The politics and music of the sixties and early seventies have been the subject of scholarship for many years, but it is only very recently that attention has turned to the cultural production of African American poets. 

In "After Mecca," Cheryl Clarke explores the relationship between the Black Arts Movement and black women writers of the period. Poems by Gwendolyn Brooks, Ntozake Shange, Audre Lorde, Nikki Giovanni, Sonia Sanchez, Jayne Cortez, Alice Walker, and others chart the emergence of a new and distinct black poetry and its relationship to the black community's struggle for rights and liberation. Clarke also traces the contributions of these poets to the development of feminism and lesbian-feminism, and the legacy they left for others to build on. 

She argues that whether black women poets of the time were writing from within the movement or writing against it, virtually all were responding to it. Using the trope of "Mecca," she explores the ways in which these writers were turning away from white, western society to create a new literacy of blackness.
 

Provocatively written, this book is an important contribution to the fields of African American literary studies and feminist theory.

When Mary-Mathilda, one of the most respected women of the island of Bimshire (also known as Barbados) calls the police to confess to a crime, the result is a shattering all-night vigil that brings together elements of the island's African past and the tragic legacy of colonialism in one epic sweep.

Set in the West Indies in the period following World War II, The Polished Hoe -- an Essence bestseller and a Washington Post Book World Most Worthy Book of 2003 -- unravels over the course of twenty-four hours but spans the collective experience of a society characterized by slavery.

Winner of the 2022 Stan and Tom Wick Poetry Prize

Fraternal Light: On Painting While Black is a lyric evocation of the life and work of the great African American artist Beauford Delaney. These poems pay homage to Delaney’s resilience and ingenuity in the face of profound adversity. Although his work never garnered the acclaim it deserves—and is finally receiving—Delaney was well known and highly respected in African American cultural circles, among bohemian writers and artists based in Greenwich Village from the 1930s to the early 1950s, and in Parisian avant-garde and expatriate enclaves from the mid-1950s to the mid-1970s.

Drawn to Delaney’s painting and personal history through her emotional response to his work, especially his portraits, Arlene Keizer has crafted a diasporic ceremony of remembrance for this Black, gay male visionary. Fraternal Light offers back an answering complexity to Delaney’s life and work. One form of art calls out; another answers.

Keizer’s poems make the contours and challenges of Delaney’s life visible, which is especially urgent in a world still frequently hostile or indifferent to Black creative brilliance.

From Wall Street Journal bestselling author Dylan Allen writing as Lucy Wilson-Tagoe comes the first story in her new Blurred Lines Duet series…

Who gets to tell this story?
The sinner who lived it?
Or the saint who stole it?

Sin Sackey is driven by the same hardwired need as every eldest first-generation daughter—to make her family proud. And she built her career and chose her partners with that single goal as her north star.

Everyone said she had it all. And for more than twenty years, Sin let herself believe they were right.

Until a near-death experience makes the truth impossible to deny.

Her relationship is on life support. Her journalism career is in freefall. And the city she thought she’d conquer has chewed her up and spit her out.

With everything to prove—and everything to lose—Sin moves back home to Washington, DC, determined to start over. No more chasing shadowy criminals. And no more men who look too good to be true.

But on the eve of the first day of the rest of her new life, the saying about old habits proves painfully accurate.

A new lead falls into her lap, and Sin dives back into the story that nearly cost her everything.
Then, when a man who is all the things she’s sworn to avoid invites her to dinner, she says yes.

After everything she’s been through, it’s reckless.

But this story could resurrect her career—and take down an entire black-market empire. She’s closer than ever to catching its elusive leader, and she can’t let go now.

And this man—who makes her blush, makes her laugh, and understands things she usually has to explain—could be the one. So, she lowers her walls just enough for him to climb over.

But just when it seems her gamble might pay off, her lead starts to feel more like a trap. And the man she’s let herself love appears to be the one who set it.

To Catch a Sinneris a steamy, suspenseful friends-to-lovers romance between a relentless journalist and a mysterious lawyer with a complicated shared past. Set against a fictionalized Washington, DC, this fast-paced, high-stakes story explores reclaiming identity, challenging power, and the pursuit of a new American dream.

Join us for the official launch event of Black Chameleon: Memory, Womanhood & Myth with author, Deborah D.E.E.P Mouton and artist, Delita Martin. 

Event DEETS

When: March 7, 2023 at 7PM CST

Where: Project Row House Community Gallery (2521 Holman Street, HTX 77004)

How: Please RSVP reserve your spot. Checkout for RSVP with Book to support our store and the author/artists. 

About Black Chameleon

In the literary tradition of Carmen Maria Machado’s In the Dream House, Maxine Hong Kingston’s The Woman Warrior, and Jesmyn Ward’s Men We Reaped, this debut memoir confronts both the challenges and joys of growing up Black and making your own truth.

Growing up as a Black girl in America, Deborah Mouton felt alienated from the stories she learned in class. She yearned for stories she felt connected to—true ones of course—but also fables and mythologies that could help explain both the world and her place in it. What she encountered was almost always written by white writers who prospered in a time when human beings were treated as chattel, such as the Greek and Roman myths, which felt as dusty and foreign as ancient ruins. When she sought myths written by Black authors, they were rooted too far in the past, a continent away.

Mouton writes, “The phrases of my mother and grandmother began to seem less colloquial and more tied to stories that had been lost along the way. . . . Mythmaking isn’t a lie. It is our moment to take the privilege of our own creativity to fill in the gaps that colonization has stolen from us. It is us choosing to write the tales that our children pull strength from. It is hijacking history for the ignorance in its closets. This, a truth that must start with the women.”

Mouton’s memoir is a song of praise and an elegy for Black womanhood. With a poet’s gift for lyricism and poignancy, Mouton reflects on her childhood as the daughter of a preacher and a harsh but loving mother, living in the world as a Black woman whose love is all too often coupled with danger, and finally learning to be a mother to another Black girl in America. Of the moment yet timeless, playful but incendiary, Mouton has staked out new territory in the memoir form.

About Deborah DEEP Mouton

Deborah D.E.E.P. Mouton is an internationally known writer, educator, activist, and performer and the first Black poet laureate of Houston, Texas. She was formerly ranked the #2 Best Female Performance Poet in the World (PSI). Her recent poetry collection, Newsworthy, garnered her a Pushcart nomination, was named a finalist for the 2019 Writers’ League of Texas Book Award, and received an honorable mention for the Summerlee Book Prize. Its German translation, under the title Berichtenswert, was released in Summer 2021 by Elif Verlag. The opera Marian’s Song, for which she wrote the libretto, debuted in 2020. 

About Delita Martin

Delita Martin is an artist currently based in Huffman, Texas. She received a BFA in drawing from Texas Southern University and an MFA in printmaking from Purdue University. Formerly a member of the fine arts faculty at UA Little Rock in Arkansas, Martin currently works as a full-time artist in her studio, Black Box Press. Martin’s work has been exhibited both nationally and internationally. Most recently Martin’s work was included in the State of the Arts: Discovering American Art Now, an exhibition that included 101 artists from around the United States. Her work is in numerous portfolios and collections.

An electrifying novel about the meteoric rise of an iconic interracial rock duo in the 1970s, their sensational breakup, and the dark secrets unearthed when they try to reunite decades later for one last tour.

A GOOD MORNING AMERICA BUZZ PICK
NAMED A BEST BOOK OF 2021 BY BARACK OBAMA * THE WASHINGTON POST *NPR* ESQUIRE * ENTERTAINMENT WEEKLY * GOODREADS * THE MILLIONS * READER’S DIGEST * PHILADELPHIA INQUIRER * EERIE READER * PUBLIC RADIO TULSA * CHICAGO PUBLIC LIBRARY * KIRKUS REVIEWS

“Feels truer and more mesmerizing than some true stories. It’s a packed time capsule that doubles as a stick of dynamite.” —THE NEW YORK TIMES BOOK REVIEW

Opal is a fiercely independent young woman pushing against the grain in her style and attitude, Afro-punk before that term existed. Coming of age in Detroit, she can’t imagine settling for a 9-to-5 job—despite her unusual looks, Opal believes she can be a star. So when the aspiring British singer/songwriter Neville Charles discovers her at a bar’s amateur night, she takes him up on his offer to make rock music together for the fledgling Rivington Records.

In early seventies New York City, just as she’s finding her niche as part of a flamboyant and funky creative scene, a rival band signed to her label brandishes a Confederate flag at a promotional concert. Opal’s bold protest and the violence that ensues set off a chain of events that will not only change the lives of those she loves, but also be a deadly reminder that repercussions are always harsher for women, especially black women, who dare to speak their truth.

Decades later, as Opal considers a 2016 reunion with Nev, music journalist S. Sunny Shelton seizes the chance to curate an oral history about her idols. Sunny thought she knew most of the stories leading up to the cult duo’s most politicized chapter. But as her interviews dig deeper, a nasty new allegation from an unexpected source threatens to blow up everything.

Provocative and chilling, The Final Revival of Opal & Nev features a backup chorus of unforgettable voices, a heroine the likes of which we’ve not seen in storytelling, and a daring structure, and introduces a bold new voice in contemporary fiction.

From Vice President Kamala Harris comes a picture book with an empowering message: Superheroes are all around us--and if we try, we can all be heroes too. A #1 New York Times bestseller!

Before Kamala Harris was elected to the vice presidency and named the Democratic presidential nominee, she was a little girl who loved superheroes. And when she looked around, she was amazed to find them everywhere! In her family, among her friends, even down the street--there were superheroes wherever she looked. And those superheroes showed her that all you need to do to be a superhero is to be the best that you can be.

In this empowering and joyful picture book that speaks directly to kids, Kamala Harris takes readers through her life and shows them that the power to make the world a better place is inside all of us. And with fun and engaging art by Mechal Renee Roe, as well as a guide to being a superhero at the end, this book is sure to have kids taking up the superhero mantle (cape and mask optional).

Praise for Superheroes Are Everywhere:

"This [book] offers a solid message: a superhero could be anyone, including you." --Booklist

Jacqueline Woodson gives us a tender and moving story about two siblings who don’t know what to expect when they’re sent to live with an unfamiliar aunt, but soon discover that there’s plenty of love to go around when they need it most, with stunning original art by Monica Mikai.

Sometimes, even when a mama loves you, she can’t always take care of you . . .
That’s what happens with Johnson and Beebee’s mama—and that’s why they are being taken to their aunt Gracie’s house.

Who is this Gracie aunt? That’s what Johnson wants to know. He can’t remember her, and Beebee doesn’t seem to trust her, at least not at first. But slowly, as the three of them spend time together—cooking, watching movies, snuggling on the couch, and even crying when they need to—they form a bond. And when Johnson sees Mama again, he knows that no matter where he lives, he’ll always be surrounded by love.

A celebration of childhood from an award-winning author, this upbeat day-in-the-life of a bunch of friends was inspired by the #BlackBoyJoy meme that spurred a movement.

From sunrise to sunset, a group of young Black boys joyously spend the day together as they live their best lives freely in their community. ­With confidence and a touch of swag, these friends do everything with one another: build a time machine, tend to the community garden, roleplay in the park, read, take a group selfie, and play basketball. With simple, spare text from celebrated author Carole Boston Weatherford and colorful, playful art from Reggie Brown capturing the pleasures of boyhood and friendship, Bros affirms the truth that Black boys deserve and are worthy of a childhood full of joy and free of risk, just as much as anyone. Timely and buoyant, it’s a story sure to be enjoyed by anyone who knows what it is to be surrounded by friends with a day of adventure ahead of you.

When Precious is left home alone with a stomachache, she's got nothing but a warning from Mama -- "Don't let nothing or nobody into this house" -- to keep her company. You see, "nothing or nobody" could turn out to be something awful: the Boo Hag! The Boo Hag's got a voice that rumbles like thunder and hair that shoots out like lightning. And she can disguise herself to look like anything. So when the Boo Hag comes calling, will Precious be clever enough to outwit even the trickiest trickster?
Here's an oh-so-funny -- and not-too-scary -- story from Newbery Honor-winning author Patricia C. McKissack and Onawumi Jean Moss that's paired with spirited, folksy illustrations by Kyrsten Brooker.

Celebrate the beauty of Black hair creations through the rhyming text and vibrant collage art of lauded Coretta Scott King Award winners Carole Boston Weatherford and Ekua Holmes.

Our hair is a lioness, born to be wild.
We pride ourselves on flair and style.

Cornrows forming complex patterns. Shells and beads on boxy braids. A flowery ’fro that’s wash and go. A regal pouf that scrapes the sky. Black hair styles embody beauty and loving ritual, culture and community, expression and strength, patience and boundless creativity. Carole Boston Weatherford and Ekua Holmes bring this array of gorgeous hair designs—and the individuals who wear them—to bold and powerful life. Readers curious to know more can find an author’s note about the five Black women who made history in 2019 as title holders of five major beauty pageants, as well as a glossary describing some twenty hair styles (from Afro to updo) and other terms related to the glory of Black hair.

In this “masterful, inspiring evocation of an era” (Kirkus Reviews, starred review), ALSC Children’s Literature Legacy Award–winning author Carole Boston Weatherford “wields the power of poetry to tell [the] gripping historical story” (Publishers Weekly, starred review) of the Tuskegee Airmen.

I WANT YOU! says the poster of Uncle Sam. But if you’re a young black man in 1940, he doesn’t want you in the cockpit of a war plane. Yet you are determined not to let that stop your dream of flying.

So when you hear of a civilian pilot training program at Tuskegee Institute, you leap at the chance. Soon you are learning engineering and mechanics, how to communicate in code, how to read a map. At last the day you’ve longed for is here: you are flying!

From training days in Alabama to combat on the front lines in Europe, this is the story of the Tuskegee Airmen, the groundbreaking African-American pilots of World War II. In vibrant second-person poems, Carole Boston Weatherford teams up for the first time with her son, artist Jeffery Weatherford, in a powerful and inspiring book that allows readers to fly, too.