In a piercing blend of biography, criticism, and memoir, Pulitzer Prize-winning writer Salamishah Tillet explores Nina Simone’s life and the impact of her legacy.

In Nina Simone and the World She Made, Salamishah Tillet traces Nina Simone’s transformation from child prodigy to musical icon and fearless civil rights activist. When racism thwarted her dreams of becoming a classical pianist, Simone reinvented herself and created a sound wholly her own—one that would catapult her into stardom and the heart of the Black Power movement.

Decades later, Simone’s music inspired the hip-hop generation and Tillet’s own profound political awakening. From buying her first Nina Simone album to becoming a creative and activist, Tillet’s private encounters with Simone’s work grew into a broader exploration of her legacy. Exploring Simone’s unique impact on the American cultural landscape through the women who shaped her and those whom she shaped, Tillet reveals how art can be a powerful driver of social activism, and the struggles and sacrifices it involves.

With honest, lyrical prose, Tillet’s intimate portrait brings us close to Simone, while showing us how the singer’s voice captured the pain and promise of America and resonates in the fight for equality today. Nina Simone and the World She Made urges us to listen to Simone’s music—not just as a reflection of the past, but as a guide for the future.

Celebrate the release of The Grandest Garden with Gina L. Carroll!

EVENT DEETS

When: Thursday, June 6, 2024

Where: Kindred Stories Reading Garden (2304 Stuart Street, HTX, 77004)

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to support our programming and the author. 

ABOUT THE BOOK

ABOUT THE AUTHOR

Gina L. Carroll is the author of A Story That Matters: A Gratifying Way to Write About Your Life and editor of Stories Are Medicine: Writing to Heal, An Anthology. A self-pro-fessed story wrangler, Gina founded StoryHouse Texas, a creative space dedicated to cultivating and amplifying the diversity of vision and voice in story. The Grandest Garden is her debut novel. She currently lives in Houston, Texas. To learn more about Gina, visit www.ginacarroll.com.

ABOUT THE CONVERSATION PARTNER

Deborah D.E.E.P Mouton is an award-winning writer, director, performer, critic, and the first Black Poet Laureate of Houston, TX. Praised by the NY Times as an artist who “defies categorization”, her genre-bending works span from stage to page, and everything in between. She is the author of Newsworthy (Bloomsday Literary, 2019) which was translated into German (Berichtenswert, Elif Verlag, 2020), Black Chameleon (Henry Holt, 2023), and an upcoming children's book, Hush Hush Hurricane (Kokila Books). Honored as part of Houston Business Journal’s 40 Under 40 class, she has been a contributing writer for Glamour, Texas Monthly, Muzzle, and ESPN's Andscape, to name a few.

Her most recent choreopoem, PLUMSHUGA: The rise of Lauren Anderson, debuted at Stages Theater and made the cover of the NY Times Culture Section. Her forthcoming opera, She Who Dared, composed by Jasmine Barnes, will  debut in Spring 2025. Her memoir, Black Chameleon (Henry Holt & Co, 2023), recently won the the Carr P. Collins award for Best Nonfiction through the Texas Institute of Letters (2024). Order your copy now.

Sometimes, the perfect match isn't the one you planned for. Fans of The Boyfriend Project by Farrah Rochon and One to Watch by Kate Stayman-London will love Weight for Me.

Julissa Sanders has it all--a thriving PR agency, a superstar NFL quarterback fiancé, and a picture-perfect life. But when a careless comment about her weight gain goes viral, Julissa's world crumbles. Determined to regain control, she hits the gym, only to find an unexpected ally in her fiancé's best friend, Malachi.

As Julissa navigates the pressures of planning a high-profile wedding and managing her image, she finds herself drawn to the man who's supposed to be just her trainer. With her carefully crafted life unraveling, Julissa must choose between the love she thought she wanted and the love that could change everything.

From the 2025 Children’s Literature Legacy Award winner, New York Times bestselling, and multiple award-winning author Carole Boston Weatherford comes a powerful nonfiction picture book that follows the individual acts of courage behind the 1955 Montgomery Bus Boycott.

In Montgomery, everyone relied on the city’s buses, but only white riders could sit in the front. If white riders needed more seats, Black riders had to give theirs up. And the white bus drivers would call the police whenever they wanted to. How could the Black community fight for their rights?

With incredible coordination and planning, Black people across the city carefully planned a boycott. When Rosa Parks was arrested after refusing to give her seat up to a white rider, they were ready to act. But, as the months drew on, everyone found themselves wondering: What would it take to end the boycott?

Award-winning team Carole Boston Weatherford and Noa Denmon unite to tell the remarkable story of the 1955 Montgomery Bus Boycott and the people who achieved justice by working together.

* Important American History: This book spotlights the collective action of the Civil Rights Movement.
* Unsung Heroes: Strength in Numbers celebrates the many people who made the long bus boycott a success.
* Impressive Back Matter: This book features an extensive timeline, along with additional information about the Montgomery Bus Boycott.

A girl's big sister’s Quinceañera is just cinco days away. They need to find a vestido, pick out a tiara, style the flores. . . . There’s so much to do! How can a little sister help?

With vibrant art and heartfelt bilingual storytelling, Five Days ‘til Quince shares a young girl’s experience counting down the days until her big sister's 15th birthday party, and the many preparations that go into making the day extra special – including something only a little sister can provide: courage.

Backmatter includes an author's note, a glossary of terms in English and Spanish, and an introduction to the quinceañera tradition!

A New York Times Notable Book

A landmark reinterpretation of the civil rights movement that challenges reductive heroic narratives of the 1950s and 1960s and invigorates new debates and possibilities for the future of the struggle for liberation.

We are all familiar with the romantic vision of the civil rights movement: Heroic African Americans and their allies courageously triumphed over racial oppression, forging a new consensus in American life and law. What are the effects of this celebratory storytelling? What happens when a living revolt against injustice becomes an embalmed museum piece?

In this innovative work, Brandon Terry rejects the authority of the romantic narrative―the “arc of justice” story found in popular histories, the speeches of Barack Obama, and the writings of John Rawls―while also pushing back against the rival ironic mode of Afropessimism. Though sympathetic to the critiques of Afropessimists, Terry ultimately finds their thought self-undermining.

Instead of romance or irony, he argues, the civil rights movement is best understood through the lens of tragedy. By challenging the attachment to triumphant pasts, Terry demonstrates that tragedy exemplifies what the civil rights movement has been and can still be. Provocative and original, Shattered Dreams, Infinite Hope offers optimism without naïveté, to train our judgment and resilience in the face of reasonable despair.

From the award-winning novelist and poet Dionne Brand, a smart, sensual, and witty novel about what happens when love and intellect are set on a collision course.

Theory begins as its narrator sets out, like many a graduate student, to write a wildly ambitious thesis on the past, present, and future of art, culture, race, gender, class, and politics―a revolutionary work that its author believes will synthesize and thereby transform the world.

While our narrator tries to complete this magnum opus, three lovers enter the story, one after the other, each transforming the endeavor: first there is beautiful and sensual Selah, who scoffs at the narrator’s constant tinkering with academic abstractions; then altruistic and passionate Yara, who rescues every lost soul who crosses her path; and finally spiritual occultist Odalys, who values magic and superstition over the heady intellectual and cultural circles the narrator aspires to inhabit. Each galvanizing love affair (representing, in turn, the heart, the head, and the spirit) upends and reorients the narrator’s life and, inevitably, requires an overhaul of the ever larger and more unwieldy dissertation, with results both humorous and poignant.

By effortlessly telling this short, intense tale in the voice of an unnamed, ungendered (and brilliantly unreliable) narrator, Dionne Brand makes a bold statement not only about love and personhood, but about race and gender―and what can and cannot be articulated in prose when the forces that inhabit the space between words are greater than words themselves.

Theory is a gorgeous, profoundly moving, word- and note-perfect novel of ideas that only a great artist at the height of her powers could write.

A globe-spanning jigsaw puzzle of a novel about what it is to be human during this nervous, catastrophic moment in time.

Dionne Brand’s brief, powerful small life has the dazzling, hypnotic rhythm of a series of waves, tossing together multiple narrators and stories in time and space. The novel works through affective momentum, through gathering velocity, through multiplying and quickening voices and stories. None of these vividly alive characters know one another, but all exist inside this nervous moment in time.

Throughout the novel, characters’ voices recur in random ways, each around their own “small life.” Each person is in the middle of an action or a demand or a situation or a misunderstanding, and each is attempting to find a life, to know a life, to navigate the precarity of life. These lives are unfolding anywhere in the world: leaving the outskirts of Cartagena, working the streets of Madrid, caught in a toxic flood, hanging on to the edge of a boat in the Mediterranean, cleaning a stall in a North American airport, setting off to work on an oil platform, refusing eviction from an apartment. Their stories build and braid through inference, familiarity, and emotion―shock, realization, small joy―offering glimpses of the innermost workings of human beings in our contemporary, catastrophic zeitgeist.

A sweeping history of the African American struggle against police brutality, exposing how state violence underpins the capitalist economy and tracing the long resistance movement in pursuit of racial justice and freedom for all

Rekia Boyd, Timothy Thomas, Jonathan Sanders, Breonna Taylor, Jordan Neely, and Michael Brown were casualties of war. Whether we call it a war on crime, a war on militants, or a war on drugs, law enforcement at every level has made Black neighborhoods across the country into killing fields and open-air prisons, stripping vulnerable people of equal rights, freedom of movement, and even protection from torture. In a smoldering indictment, Robin D. G. Kelley excavates the deep history of this war through the lives of the victims and their communities, drawing a direct line from today’s fatalities to the “blood at the root”―the racial terror at the heart of America’s system of exploitation and wealth accumulation.

It is a system, Kelley shows, that depends on racial and economic inequality and is maintained through not only tools of force but also tools of wealth extraction, from lynch law in Georgia to segregated housing in St. Louis to gentrification, predatory lending, civil forfeiture, and even today’s militarization of ICE.

At the same time, Making a Killing is a history of the counterwar, the legacy of collective Black resistance―the movements, tactics, thinkers, and leaders―that has long been a catalyst for change and the tip of the spear in a broader fight against rising fascism. Demanding not only justice for Black victims but also vast and visionary social transformation, these movements, from Reconstruction to the present day, hold out the possibility that we may lay to rest the America we know so that a new world may be born.

The next book in the New Haven series, interconnected standalones featuring second chances, fiery passion, and Black heroines who get their happily ever afters.

Rae

Loving someone with demons is hard but leaving them is harder.

That's a lesson I learned roughly a decade ago when I left the love of my life behind. Choosing the child we made but weren't ready for over any hope for what could be. Trading in potential for reality, my dreams for motherhood and the warmth of his embrace for a cold, lonely world.

Despite how tragic it all sounds, everything turned out okay. I made peace with my decisions, soothed the ache in my heart with harsh truths that have remained firmly in tact until...well, until now.

Now, I'm back in New Haven and nothing is the way it should be. The man I left behind is not the one I keep running into around town. He's steady, dependable, stable, ready to be a father to our daughter and desperate to do more than co-parent with me.

Hunter

couldn't stop wanting Rachel Prince if I tried. Not that I ever have. Tried, that is. Why would I when she's the only good thing I've ever craved, the only addiction I've had that didn't try to destroy me?

When she left me, I wasn't mad. I didn't want her to go, but I think by the end we both knew she couldn't stay. There was too much darkness around us, and it was all emanating from me.

My addiction. My pain. My grief overshadowing hers.

I wasn't the man she needed or the partner she deserved. She did the right thing, getting out, taking our kid with her. But knowing that doesn't make it hurt any less.

It does, however, make me determined.

To keep my decade long sobriety streak going.

To make up for every day I missed of my daughter's life.

To win back the love of my life and never let her go again.

From everyday apps to complex algorithms, Ruha Benjamin cuts through tech-industry hype to understand how emerging technologies can reinforce White supremacy and deepen social inequity.

Benjamin argues that automation, far from being a sinister story of racist programmers scheming on the dark web, has the potential to hide, speed up, and deepen discrimination while appearing neutral and even benevolent when compared to the racism of a previous era. Presenting the concept of the “New Jim Code,” she shows how a range of discriminatory designs encode inequity by explicitly amplifying racial hierarchies; by ignoring but thereby replicating social divisions; or by aiming to fix racial bias but ultimately doing quite the opposite. Moreover, she makes a compelling case for race itself as a kind of technology, designed to stratify and sanctify social injustice in the architecture of everyday life.

This illuminating guide provides conceptual tools for decoding tech promises with sociologically informed skepticism. In doing so, it challenges us to question not only the technologies we are sold but also the ones we ourselves manufacture.