poet in the World (PSI). Her recent poetry collection, Newsworthy, garnered her a Pushcart nomination, was named a finalist for the 2019 Writers’ League of Texas Book Award, and received an honorable mention for the Summerlee Book Prize. Its German translation, under the title Berichtenswert, was released in Summer 2021 by Elif Verlag. The opera Marian’s Song, for which she wrote the libretto, debuted in 2020. 

About Delita Martin

Delita Martin is an artist currently based in Huffman, Texas. She received a BFA in drawing from Texas Southern University and an MFA in printmaking from Purdue University. Formerly a member of the fine arts faculty at UA Little Rock in Arkansas, Martin currently works as a full-time artist in her studio, Black Box Press. Martin’s work has been exhibited both nationally and internationally. Most recently Martin’s work was included in the State of the Arts: Discovering American Art Now, an exhibition that included 101 artists from around the United States. Her work is in numerous portfolios and collections.