From the New York Times bestselling author of Behold the Dreamers, a captivating novel about love lost—and the weight of regret

What if I’d never gotten into that car? What if I’d pulled out of the driveway five minutes earlier, or ten minutes later?

Three years ago, Wolo’s pregnant wife was killed in a tragic car accident. In an instant, the great love of his life was gone, and so was their beautiful future: the twins they were expecting, the PhD she was on the cusp of finishing, and the house they’d just bought in New Jersey. In the face of a loss that seemed insurmountable, Wolo has slowly rebuilt a semblance of a life: he goes to work, hangs out with a small circle of friends, and fends off the matchmaking efforts of the older women in his family. The grief that dogged him has, with time, become a little gentler.

Until a letter arrives one day, unbidden, threatening to upend his life once again. It is from Victoria, the woman who was behind the wheel that terrible day. Wolo’s family pastor tells him the letter is the work of the devil; his mother expressly forbids him from making further mention of it; his father’s second wife calls, from Cameroon, to tell him to destroy it. But Wolo ponders it for days, and ultimately agrees to meet with the woman who killed his wife. When he does, the compassion and deep remorse of the woman affects him in ways he had never imagined, and he begins to wonder if the long road to healing can be shared.

What do we owe to those who have hurt us? Are we defined by our worst moments and our deepest regrets? And, more than anything, can forgiveness ease our suffering? Moving and full of life, Every Story Is a Love Story charts the uneven path from heartbreak to healing.

An enchanting picture book about a girl who fills the starry, moonlit sky with magical tales—perfect for fans of Drawn Together, Nigel and the Moon, and stories by Matt de la Peña.

Every night, Noor listens for the sound of the gong and the storyteller’s drum.
GONG, GONG, GONG! Tap! Tap! Tap!

With each beat, fantastic tales swirl and sway and unfold around her. One night, she waits and waits, but no drumbeat comes her way. Can Noor tap the drum and keep the storyteller’s magic alive?
Find out in this modern fairy tale about a young Nigerian girl who taps stories on her drum and carries tradition in her heart.

A heart-wrenching yet vividly hopeful novel about a Black girl's struggle to find the quiet beauty in life and friendship amid the chaos of grief and mental illness by New York Times, USA Today, and Indie bestselling author Frederick Joseph.

"Frederick is such a grounded and beautiful voice of not just this moment but all the moments. Everything's Not Lost cements him firmly as a much needed and stunning voice inside the world of YA literature." —Jacqueline Woodson, winner of the Hans Christian Andersen Award

As a sixteen-year-old Black girl with bipolar disorder, Ella Washington has plenty stacked against her. But following her beloved sister’s unexpected death and its turbulent aftermath, Ella is desperate to find any sense of normalcy. Worse still, someone at her school is determined to drive her deeper into despair.

It feels nearly impossible to find her way out of the fog of grief and loneliness, but through her love of art, some unlikely new friends, and the memory of her sister, Ella slowly learns that the pursuit of happiness and forgiveness is an endeavor that is more than worthwhile.

Told in Frederick Joseph’s perceptive and lyrical voice, Everything’s Not Lost is an achingly relatable story about finding points of light even in the darkest of times.

Begun by Donald Barthelme and Phillip Lopate, Gulf Coast is the nationally-distributed journal housed within the University of Houston's English Department, home to one of the US's top ranked creative writing programs. The journal spent its nascent years (1982-1985) as Domestic Crude, a name that nodded to the major industry of the Houston area. It was a 64-page (magazine-formatted) student-run publication, with editorial advising coming from Mr. Lopate, who also contributed work to the first issues.

In 1986, the name Gulf Coast premiered. It stuck. After some experimenting, the journal found its dimensions and, eventually, its audience. The journal has since moved beyond the student body of the University of Houston and into the larger world. Our readership of the print journal currently exceeds 3,000, with more and more coming to our ever-expanding website. The print journal comes out each April and October.

Gulf Coast is still student-run. We seek to promote and publish quality literature in our local and national communities while simultaneously teaching excellence in literary publishing to graduate and undergraduate students. While we are committed to providing a balanced combination of literary approaches and voices, all of the editorial positions are two-year terms, thus ensuring a regular turnover in the specific personality and style of the journal.

In addition, Gulf Coast differs from many other literary journals in its commitment to exploring visual art and critical art writing. The journal has always featured portfolios by two artists, along with short introductions from critics familiar with their work. Since October 2013, Gulf Coast commits sixteen pages to full-color visual art features and twenty-four pages to critical art writing in each issue. This expansion was made possible by Gulf Coast's merger with Texas art journal Art Lies, a publication with a respected history of putting artists, curators, scholars, and critics in dialogue with their colleagues around the world.

The journal has enhanced its community presence thanks to the Gulf Coast Reading Series, a monthly gathering at Lawndale Art Center in the Museum District neighborhood of Houston, as well as with its annual Spring Issue Release Party. These events continue to bring esteemed writers, editors, publishers and, of course, readers to the Houston area.

Gulf Coast: A Journal of Literature and Fine Arts is a 501(c)3 nonprofit organization, generously funded by grants from the Brown Foundation, Inc.; theThe Cynthia Woods Mitchell Center for the Arts; Inprint, Inc.; Houston Endowment, Inc.; the City of Houston through the Houston Arts Alliance; theTexas Commission on the Arts; the University of Houston English Department; and the National Endowment for the Arts, as well as through the support of individual contributions.

From the New York Times bestselling author of the Dear Martin series comes a spin-off novel written in prose and letters-in-verse about a thirteen-year-old girl. As she navigates cancer, family challenges, and newfound friendship during her initial chemo treatment, she discovers that hope can bloom in the most unexpected places.

“Absolutely incredible—I read it in one sitting and finished in tears. Stone shows so much care and nuance here. Dasia will stay with me forever.” —Andrea Beatriz Arango, author of Newbery Honor book Iveliz Explains it All

“Unflinching, fearless, and strikingly original.” —Soman Chainani, author of the bestselling School for Good and Evil series and Young World

After nineteen days of “induction chemotherapy,” Dasia Monae Riley knows no one else should be in her hospital room . . .

But there she is: Jameson “Jimmy” Jeffs. Another cancer patient who’s seemingly everything Dasia is not: rich, well cared for, and a smidge childish (in Dasia’s opinion).

However, Dasia soon discovers that their commonalities go beyond a random, incurable disease . . . like older brothers who are gone, baby brothers who need them, and struggles with friends at school.

As Dasia and Jimmy chat, Dasia’s memories unfold in the unsent “letters” (read: poems) Dasia wrote to her incarcerated older brother. And over the course of one life-changing night, two girls who are at their lowest fight to keep each other uplifted. When you hit rock bottom, what does it take to survive and allow yourself to hope again?

In a spin-off to the Dear Martin series, New York Times bestselling author Nic Stone delivers a heart-wrenching story of resilience, connection, and the fight to stay alive when battling illness and bearing the weight of difficult circumstances.

Marcus Samuelsson, Award-Winning Chef, restaurateur, and cookbook author explores plant-forward eating around the globe, learning from chefs and farmers from the Caribbean and South America to East Asia and Africa.

In recent years, Marcus Samuelsson has reimagined the way he cooks, focusing more and more on nourishing, healthy, “of-the-earth" ingredients from around the world: coconut, rice, corn, acai, plantains, teff, chillis and more. As Marcus illuminates, these ancient ingredients are heirlooms, telling stories of ancestry, migration, and resilience. They bind communities, and if we look closer, they also offer a path toward healthy living.

In Back to Green, Marcus inspires readers to rediscover the cuisines of the globe that have provided us with healthy, delicious food for centuries. Countries in the Caribbean, the Americas, the Pacific, Asia, and Africa have long incorporated “superfoods” into their diets. The diverse and delicious recipes in this book include:

* Papaya Passion Fruit Smoothie
* Steamed Black Cod with Spicy Pineapple Salsa
* Eggplant Omelet with Banana Ketchup
* Rice Noodle Bowl with Ginger and Garlic Broth
* Lentil Salad with Coconut Turmeric Vinaigrette
* Vegetarian Injera Lasagna

With profiles of chefs and producers all over the world, Back to Green is a sweeping and groundbreaking celebration of cultures that have long looked at food through the lens of sustainability, ritual, and healing. It is a trek around the globe that will lead you back home to your kitchen, armed with soul-nourishing recipes that are waiting to be honored and passed down through generations once more.

The first major work of Yoruba mythology, retelling hundreds of traditional tales of the Orisa, Yoruba Heroes, and Ijapa from West Africa, Cuba, and Brazil.

Yoruba mythology is sacred to the religion and culture of the Yoruba people. A primarily oral tradition, its stories revolve around Olodumare, the Supreme Being, and a vast number of divinities or orisa, who govern all aspects of human life and nature.

Yoruba Mythology is, to date, the most comprehensive published collection of more than 300 myths of this ancient, profound, and beautiful storytelling tradition. Authors Ayodeji Ogunnaike and Oludamini Ogunnaike are uniquely qualified to impart these stories, having spent decades learning, collecting, and studying them. Many are remembered from their own childhood, while many more are the result of yearslong research and encounters with practitioners and elders in and from Nigeria, Cuba, and Brazil.

Alongside the myths of the orisa, the Ogunnaikes also include dozens of mythos of more cultural significant, such as the founding of Yoruba kingdoms, stories of heroes and other powerful beings, and classic fables. The final section is dedicated to the beloved Ijapa, the Yoruba trickster tortoise whose cunning and greed always land him trouble, but whose stories impart valuable lessons about honesty, perseverance, and character.

The book is made complete with stunning art by Data Oruwari, whose work brings the myths and characters to life in a manner that evokes traditional depictions of the orisa in West Africa and the diaspora.

A gift to both those familiar with Yoruba culture and religion and those who are encountering them for the first time, Yoruba Mythology is an important and long-awaited contribution to the mythological canon.

From the author of the multi-award-winning, National Book Award–longlisted, “vivid, fast, funny, way-smart, and verbally inventive” (George Saunders) story collection Heads of the Colored People, comes a sly, spry, literary debut novel about the murder of an infamous moonshiner and the cacophony of true stories a small town can tell about itself.

Rich Milford is dead. At last.

We find ourselves in 1920’s Oklahoma, just far enough out of Tulsa, just long enough after the Race Massacre of 1921. For as long as anyone can remember, the Milfords have led plentiful lives on the backs of the townspeople of Newville. Now, on the ominous brink of the Great Depression and at the height of Prohibition, Richard Milford was an infamous moonshiner and womanizer who, it seems, finally crossed the wrong person at the wrong time. He’s dead and buried with only his women to mourn him, but a question remains: Who killed him, and why?

Top suspects are his four “wives,” Lally, Sophronia, Georgette, and Vivianne. But as their stories burst to light, the very idea of a true story comes apart before our eyes.

In an electric follow-up to her acclaimed debut collection, Nafissa Thompson-Spires once again serves up a brilliant distillation of front-of-mind happenings—think, cults of personality, capitalism run amok in politics, and rampant societal distrust—structured like a stupefying line dance. In her uniquely powerful, humorous manner, Thompson-Spires takes on the interdependent clash of the traditional and the newfangled in this gobsmackingly excellent novel.

This thirtieth-anniversary edition of June Jordan’s foundational poetry program guidebook features a foreword by Hanif Abdurraqib and a new preface from Samiya Bashir.

If you want to know how to teach poetry―in a university, a high school, at a nature preserve, in a hospital, or in your living room―read this book.

June Jordan's Poetry for the People details how to build a grassroots poetry program through a collection of strategies, sample student work, course descriptions, and a step-by-step guide to organizing and promoting readings, alongside original writing from Adrienne Rich, Joy Harjo, Ntozake Shange, and Cornelius Eady.

Now with a guide to teaching ethically in the digital age, this easy-to-use, timely reference is perfect for teachers of poetry at any level and in any group setting.

A sizzling yet sweet festive rom-com about a small-town theatre director forced to put her faith in the woman who once shattered her heart, so they can save not only the show, but their whole community, too.

In Cedar Creek, Christmas is no joke, and the annual seasonal play is the centerpiece of the festivities. As director, Bo Amaratunga is not only filling the boots of her mother, but fulfilling her role as community organizer—bringing people together for a night of queer joy and merriment.

When a local landmark goes up for sale, and the town looks to Bo to save it, she does exactly what her mother would do: draws up plans to produce the loudest, most magical play to save the day—or at least bring in enough ticket sales to fend off any prospective buyers. To pull it all off, Bo needs a set builder who can bring her vision to life, but the only option seems to be the newly returned Val Morales, Bo’s long lost high school sweetheart. Sure, Val’s incredibly talented, more than willing to help, and still makes Bo’s pulse race, but how can she trust the girl who ghosted her and left her devastated ten years ago? And why did Val come back after all these years, anyway?

Val Morales didn’t think she’d ever find herself back in Cedar Creek. Freshly divorced, unemployed, and floundering, she was glad to take the lifeline when her demanding parents offered her a job helping out with their realtor business. When they ask her to find a buyer for their lucrative property in Cedar Creek, she jumps at the opportunity to escape their disappointment at her life’s recent downturn and hopefully even impress them. She wasn’t expecting to run into Bo, her first, most pivotal love, or for Bo to ask for her help designing the set for the annual holiday play. When Val realizes the property she’s trying to sell is the same one the play is trying to save, she is forced into an impossible place—will she break Bo’s heart all over again?

As the past and their longing for one another creeps up on them, Bo and Val must figure out a way to maneuver around their conflicting goals and pressures.

At once an utterly delightful holiday romcom and a tender exploration of past, present, and future selves, Tanya Boteju’s adult debut Setting the Stage For Christmas will warm hearts in any season.

"My clothes are different, my face is different, my hair is different, but I am somebody. I am black, brown, white. I speak a different language. But I must be respected, protected, never rejected. I am God’s child. ⁣I am somebody.” —Jesse Jackson

Few figures loom as large as Reverend Jesse Jackson in the history of American civil rights. From marching in the 1960s with Dr. Martin Luther King, Jr., to forming the Rainbow PUSH Coalition, to his historic presidential campaigns, Jesse Jackson spent his life at the forefront of the civil rights movement. Recipient of numerous awards including the Presidential Medal of Freedom and NAACP Spingarn Medal, Jackson is undoubtedly one of the most consequential figures in the nation's history.

Collected here are rare and previously uncollected interviews with magazines, newspapers, and television broadcasts. In them, Jackson talks of his work with Dr. King, and the tragic night when he was killed. He addresses the economic deregulation of the 1970s, how it translated to tax cuts for the wealthy but few benefits for the poor and underrepresented. He tells of his own presidential campaigns and, with the political rise of Barack Obama, anticipates the election of the country's first Black president. From these brief glimpses emerges a picture of a man of moral purpose, who taught us that the only justification to look down on someone is to stop and pick them up.

For gentle reminders on self-love, inner growth, and seeing yourself with kindness, this empowering calendar offers daily encouragement and comfort.

Each colorful page of the We the Urban 2026 Day-to-Day Calendar: Affirmations for the Soul showcases a quote emphasizing empathetic self-acceptance from Willie Greene, creator of the beloved We the Urban community on Instagram. 

Features include:
* No single-use plastic
* Page size 4.606" x 4.606"
* Box size 5.118" x 1.339" 
* Recyclable chipboard easel backer for desk or tabletop display
* Printed on FSC® certified paper with soy-based ink
* Full-color tear-off pages
* Back of pages are blank for notes or shopping lists
* Day/Date reference on each page
* Combined weekend pages
* Official major world holidays and observances
* Inspiring quotes on self-love from Willie Greene, author of Not Sure Who Needs to Hear This, But . . .