Forgotten Readers expands our definition of literacy and urges us to think of literature as broadly as it was conceived of in the nineteenth century. Elizabeth McHenry delves into archival sources, including the records of past literary societies and the unpublished writings of their members. She examines particular literary associations, including the Saturday Nighters of Washington, D.C., whose members included Jean Toomer and Georgia Douglas Johnson. She shows how black literary societies developed, their relationship to the black press, and the ways that African American women's clubs--which flourished during the 1890s--encouraged literary activity. In an epilogue, McHenry connects this rich tradition of African American interest in books, reading, and literary conversation to contemporary literary phenomena such as Oprah Winfrey's book club.

From Marlon James, author of the bestselling National Book Award finalist Black Leopard, Red Wolf, the second book in the Dark Star trilogy, his African Game of Thrones.

In Black Leopard, Red Wolf, Sogolon the Moon Witch proved a worthy adversary to Tracker as they clashed across a mythical African landscape in search of a mysterious boy who disappeared. In Moon Witch, Spider King, Sogolon takes center stage and gives her own account of what happened to the boy, and how she plotted and fought, triumphed and failed as she looked for him. It’s also the story of a century-long feud—seen through the eyes of a 177-year-old witch—that Sogolon had with the Aesi, chancellor to the king. It is said that Aesi works so closely with the king that together they are like the eight limbs of one spider. Aesi’s power is considerable—and deadly. It takes brains and courage to challenge him, which Sogolon does for reasons of her own.

Both a brilliant narrative device—seeing the story told in Black Leopard, Red Wolf from the perspective of an adversary and a woman—as well as a fascinating battle between different versions of empire, Moon Witch, Spider King delves into Sogolon’s world as she fights to tell her own story. Part adventure tale, part chronicle of an indomitable woman who bows to no man, it is a fascinating novel that explores power, personality, and the places where they overlap.

Story Locale: Mythical Africa

Series Overview: Three characters—Tracker, the Moon Witch, and the Boy—are locked in a dungeon in the castle of a dying king, awaiting torture and trial for the death of a mysterious child. They were three of eight mercenaries who had been hired to find a particular child who had been missing for three years. The search, expected to take two months, took nine years. In the end, five of the eight mercenaries, as well as the child, were dead. What happened? Where did their stories begin? And how did each story end? These are the questions posed in the Dark Star Trilogy, three novels set amid African legend and Marlon James’ expansive imagination.

For readers of Homegoing and Frying Plantain, a stirring intergenerational saga stretching from the Caribbean to Canada where womanhood and mothering demands what the body wants to forget.

Woven together with folklore and memory, We've Been Here Before begins with the childhood stories of Lise-Rose, who struggles with speech and coming of age in a community anchored in both West African spirituality and the Catholic Church. Lise-Rose must choose either to follow the ancestral ways of her father, who is spiritually bound to the sea, or her mother, who has rooted herself in Catholicism. The path of her life changes, however, after an encounter with a shape-shifting figure from the village.

Like Lise-Rose's ancestors, her descendants struggle to honour ancestral knowledge while living on foreign lands. Margaux, Lise-Rose's great-granddaughter, embarks on a new life with her mother in Canada. Facing racism and isolation, they attempt to establish roots in a country that seems both limitless and oppressive.

Across generations, Sodhi explores how a woman reclaims a connection to her stories and ancestors while forging her own voice.

At the darkly glamorous height of the Roaring 20s, an independent Black intellectual and her bi-racial foster child are immersed in the vibrant world of the Harlem Renaissance – and a shocking murder on Striver’s Row – in this thrilling Jazz Age mystery for reader of Nekesia Afia, Jacqueline Winspear, Avery Cunningham’s The Mayor of Maxwell Street.

1926: Harriet Stone, a liberated, educated Black woman, and Lovey, the orphaned, biracial 12-year-old she is bound to protect, are Harlem-bound, embarking on a new, hopefully less traumatic chapter in their lives. They have been invited to move from Connecticut by Harriet’s cousin, Junetta Plum, who runs a boardinghouse for independent-minded single women.

It’s a bold move, since Harriet has never met Junetta, but the fatalities of the Spanish flu and other tragedies have already forced her and Lovey to face their worst fears. Alone but for each other, they have little left to lose—or so it seems as they arrive at sophisticated Junetta’s impressive brownstone.

Her cousin has a sharp edge, which makes Harriett slightly uncomfortable. Still, after retiring to her room for the night, she finally falls asleep—only to awaken to Junetta arguing with someone downstairs. In the morning, she makes a shocking discovery at the foot of the stairs.

What ensues will lead Harriet to question Junetta’s very identity—and to wonder if she and Lovey are in danger, as well. It will also tie Harriet to five strangers. Among them, Harriet is sure someone knows something. What she doesn’t yet know is that one will play a crucial role in helping her investigate her cousin’s murder . . . that she will be tied to the others in ways she could never imagine . . . and that her life will take off in a startling new direction. . . .

A cinematic, razor-sharp novel following a backlot fixer’s daring investigation into the suspicious death of a closeted Black actor within the glamorous world of Hollywood, from the bestselling author of My Government Means to Kill Me

Xavier C. Barlow, one of Hollywood’s young Black stars taking the industry by storm in the late 1950s, is Skyline Studios’s ambitious attempt to rival Sidney Poitier's burgeoning success. His arrival into the industry is calculated, his charm is magnetic, and his seductive screen presence appeals to both audiences and celebrities across generations.

But years later, after Xavier dies at the height of his fame, Aaron Touissant―Skyline’s designated backlot fixer who helps the studio’s stars stay as deep in the closet as humanly possible―is finally ready to expose the powerful culprits responsible for his untimely death.

Written as part-confessional, part-cris de coeur from Aaron's panoramic lens, There’s Only One Sin in Hollywood is a searing portrait of the movie industry as a manicured minefield and a compelling journey into the queer history of Los Angeles.

“[A] delicious literary Gothic debut.” –THE NEW YORK TIMES BOOK REVIEW, EDITORS' CHOICE

“Moody and evocative as a fever dream, Catherine House is the sort of book that wraps itself around your brain, drawing you closer with each hypnotic step.” – THE WASHINGTON POST

A Most Anticipated Novel by Entertainment Weekly • New York magazine • Cosmopolitan • The Atlantic • Forbes • Good Housekeeping • Parade • Better Homes and Gardens • HuffPost • Buzzfeed • Newsweek • Harper’s Bazaar • Ms. Magazine • Woman's Day • PopSugar • and more!

A gothic-infused debut of literary suspense, set within a secluded, elite university and following a dangerously curious, rebellious undergraduate who uncovers a shocking secret about an exclusive circle of students . . . and the dark truth beneath her school’s promise of prestige.

Trust us, you belong here.

Catherine House is a school of higher learning like no other. Hidden deep in the woods of rural Pennsylvania, this crucible of reformist liberal arts study with its experimental curriculum, wildly selective admissions policy, and formidable endowment, has produced some of the world’s best minds: prize-winning authors, artists, inventors, Supreme Court justices, presidents. For those lucky few selected, tuition, room, and board are free. But acceptance comes with a price. Students are required to give the House three years—summers included—completely removed from the outside world. Family, friends, television, music, even their clothing must be left behind. In return, the school promises a future of sublime power and prestige, and that its graduates can become anything or anyone they desire.

Among this year’s incoming class is Ines Murillo, who expects to trade blurry nights of parties, cruel friends, and dangerous men for rigorous intellectual discipline—only to discover an environment of sanctioned revelry. Even the school’s enigmatic director, Viktória, encourages the students to explore, to expand their minds, to find themselves within the formidable iron gates of Catherine. For Ines, it is the closest thing to a home she’s ever had. But the House’s strange protocols soon make this refuge, with its worn velvet and weathered leather, feel increasingly like a gilded prison. And when tragedy strikes, Ines begins to suspect that the school—in all its shabby splendor, hallowed history, advanced theories, and controlled decadence—might be hiding a dangerous agenda within the secretive, tightly knit group of students selected to study its most promising and mysterious curriculum.

Combining the haunting sophistication and dusky, atmospheric style of Sarah Waters with the unsettling isolation of Kazuo Ishiguro’s Never Let Me Go, Catherine House is a devious, deliciously steamy, and suspenseful page-turner with shocking twists and sharp edges that is sure to leave readers breathless.

A sweeping, multicultural family story of keen observation and the supernatural in which one man’s journey to wholeness against the collapse of the West Indies’ banana industry during the 1990s reflects the lasting impacts of colonialism, Catholicism, and immigration.

Before the gadèt-zafè came to warn his mother she would die, six-year-old Fidel knew only the everyday mystery of the Guadeloupe around him. The lush greenery, the dusty roads, the sugar cane growing and the neighbors arguing, the push and pull of love and resentment between people who rely on each other—his world is small but full. Until a few moments of violence change his life forever.

Orphaned, Fidel returns to his mother’s native Dominica and whirls from one relative and reality to another, learning pieces of his own story. His heritage is one of layered secrets and sharp divisions—between the grandmothers who love him and the aunt who wants him dead, the Catholic orthodoxy of his school and the Obeah knowledge of his grandfather, and the indigenous and the colonial. The violence he’s witnessed inhabits not only strangers but himself. The spirits of the dead visit him with advice, threats, and explanations. And when he sees a path toward happiness in Canada, he must reconcile his intense, bittersweet love of his home with the possibility of leaving it.

Seeran and Lettle are no longer prisoners to the fae court, but now they’re bound by shackles of their hearts, in this sequel to Faebound from the national bestselling author.

United by war.
Betrayed by destiny.
Cursed by love.

Yeeran was born for war but is unprepared for love. She has left her new lover, the Queen of the fae, to return to her homeland, only to find that her former lover now threatens war against the fae.

Left behind, her sister Lettle is determined to break the curse that binds the fae to their realm. When a stranger appears in the city, Lettle is convinced he’s the key. But the Fates that once spoke to her have fallen silent.

Can Lettle and Yeeran discover the secret behind the curse—and unite these two worlds before they destroy each other?

Book Two of the Faebound Trilogy

Don’t miss any of Saara El-Arifi’s magical Faebound Trilogy:
FAEBOUND • CURSEBOUND

Bridget Jones’s Diary meets Survival of the Thickest in Danielle Allen’s CURVY GIRL SUMMER, a smoking-hot, hilarious novel about the perils of online dating.

“There’s got to be an easier way than dating. I want the shortcut. I just want to find my person and start our lives together.”
After a one-night stand with her clingy ex, Aaliyah James has an epiphany: this ain’t it. She knows what she wants, and she’s ready to move past casual hookups, flings, and situationships.

But for her family, the clock is ticking―after all, she’s almost thirty. And when they imply that her personality (and her body) might be too big to land a man, she lets them know they’ve gone too far―and her (nonexistent) man loves her curves, thank you very much. Now, she has seven weeks to find the perfect boyfriend to rub in their faces at the big, fancy birthday celebration she’s been planning.

After her first blind date goes wrong, charming local bartender Ahmad Williamson consoles her with a drink and some playful banter. Aaliyah takes him up on his suggestion to use a dating app―but the more she sees of his warm, funny, and easygoing nature, the less she wants to check her DMs. Will her next swipe bring her closer to true love―or is her real match closer than she thinks?

Indiana Jones meets Hidden Figures in this brand-new stand-alone historical fantasy set in the world of The Conductors, in which the space race of the mid-20th century will be determined by magic...if not murder.

In the 1960s, the world was caught up in reaching beyond our planet and into the cosmos. It felt impossible--but there was nothing science, math...and magic couldn't make possible. The race to space was on, and the Moon was what everyone had their eyes on.

Including Cynthia Rhodes, a brilliant arcane engineer at NASA's Ainsworth Research Labs. Talented in math and magic, she hosts a magical educational show... a job she took mostly for a chance to regularly see the dashing Theodore Danner, a professor of arcane archeology.

She is also an amateur sleuth--something that has run in her family for generations.

When a cursed museum curator nearly interrupts a broadcast of their show, Cynthia finds an eager sleuthing partner in Theo. Pairing up, they begin investigating the strange behavior of the curator and a mysterious theft at the arcane history museum--until one of Cynthia's own coworkers perishes right in front of her in a major lab accident that endangers Ainsworth's role in the space race.

Certain it was murder instead of an accident, Cynthia sees this as a separate case at first. However the more she and Theo investigate, Cynthia uncovers a surprising link between the two incidents. The museum theft and murder are part of a larger equation--one that includes deadly enchantments, rumored pirate treasure, a peculiar plant, and a dire threat to the space program as well as everything she holds dear.

The Starseekers is another rip-roaring adventure for the Rhodes family, who have been using magic to aid their community and solve mysteries since before the Civil War. The times may have changed, but a Rhodes once again finds themselves thrust into a world of murders, theft, sabotage, and curses, and this time the stakes extend to the stars themselves.

The empowering story of how Thurgood Marshall's childhood paved the way for his future as the first African American Supreme Court Justice.

Before he opened his first law book, Thurgood Marshall was a prankster in school, trying his teachers' patience and doing only enough work to get by. Before he waged war against injustice, Thurgood watched his uncles go off to World War I and return to a country that refused to honor them. Before he represented underdogs in court, Thurgood watched the police station outside his classroom window, seeing the officers' brutal treatment of Black prisoners. Before he made history as the first African American Supreme Court Justice, Thurgood Marshall was a normal kid with a quick wit, inquiring mind, and ready rebuttal. No one told him that he could be a lawyer. But his family and teachers shaped him into one.

Young People's Poet Laureate and Children's Literature Legacy Award winner Carole Boston Weatherford and award-winning illustrator Gordon C. James tell the inspiring true story of how one tough, compassionate, gutsy boy grew up to become a groundbreaker, history-maker, and all-around legend.

Perfect for readers looking for:
- Inspiring stories about American legends
- Childhood experiences of groundbreaking adults
- Books about the Civil Rights movement

This edition of Native Son reprints the original edition in which Wright omitted several passages which book club editors feared would prove offensive to readers in 1940 and which were restored to the book in later editions.

Set in Chicago in the 1930s, Wright’s powerful novel is just as meaningful today as when it was written, both in its unsparing reflection of the poverty and feelings of hopelessness experienced by people in inner cities across the country and in what it means to be black in America. An undisputed classic since it was first published, Native Son has sold close to three million copies.

This abridged edition—the original 1940 text—includes an afterword by John Reilly and contains an introduction, “How ‘Bigger’ was Born” by Richard Wright.