Together for the first time in this beautiful boxed set, the landmark Love Song to the Nation trilogy by the feminist icon bell hooks, includes the New York Times bestsellers All About Love, Communion, and Salvation.

All About Love: New Visions reveals how lovelessness results in a polarized society, and how we can do the work to heal these divisions. This book is a roadmap to understanding how we can build caring, compassionate, and loving spaces into our homes, schools, and workplaces.

Communion: The Female Search for Lovechallenges every woman to courageously claim the search for love as a heroic journey we must all choose to be truly free. It reveals how women of all ages can bring love into every aspect of their lives.

Salvation: Black People and Love Written from both historical and cultural perspectives, Salvation takes an incisive look at the transformative power of love in the lives of African Americans.

A maternal gothic tale of new motherhood and the torment of a centuries-old haunting

Before the shadow appeared, Sofia thought mothering would be all sun-drenched light and white linen sheets, as seen advertised by the momfluencers of Instagram. In her gorgeous home anchored in a posh suburb, far removed from her origins, Sofia revels in her success.

Motherhood seems like the natural next step, but when her husband travels for a work trip, leaving Sofia all alone with their unnamed three-week-old baby, she can’t quite square how mothering falls solely in her lap. Nobody seems able or willing to help her: not her husband, not her best friend, and certainly not the zealot mother she cut off long ago.

Her postpartum reality is overtaken by an ominous figure. Sleep-deprivation collides with a darkness that creeps in and begins to spread, threatening to consume her entirely. As her grip on reality slips away, Sofia learns of an insidious haunting that has plagued the eldest daughters in her family for generations. With her baby’s safety on the line, Sofia realizes she must confront her murky history or risk losing more than just the veneer of perfection.

PRE-ORDER:ON SALE DATE: Oct 6, 2025

A gripping tale of education, violence, and hope, in which one man's dream for a better future collides with a community on the edge of transformation.

Set in 1842, this novel foregrounds a Haiti that is grappling with the weight of an onerous debt imposed by France, forcing its citizens to pay reparations to French colonists in exchange for diplomatic recognition of the first Black republic of the Americas. In the town of Boën, a prosperous notary, Ludovic Possible, decides to take a bold step to secure the future of his community. He opens a schoolhouse where local children can learn both artisanal skills and the essential ability to read and write. For Ludovic, education represents the best chance for the people of Boën to rise above their hardships and build a prosperous future—especially for Aïda, a quiet and enigmatic girl whose mother’s marvelous stories captivate him.

The tranquility of Boën is soon shattered, however, by a series of duels that pit families, neighbors, and even animals against each other. As tensions rise, Ludovic’s vision for a better future is threatened by the escalating violence. In Duels, Néhémy Pierre-Dahomey introduces readers to a rich and unforgettable cast of characters—Aïda, Ludovic, Balthazar Possible, Pépé the Tempest, and many others—who find themselves at the crossroads of a nation on the brink of transformative change.

From everyday apps to complex algorithms, Ruha Benjamin cuts through tech-industry hype to understand how emerging technologies can reinforce White supremacy and deepen social inequity.

Benjamin argues that automation, far from being a sinister story of racist programmers scheming on the dark web, has the potential to hide, speed up, and deepen discrimination while appearing neutral and even benevolent when compared to the racism of a previous era. Presenting the concept of the “New Jim Code,” she shows how a range of discriminatory designs encode inequity by explicitly amplifying racial hierarchies; by ignoring but thereby replicating social divisions; or by aiming to fix racial bias but ultimately doing quite the opposite. Moreover, she makes a compelling case for race itself as a kind of technology, designed to stratify and sanctify social injustice in the architecture of everyday life.

This illuminating guide provides conceptual tools for decoding tech promises with sociologically informed skepticism. In doing so, it challenges us to question not only the technologies we are sold but also the ones we ourselves manufacture.

Una novela gráfica de grado medio sobre Marlene, una joven que deja de alisarse el pelo y acepta sus rizos naturales.

Marlene ama tres cosas: el arte, a su adorada tía Ruby y pasar el tiempo con Camilla, su mejor amiga. Pero su mamá piensa que se debería enfocar solamente en sus estudios y en madurar; y esto último implica alisarse el pelo todos los fines de semana para que se vea “presentable” y “bueno”. Pero Marlene odia ir al salón y no entiende por qué nadie a su alrededor piensa que sus rizos naturales son bonitos. Después de algunos desafíos y momentos vergonzosos, además de la ayuda imprescindible de Camilla y tía Ruby, poco a poco Marlene emprende el camino de aprender a apreciar su pelo rizo y llevarlo con orgullo.
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A middle grade graphic novel about Marlene, a young girl who stops straightening her hair and embraces her natural curls.

Marlene loves three things: books, her cool Tía Ruby and hanging out with her best friend Camila. But according to her mother, Paola, the only thing she needs to focus on is school and "growing up." That means straightening her hair every weekend so she could have "presentable", "good hair".

But Marlene hates being in the salon and doesn't understand why her curls are not considered pretty by those around her. With a few hiccups, a dash of embarrassment, and the much-needed help of Camila and Tia Ruby―she slowly starts a journey to learn to appreciate and proudly wear her curly hair.

A RUSA Award-winning novel!

The first book in a new culinary cozy series full of sharp humor and delectable dishes—one that might just be killer....

When Lila Macapagal moves back home to recover from a horrible breakup, her life seems to be following all the typical rom-com tropes. She's tasked with saving her Tita Rosie's failing restaurant, and she has to deal with a group of matchmaking aunties who shower her with love and judgment. But when a notoriously nasty food critic (who happens to be her ex-boyfriend) drops dead moments after a confrontation with Lila, her life quickly swerves from a Nora Ephron romp to an Agatha Christie case.

With the cops treating her like she's the one and only suspect, and the shady landlord looking to finally kick the Macapagal family out and resell the storefront, Lila's left with no choice but to conduct her own investigation. Armed with the nosy auntie network, her barista best bud, and her trusted Dachshund, Longanisa, Lila takes on this tasty, twisted case and soon finds her own neck on the chopping block…

A Voodoo witch must navigate a magically and racially divided nineteenth-century New Orleans to save her mother—and the soul of the city itself—in this lush debut novel inspired by the life of Marie Laveau.

“An edgy, intoxicating novel pulsing with the dark heartbeat of 1840s New Orleans and a fiery mother-daughter dynamic I won’t soon forget . . . Readers will devour this!”—Sarah Penner, New York Times bestselling author of The Lost Apothecary

In 1843 New Orleans, the reigning Voodoo queen is Marie Laveau, feared by her enemies and followers alike. Her daughter, Marie "Ree" Laveau the Second, is everything her cutthroat and principled mother is not—spoiled and entitled, with a wickedly rebellious streak—and defies her mother at every turn. But Ree’s world is turned upside down when she finds Marie comatose in the bayou, cursed by exiled Voodoo king Jon the Conjurer—Marie’s former teacher, lover, and greatest enemy.

As Marie hovers on the brink of death, Ree races to uncover the secrets of her mother’s life in search of a cure and gradually uncovers a web of alliances, dangers, and deception. What’s worse, Henryk Broussard, Ree’s long-missing childhood best friend, returns as a witch hunter of the Church, tasked with investigating her. With so many enemies circling, including a puritanical-minded Brotherhood of alchemists and the slave-holding mayor of the city, Ree must confront the past and face her mother’s demons that have now become her own—or die trying.

Told in alternating timelines between Ree in the present and Marie’s rise to power twenty-five years earlier, The Quarter Queen is an intimate yet epic portrait of a mother and daughter who have struggled all their lives to understand one another, and a captivating exploration of racism, family, and womanhood.

From Pulitzer Prize and National Book Award-winning author Louise Erdrich, a novel about the collisions of youth—with want, with art, with rage—as experienced by a young Chippewa writer in politically fraught 1970s America.

“Where do we find a definition? Where do we find what a poet is?”

Fargo, 1971. Erdrich’s narrator spends her days sneaking pocketsful of lasagna home from waitressing, missing the author friends who have floated out of town again, and wondering half-seriously if the poetry of local third graders is outdoing her own. In search of more life, more inspiration, and—always—enough food to get through the next day, she embarks on a series of jobs, affairs, and travels that illuminate the wild eccentricities of the American national character as much as they do the injustices—and resistances—boiling around her in North Dakota.

I’m Hungry explores shocking violence, unearthly beauty, and voracious appetites of all kinds, from sexual hunger to the need for a life transfigured by poetry. It answers the question of “what a poet is” with an indelible portrait of a young woman in a fractured community who finds her voice even as she encounters lovers, hustlers, and specters whose own hungers threaten to pull her under.

A bold, gorgeously textured, and unforgettable moral fable, this compelling novel will be revelatory to her legions of fans.

Indiana Jones meets Hidden Figures in this brand-new stand-alone historical fantasy set in the world of The Conductors, in which the space race of the mid-20th century will be determined by magic...if not murder.

In the 1960s, the world was caught up in reaching beyond our planet and into the cosmos. It felt impossible--but there was nothing science, math...and magic couldn't make possible. The race to space was on, and the Moon was what everyone had their eyes on.

Including Cynthia Rhodes, a brilliant arcane engineer at NASA's Ainsworth Research Labs. Talented in math and magic, she hosts a magical educational show... a job she took mostly for a chance to regularly see the dashing Theodore Danner, a professor of arcane archeology.

She is also an amateur sleuth--something that has run in her family for generations.

When a cursed museum curator nearly interrupts a broadcast of their show, Cynthia finds an eager sleuthing partner in Theo. Pairing up, they begin investigating the strange behavior of the curator and a mysterious theft at the arcane history museum--until one of Cynthia's own coworkers perishes right in front of her in a major lab accident that endangers Ainsworth's role in the space race.

Certain it was murder instead of an accident, Cynthia sees this as a separate case at first. However the more she and Theo investigate, Cynthia uncovers a surprising link between the two incidents. The museum theft and murder are part of a larger equation--one that includes deadly enchantments, rumored pirate treasure, a peculiar plant, and a dire threat to the space program as well as everything she holds dear.

The Starseekers is another rip-roaring adventure for the Rhodes family, who have been using magic to aid their community and solve mysteries since before the Civil War. The times may have changed, but a Rhodes once again finds themselves thrust into a world of murders, theft, sabotage, and curses, and this time the stakes extend to the stars themselves.

Written by an engineer who has worked for the FBI and the White House, this STEMinist picture book biography tells the story of Bessie Blount, a groundbreaking Black inventor.

What do you do when people tell you no? This is a true story of what happens when you tell yourself yes!

When a teacher said she couldn’t write with her left hand, Bessie taught herself to be right-handed. At a time when many people were unfairly denied more education, Bessie studied hard and became a nurse and physical therapist. And when her patients—injured World War II soldiers—couldn’t feed themselves, Bessie invented a device to assist them. Bessie‘s determination allowed her to help others in so many ways.

From celebrated STEMinist (STEM-feminist) Afua Bruce and award-winning artist Laura Freeman comes the inspiring true story of the extraordinary Bessie Blount.

* A trailblazing inventor who overcame oppression to succeed
* Informational back matter, including a timeline, author’s note, and guide to inventing
* Inspiring true story for fans of Maya’s Song, Ketanji, and Because Claudette

An exhilarating and expansive new novel about fathers and sons, faith and friendship from National Book Foundation 5 Under 35 honoree and Costa First Novel Award winning author Caleb Azumah Nelson

One of the most acclaimed and internationally bestselling "unforgettable" (New York Times) debuts of the 2021, Caleb Azumah Nelson's London-set love story Open Water took the US by storm and introduced the world to a salient and insightful new voice in fiction. Now, with his second novel Small Worlds, the prodigious Azumah Nelson brings another set of enduring characters to brilliant life in his signature rhythmic, melodic prose.

Set over the course of three summers, Small Worlds follows Stephen, a first-generation Londoner born to Ghanian immigrant parents, brother to Ray, and best friend to Adeline. On the cusp of big life changes, Stephen feels pressured to follow a certain path--a university degree, a move out of home--but when he decides instead to follow his first love, music, his world and family fractures in ways he didn't foresee. Now Stephen must find a path and peace for himself: a space he can feel beautiful, a space he can feel free.

Moving from London, England to Accra, Ghana and back again, Small Worlds is an exquisite and intimate new novel about the people and places we hold close, from one of the most "elegant, poetic" (CNN) and important voices of a generation.

From the award-winning novelist and poet Dionne Brand, a smart, sensual, and witty novel about what happens when love and intellect are set on a collision course.

Theory begins as its narrator sets out, like many a graduate student, to write a wildly ambitious thesis on the past, present, and future of art, culture, race, gender, class, and politics―a revolutionary work that its author believes will synthesize and thereby transform the world.

While our narrator tries to complete this magnum opus, three lovers enter the story, one after the other, each transforming the endeavor: first there is beautiful and sensual Selah, who scoffs at the narrator’s constant tinkering with academic abstractions; then altruistic and passionate Yara, who rescues every lost soul who crosses her path; and finally spiritual occultist Odalys, who values magic and superstition over the heady intellectual and cultural circles the narrator aspires to inhabit. Each galvanizing love affair (representing, in turn, the heart, the head, and the spirit) upends and reorients the narrator’s life and, inevitably, requires an overhaul of the ever larger and more unwieldy dissertation, with results both humorous and poignant.

By effortlessly telling this short, intense tale in the voice of an unnamed, ungendered (and brilliantly unreliable) narrator, Dionne Brand makes a bold statement not only about love and personhood, but about race and gender―and what can and cannot be articulated in prose when the forces that inhabit the space between words are greater than words themselves.

Theory is a gorgeous, profoundly moving, word- and note-perfect novel of ideas that only a great artist at the height of her powers could write.