From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in a West that betrays its fundamental values

On October 25, 2023, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: “One day, when it’s safe, when there’s no personal downside to calling a thing what it is, when it’s too late to hold anyone accountable, everyone will have always been against this.” This tweet has been viewed more than 10 million times.

As an immigrant who came to the West, El Akkad believed that it promised freedom. A place of justice for all. But in the past twenty years, reporting on the War on Terror, Ferguson, climate change, Black Lives Matter protests, and more, and watching the unmitigated slaughter in Gaza, El Akkad has come to the conclusion that much of what the West promises is a lie. That there will always be entire groups of human beings it has never intended to treat as fully human—not just Arabs or Muslims or immigrants, but whoever falls outside the boundaries of privilege. One Day, Everyone Will Have Always Been Against This is a chronicle of that painful realization, a moral grappling with what it means, as a citizen of the U.S., as a father, to carve out some sense of possibility in a time of carnage.

This is El Akkad’s nonfiction debut, his most raw and vulnerable work to date, a heartsick breakup letter with the West. It is a brilliant articulation of the same breakup we are watching all over the United States, in family rooms, on college campuses, on city streets; the consequences of this rupture are just beginning. This book is for all the people who want something better than what the West has served up. This is the book for our time.

A young man journeys from Paris to Rwanda to discover the truth about his family's past in this bestselling, prize-winning novel from internationally renowned Rwandan-French novelist and hip-hop artist Gaël Faye.

"Gaël Faye's talent is breathtaking."--Imbolo Mbue, author of Behold the Dreamers

Milan--the twelve-year-old son of a French father and a Rwandan mother--blames flunking his exams on the emotional toll of the genocide in his mother's homeland. In truth, his mother never talks about Rwanda; the violence is an abstraction that only reaches their French suburb through television broadcasts. That is, until Milan meets Claude, a small boy with a bandaged head whom Milan's mother introduces as a cousin who has come to France seeking medical treatment. Milan embraces him as the brother he's always wanted--until, one day, Claude is sent back to Rwanda without warning, leaving him heartbroken and confused.

Four years later, the boys reunite as teenagers when Milan visits Rwanda for the first time with his mother in the wake of her divorce and discovers a more fractured and vibrant community than he could have imagined. But the trip raises more questions for him than it answers--about family, the war, and its aftershocks. Over the course of many years, Milan will return to Rwanda again and again, compelled to unearth the secrets that have taken root in the shadows of long silences, confront the past, and imagine a new future.

Partly inspired by acclaimed author Gaël Faye's own relationship with Rwanda and its history, Jacaranda is a rich and deeply felt portrait of a man seeking to understand his family and his nation as it heals from the unthinkable.

WINNER OF THE 2025 JAMES LAUGHLIN AWARD FROM THE ACADEMY OF AMERICAN POETS

A stunning new collection exploring lineage and the legacy of survival as seen through the life of the poet’s grandmother Alice—a Black woman born in the Jim Crow South—using the King James Bible as a narrative framework.

“Alice / a god-song, swings still in the high / branch of our throats. I miss her, wonder / what she plants in heaven’s mulch.”

When her grandmother died, poet Diamond Forde inherited a well-worn family Bible to remember her by. In The Book of Alice, she retells the story of her grandmother’s life through the framework of the only poetry Alice knew: the King James Bible. A Black woman born in the Jim Crow South, Alice joined the tide of the Great Migration when she made her exodus to New York City. She married, divorced, and raised eight children, all while struggling to define herself in an America that looks frighteningly like our own. Using found forms like recipes, a family tree, and a US Census Report alongside imagined psalms and scriptures, Diamond draws bold parallels between biblical narratives and the lived experiences of those often relegated to the margins of history. The result is both a heartfelt elegy and a new sacred text.

A derangeddeity, powerful nations, and heretic cultists clash. Meanwhile…

A girl with missing memories must find a way to survive this calamity

Set in a world shaped by powerful deities known as Oriṣa, Àyànmọ́ follows Iniọla, a teenage girl searching for purpose in a life clouded by sealed memories and hidden truths. As she unravels the mystery of her past, she must challenge the very forces that bind her and humanity’s fate to a divine design.

An illuminating portrait of five Black woman artists and the New York nightclub that helped inspire the civil rights movement.

Before they became household names, Maya Angelou, Lorraine Hansberry, Abbey Lincoln, Miriam Makeba, and Nina Simone needed a place to practice and perform. That place was the Village Gate, a New York City nightclub that became a downtown hotspot for Black art, culture, music, and politics. Freedom’s Gate depicts the deepening political convictions and groundbreaking artistry of women of the Gate as they developed as entertainers, activists, and intellectuals in the spotlight of art and revolution. From Hansberry’s A Raisin in the Sun to Nina Simone’s “Mississippi Goddam” and Abbey Lincoln and Max Roach’s We Insist! Freedom Now Suite, Soyica Diggs Colbert brings to life the culture and performances that were the soundtrack to Black freedom struggles in the 1950s and early 1960s. With supporting roles from stars and activists such as Harry Belafonte, Stokely Carmichael, and Sidney Poitier, Freedom’s Gate is a vibrant history of a little-known chapter of the civil rights movement that gave voice and soul to the call for liberation.

20 photographs

Set in a wonderfully reimagined 15th century West Africa, Masquerade is a dazzling, lyrical tale exploring the true cost of one woman’s fight for freedom and self-discovery, and the lengths she’ll go to secure her future.

“Sangoyomi delivers an incisive examination of gender, temptation, and the lengths people will go to hold power―a magnificent debut!” ―Vaishnavi Patel, New York Times bestselling author of Kaikeyi

Òdòdó’s hometown of Timbuktu has been conquered by the warrior king of Yorùbáland. Already shunned as social pariahs, living conditions for Òdòdó and the other women in her blacksmith guild grow even worse under Yorùbá rule.

Then Òdòdó is abducted. She is whisked across the Sahara to the capital city of Ṣàngótẹ̀, where she is shocked to discover that her kidnapper is none other than the vagrant who had visited her guild just days prior. But now that he is swathed in riches rather than rags, Òdòdó realizes he is not a vagrant at all; he is the warrior king, and he has chosen her to be his wife.

In a sudden change of fortune, Òdòdó soars to the very heights of society. But after a lifetime of subjugation, the power that saturates this world of battle and political savvy becomes too enticing to resist. As tensions with rival states grow, revealing elaborate schemes and enemies hidden in plain sight, Òdòdó must defy the cruel king she has been forced to wed by re-forging the shaky loyalties of the court in her favor, or risk losing everything―including her life.

Loosely based on the myth of Persephone, O.O. Sangoyomi’s Masquerade takes you on a journey of epic power struggles and political intrigue which turn an entire region on its head.

"McMillian endows simple objects with affecting political resonances...There is anger in them, but there is hope too." ―Frieze

Published with Columbia Museum of Art.

Multimedia artist Rodney McMillian (born 1969) conjoins political texts, found domestic materials and archival footage into assemblages that confront the complex histories of class, race, landscape and region that inform American identity. In A Son of the Soil, McMillian trains his eye on the history of landscape representation in the South. Through large-scale abstract expanses painted on old bedding, sculptures constructed from post-consumer objects and archival film footage, McMillian evokes the land's tillage and spoilage, histories of ownership and the charged relationship between land and the body. A Son of the Soil presents a bevy of scholarly essays that examine McMillian's oeuvre, focusing on the artist's interplay between urban industrialism and domestic space, his visual culture and art historical sources and, more broadly, the relationship between a region and a nation.

A gripping, page-turning “masterpiece” (Joe Hill, #1 New York Times bestselling author of The Fireman) set in Jim Crow Florida that follows Robert Stephens Jr. as he’s sent to a segregated reform school that is a chamber of terrors where he sees the horrors of racism and injustice, for the living, and the dead.

Gracetown, Florida.

June 1950.

Twelve-year-old Robbie Stephens Jr. is sentenced to six months at the Gracetown School for Boys, a reformatory, for kicking the son of the largest landowner in town in defense of his older sister, Gloria. So begins Robbie’s journey further into the terrors of the Jim Crow South and the very real horror of the school they call The Reformatory.

Robbie has a talent for seeing ghosts, or haints. But what was once a comfort to him after the loss of his mother has become a window to the truth of what happens at the reformatory. Boys forced to work to remediate their so-called crimes have gone missing, but the haints Robbie sees hint at worse things. Through his friends Redbone and Blue, Robbie is learning not just the rules, but how to survive. Meanwhile, Gloria is rallying every family member and connection in Florida to find a way to get Robbie out before it’s too late.

The Reformatory is a “hallucinatory, haunting, terrifying, and moving” (S.A. Cosby, bestselling author of All the Sinners Bleed) work of historical fiction written as only American Book Award–winning author Tananarive Due could, by piecing together the life of the relative her family never spoke of and bringing his tragedy and those of so many others at the infamous Dozier School for Boys to the light in this riveting novel.

One World is proud to present THE 1619 PROJECT: A New Origin Story, a book that dramatically builds on the vision of the original magazine project with major expansions of the original essays, seven new essays by historians, and dozens of new poems and pieces of fiction. The book includes a significant elaboration of the project’s Pulitzer Prize-winning lead essay by Nikole Hannah-Jones and a new introduction that together offer a stirring rebuttal to critics. Hannah-Jones has also written a third essay that makes the case for reparative solutions to the legacy of injustice the project documents.

Edited by Hannah-Jones, along with New York Times Magazine editor-in-chief Jake Silverstein, features editor Ilena Silverman, and New York Times executive producer Caitlin Roper, the book offers work from some of the country’s most outstanding journalists, thinkers, historians and scholars, including: Michelle Alexander, Leslie Alexander, Carol Anderson, Jamelle Bouie, Anthea Butler, Matthew Desmond, Martha Jones, Ibram Kendi, Kevin Kruse, Trymaine Lee, Tiya Miles, Wesley Morris, Khalil Gibran Muhammad, Dorothy Roberts, Jeneen Interlandi, Bryan Stevenson, and Linda Villarosa.

Woven throughout the book are works of fiction and poetry that bring to life four hundred years of history with imaginative writing by Joshua Bennett, Reginald Dwayne Betts, Rita Dove, Camille Dungy, Cornelius Eady, Eve L. Ewing, Nikky Finney, Vievee Francis, Yaa Gyasi, Forrest Hamer, Terrance Hayes, Honorée Fanonne Jeffers, Barry Jenkins, Tyehimba Jess, Robert Jones, Jr., A. Van Jordan, Yusef Komunyakaa, Kiese Laymon, Jasmine Mans, Terry McMillan, Lynn Nottage, ZZ Packer, Gregory Pardlo, Darryl Pinckney, Claudia Rankine, Jason Reynolds, Evie Shockley, Tim Siebles, Clint Smith, Danez Smith, Patricia Smith, Tracy K. Smith, Nafissa Thompson-Spires, Natasha Trethewey, Jesmyn Ward and Sonia Sanchez.

The book also includes archival portrait photography of Black Americans paired with each essay, curated by Kimberly Annece Henderson.

Portrayals of James Baldwin and others in his circle highlight the iconic writer’s activism

The American writer and activist James Baldwin (1924–87) considered himself a “witness” as he challenged perspectives on America and its history through his work. He was often recognized for speaking out against injustice when other like-minded artists, collaborators and organizers were overshadowed or silenced. By bringing together artworks that feature James Baldwin alongside portraits of other key figures who had an impact on his life, This Morning, This Evening, So Soon situates Baldwin among a pantheon of culture bearers who were instrumental in shaping his life and legacy, particularly in relationship to his advocacy for gay rights. The book accompanies an exhibition at the National Portrait Gallery in Washington, DC, curated by the National Portrait Gallery's Director of Curatorial Affairs, Rhea L. Combs, in consultation with Pulitzer Prize–winning author Hilton Als. Well-known portraits by Beauford Delaney and Bernard Gotfryd are shown alongside paintings, photographs and films representing key figures in Baldwin’s circle. By viewing Baldwin in this context of community, readers will come to understand how Baldwin’s sexuality and faith, artistic curiosities and notions of masculinity―coupled with his involvement in the civil rights movement―helped shape his writing and long-lasting legacy.
The book relies on portraiture to explore the interwoven lives of Baldwin, Lorraine Hansberry (writer and activist), Barbara Jordan (lawyer, educator and politician), Bayard Rustin (leader in social movements), Lyle Ashton Harris (artist), Essex Hemphill (poet and activist), Marlon Riggs (filmmaker, poet and activist) and Nina Simone (singer-songwriter, pianist and activist), among others.
Artists include: Richard Avedon, Glenn Ligon, Donald Moffett, Beauford Delaney, Bernard Gotfryd, Faith Ringgold, Lorna Simpson, Jack Whitten.

The Conjuring of America tells the epic story of conjure women, who, through a mix of spiritual beliefs, herbal rituals, and therapeutic remedies gave rise to the rich tapestry of American culture we see today. Feminist philosopher, Lindsey Stewart, tells the stories of Negro Mammies of slavery; the Voodoo Queens and Blues Women of Reconstruction; and the Granny Midwives and textile weavers of the Jim Crow era. These women, in secrecy and subterfuge, courageously and devotedly continued their practices and worship for centuries and passed down their traditions. 
 
Emerging first in the American South during slavery, these women were thrust into the heart of national conflicts over generations of African American life. They combined ancestral magic and hyperlocal resources to respond to Black struggles in real time, forging a secret well of health and power hidden to their oppressors. As a result, conjure informs our lives in ways remarkable and ordinary—from traditional medicines that informed the creation of Vicks VapoRub and the rise of Aunt Jemima’s Pancake Mix, to the original magic of Disney’s The Little Mermaid (2023), and the true origins of the all-American classic blue jean.
 
From the moment enslaved Africans first arrived on these shores, conjure was heavily regulated and even outlawed. Now, Stewart uncovers new contours of American history, sourcing letters from the enslaved, dispatches from the lore of Oshun and other African mystics. The Conjuring of America is a love letter to the real magic Black women used, their magic Black women, their herbs, food, textiles, song, and dance, used to sow rebellion, freedom, and hope.