Redressing the woeful under-recognition of a pioneering Black queer architect and artist. This is an experimental illustrated reader exploring the work and legacy of American architect, educator and artist Amaza Lee Meredith (1895–1984), a trailblazer who was the first known Black queer woman to practice as an architect in the United States.
This book takes Meredith's expansive letter-writing practice as a conceptual framework for epistolary responses in the present, plotting Meredith's life and work within themes of placemaking, gender, sexuality and Black love, with a focus on how she built sanctuaries (homes, institutions and communities) for herself and other people of color to foster rigorous artistic pursuit, free of persecution.
The book features previously unpublished photos, blueprints, letters and scrapbooks from Meredith's archives and an annotated timeline of her life and work. Essays from architectural scholars and oral histories with former students, colleagues and friends explore her legacy in public education, the arts, modernist architecture and the built environment in the context of school desegregation, civil rights, and land and property rights. A diverse group of contemporary artists also respond to Meredith's legacy.

This book was published in conjunction with Institute for Contemporary Art at Virginia Commonwealth University.

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From "Assimilation" to "Decolonization," "Black Wall Street" to "Police Brutality," and "Colorism" to "White Supremacy," this book equips you with the language to engage in crucial conversations around anti-Black racism.

The Anti-Racist Vocab Guide is a boldly illustrated visual glossary that distills complex subjects into comprehensive yet accessible definitions of terms and provides concise and insightful explanations of historical moments. With reflection questions to use for introspection or as a starting point for hard conversations with those close to you, this book will encourage both your learning and unlearning—no matter where you are in your journey to understanding race in America.

THOROUGH AND APPROACHABLE: This book presents huge topics in easy-to-understand language that welcomes readers of every experience.

REFLECTION QUESTIONS: Each entry is followed by questions to encourage readers to continue their education and translate their new understanding into positive action in their daily lives.

BEYOND THE BUZZWORDS: This is an invaluable resource guide that breaks down and goes beyond common phrases to provide actionable awareness.

EVOCATIVE ART: Author Maya Ealey's striking art provides conceptual illustrations of each term explained in the book in her bold, passionate style.

Perfect for:

• Anyone interested in learning more about race in America
• People who want help understanding the complicated subject of racism
• Parents, teachers, and students
• Readers of instructive and informative best sellers such as How to Be an Antiracist, White Fragility, The 1619 Project, and Do the Work!: An Antiracist Activity Book

A critical collection of conversations with Toni Morrison, Alice Walker, Gayl Jones and other Black women writers that changed the scope of Black literature in the 20th century and beyond.

“Black women writers and critics are acting on the old adage that one must speak for oneself if one wishes to be heard.” —Claudia Tate, from the introduction

Long out of print, Black Women Writers at Work is a vital contribution to Black literature in the 20th century. 

Through candid interviews with Maya Angelou, Toni Cade Bambara, Gwendolyn Brooks, Alexis De Veaux, Nikki Giovanni, Kristin Hunter, Gayl Jones, Audre Lorde, Toni Morrison, Sonia Sanchez, Ntozake Shange, Alice Walker, Margaret Walker, and Sherley Anne Williams, the book highlights the practices and critical linkages between the work and lived experiences of Black women writers whose work laid the foundation for many who have come after.

Responding to questions about why and for whom they write, and how they perceive their responsibility to their work, to others, and to society, the featured playwrights, poets, novelists, and essayists provide a window into the connections between their lives and their art.

Finally available for a new generation, this classic work has an urgent message for readers and writers today.

A 2022 Los Angeles Times Book Prize Finalist in Science & Technology

An Indigenous environmental scientist breaks down why western conservationism isn't working--and offers Indigenous models informed by case studies, personal stories, and family histories that center the voices of Latin American women and land protectors.

Despite the undeniable fact that Indigenous communities are among the most affected by climate devastation, Indigenous science is nowhere to be found in mainstream environmental policy or discourse. And while holistic land, water, and forest management practices born from millennia of Indigenous knowledge systems have much to teach all of us, Indigenous science has long been ignored, otherized, or perceived as "soft"--the product of a systematic, centuries-long campaign of racism, colonialism, extractive capitalism, and delegitimization.

Here, Jessica Hernandez--Maya Ch'orti' and Zapotec environmental scientist and founder of environmental agency Piña Soul--introduces and contextualizes Indigenous environmental knowledge and proposes a vision of land stewardship that heals rather than displaces, that generates rather than destroys. She breaks down the failures of western-defined conservatism and shares alternatives, citing the restoration work of urban Indigenous people in Seattle; her family's fight against ecoterrorism in Latin America; and holistic land management approaches of Indigenous groups across the continent.

Through case studies, historical overviews, and stories that center the voices and lived experiences of Indigenous Latin American women and land protectors, Hernandez makes the case that if we're to recover the health of our planet--for everyone--we need to stop the eco-colonialism ravaging Indigenous lands and restore our relationship with Earth to one of harmony and respect.

An elegant biography of a prescient author whose novels portray Black women’s experiences across the African diaspora
 
Growing up in World War II–era Brooklyn among West Indian immigrants, Paule Marshall (1929–2019) was fiercely driven to become a writer, making art from the world she knew, the life she lived, and the world she imagined. Though her novels and stories are understood by scholars as the beginning of contemporary Black feminist literature―bridging Harlem Renaissance writers like Zora Neale Hurston to such writers as Toni Morrison, Alice Walker, and Maya Angelou―Marshall’s legacy is often overlooked. In this elegant literary biography, distinguished scholar of African American literature Mary Helen Washington draws on exclusive access to the writer’s papers, including her newly discovered unpublished memoir, and scores of interviews with family and friends to give us the first account of Marshall’s life as an artist and of the depth and brilliance of her work.
 
Beginning with her 1959 debut, Brown Girl, Brownstones, a coming-of-age story set among Barbadian immigrants and African Americans in Brooklyn, and moving through her later works set in the Caribbean, Africa, and the United States, Marshall’s novels chart the diasporic life that Marshall herself lived, defined by Black women’s experiences, an unapologetic and sometimes queer sexuality, and the history of the African diaspora. Despite the lush and finely observed inner lives of her heroines, however, Marshall was famous for tightly guarding her own privacy, and it is this enigma―Marshall’s deeply expressive writing versus her guarded public exterior―that Washington draws out. Here is the first look at a prescient, brilliantly talented writer, a complex and fascinating woman, whose fiction single-handedly stages a reverse middle passage that extends from the United States and the Caribbean to Africa.

A girl takes on a series of identities to survive, shrouding herself in layers of secrets, until years later when she is forced to reckon with her past.

On an ordinary day in an upscale Atlanta suburb, Maya is making breakfast for her two sons, when her husband drops a red-and-blue striped envelope on the counter and asks a devastating question: Who is Sunny?

Maya is sent reeling back to her childhood in Guyana―a time when Sunny was her only name. Unbeknownst to her husband, Maya is not who she claims to be. The letter, from her long-lost sister Roshi, now threatens to expose her true identity and shatter the seemingly perfect existence Maya worked so hard to build.

As she frantically weighs the impact of the truth on her future, Maya relives the details of her childhood journey to America from Guyana–and the traumatic events that forced her to leave her past behind. Through the eyes of Maya’s innocent and scared younger self, we discover the power of hope, empathy, and the possibility of beginning again.

In this charming, lyrical novel from Nicole D. Collier, twelve-year-old Maya turns to her trusty “Wheel of Fortunes” for guidance on the toughest questions—like why her best friend suddenly feels far away, or when her daddy will move back home. But can Maya find the courage to write her own fortune? Perfect for fans of Meg Medina and Renée Watson.

Maya J. Jenkins is bursting with questions:

• Will she get the MVP award at this year’s soccer banquet?
• Who will win the big Grill-Off between Daddy and Uncle J?
• When will she pass the swim test and get a green bracelet?

For answers and a dose of good luck, twelve-year-old Maya turns to her Wheel of Fortunes, a cardboard circle covered with the small slips of wisdom she’s collected from fortune cookies.

But can the fortunes answer her deep-down questions? The ones she’s too scared to ask out loud? Like, where did Mama’s smile go, the real one that lit up everything around her? When will Daddy move back home? And most of all, does she have enough courage to truly listen to the voice in her heart?

A collectible hardcover edition of the beloved novel about a New York City girlhood that heralded a renaissance in Black women’s literature, with a new foreword by Nicole Dennis-Benn, the bestselling author of Patsy and Here Comes the Sun

One of The New York Times Magazine’s 25 Most Significant New York City Novels from the Last 100 Years

A Penguin Vitae Edition

Selina Boyce comes of age in 1940s New York as the daughter of two immigrants from Barbados: a free-spirited father she adores and who dreams of returning to his Caribbean island home, and a disciplined, hardworking mother she admires and who is determined to purchase their Brooklyn brownstone. When her father comes into an unexpected inheritance, Selina is torn between his nostalgia for the past and her mother’s ambition for the future, all while negotiating racism, sexuality, Depression-era poverty, and the competing values of African Americans and her West Indian immigrant community.

First published in 1959, Brown Girl, Brownstones opened a window into the rich inner life of Black women and today ranks with A Tree Grows in Brooklyn as one of the great New York City novels. With her autobiographical debut, Paule Marshall paved the way for Toni Morrison, Alice Walker, Audre Lorde, June Jordan, and Maya Angelou—and took her place in the American literary canon.

Penguin Vitae—loosely translated as "Penguin of one's life"—is a deluxe hardcover series from Penguin Classics celebrating a dynamic and diverse landscape of classic fiction and nonfiction from seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.

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New York Times bestselling author of the National Book Award winner South to America Poet and journalist Shayla Lawson follows their National Book Critics Circle finalist This Is Major with these daring and exquisitely crafted essays, where Lawson journeys across the globe, finds beauty in tumultuous times, and powerfully disrupts the constraints of race, gender, and disability. In their new book, Shayla Lawson reveals how traveling can itself be a political act, when it can be a dangerous world to be Black, femme, nonbinary, and disabled. With their signature prose, at turns bold, muscular, and luminous, Shayla Lawson travels the world to explore deeper meanings held within love, time, and the self. Through encounters with a gorgeous gondolier in Venice, an ex-husband in the Netherlands, and a lost love on New Year’s Eve in Mexico City, Lawson’s travels bring unexpected wisdom about life in and out of love. They learn the strength of friendships and the dangers of beauty during a narrow escape in Egypt. They examine Blackness in post-dictatorship Zimbabwe, then take us on a secretive tour of Black freedom movements in Portugal. Through a deeply insightful journey, Lawson leads readers from a castle in France to a hula hoop competition in Jamaica to a traditional theater in Tokyo to a Prince concert in Minnesota and, finally, to finding liberation on a beach in Bermuda, exploring each location—and their deepest emotions—to the fullest. In the end, they discover how the trials of marriage, grief, and missed connections can lead to self-transformation and unimagined new freedoms.