Introduce your brilliant baby to environmentalist, women’s rights activist, and Nobel Peace Prize winner Wangari Maathai.

Wangari Maathai (1940–2011) was a Kenyan environmentalist and women’s rights activist who often clashed with the government over her efforts to plant trees, conserve forest land, and bring democracy to the country. Wangari raised funds to pay poor women a small amount to plant and care for each tree. When a new government came into power, Wangari served in Parliament and as assistant minister of environment and natural resources. Her Green Belt Movement spread to many countries in Africa and beyond. In 2004 Wangari won a Nobel Peace Prize, the first one given to an environmentalist and an African woman.

Kate Coombs’ engaging narrative about Wangari planting trees and Seth Lucas’ captivating art teach young readers about this inspiring environmentalist and activist, encouraging little naturalists to Be Brave and Be Adventurous.

From its humble origins at house parties in the Bronx, where DJs mixed old records to create new sounds, charismatic MCs let their clever lyrics flow, and B-boys and B-girls pioneered inventive dance moves, hip-hop quickly became a musical and cultural revolution.

In this volume of History Comics, we follow Aaliyah, a hip-hop superfan who is about to get a lesson in all things “old school” courtesy of her dad. The pair take a day trip to the Bronx, where Aaliyah discovers the many unsung
heroes who helped create the foundations of hip-hop. So get ready to drop the beat, bust a move, and get down with some fresh rap knowledge!

Rediscover the sensational 1967 literary thriller that captures the bitter struggles of postwar Black intellectuals and artists

With a foreword by Ishmael Reed and a new introduction by Merve Emre about how this explosive novel laid bare America's racial fault lines

Max Reddick, a novelist, journalist, and presidential speechwriter, has spent his career struggling against the riptide of race in America. Now terminally ill, he has nothing left to lose. An expat for many years, Max returns to Europe one last time to settle an old debt with his estranged Dutch wife, Margrit, and to attend the Paris funeral of his friend, rival, and mentor Harry Ames, a character loosely modelled on Richard Wright.

In Amsterdam, among Harry’s papers, Max uncovers explosive secret government documents outlining “King Alfred,” a plan to be implemented in the event of widespread racial unrest and aiming “to terminate, once and for all, the Minority threat to the whole of the American society.” Realizing that Harry has been assassinated, Max must risk everything to get the documents to the one man who can help.

Greeted as a masterpiece when it was published in 1967, The Man Who Cried I Am stakes out a range of experience rarely seen in American fiction: from the life of a Black GI to the ferment of postcolonial Africa to an insider’s view of Washington politics in the era of segregation and the Civil Rights Movement, including fictionalized portraits of Martin Luther King, Jr., and Malcolm X. John A. Williams and his lost classic are overdue for rediscovery.

Few novels have so deliberately blurred the boundaries between fiction and reality as The Man Who Cried I Am (1967), and many of its early readers assumed the King Alfred plan was real. In her introduction, Merve Emre examines the gonzo marketing plan behind the novel that fueled this confusion and prompted an FBI investigation. This deluxe paperback also includes a new foreword by novelist Ishmael Reed.

S. A. Cosby's All the Sinners Bleed meets Percival Everett's Erasure in this literary thriller following the grandson of a famous Black actress from the 1920s to the 1940s, now a filmmaker himself, who returns to his grandmother's cabin retreat in the California mountains only to encounter the legacy of her rage born in Old Hollywood.

Award-winning author Tananarive Due returns with the follow-up to the multi-award-winning The Reformatory in this generational novel of rage. With flashbacks to Johnny’s grandmother—who brushed shoulders with giants like Lena Horne, Clark Gable, and Hattie McDaniel—this novel explores three generations, beginning with Mazelle Washington’s life as a young actress. Fifty years after Mazelle’s death, Johnny will discover the secret she kept and nurtured since she was a child, when she had a dark wish come true.

A monster lurks outside Mazywood, hidden for generations, and Johnny brought his family to its hunting grounds.

A poignant debut for readers of Jesmyn Ward and Jamel Brinkley, We Are a Haunting follows three generations of a working class family and their inherited ghosts: a story of hope and transformation. 

In 1980’s Brooklyn, Key is enchanted with her world, glowing with her dreams. A charming and tender doula serving the Black women of her East New York neighborhood, she lives, like her mother, among the departed and learns to speak to and for them. Her untimely death leaves behind her mother Audrey, who is on the verge of losing the public housing apartment they once shared. Colly, Key’s grieving son, soon learns that he too has inherited this sacred gift and begins to slip into the liminal space between the living and the dead on his journey to self-realization.

In the present, an expulsion from school forces Colly across town where, feeling increasingly detached and disenchanted with the condition of his community, he begins to realize that he must, ultimately, be accountable to the place he is from. After college, having forged an understanding of friendship, kinship, community, and how to foster love in places where it seems impossible, Colly returns to East New York to work toward addressing structural neglect and the crumbling blocks of New York City public housing he was born to; discovering a collective path forward from the wreckages of the past. A supernatural family saga, a searing social critique, and a lyrical and potent account of displaced lives, We Are a Haunting unravels the threads connecting the past, present, and future, and depicts the palpable, breathing essence of the neglected corridors of a pulsing city with pathos and poise.

From the incendiary voice behind Your Driver is Waiting, a riotous novel following a family of Tamil refugees who fled civil war in Sri Lanka to pursue a better life, just for it to be up-ended by the schemes of a self-proclaimed day-trading savant, jeopardizing everything they’ve worked so desperately to secure.

It’s hard enough to be a teenager at the turn of the millennium, and especially so for Dilo, who on top of juggling school and caring for her baby-cousin Maysha, is tasked with hustling to help her family get by. After Dilo’s born-again Christian mother, Mary, and Aunt Anji relocated the family from Sri Lanka fleeing the civil war, one thing’s become blindingly clear—the “rags-to-riches” fairytale they were promised is bullshit. The system is rigged, so sometimes you have to cheat to win.

Their family operates on the margins, working constantly to earn just enough to pay off their last meal. But they can only ignore stacks of overdue rent notices for so long, and when both matriarchs unexpectedly lose their jobs, desperation begins to set in. With eviction imminent, they are thrown a lifeline when they meet Mark, a swaggering day-trader, who promises to turn their small initial investment into thousands of dollars overnight on the stock exchange. At last, a miracle, and the family quickly become his apostles, recruiting investors by spreading the good word of his perpetual 10% returns. But they soon discover what really fuels Mark’s seemingly endless generosity, and when the markets turn they are left to navigate treacherous but familiar terrain. They must do what they always have, find a path where there isn’t one—survive.

From the acclaimed author of Your Driver is Waiting, with “a ferocity of voice that belongs to Priya Guns alone” (Camille Perri, NYTBR), Hustle, Baby is a fearless and feral novel about one family’s quest to live the good life, and what happens when we push those with nothing past their breaking point.

Turn disagreements and conflicts into opportunities for growth, compassion, and reconciliation. 

The sixth book in the bestselling Mindfulness Essentials series, a back-to-basics collection from world-renowned Zen master Thich Nhat Hanh that introduces everyone to the essentials of mindfulness practice.

Nhat Hanh brings his signature clarity, compassion, and humor to the ways we act out in anger, frustration, despair, and delusion. In brief meditations accompanied by whimsical sumi-ink drawings, Thich Nhat Hanh instructs us exactly how to transform our craving and confusion. If we learn to take good care of our suffering, we can help others do the same, and reach reconciliation between family members, coworkers, and even nations.

How to Fight is pocket-sized with two-color original artwork by California artist Jason DeAntonis.

A gripping exploration of the joys, hardships, and truths of Black students through intimate, honest dialogues and stunning photography, author of Heavy “A radical, reverential, and restorative document of community.”—Rebecca Bengal, author of Strange Hours: Photography, Memory, and the Lives of Artists When photographer Adraint Bereal graduated from the University of Texas, he self-published an impressive volume of portraits, personal statements, and interviews that explored UT's campus culture and offered an intimate look at the lives of Black students matriculating within a majority white space. Bereal's work was inspired by his first photo exhibition at the George Washington Carver Museum in Austin, entitled 1.7, that unearthed the experiences of the 925 Black men that made up just 1.7% of UT's total 52,000 student body. Now Bereal expands the scope of his original project and visits colleges nationwide, from Historically Black Colleges and Universities (HBCUs) to predominantly white institutions to trade schools and more. Rather than dwelling on the monolith of trauma often associated with Black narratives, Bereal is dedicated to using honest dialogue to share stories of true joy and triumph amidst the hardships, prejudices, and internal struggles. Using an exciting and eclectic design approach to accompany the portraits and stories, each individual profile effectively conveys the interviewee's unique voice, tone, and background. The Black Yearbook reframes society's stereotypical perception of higher education by representing and celebrating the wide range of Black experiences on campuses.

Black poets from the early twentieth century and onward come together for a moving anthology, edited and organized by the late, revered poet June Jordan.

First published in 1970, soulscript is a poignant, panoramic collection of poetry from some of the most eloquent voices in the art. Selected for their literary excellence and by the dictates of Jordan’s heart, these works tell the story of both collective and personal experiences, in Jordan’s words, “in tears, in rage, in hope, in sonnet, in blank/free verse, in overwhelming rhetorical scream.”
Soulscript features works by Jordan and other luminaries like Gwendolyn Brooks, Countee Cullen, Paul Laurence Dunbar, Nikki Giovanni, Langston Hughes, Gayl Jines, James Weldon Johnson, Audre Lorde, Claude McKay, Ishmael Reed, Sonia Sanchez, and Richard Wright, as well as the fresh voices of a turbulent era’s younger writers. Celebrated spoken-word poet Staceyann Chin, an original cast member of Def Poetry Jam on Broadway, has also added an introduction that speaks to Jordan’s legacy, helping to further cement soulscript as a visionary compilation that has already become a modern classic.

From one of the most brilliant writers and thinkers of the twentieth century comes a collection of "passionate, probing, controversial" essays (The Atlantic) on topics ranging from race relations in the United States to the role of the writer in society.

Told with Baldwin's characteristically unflinching honesty, this “splendid book” (The New York Times) offers illuminating, deeply felt essays along with personal accounts of Richard Wright, Norman Mailer and other writers. 

“James Baldwin is a skillful writer, a man of fine intelligence and a true companion in the desire to make life human. To take a cue from his title, we had better learn his name.” —The New York Times

NATIONAL BESTSELLER • Provocative and illuminating essays from women at the forefront of the climate movement who are harnessing truth, courage, and solutions to lead humanity forward.

“A powerful read that fills one with, dare I say . . . hope?”—The New York Times
 
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SMITHSONIAN MAGAZINE

There is a renaissance blooming in the climate movement: leadership that is more characteristically feminine and more faithfully feminist, rooted in compassion, connection, creativity, and collaboration. While it’s clear that women and girls are vital voices and agents of change for this planet, they are too often missing from the proverbial table. More than a problem of bias, it’s a dynamic that sets us up for failure. To change everything, we need everyone.
 
All We Can Save illuminates the expertise and insights of dozens of diverse women leading on climate in the United States—scientists, journalists, farmers, lawyers, teachers, activists, innovators, wonks, and designers, across generations, geographies, and race—and aims to advance a more representative, nuanced, and solution-oriented public conversation on the climate crisis. These women offer a spectrum of ideas and insights for how we can rapidly, radically reshape society.
 
Intermixing essays with poetry and art, this book is both a balm and a guide for knowing and holding what has been done to the world, while bolstering our resolve never to give up on one another or our collective future. We must summon truth, courage, and solutions to turn away from the brink and toward life-giving possibility. Curated by two climate leaders, this collection is a celebration of visionaries who are leading us on a path toward all we can save.

With essays and poems by:

Emily Atkin • Xiye Bastida • Ellen Bass • Colette Pichon Battle • Jainey K. Bavishi • Janine Benyus • adrienne maree brown • Régine Clément • Abigail Dillen • Camille T. Dungy • Rhiana Gunn-Wright • Joy Harjo • Katharine Hayhoe • Mary Annaïse Heglar • Jane Hirshfield • Mary Anne Hitt • Ailish Hopper • Tara Houska, Zhaabowekwe • Emily N. Johnston • Joan Naviyuk Kane • Naomi Klein • Kate Knuth • Ada Limón • Louise Maher-Johnson • Kate Marvel • Gina McCarthy • Anne Haven McDonnell • Sarah Miller • Sherri Mitchell, Weh’na Ha’mu Kwasset • Susanne C. Moser • Lynna Odel • Sharon Olds • Mary Oliver • Kate Orff • Jacqui Patterson • Leah Penniman • Catherine Pierce • Marge Piercy • Kendra Pierre-Louis • Varshini • Prakash • Janisse Ray • Christine E. Nieves Rodriguez • Favianna Rodriguez • Cameron Russell • Ash Sanders • Judith D. Schwartz • Patricia Smith • Emily Stengel • Sarah Stillman • Leah Cardamore Stokes • Amanda Sturgeon • Maggie Thomas • Heather McTeer Toney • Alexandria Villaseñor • Alice Walker • Amy Westervelt • Jane Zelikova

A bestseller in Korea, a biting, fast-paced vampire murder mystery exploring queer love and the consequences of loneliness.

When four isolated elderly people die back-to-back at the same hospital by jumping out of the sixth-floor window, Su-Yeon doesn't understand why she's the only one at her precinct that seems to care. But her colleagues at the police force dismiss the case as a series of unfortunate suicides due to the patients' loneliness. But Su-Yeon doesn't have the privilege of looking away: her dearest friend, Grandma Eun-Shim, lives on the sixth floor, and Su-Yeon is terrified that something will happen to her next.

As Su-Yeon begins her investigation alone, she runs into a mysterious woman named Violette at the crime scene. Violette claims to be a vampire hunter, searching for her ex-lover, Lily, and is insistent that a vampire is behind the mysterious deaths. Su-Yeon is skeptical at first, but when a fifth victim jumps from the window, her investigation reveals the body was completely drained of blood. Desperate to discover the cause of the deaths, Su-Yeon considers Violette's explanation-that something supernatural is involved.

The Midnight Shift is a gripping mystery, overflowing with commentary about societal isolation and loneliness, the sharp knife of grief, and the effects of marginalization, perfect for readers of Cursed Bunny; Woman, Eating; and A Certain Hunger.