The next book in the New Haven series, interconnected standalones featuring second chances, fiery passion, and Black heroines who get their happily ever afters.

Rae

Loving someone with demons is hard but leaving them is harder.

That's a lesson I learned roughly a decade ago when I left the love of my life behind. Choosing the child we made but weren't ready for over any hope for what could be. Trading in potential for reality, my dreams for motherhood and the warmth of his embrace for a cold, lonely world.

Despite how tragic it all sounds, everything turned out okay. I made peace with my decisions, soothed the ache in my heart with harsh truths that have remained firmly in tact until...well, until now.

Now, I'm back in New Haven and nothing is the way it should be. The man I left behind is not the one I keep running into around town. He's steady, dependable, stable, ready to be a father to our daughter and desperate to do more than co-parent with me.

Hunter

couldn't stop wanting Rachel Prince if I tried. Not that I ever have. Tried, that is. Why would I when she's the only good thing I've ever craved, the only addiction I've had that didn't try to destroy me?

When she left me, I wasn't mad. I didn't want her to go, but I think by the end we both knew she couldn't stay. There was too much darkness around us, and it was all emanating from me.

My addiction. My pain. My grief overshadowing hers.

I wasn't the man she needed or the partner she deserved. She did the right thing, getting out, taking our kid with her. But knowing that doesn't make it hurt any less.

It does, however, make me determined.

To keep my decade long sobriety streak going.

To make up for every day I missed of my daughter's life.

To win back the love of my life and never let her go again.

In this radiant and incisive debut novel in the tradition of works by ZZ Packer and Toni Cade Bambara, a Black woman fights to reclaim—and reinvent—her world after a little understood illness and a public health crisis threatens to upend everything she has.

Forty-seven-year-old Harmony Johnston is not suited for New York City life in 2019. From shampoos to synthetics to cell phones—the ubiquitous staples of modern daily life cause her physical pain, for reasons no one, including Harmony, understand. Doctors deny her illness is real, after seven years of enduring this private war, Harmony has her doubts too. Betrayed by her body and mind, as well as those closest to her—her obstinate physician sister, her sneaky best friend, and a spectral aunt who appears and disappears at whim—Harmony clings to the one doctor who offers hope.

In war, there are sacrifices: hair, boyfriend, sleep. Conditioned to place the comfort of others above her own needs, Harmony strives to be accommodating in an increasingly inhospitable world. But when the prestigious non-profit she works for relocates to an office with new wiring, painting, and carpeting (and the same old racial tensions) that exacerbate her pain, she quits her job and begins to set firm boundaries that upend her life, make her universe a little smaller, and magnify her loneliness.

As Harmony grows increasingly ill threatening her relationship with her one sympathetic doctor, she cuts herself off completely from the outside world and plunges into depression and literal darkness. When she eventually resurfaces, the world is irreversibly altered. With everyone now nearly as isolated as she is, Harmony resolves to re-connect with all she has lost. But can things ever really go back to normal?

At turns devastating, funny, and affirming, I Can Feel It All Over is an unforgettable debut novel about bodily autonomy, art, connection, and the pursuit of an authentic life amid the world's confines.

A new reissue of the acclaimed collection of essays blurring cultural criticism, memoir, even nonfiction itself, from the beloved Pulitzer Prize winner.

White Girls is about, among other things, Blackness, queerness, movies, Brooklyn, love (and the loss of love), AIDS, fashion, Basquiat, Capote, philosophy, porn, Eminem, Louise Brooks, and Michael Jackson. Freewheeling and dazzling, tender and true, it is an invaluable guide to the culture of our time, rendered in Hilton Als’s daring and provocative prose.

Now you can support your favorite independent bookstore everywhere you go!

Wear our little bookshop with Love and Pride.

New York Times bestselling author Alyssa Cole is back with another chilling thriller, set in the world of her megahit When No One Is Watching.

It was too good to be true.

Eboni Goodman has earned her Master’s in Social Work… only to be stuck delivering groceries. So when she lands a position as Administrator for an experimental village designed to reduce homelessness, she’s thrilled. Her stubborn optimism has finally borne fruit, and she is ready to change lives―starting with her own.

Except the South Jersey town isn’t exactly welcoming of their new neighbors. Eboni is determined to prove the program works, even when the hostility outside the gates is nothing compared to the glitches happening inside the village. And the only person she can rely on is Michael, a broody security guard and former local who's only recently returned to town.

As the town's buried history comes to light and strange occurrences stack up, cracks begin to show in the organization’s philanthropic facade. Eboni and Michael are pulled into a web of intrigue that threatens not just the program but everyone living there.

After all, it takes a village…

An eloquent and original exploration of the Atlantic slave trade―now featuring the essay “Venus in Two Acts” and a new introduction by Dionne Brand.

A monumental work of first-person history, Lose Your Mother traces the legacy of the Atlantic slave trade by recounting a journey Saidiya Hartman took along a slave route in Ghana. Following the trail of captives from the hinterland to the Atlantic coast, she reckons with the blank slate of her own genealogy and the rippling effects of slavery on three centuries of African and African-American history.

The slave, Hartman observes, is a stranger―torn from family, home, and country. To lose your mother is to be severed from your kin, to be uprooted from your past, and to inhabit the world as an outsider. There are no known survivors of Hartman’s lineage, no relatives in Ghana whom she came hoping to find. Instead, she is a stranger in search of strangers, forging connections with others living in the wake of atrocity.

A rigorous and intimate reflection on the afterlife of slavery, Lose Your Mother is both a book of history and a book of grief. This 20th anniversary edition now includes Hartman’s landmark essay “Venus in Two Acts” and a new introduction by Dionne Brand―perfect for introducing new readers to Hartman’s lived-in way of contending with the past.

Celebrate the beautiful brown and black girls in your life with this magical and empowering ABC board book.

Tell your little one that they are magic with ABCs of Black Girl Magic. Featuring enchanting illustrations showcasing the power, beauty, and magic of black and brown girls alongside positive affirmations, this board book is a wonderful way to show your child they are loved and important.

From read alouds to bonding moments, this beautiful board book is the perfect baby shower gift, birthday present, and gift for your daughter, sister, mother, or any strong woman in your life that needs to know they are magic.

You are…

Amazing

Beautiful

Courageous

…and so much more!

From the award-winning novelist and poet Dionne Brand, a smart, sensual, and witty novel about what happens when love and intellect are set on a collision course.

Theory begins as its narrator sets out, like many a graduate student, to write a wildly ambitious thesis on the past, present, and future of art, culture, race, gender, class, and politics―a revolutionary work that its author believes will synthesize and thereby transform the world.

While our narrator tries to complete this magnum opus, three lovers enter the story, one after the other, each transforming the endeavor: first there is beautiful and sensual Selah, who scoffs at the narrator’s constant tinkering with academic abstractions; then altruistic and passionate Yara, who rescues every lost soul who crosses her path; and finally spiritual occultist Odalys, who values magic and superstition over the heady intellectual and cultural circles the narrator aspires to inhabit. Each galvanizing love affair (representing, in turn, the heart, the head, and the spirit) upends and reorients the narrator’s life and, inevitably, requires an overhaul of the ever larger and more unwieldy dissertation, with results both humorous and poignant.

By effortlessly telling this short, intense tale in the voice of an unnamed, ungendered (and brilliantly unreliable) narrator, Dionne Brand makes a bold statement not only about love and personhood, but about race and gender―and what can and cannot be articulated in prose when the forces that inhabit the space between words are greater than words themselves.

Theory is a gorgeous, profoundly moving, word- and note-perfect novel of ideas that only a great artist at the height of her powers could write.

The riveting, darkly humorous, and deeply strange story of three roommates whose everyday struggle to survive in New York is complicated by the intestine-eating demon who haunts their apartment.

Leni was kidnapped and almost sacrificed to the devil as a child, but now she’s perfectly fine. Aside from the fact that she has four reflections in the mirror…and one of them wants her to poison people.

Emerson was a leading heart surgeon until The Incident that left his patient dead. Now he’s too sick to work, keeps finding severed fingers in his water bottles, and is followed around by a faceless Girl Scout with a creaky red wagon.

Jasper is a line cook with a criminal record, just trying to keep his chosen family together. Sure, he sees a man in the shadows who likes the taste of blood, but he’s very good at ignoring that. He would do anything for Leni and Emerson. Anything.

They’re fine. They’re normal. They’re roommates making it work in New York City.

That is, until a demon leaves his sigil on their wall.

Now, they have seven days to bring Sychar a sacrifice, or he’ll tear off their skin. Who knew demon-slaying wasn’t a valid excuse to miss work? Why are murder supplies so expensive? Just how is a low-income household supposed to afford a human sacrifice?

As their personal ghosts grow louder and Sychar’s deadline draws nearer, Leni, Emerson, and Jasper discover just how far they’ll go to protect each other.

For readers who love:
* Grady Hendrix and Stephen King
* Morally gray protector
* Haunted apartment
* Found family in danger
* Demon-slaying
* Darkly funny, deeply haunted stories

A globe-spanning jigsaw puzzle of a novel about what it is to be human during this nervous, catastrophic moment in time.

Dionne Brand’s brief, powerful small life has the dazzling, hypnotic rhythm of a series of waves, tossing together multiple narrators and stories in time and space. The novel works through affective momentum, through gathering velocity, through multiplying and quickening voices and stories. None of these vividly alive characters know one another, but all exist inside this nervous moment in time.

Throughout the novel, characters’ voices recur in random ways, each around their own “small life.” Each person is in the middle of an action or a demand or a situation or a misunderstanding, and each is attempting to find a life, to know a life, to navigate the precarity of life. These lives are unfolding anywhere in the world: leaving the outskirts of Cartagena, working the streets of Madrid, caught in a toxic flood, hanging on to the edge of a boat in the Mediterranean, cleaning a stall in a North American airport, setting off to work on an oil platform, refusing eviction from an apartment. Their stories build and braid through inference, familiarity, and emotion―shock, realization, small joy―offering glimpses of the innermost workings of human beings in our contemporary, catastrophic zeitgeist.

From the critically acclaimed and award-winning creators of Crown and I Am Every Good Thing, Derrick Barnes and Gordon C. James, comes an illustrated nonfiction young adult homage to Black athlete activists throughout history.

This is not your typical book about sports. This one begins…
“AN ATHLETE PROTESTING THE MISTREATMENT OF AMERICAN CITIZENS DOES NOT MAKE THEM ANTI-AMERICAN.”
And through a series of powerful poems, freedom-oriented prose, and dynamic illustration, Derrick Barnes and Gordon C. James introduce young readers and change-makers to athletes such as Muhammad Ali, Curt Flood, and Elgin Baylor who used their voices and influence to shake up the landscape of American sports and justice.

* TIMELY AND TOPICAL: Teaches readers about a continued cultural discussion from a resonant and impactful perspective.
* MADE TO CAPTURE THE ATTENTION OF YOUNG READERS: With a mix of prose, poetry, quotes, and illustrations, readers can dive into important history that might otherwise go untold.
* FROM AN AWARD-WINNING TEAM: Caldecott Honoree Gordon C. James and Kirkus Prize, Coretta Scott King Honor, and Newbery Honor recipient Derrick Barnes have teamed up again to create a memorable, impactful, and important book---this time for young adults.