Deciphers the history of “Black capitalist” rhetoric— and how it serves to enrich a minuscule few at the expense of the many

In his 1970 book The Myth of Black Capitalism, Earl Ofari Hutchinson laid out a rigorous challenge to the presumption that capitalism, in any shape or form, has the potential to rectify the stark injustices endured by Black people in America. Ofari engaged in a diligent historical review of the participation of African Americans in commercial activity in this capitalist country, demonstrating conclusively that the creation of a class of Black capitalists failed to ameliorate the extreme inequity faced by African Americans. Even “Buy Black” campaigns which aimed to “keep resources in the community,” he showed, reinforced a Black bourgeoisie which often enough exploited the Black underclass to increase their own wealth. Whether Black capitalists dared to go up against, or merely tried to find their place amongst, giant monopoly corporations, Ofari argued they would make little substantive progress in the lives of Black people. And whether calls for “Black capitalism” came from within the Black Power movement for Black economic autonomy, or were appropriated by the old-line Black elite, in the end the promotion of the myth of “Black capitalism” was a project of the Black elite which solely served the interests of the capitalist managerial class.

It was Richard Nixon who first introduced the notion of “Black capitalism” into mainstream American discourse, coopting the term at a time when African Americans comprised only 3% of the nation’s employers. That number dwindled thereafter, and yet the term only gained cachet following the election of Barack Obama and the increased visibility of the Black elite. Thankfully, just as the rhetoric of ‘Black capitalism” is being resuscitated, it is being confronted once more. In this second edition of Earl Ofari’s pathbreaking book, a Monthly Review Press classic, the author adds a new Introduction, which shows both the enduring strength of the ideology of Black capitalism and its continued inability to change the nature of what has always been a racialized system of production and distribution. Ofari reveals “Black capitalism" for what it really is: a diversion from the struggle for liberation that works at cross purposes with the fight against exploitation, and a fantasy which enriches a minuscule few at the expense of the many. The Myth of Black Capitalism argues definitively that only a direct assault on the oppression of Black people and the capitalist system itself can bring this exploitation to an end.

Historian and civil rights activist proves how progressive movements can flourish even in conservative times.

Despair and mourning after the election of an antagonistic or polarizing president, such as Donald Trump, is part of the push-pull of American politics. But in this incisive book, historian Mary Frances Berry shows that resistance to presidential administrations has led to positive change and the defeat of outrageous proposals, even in challenging times. Noting that all presidents, including ones considered progressive, sometimes require massive organization to affect policy decisions, Berry cites Indigenous peoples’ protests against the Dakota pipeline during Barack Obama’s administration as a modern example of successful resistance built on earlier actions.

Beginning with Franklin D. Roosevelt, Berry discusses that president’s refusal to prevent race discrimination in the defense industry during World War II and the subsequent March on Washington movement. She analyzes Lyndon Johnson, the war in Vietnam, and the antiwar movement and then examines Ronald Reagan’s two terms, which offer stories of opposition to reactionary policies, such as ignoring the AIDS crisis and retreating on racial progress, to show how resistance can succeed.

The prochoice protests during the George H. W. Bush administration and the opposition to Bill Clinton’s “Don’t Ask, Don’t Tell” policy, as well as his budget cuts and welfare reform, are also discussed, as are protests against the war in Iraq and the Patriot Act during George W. Bush’s presidency. Throughout these varied examples, Berry underscores that even when resistance doesn’t achieve all the goals of a particular movement, it often plants a seed that comes to fruition later.

Berry also shares experiences from her six decades as an activist in various movements, including protesting the Vietnam War and advocating for the Free South Africa and civil rights movements, which provides an additional layer of insight from someone who was there. And as a result of having served in five presidential administrations, Berry brings an insider’s knowledge of government.

History Teaches Us to Resist is an essential book for our times which attests to the power of resistance. It proves to us through myriad historical examples that protest is an essential ingredient of politics, and that progressive movements can and will flourish, even in perilous times.

THE INVISIBLES: Slavery Inside The White House and How It Helped Shape America is the first book to tell the story of the executive mansion’s most unexpected residents, the African American slaves who lived with the U.S. presidents who owned them. Interest in African Americans and the White House are at an all-time high due to the historic presidency of Barack Obama, and the soon-to-be-opened Smithsonian National Museum of African American Culture and History.

The Invisibles chronicles the African American presence inside the White House from its beginnings in 1782 until 1862, when President Abraham Lincoln issued the Emancipation Proclamation that granted slaves their freedom. During these years, slaves were the only African Americans to whom the most powerful men in the United States were exposed on a daily, and familiar, basis.

By reading about these relationships, readers will better understand some of the views that various presidents held about class and race in American society, and how these slaves contributed not only to the life and comforts of the presidents they served, but to America as a whole.

*Ships in 7-10 Business Days*

A promise could betray you.

It’s 2008, and the inauguration of President Barack Obama ushers in a new kind of hope. In Chicago, Ruth Tuttle, an Ivy-League educated Black engineer, is married to a kind and successful man. He’s eager to start a family, but Ruth is uncertain. She has never gotten over the baby she gave birth to—and was forced to leave behind—when she was a teenager. She had promised her family she’d never look back, but Ruth knows that to move forward, she must make peace with the past.

Returning home, Ruth discovers the Indiana factory town of her youth is plagued by unemployment, racism, and despair. As she begins digging into the past, she unexpectedly befriends Midnight, a young white boy who is also adrift and looking for connection. Just as Ruth is about to uncover a burning secret her family desperately wants to keep hidden, a traumatic incident strains the town’s already searing racial tensions, sending Ruth and Midnight on a collision course that could upend both their lives.

Powerful and revealing, The Kindest Lie captures the heartbreaking divide between Black and white communities and offers both an unflinching view of motherhood in contemporary America and the never-ending quest to achieve the American Dream.

*ships in 7 - 10 business days*

Put Y’all Back in Chains outlines how the policies of President Joe Biden harm Black communities and limit opportunities for their success.

“Whether you agree or disagree, Horace Cooper’s latest book tackles the question of how Joe Biden’s policies affect Americans, especially those in minority and underserved communities. His research shows that the injuries are calamitous. Instead of a rising tide lifting all boats, the Biden policies are having a reverse effect, one that devastates bank accounts, crushes entrepreneurship, and steals the promise of the American Dream.

Horace painstakingly combs through the harsh results of these efforts, especially on lower income and working class people, who are hit hardest by the woke-policies of Joe Biden. If you want to see the real story the media isn’t telling, this book is a must read!”

–Sean Hannity, Fox News Host

A thorough examination of the ways that the policies of President Joe Biden are antithetical to the aspirations and dreams of Blacks, Put Y’all Back in Chains uncovers the reasons that the policies of the Biden Administration hurt Black communities in particular. And this is no accident.

Progressive policymakers relished Biden’s COVID-19 pandemic restrictions, his experiments with higher unemployment benefits and related regulatory programs, and especially his push for the green agenda. Consequently, working-class people, especially Black men, were hardest hit when it comes to finding employment as well as maintaining their financial lifestyle. Tragically, the Biden Agenda hurt the entire Black community, affecting educational attainment, wealth creation, and homeownership.

These dramatic downward changes were particularly hard to absorb for Black households, especially those that made tremendous gains during the Trump Administration.

It is increasingly clear that President Joe Biden’s priorities place Blacks at the back of the political bus. 

In this thoroughly researched book, Horace Cooper outlines how the minority group most likely to support Biden—Blacks—are systematically impaired by this White House and why the Black community needs to turn away from the Biden Administration and toward a brighter future.

La obra maestra de la premio Nobel de Literatura Toni Morrison, «la mejor novela norteamericana de los últimos cincuenta años» según The New York Times, ganadora del Premio Pulitzer y del American Book Award

«No puedo imaginar la literatura norteamericana sin esta novela.»
John Leonard, Los Angeles Times

Para escribir esta magnífica historia, merecedora del Premio Pulitzer, Toni Morrison se inspiró en la vida real de una esclava afroamericana, Margaret Garner, que en 1856 escapó de una plantación en Kentucky y consiguió llegar al estado libre de Ohio. A punto de ser recapturada, Margaret tomó la trágica decisión de sacrificar a su hija para salvarla de una vida en cautiverio.

En estas páginas, Sethe es la esclava prófuga que vendió su cuerpo para grabar el nombre de su hija muerta en la lápida: diez minutos por «Beloved», veinte por «Querida Beloved». Muchos años después, Sethe vive en Ohio con Denver, su hija adolescente, y Paul D., un viejo amigo que también fue esclavo. Todos intentan prosperar y olvidar el pasado, hasta que un día aparece una joven que dice llamarse Beloved. Tiene la edad que tendría su hija si viviese y sabe ciertas cosas que sugieren que podría serlo.

Beloved se convirtió de inmediato en un clásico cuando se publicó en 1987. El crítico John Leonard escribió en Los Angeles Times: «No concibo la literatura norteamericana sin esta novela». Casi dos décadas después, The New York Times la eligió como la mejor novela norteamericana de los últimos cincuenta años.

Reseñas:
«Uno de los libros por lo que vale la pena volver a la biblioteca (aunque sea virtual). Obra esencial de la Premio Nobel de Literatura.»
Begoña Alonso, Elle

«Imbricando un realismo desabrido con una poderosa imaginación fantástica, [...] Beloved se convirtió de inmediato en un clásico».
Zenda

«Toni Morrison fue un gigante de su época y de la nuestra. Todo el mundo debería

leer Beloved.»
Margaret Atwood, The New York Times

«Beloved es la gran novela norteamericana no escrita del siglo XIX, trata de cosas sobre las que jamás se escribió y que laten sin embargo en el fondo de novelas sí escritas, por Melville, por Poe.»
A. S. Byatt

«Una maravillosa artesana a la que la gente tiende a pasar por alto. Es tan genial e innovadora como Faulkner, García Márquez y Woolf.»
The New York Times

«La mejor obra de Toni Morrison. [...] Muestra su prodigioso talento.»
Chicago Sun-Times

«Si hay una novela con la que empezar a leer a Toni Morrison, es Beloved. [...] Morrison es un tesoro norteamericano.»
Biblioteca Pública de Nueva York

«He terminado una segunda vuelta de Beloved, la misteriosa y tan fascinante novela de Toni Morrison, donde el mundo de los esclavos negros se vuelve un asunto íntimo y a la vez mágico. [...] Y las protagonistas son las mujeres, que todo lo desafían, y son ellas mismas la libertad.»
Sergio Ramírez, Babelia

«Su obra es un bello y significativo desafío a nuestras conciencias y nuestra imaginación moral.»
Barack Obama

«Beloved te hace sentir que todo lo que has escrito es aburrido y sin vida. El nivel de destreza, la perfección y la belleza de las oraciones, el alcance de la imaginación, el orden del lenguaje en torno al dolor indescriptible. Es buenísimo. Además, es nuestra historia de terror más estadounidense. [...] Sé que Morrison no escribía para mí, pero moldeó mi escritura y le estoy eternamente agradecida.»
Carmen María Machado

*Ships/ready for pick-up in 7-10 business days*

Emmy Award winner, renowned lawyer and journalist, and The View cohost Sunny Hostin makes her literary debut with this dazzling novel about a life-changing summer along the beaches of Martha's Vineyard.

Welcome to Oak Bluffs, the most exclusive black beach community in the country. Known for its gingerbread Victorian-style houses and modern architectural marvels, this picturesque town hugging the sea is a mecca for the crème de la crème of black society—where Michelle and Barack Obama vacation and Meghan Markle has shopped for a house for her mom. Black people have lived in this pretty slip of the Vineyard since the 1600s and began buying property in the 1800s, making this posh town the embodiment of “old money.”

Every summer, Esperenza “Perry” Soto, a beautiful and talented Afro-Latina lawyer, escapes the fetid heat of New York City for the gorgeous weather, cool water, and stunning views Oak Bluffs offers. Sharing a cottage on the beach, owned by her “Ama”, with her husband and two god sisters, Perry is looking forward to trading meetings and clients for days of languor and fun.

When Memorial Day arrives and the season begins, some of the nation’s wealthiest, most powerful, and famous from the worlds of politics, art, and entertainment meet to swim, dance, party, and chill. While a few can’t leave work behind, others indulge in a different kind of business affair.

But this summer on the Bluffs is different. Ama is moving to the south of France to reunite with her college sweetheart. She is going to give the house to one of her goddaughters and she has invited all three of them to spend the summer with her the way they did when they were kids. Each of the women want the house desperately. Each is grappling with a secret that they fear will make them lose Ama’s approval and the house. . . .

Registration is closed via our website, but please register directly via Crowdcast

ORDER South to America here for an exclusive signed copy!

We all think we know the South. Even those who have never lived there can rattle off a list of signifiers: the Civil War, Gone with the Wind, the Ku Klux Klan, plantations, football, Jim Crow, slavery. But the idiosyncrasies, dispositions, and habits of the region are stranger and more complex than much of the country tends to acknowledge. In SOUTH TO AMERICA: A Journey Below the Mason-Dixon to Understand the Soul of a Nation, one of our most important thinkers and critics, acclaimed author Imani Perry tackles her most ambitious project yet, moving across the color line to grapple with the mix of intimacy and racial violence in Southern and American history, showing that what it means to be American is inextricably linked with the South.  

Imani Perry will be in conversation with Dr. Melanye Price of Prairie View University

Event Details

When: Tuesday, February 1 @ 6:30 PM CST

Where: Virtual via Crowdcast

How:  Register here or on Crowdcast.  Although the event is free, we encourage you to support our store and future programming by purchasing the book here.

About the Author: 

Imani Perry is the Hughes-Rogers Professor of African American Studies at Princeton University where she also teaches in Gender and Sexuality Studies, Law and Public Affairs and Jazz Studies. She has a J.D. from Harvard Law School and a Ph.D in the history of American civilization from Harvard University. Perry is the author of Looking for Lorraine: The Radiant and Radical Life of Lorraine Hansberry, winner of the Bograd-Weld Biography Prize of 2019 from the Pen America Foundation. She is also the author of Breathe: A Letter to My Sons, Vexy Thing: On Gender and Liberation, and May We Forever Stand: A History of the Black National Anthem, which was a finalist for the NAACP Image Award for Outstanding Literary Nonfiction. Perry, a native of Birmingham, Alabama, who grew up in Cambridge, Massachusetts, and Chicago, lives outside of Philadelphia with her two sons.

About the Moderator:

Dr. Melanye Price is Endowed Professor of Political Science at Prairie View A&M University and principle investigator for their African American Studies Initiative, which is funded by grants and gifts from the Mellon Foundation. Her research/teaching interests include black politics, public opinion, political rhetoric, and social movements. Her most recent book, The Race Whisperer: Barack Obama and the Political Uses of Race (NYU, 2016) examines the multiple and strategic ways that President Obama uses race to deflect negative racial attitudes and engage with a large cross-section of voters. Her first book, Dreaming Blackness: Black Nationalism and African American Public Opinion (NYU, 2009) examined contemporary support for Black Nationalism. Her new project is called “Mountaintop Removal: Martin Luther King, Trump and the Racial Mountain,” which uses MLK’s “Mountaintop Speech” as a lens for understanding the rise of Trump and the 2016 election.

*please note Ryan Dennis and Assata Richards will no longer be moderating. 

Celebrate the first monograph dedicated to Rick Lowe's art practice! 

EVENT DEETS

When: Wednesday, May 22 at 7PM

Where: The Eldorado Ballroom (2310 Elgin Street, HTX, 77004)

How: RSVP ONLY to save your seat. RSVP WITH BOOK to get a copy of Rick Lowe's book. Limited books will be available onsite.

ABOUT THE BOOK

 
Houston-based artist Rick Lowe is widely known for his pioneering contributions to the development of “social practice art,” work that landed him a MacArthur fellowship in 2014. What few people realize is that he was originally trained as a landscape painter. In recent years, Lowe has increasingly turned back to painting, producing complex multi-panel and quasi-abstract images that are deeply rooted in thirty years of work creating “social sculptures,” recalling the urban fabric of cities around the world that have formed the backdrop of many of his community-based art projects. This book, which brilliantly reproduces Lowe’s paintings, is the first dedicated to the work of this important American artist, focusing on his painterly practice and its origins in his work in the public sphere.

ABOUT THE ARTIST

Rick Lowe was born in 1961 in rural Russell County, Alabama, and lives and works in Houston. 

Collections include the Brooklyn Museum, New York; Whitney Museum of American Art, New York; Institute of Contemporary Art, Miami; High Museum of Art, Atlanta; Nerman Museum of Contemporary Art, Overland Park, KS; Menil Collection, Houston; Museum of Fine Arts, Houston; and the UBS Art Collection. Solo exhibitions include Art League Houston (2020–21). He also participated in Documenta 14, Athens (2017). 

Among Lowe’s numerous community art projects are Project Row Houses, Houston (1993–2018); Watts House Project, Los Angeles (1996–2012); Borough Project (with Suzanne Lacy and Mary Jane Jacob), Charleston, SC (2003); Small Business/Big Change, Anyang Public Art Program, Korea (2010); Trans.lation, Dallas (2013); Victoria Square Project, Athens (2017–18); Greenwood Art Project, Tulsa, OK (2018–21); and Black Wall Street Journey, Chicago (2021–). 

In 2013 President Barack Obama appointed Lowe to the National Council on the Arts, and in 2014 he was named a Mac Arthur Fellow. Lowe was a Visiting Fellow at the Neubauer Collegium for Culture and Society from 2019-2021. He is currently a professor of interdisciplinary practice at the University of Houston.

ABOUT THE CONVERSATION PARTNERS

Ryan N. Dennis is Senior Curator and Director of Public Initiatives at Contemporary Arts Museum Houston (CAMH). Her recent projects include Leonardo Drew’s City in the Garden (2020), Betye Saar: Call & Response (2021), Dusti Bonge: Piercing the Inner Wall (2021), and organizing CAPE Artist-in-Resident Shani Peter’s Collective Care for Black Mothers and Caretakers with the local Jackson community. She is the co-curator of the critically acclaimed exhibition, A Movement in Every Direction: Legacies of the Great Migration. Prior to joining the MMA, she served as the Cura­tor and Programs Director at Project Row Houses (PRH) in Houston, where she worked with over 100 BIPOC artists to exhibit their work in the shot-gun houses, she led the creation of the 2:2:2 Exchange Residency Program with the Hyde Park Art Center in Chi­cago and established Project/Site, a temporary, site-specific, commission-based public art program. In 2017, she launched the PRH Fellowship with the Center for Art and Social Engagement at the University of Houston’s Kathrine G. McGovern College of the Arts. Dennis earned her master’s degree in Arts and Cultural Management from Pratt Institute with a focus in Curatorial Practice. Her writings have appeared in online and print catalogs, journals and publications nationally and internationally. She has been a visiting lecturer and critic at a number of art schools and institutions and has taught courses on community-based practices and contemporary art at the University of Houston. Most recently she was the co-curator of the 2021 Texas Biennial titled A New Landscape, A Possible Horizon (2021) and the guest art editor for Gulf Coast: A Journal of Literature and Fine Arts.

Assata Richards is a native of Houston, Texas and received much of her education in East Texas in the community known as “County Line”. After completing her Bachelor’s Degree from the University of Houston, she earned a Master’s and PhD from Pennsylvania State University in Sociology with a concentration on political and community participation, research methods and mass incarceration. After serving as a faculty member at University of Pittsburgh, Assata returned to her community of Third Ward in Houston, Texas, where she is living and working with Project Row Houses and serving as an Adjunct Professor at the University of Houston. As a scholar and community organizer, she is fulfilling her lifelong commitment to social change and justice. Assata also serves as the Vice Chair of the Board of Commissioners for Houston Housing Authority, as a appointee of Mayor Annise Parker.

The paperback of How to Say Babylon is here and we're celebrating the power of Saifya Sinclair's memoir! 

EVENT DEETS

When: Sunday, July 28 @ 3PM CST

Where: Project Row Houses (2521 Holman Street, HTX, 77004)

How: RSVP ONLY to reserve you seat or RSVP WITH BOOK to support the author and our programming

ABOUT THE BOOK

ABOUT THE AUTHOR

SAFIYA SINCLAIR was born and raised in Montego Bay, Jamaica. She is the author of the memoir How to Say Babylon, winner of the National Book Critics Circle Award in Autobiography, a finalist the Kirkus Prize, and longlisted for the Women’s Prize in Non-Fiction and the OCM Bocas Prize for Caribbean Literature. How to Say Babylon was named one of the 100 Notable Books of the year by the New York Times, a Top 10 Book of 2023 by the Washington Post, one of The Atlantic’s 10 Best Books of 2023, a TIME Magazine Top 10 Nonfiction Book of 2023, a Read with Jenna/TODAY Show Book Club pick, and one of Barack Obama’s Favorite Books of 2023. How to Say Babylon was also named a Best Book of the Year by The New Yorker, NPR, The Guardian, the Los Angeles Times, Vulture, Harper’s Bazaar, and Barnes & Noble, among others, and was an ALA Notable Book of the Year. The audiobook of How to Say Babylon was named a Best Audiobook of the Year by Audible and AudioFile magazine.

She is also the author of the poetry collection Cannibal, winner of a Whiting Award, the American Academy of Arts and Letters’ Metcalf Award, the OCM Bocas Prize for Caribbean Poetry, the Phillis Wheatley Book Award, and the Prairie Schooner Book Prize in Poetry. Cannibal was selected as one of the American Library Association’s Notable Books of the Year, and was a finalist for the PEN Center USA Literary Award and the Seamus Heaney First Book Award in the UK, and was longlisted for the PEN Open Book Award and the Dylan Thomas Prize. 

Sinclair’s other honours include a Pushcart Prize, fellowships from the Poetry Foundation, Civitella Ranieri Foundation, the Elizabeth George Foundation, MacDowell, Yaddo, the Bread Loaf Writers’ Conference, and the Fine Arts Work Center in Provincetown. Her work has appeared in The New Yorker, Time Magazine, Harper’s Bazaar, Granta, The Nation, and elsewhere. She is currently an Associate Professor of Creative Writing at Arizona State University.

CONVERSATION PARTNER

francine j. harris’ third collection, Here is the Sweet Hand, won the National Book Critics Circle Award, and was a finalist for the Kingsley Tufts Award. Originally from Detroit, she has received fellowships from the National Endowment for the Arts, the MacDowell Colony, and the Cullman Center for Scholars and Writers at the New York Public Library. She is Professor of English at the University of Houston and serves as Consulting Faculty Editor at Gulf Coast. 

Celebrate the release of Black Freedom: A Visual History of Juneteenth and Emancipation Days with Blair LM Kelley!

EVENT DEETS

When: Thursday, June 18 @ 7PM

Where: Kindred Stories (2310 Elgin St. Houston, TX 77004)

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and our store programming

*Please note outside copies of the book will not be allowed in the bookstore and you will not be eligible for the signing/photo line. You must buy a book from Kindred Stories.

ABOUT THE BOOK

The first fully illustrated history of Juneteenth and other Emancipation Day celebrations, told through photographs, art, and an engrossing narrative from an award-winning historian.  
 
For more than 150 years, Black communities have gathered to honor freedom, resilience, and the ongoing struggle for true liberation. While Juneteenth has recently gained wider recognition, it was one of many Emancipation Day traditions celebrated across the United States. These observances were spaces of joy, remembrance, and resistance—even as the fight for full freedom was unfinished. This volume brings together stirring essays and striking images from Juneteenth and beyond, offering a sweeping portrait of how Black people have created and sustained rituals of remembrance, a testament to the generations who, through celebration and storytelling, demanded that their contributions to the making of America be fully recognized.

ABOUT THE AUTHOR

Blair LM Kelley is an award-winning author, historian, and scholar of the African American experience. She is also the president and director of the National Humanities Center, the only independent center for advanced study in the world dedicated exclusively to the humanities. Kelley is the author of Right to Ride: Streetcar Boycotts and African American Citizenship (2010) which was awarded the Letitia Woods Brown Memorial Book Prize and Black Folk: The Roots of the Black Working Class (2023), which received the 2024 Brooklyn Library Book Award, the 2024 Robert F. Kennedy Human Rights Book Award, the 2024 Philip Taft Labor History Prize, and was a finalist for the Los Angeles Times Book Award in History. Her latest book, Black Freedom: A Visual History of Juneteenth and Emancipation Days, will be published June 2, 2026.

ABOUT THE CONVERSATION PARTNER

Melanye Price is the inaugural Director of The Ruth J. Simmons Center for Race and Justice at Prairie View A&M University. Dr. Price is an Endowed Professor of Political Science and served as the Principal Investigator for the African American Studies Initiative and the HBCU Student Voting Rights Lab. She has secured grants for the Simmons Center and her own research from various foundations including Mellon, Ford, LUMINA, and others. Price is the author of two books: The Race Whisperer: Barack Obama and the Political Uses of Race (NYU, 2016) and Dreaming Blackness:  Black Nationalism and African American Public Opinion (NYU, 2009). She is currently working on her third book project on the five decade history of voting rights activism at Prairie View.  She also served as a Special Assistant to Ruth J. Simmons in her last year as President of Prairie View.

Dr. Price completed her B.A. magna cum laude in geography at Prairie View A&M University and her MA and PhD in political science at The Ohio State University. Dr. Price was recently named the 2024 Anschutz Distinguished Fellow in the Effron Center for the Study of America at Princeton University. Price has been a Black History Month lecturer for the US Embassy in Germany where she lectured at universities and community organizations across the country. Professor Price was one of the contributors to Stanley Nelson’s documentary, Obama: Through the Fire, which aired on BET. She has been a regular contributor for The New York Times Opinion section and also done political commentary for various local and national outlets.  Dr. Price has also served as a consultant and commenter for the audio tour of two major exhibits at the Museum Fine Arts Houston—Philip Guston Now and Kehinde Wiley’s Archaeology of Silence. 
In her free time, Melanye is an avid watcher of television, supporter of all things Black and Houston, and intrepid gardener!