Search results: 19 results for “edited by nikki giovanni”
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19 results
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JULY 2026: Mystery & Thriller Book Club - July 28 @ 7PM
JULY 2026: Mystery & Thriller Book Club - July 28 @ 7PM
$0.00We're meeting to discuss Judge Stone by Viola Davis!
BOOK CLUB MEETING DEETS
When: Tuesday, July 28 @ 7PM CST
Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)
How: RSVP ONLY to let us know you plan to attend! Support the Mystery/Thriller Book Club by purchasing a copy of the book from Kindred Stories here!
ABOUT JUDGE STONE
The most respected citizen in Union Springs, Alabama (population 3,314), is Judge Mary Stone. She holds two responsibilities sacred: running her family farm and presiding over her courtroom. It's there she draws the most controversial case in the history of the South.
Criminally, it’s open-and-shut.
Ethically, there is no middle ground. Essentially, it’s a choice between life and death.
No judge can satisfy everyone. It would be dangerous to try. But Judge Stone is willing to fight to bring justice to the people and place she loves. -
JULY 2026: Fiction Book Club - July 30 @ 7PM
JULY 2026: Fiction Book Club - July 30 @ 7PM
$0.00We're meeting to discuss Kin by Tayari Jones!
BOOK CLUB MEETING DEETS
When: Thursday, July 30 @ 7PM CST
Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)
How: RSVP ONLY to let us know you plan to attend! Support the Fiction Book Club by purchasing a copy of the book from Kindred Stories here!
ABOUT KIN
A magnificent new novel from the bestselling, award-winning author of An American Marriage—Tayari Jones has written an unforgettable novel that sparkles with wit and intelligence and deep feeling about two lifelong friends whose worlds converge after many years apart in the face of a devastating tragedy.
Vernice and Annie, two motherless daughters raised in Honeysuckle, Louisiana, have been best friends and neighbors since earliest childhood but are fated to live starkly different lives. Raised by a fierce aunt determined to give her a stable home in the wake of her mother’s death, Vernice leaves Honeysuckle at eighteen for Spelman College, where she joins a sisterhood of powerfully connected Black women and discovers a world of affluence, manners, aspiration, and inequality. Annie, abandoned by her mother as a child and fixated on the idea of finding her and filling the bottomless hole left by her absence, sets off on a journey that will take her into a world of peril and adversity, as well as love and adventure, culminating in a battle for her life.
A novel about mothers and daughters, friendship and sisterhood, and the complexities of being a woman in the American South, Kin is an exuberant, emotionally rich, unforgettable work from one of the brightest and most irresistible voices in
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JULY 2026: NO NAME BOOK CLUB - JuLY 26 @ 3 PM CST
JULY 2026: NO NAME BOOK CLUB - JuLY 26 @ 3 PM CST
$0.00No Name is a Black-owned worker cooperative connecting community members both inside and outside carceral facilities with radical books. Each month, No Name uplifts two books written by Black, indigenous, and other people of color. No Name believes building community through political education is crucial for our liberation and should be accessible to everyone—which is why all programming is free.
MEETING DEETSWhen: Sunday, July 26 @ 3 PMWhere: Kindred Stories (2310 Elgin St, Houston, TX 77004)How: RSVP to let us know you're coming! Support No Name Bookclub by purchasing a copy of the book from Kindred Stories here!ABOUT RAZORBLADE TEARSA black father and a white father join forces on a crusade for revenge against the people who murdered their gay sons, by the award-winning author of Blacktop Wasteland.
Ike Randolph has been out of jail for fifteen years, with not so much as a speeding ticket in all that time. But a Black man with cops at the door knows to be afraid.
The last thing he expects to hear is that his son Isiah has been murdered, along with Isiah’s white husband Derek. Isiah was a gay black man in the American South; Ike couldn’t bring himself to attend his son’s wedding. Isiah was a man Ike never understood. A boy he was never there for the way he should have been.
Derek’s father Buddy Lee is also suffering. He’d barely spoken to his son in five years; he was as ashamed of Derek for being gay as Derek was ashamed his father was a criminal. Buddy Lee still has contacts in the underworld, though, and he wants to know who killed his boy.
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JULY 2026: Horror Book Club - July 21 @ 7PM
JULY 2026: Horror Book Club - July 21 @ 7PM
$0.00We're meeting to discuss Blood Slaves by Markus Redmond!
BOOK CLUB MEETING DEETS
When: Tuesday, July 21 @ 7PM CST
Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)
How: RSVP ONLY to let us know you plan to attend! Support the Horror Book Club by purchasing a copy of the book from Kindred Stories here!
ABOUT BLOOD SLAVES
For readers of Victor LaValle, Tananarive Due, and Colson Whitehead’s The Underground Railroad, this ingenious reimagining of the vampire origin story set during the early days of American slavery blends alternate history with supernatural horror, as the last surviving member of an ancient African vampire tribe meets a slave desperate for freedom, and together, they lead an army of enslaved people in a cinematically blood-soaked battle for freedom and revenge.
What if nobody ever freed the slaves…because they freed themselves – 150 years before the Civil War?
In the Province of Carolina, 1710, freedom seems unattainable for Willie, for his beloved Gertie, and for their unborn child. They live, suffer, and toil under their brutal master, James “Big Jim” Barrow, whose grand plantation was built by the blood, sweat, and tears of the enslaved. To flee this hell on earth is be hunted and killed. Until one strange night Willie is offered a dark hope by Rafazi, an enigmatic slave with an irresistible and blood-chilling path to liberation.
Hailing from the Kingdom of Ghana, Rafazi is the lone survivor of the Ramanga, an African vampire tribe rendered nearly extinct by plague. Rafazi has roamed the world for centuries with an undying desire to replenish the power that once defined his heritage. In Willie, Rafazi has found his first biddable subject to be turned and to help in a hungry revolt. And Willie desires nothing more than to free his people from malicious bondage. Whatever it takes.
One by one, as an army of blood slaves thirsting for revenge is gathered, the headstrong Gertie fears that no good can come from the vampiric legacy that courses through Rafazi’s veins. Willie knows that only evil can fight evil. And when the woman he loves stands between the reemergence of the Ramanga and the justified slaughter of the oppressors, Willie must make an irreversible decision. Only one thing is certain: on the Barrow plantation, and beyond, blood will spill.
Part historical drama, part supernatural horror, and part alternate history, Blood Slaves is an ingenuous and defiant new creation myth of the vampire, one rooted in both justice and the sometimes-violent means necessary to achieve it.
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Selected Poems
Selected Poems
Sold outSelected Poems is the classic volume by the distinguished and celebrated poet Gwendolyn Brooks, winner of the 1950 Pulitzer Prize, and recipient of the National Book Foundation Medal for Distinguished Contribution to American Letters. This compelling collection showcases Brooks's technical mastery, her warm humanity, and her compassionate and illuminating response to a complex world. This edition also includes a special PS section with insights, interviews, and more—including a short piece by Nikki Giovanni entitled "Remembering Gwen."
By 1963 the civil rights movement was in full swing across the United States, and more and more African American writers were increasingly outspoken in attacking American racism and insisting on full political, economic, and social equality for all. In that memorable year of the March on Washington, Harper & Row released Brooks’s Selected Poems, which incorporated poems from her first three collections, as well as a selection of new poems.
This edition of Selected Poems includes A Street in Bronzeville, Brooks's first published volume of poetry for which she became nationally known and which led to successive Guggenheim fellowships; Annie Allen, published one year before she became the first African American author to win the Pulitzer Prize in any category; and The Bean Eaters, her fifth publication which expanded her focus from studies of the lives of mainly poor urban black Americans to the heroism of early civil rights workers and events of particular outrage—including the 1955 Emmett Till lynching and the 1957 school desegregation crisis in Little Rock, Arkansas.
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How We Do It: Black Writers on Craft, Practice, and Skill
How We Do It: Black Writers on Craft, Practice, and Skill
by Jericho Brown
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More than 30 acclaimed writers—including diverse voices such as Nikki Giovanni, David Omotosho Black, Natasha Trethewey, Barry Jenkins, Jacqueline Woodson, Tayari Jones, and Angela Flournoy—reflect on their experience and expertise in this unique book on the craft of writing that focuses on the Black creative spirit.
How We Do It is an anthology curated by Black writers for the creation and proliferation of Black thought. While a creator’s ethnicity does not solely define them, it is inherently part of who they are and how they interpret the world.
For centuries, Black creators have utilized oral and written storytelling traditions in crafting their art. But how does one begin the process of constructing a poem or story or character? How do Black writers, when faced with questions of “authenticity,” dive deep into the essence of their lives and work to find the inherent truth? How We Do It addresses these profound questions. Not a traditional “how to” writing handbook, it seeks to guide rather than dictate and to validate the complexity and range of styles—and even how one thinks about craft itself.
An outstanding list of contributors offer their insights on a range of important topics. Pulitzer Prize winner Jericho Brown explores the lives personified in poetry, while Pulitzer Prize winner Natasha Trethewey explores decolonizing enduring metaphors. National Book Award finalist Angela Flournoy illuminates the pain of grief in all forms and how it can be revealed in the act of creation, and iconoclast Nikki Giovanni offers an elegiac declaration on language.
New and previously published essays and interviews provide encouragement, examples, and templates, and offer lessons on everything from poetic form and plotting a story to the lessons inherent in the act of writing, trial & error, and finding inspiration in the works of others, including those of Toni Morrison, Shakespeare, and Edward P. Jones. A handbook and a reference tool, How We Do It is a thoughtful and welcome tool that offers direction to help Black artists establish their own creative practice while celebrating and widening the scope of the Black writer’s role in art, history, and culture.
Contributors include David Omotosho Black, Jericho Brown, Breena Clark, Rita Dove, Camille T. Dungy, W. Ralph Eubanks, Curdella Forbes, Angela Flournoy, Ernest Gaines, Nikki Giovanni, Marita Golden, Ravi Howard, Terrance Hayes, Mitchell S. Jackson, Barry Jenkins, Charles S. Johnson, Tayari Jones, Jamaica Kincaid, Tony Medina, E. Ethelbert Miller, Elizabeth Nunez, Carl Phillips, Jewell Parker Rhodes, Rion Amilcar Scott, Evie Shockley, Natasha Trethewey, Frank X Walker, Afaa M. Weaver, Crystal Wilkinson, Jacqueline Woodson, Tiphanie Yanique.
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Toni Morrison: The Last Interview: and Other Conversations
Toni Morrison: The Last Interview: and Other Conversations
edited by Nikki Giovanni
Sold out“Knowledge is what’s important, you know? Not the erasure, but the confrontation of it.” — TONI MORRISON
In this wide-ranging collection of thought-provoking interviews — including her first and last — Toni Morrison (whom President Barrack Obama called a “national treasure”) details not only her writing life, but also her other careers as a teacher, and as a publisher, as well as the gripping story of her family. In fact, Morrison reveals here that her Nobel Prize-winning novels, such as Beloved and Song of Solomon, were born out of her family’s stories — such as those of her great-grandmother, born a slave, or her father, escaping the lynch mobs of the South. With an introduction by her close friend, poet Nikki Giovani, Morrison hereby weaves yet another fascinating and inspiring narrative — that of herself.
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