“A page turner and history lesson at once, Harlem Rhapsody reminds us that our stories are our generational wealth— this book and the real lives that inspired it.”—Tayari Jones, New York Times bestselling author of An American Marriage (Oprah’s Book Club Pick)

She found the literary voices that would inspire the world…. The extraordinary story of the woman who ignited the Harlem Renaissance, written by Victoria Christopher Murray, New York Times bestselling coauthor of The Personal Librarian.
 
In 1919, a high school teacher from Washington, D.C arrives in Harlem excited to realize her lifelong dream. Jessie Redmon Fauset has been named the literary editor of The Crisis. The first Black woman to hold this position at a preeminent Negro magazine, Jessie is poised to achieve literary greatness. But she holds a secret that jeopardizes it all.
 
W. E. B. Du Bois, the founder of The Crisis, is not only Jessie’s boss, he’s her lover. And neither his wife, nor their fourteen-year-age difference can keep the two apart. Amidst rumors of their tumultuous affair, Jessie is determined to prove herself. She attacks the challenge of discovering young writers with fervor, finding sixteen-year-old Countee Cullen, seventeen-year-old Langston Hughes, and Nella Larsen, who becomes one of her best friends. Under Jessie’s leadership, The Crisis thrives…every African American writer in the country wants their work published there.
 
When her first novel is released to great acclaim, it’s clear that Jessie is at the heart of a renaissance in Black music, theater, and the arts. She has shaped a generation of literary legends, but as she strives to preserve her legacy, she’ll discover the high cost of her unparalleled success.

NATIONAL BESTSELLER • FINALIST FOR THE DAYTON LITERARY PEACE PRIZE, HURSTON/WRIGHT LEGACY AWARD, AND PEN OPEN BOOK AWARD

NAMED A BEST BOOK OF THE YEAR BY: Washington Post, Boston Globe, and NPR

“Magical and dangerous. I could not put it down.”—Tayari Jones, bestselling author of Kin

From the New York Times bestselling author of Bad Feminist and Hunger, a “smart, searing” (Washington Post) novel following a strong-willed Haitian American woman who must survive a brutal kidnapping—now featuring a new foreword by the author

Published to terrific acclaim and a national bestseller, An Untamed State heralded Roxane Gay as a prodigious, arresting talent and one of the preeminent writers working today. 

By all appearances, Mireille Duval Jameson is living the perfect life: she’s the daughter of one of Haiti’s richest sons and has an adoring husband and a precocious infant son. The fairytale ends when Mireille is kidnapped in broad daylight by a gang of heavily armed men in front of her father’s Port-au-Prince estate. Held for ransom, Mireille must endure the torments of a man who calls himself the Commander and who resents everything she represents. 

A powerful, unflinching story of wealth in the face of crushing poverty and the lawless anger that corrupt governments produce, Roxane Gay’s brilliant debut is the tale of one strong-willed woman, and redemption found in the most unexpected of places.

An acclaimed poet reclaims her origin story as the queer daughter of a Muslim Nigerian immigrant and a Black American visual artist in this groundbreaking memoir, combining lyrical prose, biting criticism, and haunting visuals.

“Hafizah Augustus Geter is a genuine artist, not bound by genre or form. Her only loyalty is the harrowing beauty of the truth.”—Tayari Jones, author of An American Marriage

“I say, ‘the Black Period,’ and mean ‘home’ in all its shapeshifting ways.” In The Black Period, Hafizah creates a space for the beauty of Blackness, Islam, disability, and queerness to flourish, celebrating the many layers of her existence that America has time and again sought to erase.

At nineteen, she lost her mother to a sudden stroke. Weeks later, her father became so heartsick that he needed a triple bypass. By her thirties, she was constantly in pain, pinballing between physical therapy appointments, her grief, and the grind that is the American Dream. Hafizah realized she'd spent years internalizing the narratives that white supremacy had fed her about herself. Suddenly, she says, I was standing at the cliff of my own life, remembering.

Recalling her parents’ lessons on the art of Black revision, and mixing history, political analysis, and cultural criticism, alongside stunning original artworks created by her father, renowned artist Tyrone Geter, Hafizah maps out her own narrative, weaving between a childhood populated with Southern and Nigerian relatives; her days in a small Catholic school; a loving but tragically short relationship with her mother; and the feelings of joy and community that the Black Lives Matter protests engendered in her as an adult. All throughout, she forms a new personal and collective history, addressing the systems of inequity that make life difficult for non-able-bodied persons, queer people, and communities of color while capturing a world brimming with potential, art, music, hope, and love.

A unique combination of gripping memoir and Afrofuturist thought, in The Black Period, Hafizah manages to sidestep shame, confront disability, embrace forgiveness, and emerge from the erasures

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Remember that moment when you first encountered a character who seemed to be written just for you? That feeling of belonging remains with readers the rest of their lives—but it doesn’t happen as frequently for all of us. In this timely anthology, “well-read black girl” Glory Edim brings together original essays by some of our best black female writers and creative voices to shine a light on how important it is that everyone—regardless of gender, race, religion, or abilities—can find themselves in literature.

Contributors include Jesmyn Ward (Sing Unburied Sing), Lynn Nottage (Sweat), Jacqueline Woodson (Another Brooklyn), Gabourey Sidibe (This Is Just My Face), Morgan Jerkins (This Will Be My Undoing), Tayari Jones (An American Marriage), Rebecca Walker (Black, White and Jewish), Barbara Smith (Home Girls: A Black Feminist Anthology), and others.

Whether it’s learning about the complexities of femalehood from Zora Neale Hurston and Toni Morrison, finding a new type of love in The Color Purple, or using mythology to craft an alternative black future, each essay reminds us why we turn to books in times of both struggle and relaxation. Edim has created a space where black women’s writing and knowledge and life experiences are lifted up, to be shared with all readers who value the power of a story to help us understand the world and ourselves.

In this haunting historical novel, a light-skinned Black man goes undercover to investigate lynchings in the Jim Crow South, only to be confronted by the very evil that has pursued him since childhood.

Clark Wendell White first encountered the Nightmare as a child during the Atlanta Race Riot of 1906, when he and his father stood guard over their family home. In the eyes of the mob surging through his neighborhood, Clark sensed this malevolent presence. It was then that the Nightmare took shape, burrowing deep into his mind and feeding on his fear.

Years later, the same evil presence drives Clark to the NAACP's headquarters in New York City, where he answers an ad seeking light-skinned Black men for dangerous undercover work. As a spy for the NAACP, Clark investigates lynchings, impersonating the very Nightmare that once tormented him.

As Clark descends deeper into this double life, another force rises: a new chapter of the Ku Klux Klan, finding a foothold in the storied streets of New York City. Among its eager recruits is Sam Cahill—the one man who can see past his disguise. Now Clark must outwit both the living and the dead, as he confronts a past that refuses to stay buried and a future where the act of passing exacts a soul-deep price.

Inspired by the life of civil rights activist Walter White, who passed as a white man to expose the brutality of lynchings from the South to the Midwest, American Nightmare is a gripping historical thriller that reveals the most terrifying monsters aren't those that go bump in the night but those that walk among us.

FROM THE WINNER OF THE NIGERIA PRIZE FOR LITERATURE

It is Baby’s birthday again, but Grace has not seen her first born in twenty-six years. Now a wife, mother to twin daughters and the owner of a successful medical clinic, Grace has carefully constructed a new life. Now, the secret she’s kept for decades is about to resurface—and it could destroy everything.

Grace was only fifteen when she got pregnant and, under pressure from her parents, gave Baby away. Unable to forgive their decision, she cut them off completely. When Grace’s estranged mother walks back into her life unannounced, the fragile existence she spent years building begins to unravel. And with it, the wall Grace has built against a question she must never ask: the question of what truly happened to Baby.

A tightly wound story of family, bitter secrets, and sweeter forgiving, Grace is a novel for all mothers and daughters, a must-read for fans of Bernardine Evaristo and Tayari P. Jones.

“Okparanta is a truth-teller and soothsayer.” —Tayari Jones

From the acclaimed author of Under the Udala Trees, a profoundly moving, unforgettable new epic following the aftermath of one catastrophic moment in the lives of two siblings.

Eleven-year-old Alohan and his four-year-old sister Ivie are the children of a rainmaker, who performs elaborate rituals to bring or hold back the rain. One day, the rainmaker's luck runs out: it pours on the wrong person’s wedding, and the repercussions for him and for his wife who accompanies him to the wedding are deadly.

Orphaned and alone, Alohan is quickly forced into an early adulthood, charged with providing for and protecting Ivie. The two siblings become each other’s entire worlds, bound by loss and loyalty. But just as they begin to build a life for themselves, a lapse of judgment leaves them entangled with a wealthy couple’s nefarious scheme. The two are set on drastically different paths, constricted by the ruthlessness of those who hold great power and privilege, and those who are underfoot – who must, and will, do anything merely to survive. What unfolds is an incredible journey of crime and betrayal, misunderstanding and misfortune, spanning continents and decades: from Nigeria to the United States to Italy, and from the homes of the wealthy elites, to those of the destitute—crossing paths, at each turn, with those who steal, con, and traffic in lives.

At the novel’s heart is the love between Alohan and Ivie. Told with captivating force, insight, and compassion, This Impossible Life is a gripping saga of two siblings’ survival, and of whether the love that binds them will be enough to overcome the most unforgiving of fates.

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From Ibi Zoboi, bestselling, award-winning author of American Street and co-author of Punching the Air, comes a bold new YA coming-of-age story, which explores race, feminism, and complicated family dynamics. The ideal next read for fans of Roxane Gay, Jacqueline Woodson, and Elizabeth Acevedo.

Warrior Princess. That’s what Nigeria Jones’s father calls her. He has raised her as part of the Movement, a Black separatist group based in Philadelphia. Nigeria is homeschooled and vegan and participates in traditional rituals to connect her and other kids from the group to their ancestors. But when her mother—the perfect matriarch of their Movement—disappears, Nigeria’s world is upended. She finds herself taking care of her baby brother and stepping into a role she doesn’t want.

Nigeria’s mother had secrets. She wished for a different life for her children, which includes sending her daughter to a private Quaker school outside of their strict group. Despite her father’s disapproval, Nigeria attends the school with her cousin, Kamau, and Sage, who used to be a friend. ­There, she begins to flourish and expand her universe.

As Nigeria searches for her mother, she starts to uncover a shocking truth. One that will lead her to question everything she thought she knew about her life and her family.

From award-winning author Ibi Zoboi comes a powerful story about discovering who you are in the world—and fighting for that person—by having the courage to be your own revolution.

Kabwe, Zambia: Sali, a working mother of three, stands trial for the murder of her husband, Kasunga. The prosecutor claims Sali shot him after a heated fight in their bedroom. There are no witnesses. Sali pleads not guilty.

But her story does not begin with a gun. It begins fourteen years earlier—with her rebellion against the pressure to find a husband, her affair with a wealthy married man called Doc, and her discovery that she’s pregnant on the same day of Doc’s unexpected death.

To avoid the shame of being an unwed mother, Sali accepts Kasunga’s proposal, and finds herself suddenly thrust into the shipikisha club: her society’s expectations that it is a wife’s duty to endure. Over the years, Sali navigates her husband’s infidelities and alcohol-filled nights, their money troubles, and her postpartum depression in silence. Until the day she speaks her mind, and Kasunga puts a gun in her face.

The trial is a national scandal. Many are called to testify—the maid, Kasunga’s mother, and Ntashé, Sali's fifteen-year-old daughter. Even after Sali’s diary is dissected and laid bare for all to see, Sali calls no witnesses to her defense. With Kasunga gone, only Sali will ever know the truth. But is the truth enough?

Told through the rotating perspectives of Sali, Ntashé, and Sali’s mother Peggy, The Shipikisha Club is a riveting story of gender politics in Zambia and the world at large—a must-read for fans of Peace Adzo Medie, Abi Daré, Tayari P. Jones, and On Becoming a Guinea Fowl.

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Following her retirement from Princeton University, celebrated historian Dr. Nell Irvin Painter surprised everyone in her life by returning to school--in her sixties--to earn a BFA and MFA in painting. In Old in Art School, she travels from her beloved Newark to the prestigious Rhode Island School of Design; finds meaning in the artists she loves, even as she comes to understand how they may be undervalued; and struggles with the unstable balance between the pursuit of art and the inevitable, sometimes painful demands of a life fully lived.

How are women and artists seen and judged by their age, looks, and race? What does it mean when someone says, “You will never be an artist”? Who defines what an artist is and all that goes with such an identity, and how are these ideas tied to our shared conceptions of beauty, value, and difference?

Bringing to bear incisive insights from two careers, Painter weaves a frank, funny, and often surprising tale of her move from academia to art in this "glorious achievement--bighearted and critical, insightful and entertaining. This book is a cup of courage for everyone who wants to change their lives" (Tayari Jones, author of An American Marriage).

Black Internationalist Feminism examines how African American women writers affiliated themselves with the post-World War II Black Communist Left and developed a distinct strand of feminism. This vital yet largely overlooked feminist tradition built upon and critically retheorized the postwar Left's "nationalist internationalism," which connected the liberation of Blacks in the United States to the liberation of Third World nations and the worldwide proletariat. Black internationalist feminism critiques racist, heteronormative, and masculinist articulations of nationalism while maintaining the importance of national liberation movements for achieving Black women's social, political, and economic rights.

Cheryl Higashida shows how Claudia Jones, Lorraine Hansberry, Alice Childress, Rosa Guy, Audre Lorde, and Maya Angelou worked within and against established literary forms to demonstrate that nationalist internationalism was linked to struggles against heterosexism and patriarchy. Exploring a diverse range of plays, novels, essays, poetry, and reportage, Higashida illustrates how literature is a crucial lens for studying Black internationalist feminism because these authors were at the forefront of bringing the perspectives and problems of black women to light against their marginalization and silencing.

In examining writing by Black Left women from 1945–1995, Black Internationalist Feminism contributes to recent efforts to rehistoricize the Old Left, Civil Rights, Black Power, and second-wave Black women's movements.

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Told from alternating perspectives, an evocative and riveting novel about the lifelong bond between two women, one Black and one white, whose friendship is indelibly altered by a tragic event—a powerful and poignant exploration of race in America today and its devastating impact on ordinary lives.

Jen and Riley have been best friends since kindergarten. As adults, they remain as close as sisters, though their lives have taken different directions. Jen married young, and after years of trying, is finally pregnant. Riley pursued her childhood dream of becoming a television journalist and is poised to become one of the first Black female anchors of the top news channel in their hometown of Philadelphia.

But the deep bond they share is severely tested when Jen’s husband, a city police officer, is involved in the shooting of an unarmed Black teenager. Six months pregnant, Jen is in freefall as her future, her husband’s freedom, and her friendship with Riley are thrown into uncertainty. Covering this career-making story, Riley wrestles with the implications of this tragic incident for her Black community, her ambitions, and her relationship with her lifelong friend.

Like Tayari Jones’s An American Marriage and Jodi Picoult’s Small Great Things, We Are Not Like Them explores complex questions of race and how they pervade and shape our most intimate spaces in a deeply divided world. But at its heart, it’s a story of enduring friendship—a love that defies the odds even as it faces its most difficult challenges.