An award-winning young scholar explores how Black women have remade―and continue to remake―our understanding of the past.

Across centuries, Black women have invented means to preserve what official history could not: friendship albums, kitchen-table philosophy, blogs, playlists, oral histories, and archives held in the mind. In The Light Keepers, Jessica Marie Johnson traces this radical tradition through the centuries-long prism of American empire, from the holds of slave ships to contemporary digital worlds, showing that there is nothing finished or settled about how Black women understand time, trauma, and survival.

Blending personal narrative, archival fragments, and ancestral wisdom, Johnson reframes Black women not as subjects of history but as archivists and historians. Against erasure, against shame, against death itself, Black women have transformed the bitterest waters of history into tools for living, loving, and imagining freedom. The Light Keepers offers readers a daring new way to think about the past―and a powerful lesson in how knowledge is made when survival demands it.

88 illustrations

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Whimsy is back in the hospital for treatment of clinical depression. When she meets a boy named Faerry, she recognizes that they both have magic in the marrow of their bones. And when Faerry and his family move to the same street, the two start to realize that their lifelines may have twined and untwined many times before.

They are both terrified of the forest at the end of Marsh Creek Lane.

The Forest whispers to Whimsy. The Forest might hold the answers to the part of Faerry he feels is missing. They discover the Forest holds monsters, fairy tales, and pain that they have both been running from for eleven years.

From award-winning author Rhonda McKnight comes a new story of faith, history, and the power of legacy that merges the romance of The Bookshop Sisterhood with the rich Lowcountry setting of Mary Alice Monroe.

Alexandra Chambers is a writer who has run out of words. Struggling with writer's block and the pressure to secure a new book deal, she wins a week in a writer-friendly cabin through a drawing held at a Lowcountry literacy center.

What she finds is far more than she expected--a vibrant community brimming with inspiration, a past steeped in history and culture, and a man who both intrigues and unsettles her.

Gabe Scott, a bestselling author and the former writer-in-residence, is everything Alex feels she's not--acclaimed, award-winning, and unshakably confident. When their paths cross at the center, his literary brilliance and dedication to helping struggling Gullah students stir feelings Alex isn't ready to confront. Though undeniably attracted to him, Alex wrestles with the fear that her books pale beside his celebrated work.

When a surprising family connection unearths long-hidden truths about her past, Alex is forced to confront a lie that has shaped her life. Guided by the quiet wisdom of Ms. Kate, an elderly Gullah cleaning woman with losses of her own, Alex finds the strength to forgive truths long withheld, embrace her voice, and write the story only she can tell.

Writer in Residence is a rich and layered choice for book clubs eager to explore themes of identity, family secrets, creative reinvention, and the power of place. McKnight's lush Lowcountry setting and unforgettable cast of characters spark meaningful conversation about Gullah Geechee culture, the stories we inherit, and the courage it takes to tell our own truth. An included discussion guide makes it easy for groups to dig deeper into Alex's journey of rediscovery--and perhaps reflect on the hidden roots in their own lives.

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“A modern masterpiece.” —Jason Reynolds, best-selling author of Look Both Ways

It’s 2013, and Circus Palmer, a forty-year-old Boston-based trumpet player and old-school ladies’ man, lives for his music and refuses to be tied down. Before a gig in Miami, he learns that the woman who is secretly closest to his heart, the free-spirited drummer Maggie, is pregnant by him. Instead of facing the necessary conversation, Circus flees, setting off a chain of interlocking revelations from the various women in his life. Most notable among them is his teenage daughter, Koko, who idolizes him and is awakening to her own sexuality even as her mentally fragile mother struggles to overcome her long-failed marriage and rejection by Circus.

Delivering a lush orchestration of diverse female voices, Warrell spins a provocative, soulful, and gripping story of passion and risk, fathers and daughters, wives and single women, and, finally, hope and reconciliation, in answer to the age-old question: how do we find belonging when love is unrequited?

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Told from alternating perspectives, an evocative and riveting novel about the lifelong bond between two women, one Black and one white, whose friendship is indelibly altered by a tragic event—a powerful and poignant exploration of race in America today and its devastating impact on ordinary lives.

Jen and Riley have been best friends since kindergarten. As adults, they remain as close as sisters, though their lives have taken different directions. Jen married young, and after years of trying, is finally pregnant. Riley pursued her childhood dream of becoming a television journalist and is poised to become one of the first Black female anchors of the top news channel in their hometown of Philadelphia.

But the deep bond they share is severely tested when Jen’s husband, a city police officer, is involved in the shooting of an unarmed Black teenager. Six months pregnant, Jen is in freefall as her future, her husband’s freedom, and her friendship with Riley are thrown into uncertainty. Covering this career-making story, Riley wrestles with the implications of this tragic incident for her Black community, her ambitions, and her relationship with her lifelong friend.

Like Tayari Jones’s An American Marriage and Jodi Picoult’s Small Great Things, We Are Not Like Them explores complex questions of race and how they pervade and shape our most intimate spaces in a deeply divided world. But at its heart, it’s a story of enduring friendship—a love that defies the odds even as it faces its most difficult challenges.

Masika Holt made peace with never seeing her best friend-and ex-lover-from high school ever again. She betrayed him, after all. But a change of heart puts her right on Aiden Zetrenne's doorstep with hopes of atonement. Despite her mistakes, he accepts the apology with open arms and allows her to stay in his home.

Betwixt confronting their traumatizing pasts and forging a new path together, the pair must face new challenges and trials; many far beyond what either of them could anticipate. With danger and oppressors lurking at every corner, with Evil stalking their every step, will the couple make it out alive without getting more blood on their hands?

Where the Stars Are is a captivating, gut-wrenching and powerful debut novel exploring gender identity, love, and reconciliation.

WARNING: This novel contains potentially triggering content. Please heed the content warnings listed on Micah Flowers' official website and at the beginning of the book.

SHE LOST HER HAIR.
SHE LOST HER MARRIAGE.

Now she's finding herself.

When Brielle Bowman is diagnosed with alopecia areata while divorcing her controlling husband, her world unravels. Stripped of the identity she built for herself, she's forced to ask the hardest question of all:

Who is she without the life she thought she needed?

With the support of her best friend and daughter, Brielle shaves her head, faces her fears, and learns that beauty was never the problem—believing it was is what almost broke her.

As she pieces herself back together, Brielle rediscovers long-buried dreams, pursues a new purpose, and builds a future on her own terms. But healing isn't linear, and letting go of the past isn't always easy.

HEARTBREAKING. EMPOWERING. UNAPOLOGETICALLY REAL.

Being a doctor is Glover Israel’s passion. He tends to his patients like they are his children and takes pride in providing excellent care. He doesn’t have a good reputation among hospital staff, because he requires the same level of service from them toward his patients as well. Having to financially take care of his paraplegic father leaves little time for much of anything outside of work. The only things he can seem to find time for are carnal pleasures. He’s not looking for a relationship or anything close to love. So, he makes his rounds through potential candidates at will . . . until he literally bumps into Delaney Boutté.

Loving the wrong man can be hard to overcome emotionally. Delaney Boutté learns that lesson the hard way. When her relationship starts to fizzle and she finds out about her boyfriend’s philandering ways, she chooses to get even. Doctor Glover Israel seems to be the perfect candidate, since he has the reputation of being the womanizer of St. Ambrose Memorial Hospital. She knows he’s attracted to her, and physically, she’s attracted to him too, but she knows her heart isn’t ready for anything more than the carnal pleasures he’s known for indulging in.

Through their interactions at the hospital, the two quickly realize that there is more to their attraction than the physical aspect of it. Glover has nothing to lose by going for it, but Delaney feels her heart can’t withstand any more disappointment or heartbreak. Can the man that has avoided his feelings for so long convince the woman of his dreams that he’s ready for something real, or will she leave him to the proverbial streets from whence he came?

Jojo is thirteen years old and trying to understand what it means to be a man. He doesn’t lack in fathers to study, chief among them his Black grandfather, Pop. But there are other men who complicate his understanding: his absent White father, Michael, who is being released from prison; his absent White grandfather, Big Joseph, who won’t acknowledge his existence; and the memories of his dead uncle, Given, who died as a teenager.

His mother, Leonie, is an inconsistent presence in his and his toddler sister’s lives. She is an imperfect mother in constant conflict with herself and those around her. She is Black and her children’s father is White. She wants to be a better mother but can’t put her children above her own needs, especially her drug use. Simultaneously tormented and comforted by visions of her dead brother, which only come to her when she’s high, Leonie is embattled in ways that reflect the brutal reality of her circumstances.

When the children’s father is released from prison, Leonie packs her kids and a friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another thirteen-year-old boy, the ghost of a dead inmate who carries all of the ugly history of the South with him in his wandering. He too has something to teach Jojo about fathers and sons, about legacies, about violence, about love.

In a piercing blend of biography, criticism, and memoir, Pulitzer Prize-winning writer Salamishah Tillet explores Nina Simone’s life and the impact of her legacy.

In Nina Simone and the World She Made, Salamishah Tillet traces Nina Simone’s transformation from child prodigy to musical icon and fearless civil rights activist. When racism thwarted her dreams of becoming a classical pianist, Simone reinvented herself and created a sound wholly her own—one that would catapult her into stardom and the heart of the Black Power movement.

Decades later, Simone’s music inspired the hip-hop generation and Tillet’s own profound political awakening. From buying her first Nina Simone album to becoming a creative and activist, Tillet’s private encounters with Simone’s work grew into a broader exploration of her legacy. Exploring Simone’s unique impact on the American cultural landscape through the women who shaped her and those whom she shaped, Tillet reveals how art can be a powerful driver of social activism, and the struggles and sacrifices it involves.

With honest, lyrical prose, Tillet’s intimate portrait brings us close to Simone, while showing us how the singer’s voice captured the pain and promise of America and resonates in the fight for equality today. Nina Simone and the World She Made urges us to listen to Simone’s music—not just as a reflection of the past, but as a guide for the future.

Celebrate the release of Expecting Inequity with Khiara M. Bridges! The event will feature a moderated conversation, audience Q&A, and book signing, followed by a community art activation led by The Call Me Mother Experience.

EVENT DEETS

When: Thursday, October 29 @ 7PM CST

Where: Kindred Stories (2310 Elgin St, HTX 77004)

How: 

• RSVP ONLY to reserve your seat.
• RSVP WITH BOOK to reserve your seat and purchase a copy Expecting Inequity, supporting both the author and our store programming. The book will be available for pickup at the event.

Please Note: Books purchased from other retailers are not permitted in the bookstore and are not eligible for the signing or photo line. To participate in the signing and photo opportunity, you must purchase a copy from Kindred Stories. If you already purchased your book from Kindred Stories, you may select the RSVP Only ticket option and bring your Kindred Stories copy to the event.

If you purchase a ticket and are unable to attend the event, your ticket is non-refundable. If your ticket includes a book, an email will be sent to all attendees before and after the event with instructions on how to receive your book. Books must be claimed within 14 days following the event. If your book is not retrieved it will be returned to the publisher and will not be available for pick up in the future.

ABOUT THE BOOK

ABOUT THE AUTHOR

Khiara M. Bridges is the Earl Warren Professor of Public Law at UC Berkeley School of Law. 

She is a nationally-recognized expert on the intersection of race, class, and reproductive rights. Her scholarship has appeared in the most influential law reviews in the country, including the flagship law journals at Harvard, Yale, Stanford, and UC Berkeley, among many others. She is also the author of three books: Reproducing Race: An Ethnography of Pregnancy as a Site of Racialization (2011), The Poverty of Privacy Rights (2017), and Critical Race Theory: A Primer (2019, 2026). Her fourth book, Expecting Inequity: How the Maternal Health Crisis Affects Even the Wealthiest Black Americans, was released in March 2026.

Bridges graduated as valedictorian from Spelman College, receiving her degree in three years. She received her J.D. from Columbia Law School and her Ph.D., with distinction, from Columbia University’s Department of Anthropology. She speaks fluent Spanish and basic Arabic, and she is a classically-trained ballet dancer who danced professionally in New York City for twenty years before moving to the Bay Area.

ABOUT THE CONVERSATION PARTNER

Deborah D.E.E.P Mouton is a multi-modal storyteller whose work documents, examines, and celebrates the complexities of Black American life. She has authored Newsworthy (Bloomsday Literary, 2019), Black Chameleon (Henry Holt & Co., 2023), which won the Carr P. Collins award for Best Nonfiction through the Texas Institute of Letters, and Hush Hush Hurricane (Kokila Books, 2027). This three-time TEDx speaker has contributed to Glamour, Texas Monthly, and ESPN's Andscape and written theatrical works that have premiered at Chicago Opera Theater, the Kennedy Center, and National Sawdust. Her upcoming immersive art installation, The Call Me Mother Experience, amplifies the Black Maternal Health crisis.

Percival Everett's blistering satire about race and publishing, now adapted for the screen as AMERICAN FICTION, directed by Cord Jefferson and starring Jeffrey Wright and Tracee Ellis Ross

Thelonious "Monk" Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited "some relatives in Harlem for a couple of days." Meanwhile, Monk struggles with real family tragedies―his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before.

In his rage and despair, Monk dashes off a novel meant to be an indictment of Juanita Mae Jenkins's bestseller. He doesn't intend for My Pafology to be published, let alone taken seriously, but it is―under the pseudonym Stagg R. Leigh―and soon it becomes the Next Big Thing. How Monk deals with the personal and professional fallout galvanizes this audacious, hysterical, and quietly devastating novel.