An elegant biography of a prescient author whose novels portray Black women’s experiences across the African diaspora
 
Growing up in World War II–era Brooklyn among West Indian immigrants, Paule Marshall (1929–2019) was fiercely driven to become a writer, making art from the world she knew, the life she lived, and the world she imagined. Though her novels and stories are understood by scholars as the beginning of contemporary Black feminist literature―bridging Harlem Renaissance writers like Zora Neale Hurston to such writers as Toni Morrison, Alice Walker, and Maya Angelou―Marshall’s legacy is often overlooked. In this elegant literary biography, distinguished scholar of African American literature Mary Helen Washington draws on exclusive access to the writer’s papers, including her newly discovered unpublished memoir, and scores of interviews with family and friends to give us the first account of Marshall’s life as an artist and of the depth and brilliance of her work.
 
Beginning with her 1959 debut, Brown Girl, Brownstones, a coming-of-age story set among Barbadian immigrants and African Americans in Brooklyn, and moving through her later works set in the Caribbean, Africa, and the United States, Marshall’s novels chart the diasporic life that Marshall herself lived, defined by Black women’s experiences, an unapologetic and sometimes queer sexuality, and the history of the African diaspora. Despite the lush and finely observed inner lives of her heroines, however, Marshall was famous for tightly guarding her own privacy, and it is this enigma―Marshall’s deeply expressive writing versus her guarded public exterior―that Washington draws out. Here is the first look at a prescient, brilliantly talented writer, a complex and fascinating woman, whose fiction single-handedly stages a reverse middle passage that extends from the United States and the Caribbean to Africa.

A beautiful, bold collection of more than 100 dazzling poems by Black poets for the whole family to treasure.

Discover classic favorites and new stars. This gorgeously illustrated children's anthology is the perfect introduction to poets such as Lucille Clifton, Langston Hughes, Benjamin Zephaniah, Gwendolyn Brooks, Maya Angelou, Amanda Gorman, Caleb Femi, and Joseph Coelho, and also features brand-new work by poets Nikki Grimes, Carole Boston Weatherford, and others.

Lovingly compiled by award-winning picture book writer and editor Traci N. Todd, this collection touches on a wide range of themes-hope and struggle, joy and pride, home and food, music and family. Each poem is paired with vibrant, inviting illustrations by Jade Orlando.

This beautiful gift book is a remarkable and moving tribute to the rich literary history and bright future of Black writing.

With previous work hailed by the New York Times as “unflinching” and “piercing”, Ashley M. Jones’s Lullaby for the Grieving is her most personal collection to date.

In her fourth poetry collection, Jones studies the multifaceted nature of grief: the personal grief of losing her father, and the political grief tied to Black Southern identity. How does one find a path through the deep sorrow of losing a parent? What wonders of Blackness have to be suppressed to make way for "progress"?

Journeying through landscapes of Alabama, the Middle Passage and Underground Railroad, interior spaces of loss and love, and her father’s garden, Jones constructs both an elegy for her father and a celebration of the sacred exuberance and audacity of life. Featuring poems from her tenure as Alabama’s first Black and youngest Poet Laureate, Lullaby for the Grieving finds calm in unimaginable storms and attempts to listen for the sounds of healing.

From the #1 New York Times bestselling author of How Stella Got Her Groove Back and Waiting to Exhale comes a remarkable, career-spanning collection of short fiction and essays about love, aging, culture and all the things in between.

For the first time, a single volume brings together renowned author Terry McMillan’s previously published short fiction and nonfiction pieces, as well as never-before-seen works.

Before McMillan found success as a novelist in the early 1990s, she published provocative, boundary-pushing short stories, capturing the struggles and triumphs of Black life in America with vitality and honesty, from the workaday factory man’s malaise in “The End” to the cast-aside lover’s resolve in “Touching” to the elderly woman’s wiles in “Ma’Dear.” McMillan’s inimitable voice bravely explores the dark corners of human relationships with compassion, humor, and nuance. This collection also features five unpublished stories that reveal how she wrestled with controversial topics rarely addressed in short fiction, from domestic abuse in “Mama, Take Another Step” to extreme poverty in “Can’t Close My Eyes to It.”

Whether she’s revealing life lessons, pontificating about aging, recalling her sources of inspiration, or laying bare the beginnings of her life as a writer, McMillan approaches every piece with enduring candor, wit, and fearlessness.

Devoted fans and new readers alike will be delighted to discover these treasures spanning McMillan’s long, groundbreaking career. Indeed, it wasn’t only what Terry McMillan has said that made her so beloved . . . it was the way she said it.

Published to coincide with the hundredth anniversary of his birth, the first major study of Malcolm X’s influence in the sixty years since his assassination, exploring his enduring impact on culture, politics, and civil rights.

Malcolm X has become as much of an American icon as Abraham Lincoln, John F. Kennedy, or Martin Luther King. But when he was murdered in 1965, he was still seen as a dangerous outsider. White America found him alienating, mainstream African Americans found him divisive, and even his admirers found him bravely radical. Although Ossie Davis famously eulogized Malcolm X as “our own Black shining prince,” he never received the mainstream acceptance toward which he seemed to be striving in his final year. It is more in death than his life that Malcolm’s influence has blossomed and come to leave a deep imprint on the cultural landscape of America.

With impeccable research and original reporting, Mark Whitaker tells the story of Malcolm X’s far-reaching posthumous legacy. It stretches from founders of the Black Power Movement such as Stokely Carmichael and Huey Newton to hip-hop pioneers such as Public Enemy and Tupac Shakur. Leaders of the Black Arts and Free Jazz movements from Amiri Baraka to Maya Angelou, August Wilson, and John Coltrane credited their political awakening to Malcolm, as did some of the most influential athletes of our time, from Muhammad Ali to Kareem Abdul-Jabbar and beyond. Spike’s movie biopic and the Black Lives Matter movement reintroduced Malcolm to subsequent generations. Across the political spectrum, he has been cited as a formative influence by both Barack Obama—who venerated Malcolm’s “unadorned insistence on respect”—and Clarence Thomas, who was drawn to Malcolm’s messages of self-improvement and economic self-help.

In compelling new detail, Whitaker also retraces the long road to exoneration for two men wrongfully convicted of Malcolm’s murder, making The Afterlife of Malcolm X essential reading for anyone interested in true crime, American politics, culture, and history.

9x published author of 'A Healing Journal for Black Men' Featured in Forbes, Essence, Afropunk & Shondaland

Yoga and Healing for Black Embodiment is a sacred offering and field guide for Black practitioners, teachers, and seekers reclaiming yoga as a path of remembrance, resistance, and liberation. Drawing from African spiritual traditions, diasporic wellness practices, classical yoga lineages, and personal testimony, author Danny Angelo Fluker Jr. honors Blackness not as something to transcend but as something divine, powerful, and already whole.

Blending ancient wisdom with modern practice, this book covers:

* The untold history of early Black yogis in the U.S.
* African-rooted practices like Rìrò and Kemetic Yoga
* Embodied healing through chakras, breath, sound, and stillness
* The ethics of yoga through the lens of Black liberation
* Practical rituals for mind-body-spirit health, rest, and integration

With meditation prompts, affirmations, and lived reflections throughout, this is more than a book it’s a return. A remembering. A reclamation of what has always belonged to us.

Authors Note :

“I am deeply passionate about the intersection of Yoga and Blackness. For the past two years, I’ve been writing a book on Black Healing and Yoga to help bridge the gap in understanding and make the practice more accessible and meaningful within our communities.” -Danny Angelo Fluker Jr

PS-For Christians reading this, know that my aim is not to replace your faith, but to show how yoga, like prayer or fasting, can be a practice of healing and presence with God.

A critical collection of conversations with Toni Morrison, Alice Walker, Gayl Jones and other Black women writers that changed the scope of Black literature in the 20th century and beyond.

“Black women writers and critics are acting on the old adage that one must speak for oneself if one wishes to be heard.” —Claudia Tate, from the introduction

Long out of print, Black Women Writers at Work is a vital contribution to Black literature in the 20th century. 

Through candid interviews with Maya Angelou, Toni Cade Bambara, Gwendolyn Brooks, Alexis De Veaux, Nikki Giovanni, Kristin Hunter, Gayl Jones, Audre Lorde, Toni Morrison, Sonia Sanchez, Ntozake Shange, Alice Walker, Margaret Walker, and Sherley Anne Williams, the book highlights the practices and critical linkages between the work and lived experiences of Black women writers whose work laid the foundation for many who have come after.

Responding to questions about why and for whom they write, and how they perceive their responsibility to their work, to others, and to society, the featured playwrights, poets, novelists, and essayists provide a window into the connections between their lives and their art.

Finally available for a new generation, this classic work has an urgent message for readers and writers today.

Arsenio Hall, America’s beloved late-night TV host, reveals the ups and downs of his remarkable career as a trailblazing pioneer with this behind-the-scenes, star-studded, no-holds-barred memoir of celebrity, race, and show business.

Arsenio Hall holds a uniquely prominent place in American culture—celebrated late-night host and comedic actor, famed for starring roles in the cultural touchstones Coming to America and Harlem Nights.

Now, he pulls back the curtain and takes us to a different time in Hollywood. Iconic scenes include: starting out as a young magician in Cleveland; hosting his first talk show in the basement of his apartment building when he was in elementary school; cutting his teeth at the world-famous Comedy Store in Hollywood, learning about comedy and life from legendary comedian Richard Pryor; forming lifelong bonds with legendary icons Muhammad Ali, Luther Vandross, Sammy Davis, Jr., and Eddie Murphy; tasting superstar success with Coming to America, the film that preceded The Arsenio Hall Show; conducting unforgettable, groundbreaking interviews with Magic Johnson, Bill Clinton, Tupac Shakur, Maya Angelou, Madonna, and Minister Louis Farrakhan; rescuing a family from a home-fire with Jay Leno; sharing hot sauces and blackjack with Patti LaBelle; and chilling with Prince.

And then, he made the difficult decision to walk away.

This bracingly candid memoir offers a new appreciation for this raw talent and gifted storyteller, who nightly, for six years, hosted what felt like a televised “party” that changed the landscape of late-night television and brought Black culture into living rooms across America.

With this book, he does it one more time.

“Lyrical, beautiful, and descriptive.” ―Mandana Chaffa, BOMB

“In ravishing, formally exploratory poems, Maya C. Popa wields the lyric like a reparative scalpel, evoking wonder and woundedness in equal measure.” ―Meghan O’Rourke

Award-winning poet Maya C. Popa suggests that our restless desires are inseparable from our mortality in this pressing and precise collection. Rooting out profound meaning in language to wrench us from the moorings of the familiar and into the realm of the extraordinary, the volume asks, how do we articulate what’s by definition inarticulable? Where does sight end and imagination begin?

Lucid and musically rich, these poems sound an appeal to a dwindling natural world and summon moments from the lives of literary forbearers―John Milton’s visit to Galileo, a vase broken by Marcel Proust―to unveil fresh wonder in the unlikely meetings of the past. Popa dramatizes the difficulties of loving a world that is at once rich with beauty and full of opportunities for grief, and reveals that the natural arc of wonder, from astonishment to reflection, more deeply connects us with our humanity.