Jazz is an essential volume of rare and previously unseen photos by Steve Schapiro, featuring the biggest 1960s jazz legends.

One of the leading social documentary photographers of the 1960s, Steve Schapiro’s images stand among the most important of the 20th century, covering Muhammad Ali, Martin Luther King, Jr., James Baldwin and many others. These largely unknown jazz photos – shot just before his career breakthrough – showcase his early mastery and his empathy for his subjects, making Jazz: Best of the Apollo, Village Vanguard, and Riverside Sessions an essential archive.

In the early ’60s, when Schapiro arrived on the scene, New York jazz was enjoying a golden age. A young freelance photographer who had grown up in the Bronx and somehow snagged a gig with Riverside Records, he began voraciously documenting shows, players, venues, recording sessions and gatherings both in his native New York and later in Chicago. Whether it’s Sonny Rollins lifting weights backstage, or Bobby Timmons lost in an instant of discovery at the piano, Schapiro was on their wavelength.

Written by US jazz journalist Richard Scheinin Jazz: Best of the Apollo, Village Vanguard, and Riverside Sessions features dozens of never-before-seen photos of jazz legends like Cannonball Adderley, Melba Liston, Bill Evans, Wayne Shorter, Freddie Hubbard, Sonny Rollins, Count Basie and more.

A teen travels to Jamaica hoping to answer questions about her absent mother, only to discover more about her identity than she could have ever expected—and find herself caught up in an unexpected love triangle—in this dazzling young adult coming-of-age novel.

Jaliya Powell has never had a real adventure, a real boyfriend, or spoken up for herself. She’s never even been kissed. Despite being valedictorian of her high school class, Jaliya is used to fading into the background.

But this summer will be different.

This summer, Jaliya is visiting her uncle and his family in Jamaica. Under the guise of one last vacation before college, she plans to find out more about her estranged mother, whose absence has remained an unspoken mystery. But things have changed in the seven years since Jaliya last visited. Her cousin has his own life and is reluctant to let Jaliya in, her childhood crush has only gotten hotter and more unavailable, and her aunt and uncle aren’t everything she remembered, either. Then she meets India, who’s vibrant, gorgeous, and free-spirited. And who makes Jaliya feel something she’s never felt before.

While searching for traces of her mother across the island, Jaliya finds herself entangled in complicated relationships, tricky secrets, and a passionate new love. As she navigates this perfectly complicated summer, Jaliya must choose between who she has always been or who she hopes to become.

The collected creative nonfiction of a singular American writer, Jesmyn Ward, including widely shared classics, three never-before-published speeches, and an introductory essay.

Respair (noun, obsolete), fresh hope after despair.

From the two-time National Book Award winner and New York Times bestselling author Jesmyn Ward, this collection of essays documents more than a decade of work in the life of a singular writer often lauded as “the heir apparent to Toni Morrison” (LitHub). Beginning with her upbringing in a multigenerational household in rural Mississippi, the cradle of both her youth and her gift for storytelling, Ward brings her keen wisdom and hauntingly lyrical prose to a range of topics, following in her grandmother Dorothy’s footsteps when she promises always to “Tell it straight. Tell it all.”

True to her word, in these pages Ward contemplates the writers and novels of her youth and adulthood—the transformative power of discovering Octavia Butler as a twenty-something, the mirror that Richard Wright’s novels held up to her own childhood, and of course, her lifelong love for Toni Morrison. Ward ruminates on her approach to both fiction and life, reflecting on the power of the novel, how to raise a Black son in an era of rising divisiveness and cruelty, as well as her own personal tragedies—including the titular essay of the collection, which tells the story of her partner’s sudden death on the eve of the COVID-19 epidemic. Every bit as piercing and moving as her fiction, On Witness and Respair is a testament to Ward’s powers as “one of America’s finest living writers” (San Francisco Chronicle) and is a monument to hope, beauty, and personal and collective resilience.

Jojo is thirteen years old and trying to understand what it means to be a man. He doesn’t lack in fathers to study, chief among them his Black grandfather, Pop. But there are other men who complicate his understanding: his absent White father, Michael, who is being released from prison; his absent White grandfather, Big Joseph, who won’t acknowledge his existence; and the memories of his dead uncle, Given, who died as a teenager.

His mother, Leonie, is an inconsistent presence in his and his toddler sister’s lives. She is an imperfect mother in constant conflict with herself and those around her. She is Black and her children’s father is White. She wants to be a better mother but can’t put her children above her own needs, especially her drug use. Simultaneously tormented and comforted by visions of her dead brother, which only come to her when she’s high, Leonie is embattled in ways that reflect the brutal reality of her circumstances.

When the children’s father is released from prison, Leonie packs her kids and a friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another thirteen-year-old boy, the ghost of a dead inmate who carries all of the ugly history of the South with him in his wandering. He too has something to teach Jojo about fathers and sons, about legacies, about violence, about love.

Cat St. Clair is ready for her messy love triangle era now that she’s in an open relationship. But she didn’t foresee a forbidden love triangle with the only two people who are off-limits: her boyfriend’s best friend and his girlfriend. Being a twenty-something writer who lives for plot, she falls for them anyway, with deliciously disastrous consequences, in this electric literary debut for fans of Xochitl Gonzalez, Coco Mellors, Lily King, and Raven Leilani.

It’s the fall of 2024, and twenty-four-year-old Cat isn’t asking for too much: all she wants is three boyfriends, to write her little novels, and to survive another chaotic presidential election. She’s in an open relationship with her college sweetheart Jay, but nonmonogamy isn’t just a hot trend she’s trying. It’s her sliver of freedom in a world eager to wrestle it from her for being a Black woman going after what she wants with reckless abandon.

While political tensions roil the campus where Cat is slowly earning her creative writing degree, she finds herself drawn to Jay’s best friend, Tristan, who’s smart, super hot, and…in a monogamous relationship. And then she meets Tristan’s girlfriend, Nia, a captivating art student with her own gravitational pull.

Friends and family urge her to just be happy with Jay, but Cat is determined to have it all—or blow up her life trying. As she falls for all the wrong people, racking up lies, betrayals, and terrible drafts of her novel, she tries to write her way to a happy ending. But in art, politics, and love, true liberation may take more than rewriting the old scripts. It may mean inventing something entirely new.

Hit the ground running with all five books in Jason Reynolds’s award-winning and New York Times bestselling Track series, now available together in one paperback boxed set.

Ghost. Patina. Sunny. Lu. A fast and fiery group of kids from wildly different backgrounds, chosen to compete on an elite track team. They all have a lot to lose, a lot to gain, and, most of all, a lot to prove, not only to each other, but to themselves. Under the caring yet firm-handed guidance of their coach, however, they may achieve more than they ever dreamed possible.

Here are all their stories, even Coach’s from when he was a boy coming into his own as a track superstar, in this explosive five-book series.

This paperback boxed set includes:
Ghost
Patina
Sunny
Lu
Coach

Framing Fatherhood is a stunning and moving photographic celebration of culture, fatherhood, masculinity, and blackness from 30 of today’s prominent Black male photographers.

In Framing Fatherhood, acclaimed curator and producer Dr. Imani Cheers brings together the vision of 30 prominent and well-respected Black photographers to capture and share the beauty of Black fatherhood.
 
With photography from prolific visual storytellers devoted to capturing varying expressions of the Black experience, like Reginald Cunningham, Anthony Geathers, Steven John Irby, and Michael A. McCoy, Dr. Cheers has gathered together an inspiring group of men to share the often overlooked beauty found within seeing Black men as individuals, fathers, role models, and community members. Split into four themes of family, faith, friendship, and fatherhood, each artist uses their photography to answer the central prompt: “What does Black fatherhood mean to you?”.
 
A celebratory and thought-provoking collection, Framing Fatherhood is a must-have for lovers of art, photography, and the inherent goodness of the human spirit.

In a world without white people, what does it mean to be Black?

One day, a cataclysmic event occurs: all of the white people in America walk into the nearest body of water. A year later, Charlie Brunton is a Black man living in an entirely new world. Having served time in prison for a wrongful conviction, he’s now a professor of electric and solar power systems at Howard University when he receives a call from someone he wasn’t even sure existed: his daughter Sidney, a nineteen-year-old left behind by her white mother and step-family.

Traumatized by the event, and terrified of the outside world, Sidney has spent a year in isolation in Wisconsin. Desperate for help, she turns to the father she never met, a man she has always resented. Sidney and Charlie meet for the first time as they embark on a journey across a truly “post-racial” America in search for answers. But neither of them are prepared for this new world and how they see themselves in it.

Heading south toward what is now called the Kingdom of Alabama, everything Charlie and Sidney thought they knew about themselves, and the world, will be turned upside down. Brimming with heart and humor, Cebo Campbell’s astonishing debut novel is about the power of community and connection, about healing and self-actualization, and a reckoning with what it means to be Black in America, in both their world and ours.

With the power of Educated and the emotional sweep of When Breath Becomes Air, Great and Unfortunate Things is the inspiring, underdog story of how an autistic, non-verbal boy who society had all but given up on found his voice, literally and figuratively, became one of the youngest professors in the University of Cambridge’s history and put himself in a position to give back.

Jason Arday was born the second youngest of three boys and grew up in a colorful and lively section of South London. At three years old, he was diagnosed with autism and development delays. Experts told his parents that he would never be able to speak, write, or live independently. An institution would best serve his needs, it was suggested.

His parents would have none of it. Instead, thinking outside the box and drawing on her faith, his extraordinary mother Giff embraced his neurodivergence and fiercely dedicated herself to helping her son realize a potential few others believed was possible. Giff drew on proverbs from her West African culture, popular music by the likes of Enya, and comedic television shows and movies to help Jason make sense of the world.

In Great and Unfortunate Things, we see how Arday went from being nonverbal until he was eleven and illiterate until eighteen to becoming a professor at Cambridge. Without romanticizing the struggle, it’s a story of a son’s determination against insurmountable odds and how his family and a band of ordinary people with extraordinary compassion joined forces to encourage Jason to believe in himself and maximize his capabilities.

This is the story we need right now, and Arday, who believes in paying it forward, is the kind of figure the world can use more of now more than ever.

A group of friends fight to choose their own fates in this trope-savvy, self-referential young adult thriller from the acclaimed author of Their Vicious Games, about a demonic force that acts according to horror movie rules in the spirit of the Scream movies.

Devon is always being left behind by her genius twin sister, Drew. At this point, it’s a fact of life. But Devon has one last plan before Drew leaves for college a whole year early—The Best Summer Ever. After committing to the bit a little too much, the twins and their chaotic circle of friends learn why you don’t ever mess with a Ouija board if you want to actually survive the Best Summer Ever, and soon find themselves being hunted down by…a demon?

But while there’s no mistaking the creeping, venomous figure is not from around here, their method doesn’t feel very demonic at all. In fact, it’s downright human—going after them in typical slasher movie kill order. And that means Devon, the blonde, is up first and her decade-long crush, Yaya, is the Final Girl who must kill or be killed to end the cycle.

Devon has never liked playing by anyone else’s rules though, not even a demon’s, and the longer this goes on, the more she feels Drew and Yaya slipping away from her even as she tries to help them all survive. Can they use their horror movie knowledge to flip the script and become the hunters instead of the hunted? Or will their best summer ever be their last?

From beloved content creator Taryn Delanie Smith, comes a luminous and comforting vision of the afterlife—told through her beloved character, Denise, Heaven’s sharp-witted and big-hearted receptionist.

For millions of followers, Denise has become a guide to the great beyond: welcoming new arrivals at Heaven’s front desk, answering their most pressing questions, and offering reassurance with humor, grace, and a knowing wink. What is there to do in Heaven? Can our loved ones still sense us? What about our pets? Do we get to choose our eternal outfit? Denise has heard it all—and she’s ready with answers that are as thoughtful as they are disarming.

In Welcome to the Afterlife, Smith expands the world that has captivated those who know her from social media, inviting readers on a richly imagined tour of the “Upstairs.” From horseback riding and bingo nights to flying lessons and long-awaited reunions, Heaven is revealed as a place of joy, restoration, and deep connection. But Denise doesn’t shy away from the harder questions: What happens to unfinished business? How are babies cared for? How do we forgive ourselves—and each other—once we’ve crossed over?

Along the way, we meet unforgettable souls, and with each encounter, Denise gently reminds us that love endures, and that those we’ve lost are never truly far away.

Behind the humor and sparkle lies Smith’s own grounding in philosophy and religion, lending depth and nuance to Denise’s voice. The result is a work that is at once playful and profound—a comforting meditation on grief, grace, and the invisible threads that bind us to one another.

Warm, funny, and unexpectedly wise, Welcome to the Afterlife offers solace to anyone who has loved and lost—and a hopeful reminder that what awaits us may be far less frightening, and far more beautiful, than we imagine.