The highly anticipated sequel to NUBIA: REAL ONE highlights the importance of self-acceptance and the enduring power of true friendship!

After a turbulent school year, Nubia is both thrilled and anxious as she embarks on a transformative summer training with the Amazons on Themyscira! Amid the mounting pressure of expectations, she grapples with feeling like an outsider, letting the weight of her self-doubt strain her most important relationships.

Just when she thought her life couldn’t get more complicated, her biggest fear threatens the safety of everyone on Paradise Island. Will Nubia rise above the chaos and embrace her true self as the hero she was destined to be?

From critically acclaimed author L.L McKinney and brought to life with delightful, vivid art by Robyn Smith, NUBIA: TOO REAL follows Nubia as she explores her Amazonian identity, navigates her friendships, and learns how to love herself.

The riveting story of the McKissack family—the founders of the leading Black design and construction firm in the United States, from its beginnings in the mid-1800s to its thriving status today—in a moving celebration of resilience and innovation.

Captured in his native West Africa and enslaved on American shores by a North Carolina plantation owner, Moses McKissack I began to build his way to emancipation right from the start. Becoming an enslaved craftsman, he picked up the trade his family would become famous for in the earliest years of the 19th century, passing his learnings down to his children and seeing them off to freedom after the Civil War.

The family would settle in Tennessee, getting its bearings in the building trades despite rampant discrimination, establishing a foothold that now sees its latest generations working at the absolute peak of its industry.

The family’s fingerprints have been left all across the United States, spanning from Reconstruction to contemporary times, through projects like the Morris Memorial Building, Capers C.M.E. Church, John F. Kennedy International Airport, and Philadelphia’s Lincoln Financial Field.

Here, Cheryl McKissack Daniel, CEO and president of McKissack & McKissack, reveals the full fascinating story of her family. So much more than an exploration of architectural achievements, The Black Family Who Built America is also a compelling illustration of how history rhymes and reverberates, and a celebration of the human spirit’s ability to overcome adversity and drive change. From Moses’s humble beginnings to Cheryl’s current role as a trailblazer and champion of diversity, the family’s journey underscores the importance of perseverance, innovation, and strategic vision in shaping a legacy that continues to inspire and impact the construction industry.

"If you haven't read Taj McCoy's books, you are missing out on some seriously stunning love stories!" —Jesse Sutanto, author of Dial A for Aunties

When Maggie's best friend admits he's in love with her, she'll have to decide whether it's worth giving up something good for something that could be amazing in this laugh-out-loud friends-to-lovers rom-com.

After a bad breakup, Maggie wants to find her Prince Charming, but all she’s finding are frogs. When her best friends, Savvy and Joan, apply pressure and demand she find a date worthy of attending their respective weddings, she agrees to take her own advice and try online dating. Since she's the maid of honor for both weddings, her bridal party duties are massive, but both brides insist that Maggie prioritize finding a date. After an onslaught of maybes, noes and hell noes, she’s close to giving up, when she meets a handsome doctor at the gym who just might be the one.

Meanwhile, her college bestie, Garrett, throws salt in everyone’s game. At every turn, he points out the red flags and tells Maggie to keep looking. Things come to a head when Maggie demands that Garrett be happy for her, and he finally admits that he can’t. Not when he’s not with her. When he blurts out his feelings, Maggie’s world is turned upside down. Now she must choose between the perfect guy and a friendship that is the foundation for everything she’s ever wanted.

Shane McCrae, “peer to the peerless” (New York Journal of Books), takes up and turns on its head the mantle of Dante in this contemporary vision of Hell.

Of death the muse is death the muse of Hell
Is death the muse of Heaven I don’t know
O muse of where howcan I hope to go
To where I pray I’ll go sing at least tell

Shane McCrae, one of the most prophetic and powerful poetic voices of our time, has created a twenty-first-century epic in New and Collected Hell. As David Woo wrote in Poetry, “McCrae’s poems allude to literary precursors like Dante, Milton, and the Bible, but the voice is unabashedly of our time . . . By seeking to heal the rift in his own identity, McCrae has listened intently to the literary echoes emanating from the English language and transmuted them through his own dynamic voice.” Here, he gathers new and previous work as a culmination of his long-standing poetic project: a new and unforgettable journey through Hell. McCrae’s work is indelible, and this collection brings his searing vision to new depths.

"McMillian endows simple objects with affecting political resonances...There is anger in them, but there is hope too." ―Frieze

Published with Columbia Museum of Art.

Multimedia artist Rodney McMillian (born 1969) conjoins political texts, found domestic materials and archival footage into assemblages that confront the complex histories of class, race, landscape and region that inform American identity. In A Son of the Soil, McMillian trains his eye on the history of landscape representation in the South. Through large-scale abstract expanses painted on old bedding, sculptures constructed from post-consumer objects and archival film footage, McMillian evokes the land's tillage and spoilage, histories of ownership and the charged relationship between land and the body. A Son of the Soil presents a bevy of scholarly essays that examine McMillian's oeuvre, focusing on the artist's interplay between urban industrialism and domestic space, his visual culture and art historical sources and, more broadly, the relationship between a region and a nation.

Celebrating the Centenary of James Baldwin's birth, a box set of Baldwin's principal novels, featuring Go Tell It on the Mountain, Giovanni's Room, and If Beale Street Could Talk.

These deluxe editions feature new introductions by Roxane Gay, Kevin Young, and Brit Bennett.

Originally published in 1953, Go Tell It on the Mountain was James Baldwin's first major work, based in part on his own childhood. With lyrical precision and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a Pentecostal storefront church in Harlem.

Giovanni's Room is set in the Paris of the 1950s, where a young American expatriate finds himself caught between his repressed desires and conventional morality. One of the first novels to openly explore the theme of homosexuality, it paved the way for generations of gay and lesbian novelists.

And If Beale Street Could Talk is a stunning love story about a young Black woman whose life is torn apart when her lover is wrongly accused of a crime --a profoundly moving novel about love in the face of injustice that is as socially resonant today as it was when it was first published.

This stunningly designed slipcase with art by Baldwin's friend and contemporary Beauford Delaney will make the perfect perennial gift and keepsake.

A first-of-its-kind guide to pairing wine with foods from Africa and beyond, including a tour of wine regions across the globe and a foreword by Stephen Satterfield, from renowned Certified Sommelier Cha McCoy.

The wine world often says food and wine that grow together, go together, and that spicy, tangy, salty, and sweet flavors are a challenge to pair. But what about foods from regions where wine grapes aren’t prevalent? What about global cuisines—many of which are outside of Europe—that celebrate heat and tang? Don’t these traditional foods deserve the perfect wine pairing? Cha McCoy, Certified Sommelier and owner of The Communion wine boutique, knows that good foods and wines go together and that the cuisines of Africa, Asia, and the Americas are just as worthy of great pours.

In this first-of-its-kind guidebook, Cha McCoy pairs wines with foods from Africa, Asia, and beyond, blending practical information with a side of aspirational armchair travel. Cha shares her journey of learning and connecting with deep culinary traditions and regional cuisines around the world, diving in by continent and then by region or country, from Africa to the Caribbean, from Latin America to the United States of America, and Asia, and exploring their winemaking regions.

Throughout, you’ll see pairing lists and menus to easily find wines to savor with whatever food you’re craving, whether it’s Moroccan Tagine, Jamaican Jerk Chicken, Mexican Elote, Shrimp Po’ Boy, Peach Cobbler, or Pad Thai. Plus, you’ll find 25 recipes for global fare from renowned chefs and mixologists that represent the heritage of each destination, with food accompanied by suggested wine pairing, to complete the meal.

Whether you’re curious about what to eat on your next trip abroad, want to try out a local restaurant, or are looking to explore a new cuisine to cook at home, Wine Pairing for the People will not only guide you on what to eat but how to best highlight the flavor of your meals with successful pairings. Complete with a foreword by Stephen Satterfield, and stunning photographs, maps, and illustrations throughout, this groundbreaking book boldly declares: Wine is for everyone.

The bestselling Parable of the Sower and Parable of the Talents trade paperback books, complete with French flaps and deckled edges, together in a premium boxed set—a perfect gift for readers.

Parable of the Sower:
Fifteen-year-old Lauren Olamina lives inside a gated community with her preacher father, family, and neighbors, sheltered from the surrounding social chaos and anarchy caused by climate change and economic crisis. In a society where any vulnerability is a risk, she suffers from hyperempathy—a debilitating sensitivity to others' emotions.

Precocious and clear-eyed, she must make her voice heard in order to protect her loved ones from the imminent disasters her small community stubbornly ignores. But what begins as a fight for survival soon leads to something much more: the birth of a new faith ... and a startling vision of human destiny.

Includes a foreword by LeVar Burton and an afterword by N. K. Jemisin.

Parable of the Talents:
In 2032, Lauren Olamina has survived the destruction and ruin of everything she knew. Her peaceful community provides refuge for outcasts facing persecution after the election of an ultra-conservative president. Under his rule, Lauren's colony—a minority religious faction led by a young Black woman—becomes a target for the president’s reign of terror and oppression.

Years later, Asha Vere reads the journals of a mother she never knew. As she searches for answers, she struggles to reconcile with the legacy of a mother caught between her duty to her chosen family and her calling to lead humankind into a better future.

Includes a foreword by Akwaeke Emezi.

A brilliant and unsparing examination of America in the early twenty-first century, Claudia Rankine’s Don’t Let Me Be Lonely invents a new genre to confront the particular loneliness and rapacious assault on selfhood that our media have inflicted upon our lives. Fusing the lyric, the essay, and the visual, Rankine negotiates the enduring anxieties of medicated depression, race riots, divisive elections, terrorist attacks, and ongoing wars―doom scrolling through the daily news feeds that keep us glued to our screens and that have come to define our age.

First published in 2004, Don’t Let Me Be Lonely is a hauntingly prescient work, one that has secured a permanent place in American literature. This new edition is presented in full color with updated visuals and text, including a new preface by the author, and matches the composition of Rankine’s best-selling and award-winning Citizen and Just Us as the first book in her acclaimed American trilogy.

Don’t Let Me Be Lonely is a crucial guide to surviving a fractured and fracturing American consciousness―a book of rare and vital honesty, complexity, and presence.

IN AMERICA, DEMONS WEAR WHITE HOODS.

In 1915, The Birth of a Nation cast a spell across America, swelling the Klan's ranks and drinking deep from the darkest thoughts of white folk. All across the nation they ride, spreading fear and violence among the vulnerable. They plan to bring Hell to Earth. But even Ku Kluxes can die.

Standing in their way is Maryse Boudreaux and her fellow resistance fighters, a foul-mouthed sharpshooter and a Harlem Hellfighter. Armed with blade, bullet, and bomb, they hunt their hunters and send the Klan's demons straight to Hell. But something awful's brewing in Macon, and the war on Hell is about to heat up.

Can Maryse stop the Klan before it ends the world?

Award-winning, New York Times bestselling author S. A. Cosby returns with King of Ashes, a Godfather-inspired Southern crime epic and dazzling family drama.

When eldest son Roman Carruthers is summoned home after his father’s car accident, he finds his younger brother, Dante, in debt to dangerous criminals and his sister, Neveah, exhausted from holding the family―and the family business―together. Neveah and their father, who run the Carruthers Crematorium in the run-down central Virginia town of Jefferson Run, see death up close every day. But mortality draws even closer when it becomes clear that the crash that landed their father in a coma was no accident and Dante’s recklessness has placed them all in real danger.

Roman, a financial whiz with a head for numbers and a talent for making his clients rich, has some money to help buy his brother out of trouble. But in his work with wannabe tough guys, he’s forgotten that there are real gangsters out there. As his bargaining chips go up in smoke, Roman realizes that he has only one thing left to offer to save his brother: himself, and his own particular set of skills.

Roman begins his work for the criminals while Neveah tries to uncover the long-ago mystery of what happened to their mother, who disappeared when they were teenagers. But Roman is far less of a pushover than the gangsters realize. He is willing to do anything to save his family. Anything.

Because everything burns.

From Whiting Award–winner Rickey Laurentiis, a mythic, lyric, decade-in-the-making new collection of masterful poems that probe the meanings of trans/formation and re-creation, a new classic about gender and love

When Rickey Laurentiis debuted in 2015 with Boy with Thorn, the poetry world heralded the arrival of an astonishing new lyric talent. “Call Rickey Laurentiis’ stylistic range virtuosity or call it correctly, necessity,” Terrance Hayes wrote. In the past decade, as Laurentiis has transitioned, her ideas of the lyric and poetry have transformed, as has the America in which she lives. This staggering, irreverent, gentle, and erotic book is a record of that ten-year journey. It draws on, expands, and then fractures the many poetic traditions which informed Laurentiis’s poetics—from Greek odes and early Black Spirituals to the work of Whitman and Dickinson and the mid-century cinematic icon The Lady Chablis.

Then, brick by brick, she builds them anew and makes them her own. She maps a path onto the contradictions, precarity, and revelry of her hometown, “New Orleans / As that modern text, witnessed, and revised, by the light as radically / As by the water, which is history, which slip / Thru your hands. This city is a ghost for hire.” With this as her frame, Laurentiis meditates on what it means to be trans and Black in this nation and in her own body, when both demarcations are often excuses for violence. She goes further, examining pleasure and deep-felt pain, in a rhythmic, wild embrace of life, an act of spirit work and self-grace. “You see something in me,” she writes, “something grand, / Your very cowardice yearns for; you / Who would want to own it, wear it, be by it adorned, / It is so rare a thing, so fine as I am, and seemingly / Fragile, creole, and easily decadent: it is like a tree, then.”

In a world where what one is, and how one looks, or even just the idea of a person can get one killed, this is transformative work. This collection does not stump for its humanity, nor does it compromise its art in order to speak in its own voice. Sprung to its own sound, celebratory without apology, this is a book which reclaims the act of poetry itself, too, for the way it can reshape the writer, the mind, the body, the story we choose, and the images the world can imprint on us. (Can poetry do that?) Approaching from every angle and expanding in every direction as we read, Death of the First Idea probes every aspect of transformation. Celebratory, interrogatory, reclamatory, full of rage and range, these are poems for the storms of our time.