In this radiant and incisive debut novel in the tradition of works by ZZ Packer and Toni Cade Bambara, a Black woman fights to reclaim—and reinvent—her world after a little understood illness and a public health crisis threatens to upend everything she has.

Forty-seven-year-old Harmony Johnston is not suited for New York City life in 2019. From shampoos to synthetics to cell phones—the ubiquitous staples of modern daily life cause her physical pain, for reasons no one, including Harmony, understand. Doctors deny her illness is real, after seven years of enduring this private war, Harmony has her doubts too. Betrayed by her body and mind, as well as those closest to her—her obstinate physician sister, her sneaky best friend, and a spectral aunt who appears and disappears at whim—Harmony clings to the one doctor who offers hope.

In war, there are sacrifices: hair, boyfriend, sleep. Conditioned to place the comfort of others above her own needs, Harmony strives to be accommodating in an increasingly inhospitable world. But when the prestigious non-profit she works for relocates to an office with new wiring, painting, and carpeting (and the same old racial tensions) that exacerbate her pain, she quits her job and begins to set firm boundaries that upend her life, make her universe a little smaller, and magnify her loneliness.

As Harmony grows increasingly ill threatening her relationship with her one sympathetic doctor, she cuts herself off completely from the outside world and plunges into depression and literal darkness. When she eventually resurfaces, the world is irreversibly altered. With everyone now nearly as isolated as she is, Harmony resolves to re-connect with all she has lost. But can things ever really go back to normal?

At turns devastating, funny, and affirming, I Can Feel It All Over is an unforgettable debut novel about bodily autonomy, art, connection, and the pursuit of an authentic life amid the world's confines.

We Made the World: Five Centuries of Queens, Warriors, and Other Foremothers traces five centuries of history through twelve extraordinary women of African descent—from queens and warriors to artists and activists—weaving together collective memory, oral tradition, and personal grief into a landmark work that places Black women at the center of world history.

In 1949, a seamstress from a small coastal town in the Gold Coast colony stood up in a room full of men and voted to split from the most powerful political party in the country. Her name was Hannah Kudjoe. She spent the next decade organizing the women who would win Ghana's first democratic election and help make it the first sub-Saharan African nation to gain independence from European colonial rule. When Nkrumah published his autobiography, she wasn't in it.

We Made the World does for twelve women what it does for Hannah Kudjoe. It finds the woman who was in the room, who was essential to the room, and whose name was removed from the record the moment her usefulness to powerful men was exhausted.

We're talking about Queen Njinga of Angola, who fought the Portuguese to a standstill for forty years and died at eighty still a sovereign. Wangarĩ Maathai, the Nobel Peace Prize winner who saved a Nairobi forest by walking upstream through a river at dawn to plant trees while the police watched. Brenda Fassie, the queer Black pop icon who sang South Africa through the end of apartheid and whose music still stops a room on any continent.

The author traveled to eleven countries to write this book. She gathered oral histories from descendants and community keepers across four continents. And she wrote it while experiencing great loss and grief which means this book knows in its bones what it costs to carry someone's memory, and what it costs not to.

We Made the World is five hundred years of history rewritten from the inside. It is the book that asks what we have lost by not knowing these women's names, and begins the important work of giving that back to us all.

A hidden history of twentieth-century American modernity that re-examines a mere twelve-block area on Manhattan’s Upper West Side with Thelonious Monk as its guiding star. 

The Jungles reclaims the largely forgotten world of San Juan Hill, a predominantly Black neighborhood on Manhattan’s West Side, was one of the most fertile centers of American cultural life in the twentieth century.

At once a biography, an urban history, and a cultural reckoning, Howard W. French’s The Jungles reveals how the neighborhood that would encompass Lincoln Center, previously known as the Jungles, fostered numerous pathbreaking Black artists, among them a young Thelonious Sphere Monk (1917–1982).

The story opens in Cuba in 1898, where we watch as Teddy Roosevelt’s forces triumph on San Juan Hill, with close to one-fifth of the overall invading force consisting of Black soldiers whose valor went largely unrecognized. After returning to the US, these veterans joined a broader wave of Black migrants moving northward, eventually settling in a Manhattan -neighborhood that would take the battle’s name. San Juan Hill became a lively, artistic Black community that preceded the Harlem Renaissance and inspired some of the highest twentieth- century creative triumphs―giving rise to the stride piano style and nurturing the genius of Monk, whose mold-breaking artistry struggled to gain traction in an industry then dominated by white producers.

As Robert Moses began tearing down the neighborhood under the guise of “urban renewal,” Monk became its most famous holdout, staying put in his cramped apartment in the Phipps Houses at 243 West 63rd Street, his upright piano protruding from his bedroom into the kitchen as he continued to make his iconic music.

By the late 1950s, Monk’s genius had finally been recognized, but the erasure already felt irreversible, extending even to the musical West Side Story, which reimagined the neighborhood’s streets as Latino gang territory, whitewashing the predominantly Black and Caribbean community that had actually lived there.

A compelling history from one of our finest American historians, The Jungles ultimately emerges as a new way of telling the history of music, of New York, and of America. The cradle of jazz was not only in New Orleans but also in San Juan Hill, and French’s magnificent recreation of that vanished world, and of the miraculous life of Thelonious Monk, restores to American cultural memory what erasure nearly stole for good.

12 illustrations

An award-winning young scholar explores how Black women have remade―and continue to remake―our understanding of the past.

Across centuries, Black women have invented means to preserve what official history could not: friendship albums, kitchen-table philosophy, blogs, playlists, oral histories, and archives held in the mind. In The Light Keepers, Jessica Marie Johnson traces this radical tradition through the centuries-long prism of American empire, from the holds of slave ships to contemporary digital worlds, showing that there is nothing finished or settled about how Black women understand time, trauma, and survival.

Blending personal narrative, archival fragments, and ancestral wisdom, Johnson reframes Black women not as subjects of history but as archivists and historians. Against erasure, against shame, against death itself, Black women have transformed the bitterest waters of history into tools for living, loving, and imagining freedom. The Light Keepers offers readers a daring new way to think about the past―and a powerful lesson in how knowledge is made when survival demands it.

88 illustrations

The next book in the New Haven series, interconnected standalones featuring second chances, fiery passion, and Black heroines who get their happily ever afters.

Rae

Loving someone with demons is hard but leaving them is harder.

That's a lesson I learned roughly a decade ago when I left the love of my life behind. Choosing the child we made but weren't ready for over any hope for what could be. Trading in potential for reality, my dreams for motherhood and the warmth of his embrace for a cold, lonely world.

Despite how tragic it all sounds, everything turned out okay. I made peace with my decisions, soothed the ache in my heart with harsh truths that have remained firmly in tact until...well, until now.

Now, I'm back in New Haven and nothing is the way it should be. The man I left behind is not the one I keep running into around town. He's steady, dependable, stable, ready to be a father to our daughter and desperate to do more than co-parent with me.

Hunter

couldn't stop wanting Rachel Prince if I tried. Not that I ever have. Tried, that is. Why would I when she's the only good thing I've ever craved, the only addiction I've had that didn't try to destroy me?

When she left me, I wasn't mad. I didn't want her to go, but I think by the end we both knew she couldn't stay. There was too much darkness around us, and it was all emanating from me.

My addiction. My pain. My grief overshadowing hers.

I wasn't the man she needed or the partner she deserved. She did the right thing, getting out, taking our kid with her. But knowing that doesn't make it hurt any less.

It does, however, make me determined.

To keep my decade long sobriety streak going.

To make up for every day I missed of my daughter's life.

To win back the love of my life and never let her go again.

A wild, rollicking, firsthand account of the good ole days of funk from Bootsy Collins, the legendary Rock & Roll Hall of Fame bass guitarist for James Brown, George Clinton, and Parliament-Funkadelic. Funky foreword courtesy of Snoop Dogg.

He’s a bona fide funk legend, a rhinestone-clad style icon, and arguably one of the best bassists to ever live. (At least, according to Rolling Stone.) His career has spanned five decades: from rising to stardom playing alongside James Brown; to setting the bar, the groove, and the look of Parliament-Funkadelic; to collaborating with today’s most innovative and beloved musicians, like Anderson .Paak, Snoop Dogg, and Bruno Mars. Bootsy Collins has more than a few stories to tell.

He is no stranger to the spotlight, and tales of his escapades are whispered among music nerds and the general public. Yet Bootsy’s story has never been put on the page.

Now, in his own words — “the straight up, real deal, if I’m lyin’, I’m dyin’, and I ain’t ready to go yet”— Bootsy is ready to share with fans legendary stories about:

* the ins and outs of his three-decade relationship with mentor and sometimes tormentor James Brown—including dropping acid with the Godfather of Soul himself
* how a one-night stand almost resulted in him being killed by a member of Florida’s Black Mafia
* when he and the Parliament-Funkadelic crew were mistaken for a group of escaped convicts, and during a detailed cavity search, the LAPD found George Clinton’s a**-stash
* his collaborative and tumultuous relationship with funk legend George Clinton
* eventually getting clean and becoming the favorite OG for a new crop of musicians and artists

Bootsy’s story is full of heart, humor, joy, sorrow, and a whooooole lot of funk. True to its iconic creator, Funked Around, Found Out includes psychedelic photos, costumes, guitars, and other surprises that are as closely associated with Bootsy as his thumping grooves. Music fans, pop culture aficionados, and other acolytes will rejoice.

Sometimes, the perfect match isn't the one you planned for. Fans of The Boyfriend Project by Farrah Rochon and One to Watch by Kate Stayman-London will love Weight for Me.

Julissa Sanders has it all--a thriving PR agency, a superstar NFL quarterback fiancé, and a picture-perfect life. But when a careless comment about her weight gain goes viral, Julissa's world crumbles. Determined to regain control, she hits the gym, only to find an unexpected ally in her fiancé's best friend, Malachi.

As Julissa navigates the pressures of planning a high-profile wedding and managing her image, she finds herself drawn to the man who's supposed to be just her trainer. With her carefully crafted life unraveling, Julissa must choose between the love she thought she wanted and the love that could change everything.

From everyday apps to complex algorithms, Ruha Benjamin cuts through tech-industry hype to understand how emerging technologies can reinforce White supremacy and deepen social inequity.

Benjamin argues that automation, far from being a sinister story of racist programmers scheming on the dark web, has the potential to hide, speed up, and deepen discrimination while appearing neutral and even benevolent when compared to the racism of a previous era. Presenting the concept of the “New Jim Code,” she shows how a range of discriminatory designs encode inequity by explicitly amplifying racial hierarchies; by ignoring but thereby replicating social divisions; or by aiming to fix racial bias but ultimately doing quite the opposite. Moreover, she makes a compelling case for race itself as a kind of technology, designed to stratify and sanctify social injustice in the architecture of everyday life.

This illuminating guide provides conceptual tools for decoding tech promises with sociologically informed skepticism. In doing so, it challenges us to question not only the technologies we are sold but also the ones we ourselves manufacture.

In this middle-grade graphic novel debut by Gonzalo Alvarez, the fate of Aztlan, the mythical homeland of the Aztec people, rests on one boy’s shoulders.

Emanuel is a chicken. He’d rather play with his canicas than stand up to bullies. Even the characters in his abuelita’s folk stories scare him. So imagine his surprise when one of those characters, El Raton, appears in his bedroom one night to steal his canicas and drag him through a portal into Aztlan, home to the ancient Aztecs.

Thankfully, Emanuel is rescued by a shapeshifter named Chiko, who introduces him to this magical land, where fabled monsters of his childhood run amok. It’s not before long Emanuel discovers he is the Sun Warrior, wielder of the Sun Stone, protector of Aztlan. Only he can put an end to El Raton’s reign and free the people of Aztlan from his terror.

Can Emanuel find the courage to embrace his newfound power, save the people of Aztlan and find his way home? Or will he become just another one of Abuelita’s folk tales?

Capone promised he’d keep his family safe, but Erin’s afraid he’ll die trying, in the third book of #BookTok favorite Jahquel J.’s Delgato Family saga.

Everything’s looking up for Erin. She married her best friend in a picturesque sunset ceremony on the beaches of Barbados, they’re expecting a baby girl, and the pair are surrounded by their loved ones. Erin’s even made nice with Capone’s ex.

But danger’s never far away, and that scares Erin. Every day, Capone risks his life handling business in the streets. Then, a serious health scare forces him to slow down, and Erin and her brother, Jaiden―now entrenched in Capone’s world himself―purchase firearms to protect themselves.

Having dealt with arrests, shoot-outs, high-speed chases, and Molotov cocktails, Erin just wants to live with her husband and daughter in peace. Now that Capone has decided to take a step back from the grind, will she finally get the happily-ever-after she longs for?

The third book in the Delgato Family universe, Capone took BookTok by storm.

Capone III is an urban romance featuring depictions of murder, domestic violence, and substance abuse as well as explicit scenes. It is intended for mature readers.

From the Washington Post’s first race and ethnicity reporter, a poignant investigation into the aftermath of the Great Migration, the promise of a Second Great Migration, and what future Black communities could look like across America in this eye-opening and thoughtful study, a mix of The Warmth of Other Suns and How the Word Is Passed.

Since the 1990s, demographers have been documenting a new Great Migration: millions of Black Americans leaving Northern and Western cities for the South their parents and grandparents fled during Jim Crow. Huge numbers of Black people have been moving to Memphis, Houston, Charlotte, and other booming metropolises in the hopes of recreating the vibrant communities their grandparents once left. Have they found what they were looking for? Is it possible for Black Americans to have community, economic prosperity, and safety all in one place? And if so, where?

In the Search for Black Mecca, Emmanuel Felton examines how these questions are playing out in real lives today, going into the homes of Black Americans who are weighing what they want and where they hope to find it. He identifies three archetypes—“Those Who Stay,” “Those Who Leave,” and “Those Who Build Something New”—and reveals the costs and benefits of each decision, while seeking answers to deeper questions regarding communal responsibility, what’s needed to make Black neighborhoods thrive, and how to manage the fact that white people are often threatened by Black success. He also unravels his own family’s migration story through the lives of his two grandfathers—a prominent New Orleans dentist and a troubled musician who migrated to Oakland, California.

Through these stories, Felton crystalizes our understanding of what it means to find—or to create —our own meccas: radical spaces for Black joy, freedom, and imagination, even when the external world tries to take those places away.

Jabari Jumps meets The Magical Yet in this infectiously optimistic and rhythmic picture book that will inspire children to give it a whirl and try again (and again).
A little girl loves to watch the big kids play hula hoop. She wants nothing more than to sway and swirl like them one day.
So, she picks one up, gives it a whirl… and the hoop falls to the ground before she knows it.
Thwump! Clatter clatter!
And even though she picks it up repeatedly, she can’t seem to get the hoop to whirl. Then something magical happens on the last try that changes her forever.
This sweet picture book is perfect for anyone with a dream who is determined to never give up.

* Heartwarming Message: Detailing the importance of persistence and resilience, this story encourages children not to give up on a goal only because it’s difficult at first.
* Classic and Colorful Illustrations bring its readers in and capture the charm of childhood.
* Perfect for Read-Aloud: Complete with sounds of the hoola hoop, optimistic tone, and rhythmic text!