Kofi Dᴐnkᴐ was a blacksmith and farmer, as well as an important healer, intellectual, spiritual leader, settler of disputes, and custodian of shared values for his Ghanaian community. In Our Own Way in This Part of the World Kwasi Konadu centers Dᴐnkᴐ's life story and experiences in a communography of Dᴐnkᴐ's community and nation from the late nineteenth century through the end of the twentieth, which were shaped by historical forces from colonial Ghana's cocoa boom to decolonization and political and religious parochialism. Although Dᴐnkᴐ touched the lives of thousands of citizens and patients, neither he nor they appear in national or international archives covering the region. Yet his memory persists in his intellectual and healing legacy, and the story of his community offers a non-national, decolonized example of social organization structured around spiritual forces that serves as a powerful reminder of the importance for scholars to take their cues from the lived experiences and ideas of the people they study.

A twisty and prescient new thriller in the #1 New York Times bestselling Avery Keene series, by nationally renowned author and leader Stacey Abrams, Coded Justice follows Avery down a dark rabbit hole into the breathtaking—and dangerous—use of AI in the medical industry.

Avery Keene is back! The fan-favorite former Supreme Court clerk has finally gone out on her own, securing a prestigious position at a high-end law firm in Washington, D.C., where she is about to earn real money and get her life in order after a tumultuous run working as a clerk on the Supreme Court. With her reputation preceding her, Avery is quickly tasked at her new job with becoming a corporate internal investigator. Her new client is Camasca—a mega-tech firm that's on the forefront of developing a new integrated AI system poised to revolutionize the medical industry, particularly by delivering vastly improved health care to veterans. The AI potential is breathtaking, but some disturbing anomalies have plagued Camasca in early testing—including the mysterious death of a Camasca engineer. Avery and her colleagues, Jared, Ling, and Noah, find themselves on a journey to determine whether the anomalies are mere technical glitches, or something much more concerning. Full of twists, behind-the-scenes financial machinations, and the continued blossoming of Avery and her vibrant cast of friends, Coded Justice finds Stacey Abrams' riveting series to be in full swing.

A raw and lyrical exploration of the confining expectations of womanhood and, if we dare, what lies beyond those limitations--from a writer Roxane Gay calls "vibrant and thoughtful."

Gorgeous, badass, and practically waiting to pounce, Good Woman: A Reckoning is acclaimed essayist Savala Nolan's follow-up to her "standout collection" (New York Times Book Review) Don't Let It Get You Down.

A lifetime of playing by the rules of female social conditioning is not what it's cracked up to be for Nolan. The years of making herself smaller (literally and metaphorically); the sexual advances that led to more than she wanted; the bad marriage she fought like hell to keep; all the ways others questioned her identity or choices and she let it slide to keep the peace; her silence when requested; her body when desired--none of it worked. None of it protected her the way it was advertised to.

Nolan noticed the same was true for the women around her and the women in history she read about. Across time and location, they were raised to be agreeable and "good." Hyper-visible as sexual objects but invisible as full people. Living in a physical world created by men for men. Taking on the ultimate role of birth-giver and caretaker, yet seeing it remain an unsung act, even as it's a God-like endeavor. Only in midlife did Nolan begin to realize she was capable of living outside these cages of conditioning so slyly insidious that they're nearly invisible.

Good Woman elegantly probes the knotty conditions themselves, the costs of adhering to them, and what happens when one refuses to comply. The twelve stunning and unforgettable essays blend memoir, reportage, and history to create a collection that is alternately bold, brash, and explosive ... and ravishingly tender, sensual, and joyous. Nolan takes aim at big and old ideas, and she does not miss. Hers is a testimony to witness and to savor.

James Beard Outstanding Pastry Chef finalist and Food & Wine Best New Chef Caroline Schiff believes a sweet treat is the perfect daily ritual, and her book is designed to sweeten life in just the right dose.

Why wait for a special occasion when dessert can be part of every day?

Star chef Caroline Schiff believes a sweet treat is an important daily ritual―something small and simple, or occasionally a showstopper to celebrate big moments. Daily Dessert is her joyful, highly versatile collection of recipes designed to sweeten life in just the right dose.

Sometimes that means one perfect cookie warm from the oven, a snacking cake to last all week, a no-bake refresher on a scorching day, or a cozy pudding for a winter night. Organized by mood and moment, chapters move from Simple Little Sweets (quick, small-batch recipes) to Weekly Snacking Bakes, Sunny Day Sweets, Cozy Day Confections, Dessert for Breakfast, No-Bake Treats, and Celebration Sweets―plus a Basics section with Schiff’s essential doughs, sauces, and toppings.

Recipes are approachable yet irresistible, the kind of things fans already love from Schiff: Hot Butterscotch Pecan Blondies, Upside-Down Clementine Olive Oil Snacking Cake, Raspberry Crème Fraîche Galette, Espresso Crunch Coffee Cake, Gingersnap and Orange Cream Sandwiches, No-Churn Toasted Cinnamon Ice Cream, and her iconic Baked Alaska for a Crowd.

Daily Dessert is an invitation to embrace the joy of sweets as part of everyday life. With Schiff’s playful voice, professional know-how, and unfussy recipes, this book is for everyone―novice bakers, seasoned pros, and anyone who simply believes dessert makes life better.

Everyone needs to love and be loved - even men. But to know love, men must be able to look at the ways that patriarchal culture keeps them from knowing themselves, from being in touch with their feelings, from loving.

In The Will to Change, bell hooks gets to the heart of the matter and shows men how to express the emotions that are a fundamental part of who they are—whatever their age, marital status, ethnicity, or sexual orientation. But toxic masculinity punishes those fundamental emotions, and it’s so deeply ingrained in our society that it’s hard for men to not comply—but hooks wants to help change that.

With trademark candor and fierce intelligence, hooks addresses the most common concerns of men, such as fear of intimacy and loss of their patriarchal place in society, in new and challenging ways. She believes men can find the way to spiritual unity by getting back in touch with the emotionally open part of themselves—and lay claim to the rich and rewarding inner lives that have historically been the exclusive province of women. A brave and astonishing work, The Will to Change is designed to help men reclaim the best part of themselves.

Since the discovery of African art by the Cubists, the primitive strength of its motifs has held a fascination for contemporary artists and designers and has exercised a considerable infl uence on the development of modern art. This book brings together an unusually varied selection of African designs which will find many uses in advertising and in the creation of book designs, bookplates, labels, and patterns for textiles and wallpaper; or may simply serve as inspiration for the creation of original designs. Rendered in stark black-and-white, they may be reproduced, enlarged, reduced or altered at will.
Symbolic and simple geometric motifs, repetitive designs and textural patterns, representations of human beings, animals and mythical figures, masks, abstract motifs, and artifacts and objects with figural components are reproduced from the work of the Ndebele, Ashanti, Zulu, Masai, Bushongo, Mangbetu, Bariba, Toma, Baule and many other tribes. There are designs from carved ivory pendants and bracelets, helmet masks, wooden combs, altar slabs and shields, and designs printed on cloth and painted on doors and walls. Each is identified by original use, and the source is listed for each.
Geoffrey Williams, himself a practicing designer, has reproduced most of these designs by means of linocut prints in order to capture the power of the originals. His sources have been artifacts in museums and private collections with a few designs gathered from the pages of important publications on the subject. A bibliography refers the reader not only to the sources of material used for this book, but to other major sources of information about African tribal art.

From Ana Mendieta to Stephanie Syjuco, a chain of contemporary artists mounts a cross-cultural, multigenerational resistance to Western colonialism

Published with Colby College Museum of Art.

In the late 19th century, independence movements against Spanish colonization were separately gaining momentum on these islands. Following the Spanish–American war of 1898, the US occupied Cuba and exerted colonial control over Guam, the Philippines and Puerto Rico. Connecting generations across oceans, Imagining an Archipelago features artists such as Pacita Abad, Zilia Sánchez and Carlos Villa juxtaposed with those who came after them, creating an intertwined commentary. The interpretive framework of an archipelago―an expanse of water containing a chain of islands―emphasizes these 40 artists’ different yet related strategies toward the critique, defiance and navigation of conditions brought on by continental empires. Essays, poetry, artworks and artist discussions in English, Spanish, Filipino and CHamoru provide a platform for solidarity, healing and celebration at the intersections of cultural and political self-determination, indigeneity, migration, climate crisis and resilience.
Artists include: Zilia Sánchez, Carlos Villa, Pacita Abad, Ana Mendieta, Daniel Lind-Ramos, Juan Sánchez, Felix Gonzalez-Torres, María Magdalena Campos-Pons, Juana Valdés, Teresita Fernández, Edra Soto, Miguel Luciano, Beatriz Santiago Muñoz, Stephanie Syjuco, Amber Robles-Gordon, Maia Cruz Palileo, Martha Atienza, Mariquita ""Micki"" Davis, Enzo Camacho & Ami Lien, Isa Gagarin, Camille Hoffman, Gisela McDaniel.

From Marlon James, author of the bestselling National Book Award finalist Black Leopard, Red Wolf, the second book in the Dark Star trilogy, his African Game of Thrones.

In Black Leopard, Red Wolf, Sogolon the Moon Witch proved a worthy adversary to Tracker as they clashed across a mythical African landscape in search of a mysterious boy who disappeared. In Moon Witch, Spider King, Sogolon takes center stage and gives her own account of what happened to the boy, and how she plotted and fought, triumphed and failed as she looked for him. It’s also the story of a century-long feud—seen through the eyes of a 177-year-old witch—that Sogolon had with the Aesi, chancellor to the king. It is said that Aesi works so closely with the king that together they are like the eight limbs of one spider. Aesi’s power is considerable—and deadly. It takes brains and courage to challenge him, which Sogolon does for reasons of her own.

Both a brilliant narrative device—seeing the story told in Black Leopard, Red Wolf from the perspective of an adversary and a woman—as well as a fascinating battle between different versions of empire, Moon Witch, Spider King delves into Sogolon’s world as she fights to tell her own story. Part adventure tale, part chronicle of an indomitable woman who bows to no man, it is a fascinating novel that explores power, personality, and the places where they overlap.

Story Locale: Mythical Africa

Series Overview: Three characters—Tracker, the Moon Witch, and the Boy—are locked in a dungeon in the castle of a dying king, awaiting torture and trial for the death of a mysterious child. They were three of eight mercenaries who had been hired to find a particular child who had been missing for three years. The search, expected to take two months, took nine years. In the end, five of the eight mercenaries, as well as the child, were dead. What happened? Where did their stories begin? And how did each story end? These are the questions posed in the Dark Star Trilogy, three novels set amid African legend and Marlon James’ expansive imagination.

"This illuminating volume will liberate many women from self-suppression and its frequent consequence, physical illness."— Gabor Maté M.D. New York Times bestselling author of The Myth of Normal

Foreword by Dr. Richard Carmona MD, MPH, FACS, 17th Surgeon General of the United States

The inspirational, deeply researched wellness journey by the award-winning filmmaker, activist, and founder of Women Rising, shining a light on how too many girls are trained to self-silence and serve others—and how we can heal.

For generations, women have been told to be “good”—to put others first, to silence their own voices, to neglect their own needs. But a new groundswell of evidence reveals the cost: when our lives are compromised, so are our immune systems.

Raised in a big Texas-Lebanese family as the eldest and only daughter, Sara Hirsh Bordo grew up caring for everyone else’s needs at the expense of her own. Later, as an acclaimed director lifting up other women’s stories, she watched her own body collapse under the weight of autoimmune disease and cancer. Only when she finally reclaimed sovereignty over her own voice, did she heal.

Determined to understand this link, Sara funded the first quantitative research at the intersection of female empowerment and autoimmunity. The results were groundbreaking: women raised in caretaker roles—especially eldest daughters—are disproportionately likely to develop autoimmune diseases such as Hashimoto’s, lupus, multiple sclerosis, fibromyalgia, chronic fatigue syndrome, and more. This study, endorsed by former U.S. Surgeon General Dr. Richard Carmona, garnered national media attention and has been shared across 20 countries.

In these pages, you will find:

* How compromised girlhood identities create compromised immune systems in womanhood—and how to rewrite your story.
* Impacts of adverse childhood experiences (ACEs) on autoimmunity and poor health.
* Stunning findings from her research, such as more than 6 in 10 women with autoimmune diseases were raised as the oldest or only daughter in their families
* What radically changes in health when authenticity, environment, and self-permission finally align.
* Inner girlhood work, including re-mothering through modern and mystical feminine archetypes.
* How to unlearn your primary role as a caregiver and practical guides for evolving from “good” to “real” at any age.

Weaving together memoir, exclusive expert interviews, evidence-based findings, and women’s personal stories, Autoimmunity and the Good Girls is a rousing testament to the missing modality in women’s health— sovereign self-permission to speak up, to transform, and heal.

Passports 2012–2025 presents an intimate body of work by Keisha Scarville taken from an ongoing series centered around her father’s earliest passport photograph. The artist has reinterpreted the photograph over three hundred times to date, each iteration reworked and collaged with varying materials and found imagery – paints, beads, photograph fragments of Black bodies, gold leaf, glitter – to form a deeply textured act of photomontage. Interwoven with the passport works are archival images taken between the 1960s and 1980s in Guyana and New York City, where her father settled in the US, his self-portraits, Scarville’s own photographs of him and of Guyana’s striking landscape, and short transcripts of their conversations. Together these works excavate untold histories and disrupt the false neutrality of the passport image in an interrogation of citizenship and personhood, absence and materiality. Drawing on all these strands, the book examines and reimagines diaspora, bureaucratic images, and the archive, asking what it means to understand a person, especially a loved one, through an image. With a new text by Tina M. Campt, Professor of Humanities at Princeton University

From the duo behind the best-selling If I Had a Dinosaur comes this humorous and imaginative celebration of unicorns.

Have you ever given any thought to what the perfect magical pet would be? Giants are far too big, and dragons are way too hot, but what about a unicorn? It might eat all your ice cream for breakfast, but if you get upset about that, it will feed you cotton candy! It can sprinkle star dust on grumpy siblings, carry you to soccer practice on a rainbow, and make sure you dream nothing but sweet and fluffy unicorn dreams.

In this playful tale, a little girl finds out firsthand what it’s like to have a magical creature as a pet.

Illustrated in color throughout

“Ray Carney was only slightly bent when it came to being crooked…” To his customers and neighbors on 125th street, Carney is an upstanding salesman of reasonably priced furniture, making a decent life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents on Striver’s Row don’t approve of him or their cramped apartment across from the subway tracks, it’s still home.

Few people know he descends from a line of uptown hoods and crooks, and that his façade of normalcy has more than a few cracks in it. Cracks that are getting bigger all the time.

Cash is tight, especially with all those installment-plan sofas, so if his cousin Freddie occasionally drops off the odd ring or necklace, Ray doesn’t ask where it comes from. He knows a discreet jeweler downtown who doesn’t ask questions, either.