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Celebrate James Baldwin’s one-hundredth birthday anniversary with the first-ever illustrated biography of this legendary writer, orator, activist, and intellectual.

Before he became a writer, James “Jimmy” Baldwin was a young boy from Harlem, New York, who loved stories. He found joy in the rhythm of music, family, and books.

But Jimmy also found the blues, as a Black man living in America.

When he discovered the written word, he discovered true power. Writing gave him a voice. And that voice opened the world to Jimmy. From the publication of the groundbreaking collection of essays The Fire Next Time to his passionate demonstrations during the civil rights movement, Jimmy used his voice fearlessly.

Michelle Meadows, author of Brave Ballerina and Flying High, introduces young readers to the great American novelist, essayist, poet, playwright, orator, and artist James Baldwin, who, with the fire of his pen, dared a nation to dream of a more equitable world filled with love. Brought to life with warm illustrations by Jamiel Law, Jimmy’s Rhythm & Blues chronicles the life of an incredible visionary who left an indelible mark on American literature and history.

Celebrate the release of Janae Sanders’ Second Time Around with LaQuette!

EVENT DEETS

When: Wednesday, January 14 @ 6:30 PM

Where: Virtual! Sign up and we'll send you the link to the Zoom. 

How: RSVP ONLY to get the link to the Zoom! RSVP WITH BOOK to get a copy of each of the authors' book and support the bookstore!

ABOUT THE BOOK

ABOUT THE AUTHOR

ABOUT THE CONVERSATION PARTNER

Nikki Payne is a Civic anthropologist From Houston, Texas building accessible government services for vulnerable populations, by night she dreams of ways to subvert Canon literature. Hailed as "incandescent" by the Washington Post, Nikki Payne's debut novel Pride and Protest was a Phenomenal Book Club pick And was selected by the Library of Congress to represent the District of Columbia for the National Book Festival. featured in the New York Times, NPR, Elle, Oprah Daily and BuzzFeed, Nikki Payne is writing black women into their happily ever after.

Celebrate the release of Watermelon & Red Bird Birds: A Cookbook for Juneteeth & Black Celebrations with James Beard Award nominated food writer and chef Nicole A. Taylor!

Event DEETS: 

When: Thursday, June 23 @ 7:00 PM CST

Where: Assembly HTX (2015 Berry Street, HTX 77004)

How: Space is limited. Tickets With Book includes all the necessary materials for cocktail class. Ticket Without Book is for the author talk and materials/supplies for cocktails. 

About the Book

On June 19, 1865, more than two years after President Abraham Lincoln signed the Emancipation Proclamation, Major General Gordon Granger arrived in Galveston and issued General Order Number 3, informing the people of Texas that all enslaved people were now free. A year later, in 1866, Black Texans congregated with music, dance, and BBQs—Juneteenth celebrations.

All-day cook-outs with artful salads, bounteous dessert spreads, and raised glasses of “red drink” are essential to Juneteenth gatherings. In Watermelon and Red Birds, Nicole puts jubilation on the main stage. As a master storyteller and cook, she bridges the traditional African-American table and 21st-century flavors in stories and recipes. Nicole synthesizes all the places we’ve been, all the people we have come from, all the people we have become, and all the culinary ideas we have embraced.

Watermelon and Red Birds contains over 75 recipes, including drinks like Afro Egg Cream and Marigold Gin Sour, dishes like Beef Ribs with Fermented Harissa Sauce, Peach Jam and Molasses Glazed Chicken Thighs, Southern-ish Potato Salad and Cantaloupe and Feta Salad, and desserts like Roasted Nectarine Sundae, and Radish and Ginger Pound Cake. Taylor also provides a resource to guide readers to BIPOC-owned hot sauces, jams, spice, and waffle mixes companies and lists fun gadgets to make your Juneteenth special. These recipes and essays will inspire parties to salute one of the most important American holidays, and moments to savor joy all year round

About the Author

Nicole A. Taylor (@foodculturist) is a James Beard Award-nominated food writer, master home cook, and producer.  She has written for the New York Times, Bon Appétit, and Food & Wine. Nicole is the author of The Up South Cookbook and The Last O.G. Cookbook. She is the executive producer of If We So Choose, a short documentary about the desegregation of an iconic southern fast food joint. Nicole is the co-founder of The Maroon, a marketplace and retreat house focused on radical rest for Black creatives. She lives in New York City and Athens, Georgia, with her husband and son.

About the Moderator

Chef Vicky V (@thequeenofyum) is a United States-based, Houston native Chef Consultant/FoodStylist/Influencer/Media Producer/ & Black Restaurant Liaison. Chef Vicky V is the powerhouse for food media and championing people to expand their palates while living life beyond the stereotypes! Chef Vicky V garnered professional training in Philadelphia at JNA Institute of Culinary Art. After moving back to Houston she has successfully navigated as a food media personality. She has recently centered in on the Food & Travel/ and Unique brand forward recipe development.

Chef Vicky V has rebranded herself as the Queen of Yum in 2020 with a powerful engine of followers she calls the “yumcrumb” behind her! She has
worked with many Regional and National brands to create delicious, colorful, beautifully aesthetic food media with engagement reaching in the multiple of millions.

"The power of George Jackson's personal story remains painfully relevant to our nation today, with its persistent racism, its hellish prisons, its unjust judicial system, and the poles of wealth and poverty that are at the root of all that. I hope the younger generation, black and white, will read Soledad Brother."  —Howard Zinn, author, A People's History of the United States

A collection of Jackson's letters from prison, Soledad Brother is an outspoken condemnation of the racism of white America and a powerful appraisal of the prison system that failed to break his spirit but eventually took his life.
Jackson's letters make palpable the intense feelings of anger and rebellion that filled black men in America's prisons in the 1960s. But even removed from the social and political firestorms of the 1960s, Jackson's story still resonates for its portrait of a man taking a stand even while locked down.

Black Internationalist Feminism examines how African American women writers affiliated themselves with the post-World War II Black Communist Left and developed a distinct strand of feminism. This vital yet largely overlooked feminist tradition built upon and critically retheorized the postwar Left's "nationalist internationalism," which connected the liberation of Blacks in the United States to the liberation of Third World nations and the worldwide proletariat. Black internationalist feminism critiques racist, heteronormative, and masculinist articulations of nationalism while maintaining the importance of national liberation movements for achieving Black women's social, political, and economic rights.

Cheryl Higashida shows how Claudia Jones, Lorraine Hansberry, Alice Childress, Rosa Guy, Audre Lorde, and Maya Angelou worked within and against established literary forms to demonstrate that nationalist internationalism was linked to struggles against heterosexism and patriarchy. Exploring a diverse range of plays, novels, essays, poetry, and reportage, Higashida illustrates how literature is a crucial lens for studying Black internationalist feminism because these authors were at the forefront of bringing the perspectives and problems of black women to light against their marginalization and silencing.

In examining writing by Black Left women from 1945–1995, Black Internationalist Feminism contributes to recent efforts to rehistoricize the Old Left, Civil Rights, Black Power, and second-wave Black women's movements.

The first cookbook from the cult-status Asian grocery store chain is a visual celebration with Korean recipes, ingredient spotlights, cultural deep dives, how-tos, and more.

When the first H Mart opened in 1982, it was just a humble grocery store in Queens, carrying the most basic of Korean ingredients. In the 43 years since then, the tiny shop has grown into America’s largest Asian supermarket chain. And for the nearly 20 million Asian Americans living across the country, H Mart has become more than a simple grocery store. It’s a place of community, a joyous connection to their culture and heritage. Cooking with H Mart is here to bring that joy home. This gorgeous, oversized cookbook and guidebook contains everything a person could ever want to know about H Mart: From its history and profiles to ingredient spotlights and how-tos.

The highlight of the book is the 75 home-cook friendly recipes that make the most of H Mart’s ingredients. There are classic Korean dishes, like Spicy Cucumber Salad (Oi Muchim), Braised Beef Short Ribs (Galbi Jjim), and Stir-Fried Sweet Potato Noodles (Japchae) as well as unique twists using contemporary flavors. Pizza-Stuffed Fish-Shaped Waffles (Pizza Bunggeobbang) rethinks a popular Korean street food by swapping out the traditional red bean paste with pizza toppings. And Cheesy Kimchi Fried Rice (Cheese Buldak Kimchi Bokkeumbap) combines hot sauce, spicy kimchi, and mozzarella to make a truly addictive comfort meal.

Overflowing with brilliantly colored photography and illustrations, charts, and infographics, Cooking with H Mart will help any reader make the most of their next grocery run.

Recently, Black women have taken the world stage in national politics, popular culture, professional sports, and bringing attention to racial injustice in policing and the judicial system. However, rarely are Black women acknowledged and highlighted for their efforts to understand the social problems confronting our generation and those generations that came before us. In the post-civil rights era, research faculty and theoreticians must acknowledge the marginalization of Black women scholars’ voices in contemporary qualitative scholarship and debates.

Black Feminism in Qualitative Inquiry: A Mosaic for Writing our Daughter's Body engages qualitative inquiry to center the issues and concerns of Black women as researcher(s) and the researched while simultaneously questioning the ostensible innocence of qualitative inquiry, including methods of data collection, processes of data analysis, and representations of human experiences and identities. The text centers "daughtering" as the onto-epistemological tool for approaches to Black feminist and critical race data analysis in qualitative inquiry.

Advanced and novice researchers interested in decolonizing methodologies and liberatory tools of analysis will find the text useful for cultural, education, political, and racial critiques that center the intersectional identities and interpretations of Black women and girls and other people of color. Daughtering as a tool of analysis in Black feminist qualitative inquiry is our own cultural and spiritual way of being, doing, and performing decolonizing work.

This fascinating book provides the first assessment of the artists who have shaped the rich history of art in Texas, from its 19th-century origins to the diversity of the present scene. Published to accompany an exhibition of selected works from the Museum of Fine Arts, Houston, this lavishly illustrated volume reveals the complexity of America's most fabled state as seen through the eyes of its leading artists.

The artists highlighted here include figures of national prominence like Robert Wilson; emerging artists such as Helen Altman and Jesse Amado; and artists who have made a significant impact on the evolution of American art, from the Texas-born Robert Rauschenberg to artists who have worked in Texas for extended periods like Rackstraw Downes and Donald Judd. Exploring and exploding the cliches that have defined the Lone Star state and its art, this is an important contribution both to regional history and contemporary art.

It Tells My Story is a gorgeously illustrated art book showcasing thirty-four quilts from the Yvonne Wells Collection at the International Quilt Museum at the University of Nebraska–Lincoln. Yvonne Wells is an acclaimed artist from Tuscaloosa, Alabama, whose narrative quilts are immediately recognizable. Using bright colors and bold designs, Wells’s quilts include references to biblical stories, the Civil Rights Movement, and moments from her life. Among the more than ten thousand objects in the International Quilt Museum permanent collection, Wells is the most represented artist.

Essays by quilt historians Teresa Duryea Wong, Carolyn Ducey, Kyra E. Hicks, and Sharbreon Plummer discuss Wells and her place in the art world. It Tells My Story highlights Wells’s most beloved quilt series, The Seven Deadly Sins, which Wells describes in her own words. The vibrancy and vitality of Wells’s creations are featured throughout the book, including the backs of many of Wells’s quilts, which have never been published before, bringing to life the extraordinary work of this renowned quilter.

Beyond simplistic binaries of “the dark continent” or “Africa Rising,” Africans at home and abroad articulate their identities through their quotidian practices and cultural politics. Amongst the privileged classes, these articulations can be characterized as Afropolitan projects — cultural, political, and aesthetic expressions of global belonging rooted in African ideals. This ethnographic study examines the Afropolitan projects of Ghanaians living in two cosmopolitan cities: Houston, Texas, and Accra, Ghana. Anima Adjepong’s focus shifts between the cities, exploring contests around national and pan-African cultural politics, race, class, sexuality, and religion. Focusing particularly on queer sexuality, Adjepong offers unique insight into the contemporary sexual politics of the Afropolitan class. The book expands and complicates existing research by providing an in-depth transnational case study that not only addresses questions of cosmopolitanism, class, and racial identity but also considers how gender and sexuality inform the racialized identities of Africans in the United States and in Ghana. Bringing an understudied cohort of class-privileged Africans to the forefront, Adjepong offers a more fully realized understanding of the diversity of African lives.

In the early years of the Cold War, the United States mounted expansive public diplomacy programs in the Global South, including initiatives with the recently partitioned states of India and Pakistan. U.S. operations in these two countries became the second- and fourth-largest in the world, creating migration links that resulted in the emergence of American universities, such as the University of Houston, as immigration hubs for the highly selective, student-led South Asian migration stream starting in the 1950s. By the late twentieth century, Houston's South Asian community had become one of the most prosperous in the metropolitan area and one of the largest in the country. Mining archives and using new oral histories, Uzma Quraishi traces this pioneering community from its midcentury roots to the early twenty-first century, arguing that South Asian immigrants appealed to class conformity and endorsed the model minority myth to navigate the complexities of a shifting Sunbelt South