The acclaimed poetic force celebrates the practice of poetry as healing and prayer in this vital, life-affirming collection about surviving the void and touching the divine—the second book in a creative collaboration between Amistad and Moore Black Press.

At age fifteen, Barbara Fant tragically lost her mother, and her world was suddenly upended. “I became an angry teenager. I was mad at the world.,” she recalls. “I even stopped praying, but I began to write. Poetry became my way of communication, my way of processing . . . it became my way to pray.”

Rebirth, renewal, and healing are the heart of Joy in the Belly of a Riot. Fant’s monumental collection is a continuation of her lifelong project of using poetry as prayer; this is healing-informed poetry to restore herself, her community, and the world. Exquisitely lyrical and boldly resonant, Fant’s poems excavate the nightmares of a childhood marked by poverty, violence, racism, and the loss of countless loved ones. Suffering seemed endemic to neighborhoods like hers, and yet, in Fant’s own words, “I keep trying to write about the trauma, but the joy won’t let me.”

Steeped in a rich Black Christian tradition and drawing on Scripture for artistic inspiration, Fant’s verse offers solace and guidance for all, from the devout to the skeptical. In these poems Fant demands that we see her, and her community, throug more than our grief. As she closes this profound collection, Fant gently preaches that we choose life and reminds us that “wholeness is our birthright.”

Joy in the Belly of a Riot is a healing balm in times of sustained uncertainty and a rock upon which we can build and sustain a foundation of joy. Fant’s essential message demands to be heard, now more than ever.

A New York Times Notable Book, Overground Railroad is a compelling and illuminating exploration of the historical role and residual impact of the Green Book, a travel guide for Black motorists used for decades when traveling through segregated America.

“Essential” (Library Journal; starred review) I“Recalls Isabel Wilkerson's The Warmth of Other Suns” ( Los Angeles Times) I “Eye-opening, deeply moving.” (Bookpage; starred review)

It took courage to be listed in the Green Book, and Overground Railroad celebrates the stories of those who put their names in the book and stood up against segregation. It shows the history of the Green Book, how we arrived at our present historical moment, and how far we still have to go when it comes to race relations and systemic racism in America.

Published from 1936 to 1966, the Green Book was hailed as the “Black travel guide to America.” At that time, it was both dangerous and difficult for African Americans to travel, because Black travelers couldn’t eat, sleep, or buy gas at most white-owned businesses. The Green Book listed hotels, restaurants, gas stations, and other businesses that were safe for Black travelers. It was a resourceful and innovative solution to a horrific problem.

Candacy Taylor writes in her introduction, “The Green Book was published during a time when car travel symbolized freedom in America, but since racial segregation was in full force throughout the country, the open road wasn’t open to all. When Black motorists picked up a copy of the Green Book, they were greeted by the words ‘Just What You Have Been Looking For!! NOW WE CAN TRAVEL WITHOUT EMBARRASSMENT.’”

Chapters include:

* Driving While Black
* The Business of the Green Book
* Vacation
* Music Venues
* The Roots of Route 66
* Women and the Green Book
* and much more

Includes color and black-and-white period illustrations

The first monograph on Vietnam veteran, Black Panther Party member and griot Akinsanya Kambon, whose paintings and sculptures sing with revolutionary history

Published with Hammer Museum.

Born Mark Teemer in Sacramento in 1946, Akinsaya Kambon has led a radical, revolutionary and artistic life. Drafted into the Marine Corps as a combat illustrator, he served in Vietnam, and upon his return joined the Sacramento chapter of the Black Panther Party. Enrolled at Sacramento City College, he learned the raku ceramic firing process and thus formally began his artistic practice. After nine years of travel and study in Africa, he was given the Yoruba name Akinsaya Kambon, meaning "the hero avenges." This first book on the artist surveys his painting and sculptural practice that centers narratives of the Black diaspora, including African histories and mythologies, as well as stories of violence and revolution from Africa and the Americas. With his art and community work, Kambon seeks not only to provide in-depth history lessons on Black and Brown communities in the United States, but also to chart new visions for the future.

A collection of essays, fiction, journalism, folklore, and autobiography, preserving the legacy of one of the Harlem Renaissance’s greatest writers.

The foundational, classic anthology that revived interest in the author of Their Eyes Were Watching God—"one of the greatest writers of our time"—and made her work widely available for a new generation of readers (Toni Morrison).

During her lifetime, Zora Neale Hurston was praised for her writing but condemned for her independence and audacity. Her work fell into obscurity until the 1970s, when Alice Walker rediscovered Hurston's unmarked grave and anthologized her writing in this groundbreaking collection for the Feminist Press. 

I Love Myself When I Am Laughing... And Then Again When I Am Looking Mean and Impressive established Hurston as an intellectual leader for future generations of black writers. A testament to the power and breadth of Hurston's oeuvre, this edition—newly reissued for the Feminist Press's fiftieth anniversary—features a new preface by Walker.

"Through Hurston, the soul of the black South gained one of its most articulate interpreters." —The New York Times

A Cold Civil War has engulfed the nation.

After a deadly pandemic, shocking incidents of police brutality, a racial justice crisis, and the fall of a dangerous demagogue, America remains more divided than at any time in decades. At the heart of this national crisis is the fear of a darkening America—a country in which there is no longer a predominant white majority.

As the Republican Party has lost the popular vote in seven of the last eight presidential elections, its leaders have incited white Americans in a last-ditch race against time to stop the advance of a new, multiracial emerging majority. Keith Boykin, long time political commentator, has watched this white resentment consume the GOP over the course of a life in politics, activism, and journalism. He has also observed the divisions among Democrats, as white progressives have postponed demands for full racial equity, while Black voters have often been too forgiving of party leaders who have failed to deliver. America can no longer avoid its long overdue reckoning with the past, Boykin argues. With the familiarity of personal experience and the acuity of historical insight, Boykin urges us to fight racism, sexism, xenophobia, and homophobia, and save the union, not just by making Black lives matter, but by making Black lives equal.

For readers of Ace and Belly of the Beast: A Black queer feminist exploration of asexuality--and an incisive interrogation of the sex-obsessed culture that invisibilizes and ignores asexual and A-spec identity.

Everything you know about sex and asexuality is (probably) wrong.

The notion that everyone wants sex--and that we all have to have it--is false. It’s intertwined with our ideas about capitalism, race, gender, and queerness. And it impacts the most marginalized among us. For asexual folks, it means that ace and A-spec identity is often defined by a queerness that’s not queer enough, seen through a lens of perceived lack: lack of pleasure, connection, joy, maturity, and even humanity.

In this exploration of what it means to be Black and asexual in America today, Sherronda J. Brown offers new perspectives on asexuality. She takes an incisive look at how anti-Blackness, white supremacy, patriarchy, heteronormativity, and capitalism enact harm against asexual people, contextualizing acephobia within a racial framework in the first book of its kind. Brown advocates for the “A” in LGBTQIA+, affirming that to be asexual is to be queer--despite the gatekeeping and denial that often says otherwise.

With chapters on desire, f*ckability, utility, refusal, and possibilities, Refusing Compulsory Sexuality discusses topics of deep relevance to ace and a-spec communities. It centers the Black asexual experience--and demands visibility in a world that pathologizes and denies asexuality, denigrates queerness, and specifically sexualizes Black people.

A necessary and unapologetic reclamation, Refusing Compulsory Sexuality is smart, timely, and an essential read for asexuals, aromantics, queer readers, and anyone looking to better understand sexual politics in America.

A fierce exposé of the resistance to believing Black people and its devastating effects throughout American history.

From Reconstruction to Redemption, from the enactment of landmark civil rights legislation to the execution of the Southern strategy, from 2020’s multiracial protests to the swift elimination of policies etching out a more inclusive society, Americans regularly experience periods of racial reckoning followed by walloping retrenchment.

In Black Evidence, political scientist Candis Watts Smith shows that this pattern is the result of an American habit: denying the truths about our society that Black people experience and remember. Smith then delivers a warning: the effects of this habit ripple out, dulling our ability to identify the signs of authoritarianism and heightening our tolerance for cruelty. Still, she shows how these same truths offer models to overcome our repeated predicament.

Through a curation of critical moments across four centuries, Smith invites us to review the evidence that has been obscured, distorted, and denied. She rigorously investigates the practices that turn Black witnesses into liars in the court room, Black patients into superbodies that don’t feel pain in health care settings, Black people into subhumans in scientific experiments, and Black children into superpredators. She reveals what happens when Black voices are subject to exclusion―their communities are terrorized, their memories are refuted, and their resistance is pathologized.

Written with compassion and tempered optimism, Black Evidence prescribes a cure and encourages readers to practice the skills needed to build a truly multiracial democracy: confront our past, acknowledge the damage of inequality in our present, and listen to the voices of those who experience the problems we wish to solve for an equitable future.

AN NPR BEST BOOK OF 2024 • An award-winning journalist's exploration of how race, identity and political trauma have influenced the rise in far-right sentiment among Latinos, and how this group can shape American politics

“A deeply reported, surprisingly personal exploration of a phenomenon that is little understood in our politics: the affiliation of Latino voters with causes and candidates that would seem, at first glance, unwelcoming to them."—Rachel Maddow

Democrats have historically assumed they can rely on the Latino vote, but recent elections have called that loyalty into question. In fact, despite his vociferous anti-immigrant rhetoric and disastrous border policies, Trump won a higher percentage of the Latino vote in 2020 than he did in 2016. Now, journalist Paola Ramos pulls back the curtain on these voters, traveling around the country to uncover what motivates them to vote for and support issues that seem so at odds with their self-interest.

From coast to coast, cities to rural towns, Defectors introduces readers to underdog GOP candidates, January 6th insurrectionists, Evangelical pastors and culture war crusaders, aiming to identify the influences at the heart of this rightward shift. Through their stories, Ramos shows how tribalism, traditionalism, and political trauma within the Latino community has been weaponized to radicalize and convert voters who, like many of their white counterparts, are fearful of losing their place in American society. Cross-cultural and assiduously reported, Defectors highlights how one of America's most powerful and misunderstood electorates may come to define the future of American politics.

These are prayers for your moments of gratitude and celebration. For your seasons of loss and waiting. For your days when prayers come, not in words but in groans. When We Talk to God, from poet-theologian Sharifa Stevens, captures the arc and the ache of our lives.

A beautiful interweaving of artwork, prayers, and poems for Black women, this unique book encourages you to lift up your whole heart and loudest voice to God. And to tell Him about everything; nothing is off-limits. Sharifa's honest and powerful words express prayer and longing through personal experiences, biblical examples, and stunning imagery. When We Talk to God offers:

* An invitation to journey through honest lamentation and heartfelt joy to find greater peace in a turbulent world
* Poems and prayers exploring topics from job interviews to grief, from braiding hair to feeling invisible, from parenting to dancing
* Validation and inspiration for Black women of faith, by a Black woman speaking from her life to yours
* A relatable and authentic voice that frees you to present your own prayers and praises to the God who hears you, sees you, and loves you
* A beautiful gift idea for Mother's Day, Grandparents' Day, International Women's Day, spiritual anniversaries, and birthdays

Ideal for Black women of any age and background, When We Talk to God is a balm to your spirit and soul as it urges you to go to God with all of who you are and with everything you can or cannot say.

Loretta Thurwar and Hamara "Hurricane Staxxx" Stacker are the stars of Chain-Gang All-Stars, the cornerstone of CAPE, or Criminal Action Penal Entertainment, a highly-popular, highly-controversial, profit-raising program in America's increasingly dominant private prison industry. It's the return of the gladiators and prisoners are competing for the ultimate prize: their freedom.

In CAPE, prisoners travel as Links in Chain-Gangs, competing in death-matches for packed arenas with righteous protestors at the gates. Thurwar and Staxxx, both teammates and lovers, are the fan favorites. And if all goes well, Thurwar will be free in just a few matches, a fact she carries as heavily as her lethal hammer. As she prepares to leave her fellow Links, she considers how she might help preserve their humanity, in defiance of these so-called games, but CAPE's corporate owners will stop at nothing to protect their status quo and the obstacles they lay in Thurwar's path have devastating consequences.

Moving from the Links in the field to the protestors to the CAPE employees and beyond, Chain-Gang All-Stars is a kaleidoscopic, excoriating look at the American prison system's unholy alliance of systemic racism, unchecked capitalism, and mass incarceration, and a clear-eyed reckoning with what freedom in this country really means from a "new and necessary American voice" (Tommy Orange, The New York Times Book Review).

This Premier Collection contains a new foreword by rapper and activist Killer Mike and is presented in a newly designed book-format edition that also includes bonus content such as sketches, layouts, interviews, and variant covers!

National Book Award-winning author Ta-Nehisi Coates (Between the World and Me) and acclaimed illustrator Brian Stelfreeze revolutionize the Black Panther mythos in this powerful graphic novel that blends high-tech futurism with the resonate themes of modern day.

The perfect entry point into the Marvel Universe anytime, anywhere.

As esteemed author and journalist Ta-Nehisi Coates brings his considerable talents to Marvel, will he usher in a new age of glory for Wakanda and its king, T’Challa, A.K.A. the Black Panther? Or will he enter the proud kingdom into its final days?

The high-tech African nation has been ravaged by outside forces, its queen has fallen and the people have turned against their king. As dissidents seek violent change, two of T’Challa’s own Dora Milaje forge their own brave path. And while outside forces pour fuel on the fire, the Black Panther recruits his own crew to aid in the struggle.

Meanwhile, on the spiritual plane, a journey of transformation begins. This is a story of a king who must find a new way to lead. Of a queen whose tale is not yet fully told. Of angels fighting for change and devils fomenting chaos. Of allies and enemies, friends and foes, love and hate. This is the story of Wakanda.

BONUS FEATURES
variant covers, 2022 Brian Stelfreeze introduction, Ta-Nehisi Coates/Ryan Coogler interview, Brian Stelfreeze interview, process/development materials, Brian Stelfreeze sketches, 2017 HC cover

COLLECTING: Black Panther (2016) 1-12