Don't miss out on the stunning DELUXE LIMITED EDITION while supplies last. This breathtaking collectible is only available on a limited first print run in the U.S. and Canada, a must-have for any book lover.

Dungeons & Dragons meets The Wizard of Oz in this darkly hilarious romantasy adventure in which a young woman who will do anything to rescue her sister from an evil sorcerer's curse hires a ruthless assassin. They embark on a quest with a band of misfits, one of whom harbors a devastating secret that could ruin her fairy-tale ending.

An innovative work that explores the relationship between the Black church, the Hammond organ, and the musicians that bring it to life.

The Hammond organ has long distinguished the Black church. Masters of the instrument, often Blackqueer men, invented and advanced gospel music, pioneered new modes of worship, and helped define Black life in the twentieth century. But when AIDS crisis struck, churches vociferously rejected all forms of queerness, even as musicians grew ill and hushed rumors spread. Drawing on years of experience as a preacher, choir director, and organist, award-winning visual artist and scholar Ashon Crawley combines personal history and cultural analysis to tell an urgent story about how AIDS fundamentally changed gospel music and the sound of the church. Profiling foundational figures in the church and Black life, such as Zora Neale Hurston and Rev. Clarence Cobbs of Chicago’s First Church of Deliverance, as well as the inventor of the organ, Laurens Hammond, Crawley’s lyrical work offers a captivating new portrait of the Black church as a site of refuge and rejection for Blackqueer genius.

69 illustrations

Their Eyes Were Watching God for a new generation craving a romantic finale—a sweeping historical tale that is a journey of the heart and of the times.

If it wasn’t for Zora Neale Hurston’s Their Eyes Were Watching God, Nola Denny didn’t know how she would have survived her father’s tragic death or her mother’s descent into mental illness. Inspired by Hurston’s main character, Janie Crawford, Nola sets out to find her own voice, silenced by the weight of being a caretaker and the pains of her past. On her journey to New York, Nola stops in Meridian—a detour that unexpectedly leads to a fresh start, a home, and her own Tea Cake, a Pullman Porter named Baldwin Carter.

Baldwin escaped a loveless childhood and found a caring stranger who invited him into her home and gave him a chance at a new life. A proud, hardworking Pullman Porter, Baldwin must endure bowing and scraping to passengers who barely see him as a man. When he encounters Nola, he instinctively knows he has met his anchor, a woman who makes every inch of him stand tall.

Experiencing loss, hardship, and months of separation, Nola and Baldwin must come to terms with their pasts to share a future together. The young couple know that time and distance cannot separate them, and that the sacrifices they must make are not only for themselves, but for all those who come after them, searching for a better life.

Set during the end of the Great Depression, and shaped by real-world events, crisscrossing the country from South to Midwest to North, Nola and Baldwin is an epic tale of a love powerful enough to overcome the dark forces of racism that threatens to tear it apart.

Within the Circle is the first anthology to present the entire spectrum of twentieth-century African American literary and cultural criticism. It begins with the Harlem Renaissance, continues through civil rights, the Black Arts Movement, and on into contemporary debates of poststructuralist and black feminist theory. Drawing on a quote from Frederick Douglass for the title of this book, Angelyn Mitchell explains in her introduction the importance for those "within the circle" of African American literature to examine their own works and to engage this critical canon.
The essays in this collection—many of which are not widely available today—either initiated or gave critical definition to specific periods or movements of African American literature. They address issues such as integration, separatism, political action, black nationalism, Afrocentricity, black feminism, as well as the role of art, the artist, the critic, and the audience. With selections from Langston Hughes, Sterling Brown, W. E. B. DuBois, Zora Neale Hurston, Richard Wright, James Baldwin, Toni Morrison, Barbara Smith, Alice Walker, Henry Louis Gates, Jr., and many others, this definitive collection provides a dynamic model of the cultural, ideological, historical, and aesthetic considerations in African American literature and literary criticism.
A major contribution to the study of African American literature, this volume will serve as a foundation for future work by students and scholars. Its importance will be recognized by all those interested in modern literary theory as well as general readers concerned with the African American experience.

Selections by (partial list): Houston A. Baker, Jr., James Baldwin, Sterling Brown, Barbara Christian, W. E. B. DuBois, Ralph Ellison, LeRoi Jones, Sarah Webster Fabio, Henry Louis Gates, Jr., W. Lawrence Hogue, Langston Hughes, Zora Neale Hurston, Alain Locke, Deborah E. McDowell, Toni Morrison, J. Saunders Redding, George Schuyler, Barbara Smith, Valerie Smith, Hortense J. Spillers, Robert B. Stepto, Alice Walker, Margaret Walker, Mary Helen Washington, Richard Wright

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Remember that moment when you first encountered a character who seemed to be written just for you? That feeling of belonging remains with readers the rest of their lives—but it doesn’t happen as frequently for all of us. In this timely anthology, “well-read black girl” Glory Edim brings together original essays by some of our best black female writers and creative voices to shine a light on how important it is that everyone—regardless of gender, race, religion, or abilities—can find themselves in literature.

Contributors include Jesmyn Ward (Sing Unburied Sing), Lynn Nottage (Sweat), Jacqueline Woodson (Another Brooklyn), Gabourey Sidibe (This Is Just My Face), Morgan Jerkins (This Will Be My Undoing), Tayari Jones (An American Marriage), Rebecca Walker (Black, White and Jewish), Barbara Smith (Home Girls: A Black Feminist Anthology), and others.

Whether it’s learning about the complexities of femalehood from Zora Neale Hurston and Toni Morrison, finding a new type of love in The Color Purple, or using mythology to craft an alternative black future, each essay reminds us why we turn to books in times of both struggle and relaxation. Edim has created a space where black women’s writing and knowledge and life experiences are lifted up, to be shared with all readers who value the power of a story to help us understand the world and ourselves.

The New Negro (1925) is an anthology by Alain Locke. Expanded from a March issue of Survey Graphic magazine, The New Negro compiles writing from such figures as Countee Cullen, Langston Hughes, Zora Neale Hurston, Jean Toomer, and Locke himself. Recognized as a foundational text of the Harlem Renaissance, the collection is organized around Locke’s writing on the function of art in reorganizing the conception of African American life and culture. Through self-understanding, creation, and independence, Locke’s New Negro came to represent a break from an inhumane past, a means toward meaningful change for a people held down for far too long.

“[F]or generations in the mind of America, the Negro has been more of a formula than a human being—a something to be argued about, condemned or defended, to be ‘kept down,’ or ‘in his place,’ or ‘helped up,’ to be worried with or worried over, harassed or patronized, a social bogey or a social burden.” Identifying the representation of black Americans in the national imaginary as oppressive in nature, Locke suggests a way forward through his theory of the New Negro, who “wishes to be known for what he is, even in his faults and shortcomings, and scorns a craven and precarious survival at the price of seeming to be what he is not.” Throughout The New Negro, leading artists and intellectuals of the Harlem Renaissance offer their unique visions of who and what they are; voicing their concerns, portraying injustice, and illuminating the black experience, they provide a holistic vision of self-expression in all of its colors and forms.

With a beautifully designed cover and professionally typeset manuscript, this edition of Alain Locke’s The New Negro is a classic of African American literature reimagined for modern readers.

The first thrilling novel in a new adult romantasy duology following a young woman who finds herself the Chosen One to two conflicting prophecies—from the author of Lore of the Wilds.

Magic has always been something at the periphery of Audra’s life. As a human, she knows that magic exists, but it is something that is beyond the mist. Until one day the mist comes to shore, bringing with it the all too real Fae and upending Audra’s life entirely.

She is kidnapped from her home and taken to a school to be trained as a soldier by the Priestesses, Fae beings who are an ominous presence with a cult-like mentality. Audra must band together with a group of other prisoners to survive their new world filled with guilds, magic, and danger. The Priestesses are searching for the mythical Heir of Prophecy who will save them from an eternal winter. They know the Heir is among the student prisoners at the school and are getting more and more desperate to flush out him or her.

What Audra needs to know is what exactly it means to be the Heir... because she’s pretty sure it’s her. Her magic is wonky in exactly the way it was foretold. As she tries to hide her true nature, something strange keeps happening. A vision, a very hot and very underwordly vision comes to her. And what he has to say will put her life in even more danger and force her to make a decision that puts the fate of the entire world at risk.

A vibrant, deeply researched biography of A’Lelia Walker—daughter of Madam C.J. Walker and herself a central figure of the Harlem Renaissance—written by her great-granddaughter.

Dubbed the “joy goddess of Harlem’s 1920s” by poet Langston Hughes, A’Lelia Walker, daughter of millionaire entrepreneur Madam C.J. Walker and the author’s great-grandmother and namesake, is a fascinating figure whose legendary parties and Dark Tower salon helped define the Harlem Renaissance.

After inheriting her mother’s hair care enterprise, A’Lelia would become America’s first high profile black heiress and a prominent patron of the arts. Joy Goddess takes readers inside her three New York homes—a mansion, a townhouse, and a pied-a-terre—where she entertained Langston Hughes, Zora Neale Hurston, Paul Robeson, Florence Mills, James Weldon Johnson, Carl Van Vechten, W.E.B. DuBois, and other cultural, social and intellectual luminaries of the Roaring Twenties.

Now, based on extensive research and Walker’s personal correspondence, her great-granddaughter creates a meticulous, nuanced portrait of a charismatic woman struggling to define herself as a wife, mother, and businesswoman outside her famous mother’s sphere. In Joy Goddess, A’Lelia’s radiant personality and impresario instincts—at the center of a vast, artistic social world where she flourished as a fashion trendsetter and international traveler—are brought to vivid and unforgettable life.

From The Queen of Sugar Hill author ReShonda Tate—a new novel inspired by beloved Harlem jazz performer Hazel Scott and the equal parts exhilarating and tumultuous relationship that changed the course of her life.

Harlem, 1943. At just twenty-three, Hazel Scott is a woman on fire. A jazz prodigy, a glamorous film star, and a fierce advocate for civil rights, she’s breaking barriers and refusing to play by the rules. Then Adam Clayton Powell Jr. walks into her life. Harlem’s most electrifying preacher-turned-politician, Adam is as bold and unyielding as Hazel—charismatic, powerful…and married.

This kicks off a decades-long relationship that propels them into the center of a political and cultural revolution. As Hazel’s star rises, Adam takes the national stage in Congress and the couple becomes the toast of the country. But when their affair turns into a marriage, behind the glamorous façade is a battlefield of ego, ambition, and sacrifice. Forced to choose between her music and her family, Hazel must decide what she’s willing to lose—and what she refuses to give up.

Set against the pulsing backdrop of twentieth-century Harlem and featuring icons like Billie Holiday, Langston Hughes, and James Baldwin, With Love from Harlem is a sweeping, emotionally charged romantic drama, rich with historical detail. ReShonda Tate delivers a powerful portrait of love, art, and the price of being unforgettable.

A landmark survey of African American literature about Black experiences of the maritime environment.

The ocean is foundational to the story of Africans in America, beginning with the searing Middle Passage. Initially evoking terror, pain, and death, the ocean also became associated with escape, empowerment, freedom, and home, as over time, African Americans in seaport towns found work, built communities, and gained knowledge from travelers. David R. Anderson shows in this groundbreaking collection of memoir, fiction, poetry, and more that African American maritime literature summons many of the traditional themes―survival in the face of overwhelming natural force, sublimity, demonstration of skill and merit, and self-discovery―but often with an eye on legacies of imperialism, slavery, discrimination, and cultural erasure.

Divided thematically across ten sections that address peril, labor, recreation, and more, the book gathers work by influential writers and intellectuals from the eighteenth century to the present, including: Lucille Clifton, Edwidge Danticat, Frederick Douglass, Alice Dunbar-Nelson, W. E. B. DuBois, Camille T. Dungy, Marcus Garvey, Robert Hayden, Zora Neale Hurston, Major Jackson, Harriet Jacobs, John S. Jacobs, Nella Larsen, Claude McKay, Toni Morrison, Walter Mosley, Natasha Trethewey, Phillis Wheatley, Colson Whitehead, and Kevin Young.

Lincoln

I had my chance at love and I threw it away. I don’t deserve another.

I’ve dedicated my entire life to my community. There’s no time for anything else.

But then I met her. Ciara Jeffries is everything I told myself I didn’t want but she might be everything I need. If I can just hold on to her.

Ciara

If I don’t get out of this town I’ll lose my sanity, my loved ones, and my life. I need a fresh start and Austin, Texas feels like as good a place as any.

I wasn’t supposed to build connections and I definitely wasn’t supposed to fall in love.

Lincoln Cole has other plans for me. He has me breaking all my rules and I feel safe in his arms.

But safety is a luxury I don’t have.

I thought I ran far enough but my past will never let me go and my recklessness may just get Lincoln burned.

PRE-ORDER: On Sale: May 26, 2026

A gorgeous illustrated meditation on the homes of iconic Southern women, from Nina Simone to Carson McCullers

In These Long Shadows, writer Monica Nelson excavates the domestic narratives and mythologies contained within the publicly preserved homes of some of the American South's leading cultural figures.
In Virginia, readers are drawn into the garden and home of Harlem Renaissance poet Anne Spencer and encounter modernist architect Amaza Lee Meredith's International Style residence, Azurest South. Journeying south, they encounter the North Carolinian childhood homes of both influential civil rights activist Anna "Pauli" Murray, and revolutionary singer-songwriter Nina Simone. In Atlanta, readers wander into the apartment of incendiary Southern author Margaret Mitchell. In Louisiana, they gaze upon the quietly profound folk art paintings of Clementine Hunter at Melrose Plantation, and take a pilgrimage to writers' homes from the Southern Renaissance, including Flannery O'Connor, William Faulkner, Zora Neale Hurston and Carson McCullers.
These Long Shadows assembles a constellation of new visions, narratives and readings with which to examine the nation's ever-metamorphosing historical landscape. Nelson's book constitutes the third volume of The Illustrated America, Atelier Editions' ongoing anthropological survey of eclectic chapters drawn from 20th-century America's cultural past.
Monica Nelson is a writer and graphic designer based in New York and Savannah. She has developed strategic visual narratives for publications, cultural institutions and brands, working with over 100 photographers. She was the founding creative and photo director of Wilder Quarterly, which fostered a floral-drenched view of the natural world, and the author of Edible Flowers (Monacelli Press, 2021).