A prize-winning sociologist’s radical vision of the social power of erotic life. 

“Fearless, candid, and bold, Sex in Public is necessary reading for anyone interested in imagining a different kind of world, one that approaches eroticism and freedom as fundamentally linked.” —Jennifer C. Nash, author of Black Feminism Reimagined

Whether we are contending with shame, healing from trauma, or experimenting in the bedroom, there is a common tendency to cast anything sexual as a problem best solved in private. Fears of judgment fuel an air of oppression around something that should be liberating. According to feminist sociologist Angela Jones, we must reject this solitary vision of desire to claim the pleasure fundamental to our freedom.

Sex in Public offers a revolutionary new paradigm for understanding sexuality. Sex is never strictly personal, but relentlessly social, shaped by power relations, and possessing outsized power of its own. To make this case, Jones charts the inner and interrelated workings of our desires, behaviors, identities, relationships, and communities. 

Guiding readers through field-leading sociology, sexual science, and the voices of sexual rule-breakers worldwide, Jones pinpoints the repressive forces that distort eroticism’s power, but also reveals our means of breaking free. Championing a rebellious spirit that uplifts bodily autonomy, justice, and care, Sex in Public makes a tantalizing promise: better sex lives and empowerment await, if only we dare to know our sexualities fully, reimagining society as we do.

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Crackling with energy and intelligence, this debut is the "smart, subversive, funny, heartbreaking" (Kamila Shamsie) story of an exceptional teenager coming of age in the shadow of colonialism and communal violence in Nigeria.

Andrew Aziza is an unusually smart fifteen-year-old in Kontagora, Nigeria. He lives with his fiercely protective mother, Gloria, and fantasizes obsessively about white girls-especially blondes. When he's not in church, at school, or hanging about town with his droogs wishing to become one of “Africa's first superheroes,” he's contemplating the larger questions with his teacher Zahrah and his equally brilliant friend Fatima, a Hausa-Fulani girl who has feelings for him. Together they discuss mathematical theorems, Black power, and what Andy has deemed the Curse of Africa.

Sure enough, the reluctantly nicknamed Andy Africa soon falls hopelessly and inappropriately in love with the first white girl he lays eyes on: Eileen. But at the church party held to celebrate her arrival, multiple crises loom. An unfamiliar man there claims, despite his mother's denials, to be Andy's father, and an anti-Christian mob has gathered, headed for the church. In the ensuing havoc and its aftermath, Andy is forced to reckon with his identity and desires and determine how to live on the so-called Cursed Continent.

The Five Sorrowful Mysteries of Andy Africa announces a dazzlingly unique literary voice. Crackling with energy, this tragicomic novel provides a stunning lens into contemporary African life, the complicity of the West, and the impossible challenges of growing up in a turbulent world.

A vital path home. Employing African epistemologies and an embodied African beingness, this book embraces the revelation and miracle of Blackness.

Creating a world worthy of our children requires recalling the dignity and distinction of the African way of life.

This book is not written for settler consumption. Kindred Creation is a call and response to dream and design better worlds rooted in African lifeways: a path to Black freedom, a love letter to Black futures, and a blueprint to intergenerational Black joy and dignity—all (and always) on Black terms.

Author, organizer, and designer Aida Mariam Davis explores the historical and ongoing impacts of settler colonialism, making explicit the ways that extraction, oppression, and enslavement serve the goals of empire—not least by severing ancestral connections and disrupting profound and ancient relationships to self, nature, and community.

Structured in three parts—Remember, Refuse, and Reclaim—Kindred Creation is a philosophical guidebook and a vital invitation to power and reconnection. Davis employs parable, poetry, theory, memory, narrative, and prophecy to help readers:

* Remember: By unforgetting the unending and cascading violence of settler colonialism and other forms of domination and exploring the ways that African land, language, lifestyle, and labor are stolen, distorted, and repackaged for colonial consumption to extract capital and sever ties to ancestral knowledge, lifeways, and dignity

* Refuse: By rejecting and interrupting death-making institutions and relationships and choosing kinship and self-determination in the face of settler colonial violence

* Reclaim: By revealing that freedom is within us—and within reach. Davis shares how the reader can birth new worlds and relationships and offers strategies for reclaiming land, language, lifestyle, and labor.

The colonial violence and dispossession of African land, language, and labor is inflicted intentionally—and by design. Reclaiming African lifeways and remembering what was forcibly forgotten must be by creation: a re-membering of our interconnectedness and kinship.

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Maya Angelou’s unforgettable collection of poetry lends its name to the documentary film about her life, And Still I Rise, as seen on PBS’s American Masters.

Pretty women wonder where my secret lies.
I’m not cute or built to suit a fashion model’s size
But when I start to tell them,
They think I’m telling lies.
I say,
It’s in the reach of my arms,
The span of my hips,
The stride of my step,
The curl of my lips.
I’m a woman
Phenomenally.
Phenomenal woman,
That’s me.

Thus begins “Phenomenal Woman,” just one of the beloved poems collected here in Maya Angelou’s third book of verse. These poems are powerful, distinctive, and fresh—and, as always, full of the lifting rhythms of love and remembering. And Still I Rise is written from the heart, a celebration of life as only Maya Angelou has discovered it.

With her characteristic brilliance, grace and radical audacity, Angela Y. Davis has put the case for the latest abolition movement in American life: the abolition of the prison. As she quite correctly notes, American life is replete with abolition movements, and when they were engaged in these struggles, their chances of success seemed almost unthinkable.

For generations of Americans, the abolition of slavery was sheerest illusion. Similarly,the entrenched system of racial segregation seemed to last forever, and generations lived in the midst of the practice, with few predicting its passage from custom. The brutal, exploitative (dare one say lucrative?) convict-lease system that succeeded formal slavery reaped millions to southern jurisdictions (and untold miseries for tens of thousands of men, and women). Few predicted its passing from the American penal landscape. Davis expertly argues how social movements transformed these social, political and cultural institutions, and made such practices untenable.
In Are Prisons Obsolete?, Professor Davis seeks to illustrate that the time for the prison is approaching an end. She argues forthrightly for “decarceration”, and argues for the transformation of the society as a whole.

The compelling memoir that explores race, cultural representation, Black media’s legacy, privilege, and identity from VIBE’s founding fashion editor and CNN correspondent Michaela Angela Davis.

As VIBE’s founding fashion editor and a CNN correspondent, Michaela Angela Davis has been at the forefront of cultural shifts, working alongside iconic figures like Diana Ross, Prince, and Beyoncé. Her memoir is a celebration of Black media’s vibrant history and a critical examination of its challenges and erasure in mainstream narratives.

In Tenderheaded, Davis journeys back through her career as both a celebration and an interrogation of Black media, exploring the difficult truth of how historically Black media titles and brands have had such mighty, culture-shifting starts, then disappeared or limped along in mainstream obscurity. Her story is one of self-discovery and liberation, as she navigates the complexities of identity politics, sexism, and racism within the media industry. Her career has been a tapestry of glamorous adventures from the bustling streets of 1980s New York City to the exotic markets of Morocco, all while styling some of the most influential figures in music and culture. Yet, beneath the surface of this dazzling world lies a poignant narrative of struggle and resilience.

Tenderheaded is not just a memoir; it is a cultural manifesto that questions the legacy of Black media and the stories of Black women that remain untold. Davis’s narrative is both a romance and a tragedy, reflecting her American life and the broader story of American media.

The beauty and spirit of Maya Angelou’s words live on in this complete collection of poetry, including her inaugural poem “On the Pulse of Morning”

Throughout her illustrious career in letters, Maya Angelou gifted, healed, and inspired the world with her words. Now the beauty and spirit of those words live on in this new and complete collection of poetry that reflects and honors the writer’s remarkable life.
 
Every poetic phrase, every poignant verse can be found within the pages of this sure-to-be-treasured volume—from her reflections on African American life and hardship in the compilation Just Give Me a Cool Drink of Water ’fore I Diiie (“Though there’s one thing that I cry for / I believe enough to die for / That is every man’s responsibility to man”) to her revolutionary celebrations of womanhood in the poem “Still I Rise”(“Out of the huts of history’s shame / I rise / Up from a past that’s rooted in pain / I rise”) to her “On the Pulse of Morning”tribute at President William Jefferson Clinton’s inauguration (“Lift up your eyes upon / The day breaking for you. / Give birth again / To the dream.”).
 
Maya Angelou: The Complete Poetry also features her final long-form poems, including “A Brave and Startling Truth,” “Amazing Peace,” “His Day Is Done,” and the honest and endearing Mother:
 
“I feared if I let you go
You would leave me eternally.
You smiled at my fears, saying
I could not stay in your lap forever”
 
This collection also includes the never-before-published poem “Amazement Awaits,” commissioned for the 2008 Olympic Games:
 
“We are here at the portal of the world we had wished for
At the lintel of the world we most need.
We are here roaring and singing.
We prove that we can not only make peace, we can bring it with us.”
 
Timeless and prescient, this definitive compendium will warm the hearts of Maya Angelou’s most ardent admirers as it introduces new readers to the legendary poet, activist, and teacher—a phenomenal woman for the ages.

In the future, nuclear war has destroyed nearly all humankind. An alien race intervenes, saving the small group of survivors from certain death. But their salvation comes at a cost.

The Oankali are able to read and mutate genetic code, and they use these skills for their own survival, interbreeding with new species to constantly adapt and evolve. They value the intelligence they see in humankind but also know that the species -- rigidly bound to destructive social hierarchies -- is destined for failure. They are determined that the only way forward is for the two races to produce a new hybrid species -- and they will not tolerate rebellion.

Akin looks like an ordinary human child. But as the first true human-alien hybrid, he is born understanding language, then starts to form sentences at two months old. He can see at a molecular level and kill with a touch. More powerful than any human or Oankali, he will be the architect of both races' future. But before he can carry this new species into the stars, Akin must reconcile with his own heritage in a world already torn in two.

When a Black teen decides to run for prom queen at her predominantly white high school, the competition takes a deadly turn when the fight for the crown becomes a matter of life or death. A gripping YA thriller for readers of Jumata Emill's The Black Queen and Tiffany D. Jackson's The Weight of Blood.

Ida and JJ could have been the ultimate power couple of Banneker High. As the VP and president of their Black Student Union, the two seemed destined to be yearbook legends. But that was before JJ learned Ida was equally attracted to girls. JJ is already deep in a new relationship, which infuriates Ida―almost as much as when a sexist "hot list' starts circulating the school. It's bad enough anyone rated the girls on their looks, but the list has only white students. Seriously?

There has never been any racial diversity among the prom queen candidates at Banneker, so the BSU decides to make their own statement on beauty and run a candidate. Now Ida and JJ's new girlfriend are both competing for the title. Ida wants to make a point more than win the crown, but having smart, savvy Amayah as her campaign manager might just help her do both. She's already winning Ida's heart.

Competition is fierce. Suddenly the prom queen candidates start getting picked off one by one…dropping out and dropping dead. Forget winning

a tiara. Who will live to see prom?