*Paperback Release Date - 1/7/27*

The Pura Belpré Honor Award winning author of Aniana del Mar Jumps In makes her YA debut with a powerful novel-in-verse about a Texas teen who is battling racism in her theatre program and book banning efforts by her town’s school board.

Yulieta Lopez is angry. Angry at her racist drama teacher who refuses to cast Black students in lead roles. Angry at the school board threatening her favorite teacher for teaching works of literature that they deem “controversial.” Angry that she has to keep quiet until she can head to college and leave Texas forever.

Yuli is accustomed to playing various roles: the diligent daughter, the honorable hija, the good girl who serves everyone else before serving herself. But as the fire of Yuli's rage spreads and lights her up, she can no longer be silent. Determined to find a way to fight back, Yuli and her friends start a guerilla theatre club which stirs things up and gets people talking, and finally, Yuli steps into the role she was always meant to play.

“Jasmine Reid writes a shapeful, theoretical work involved in the rigorous attending to emergent selves and the languages made in calling them into being.” —aracelis girmay

Interlocutor Goddess explores the creation of a trans language for selfhood within an exilic state of "ecstatic grief."

Reid's experimental work challenges societal norms, particularly the family as a political construct while reflecting on the trans experiences of a queer Black woman. The poems grapple with oppressive systems of separation and colonial legacies, rejecting extractive, empire-driven paradigms, and gender essentialism. Within her collection, Reid envisions alternative, ethical ways of being, rooted in unity and wholeness and finds kinship with the rhythms and lifeways of the natural world—soil, stars, and water. 

Her poetry employs a trans-lyricism, weaving together dual meanings through homonyms, homophones, and portmanteaus to create a layered, fugitive language that resists rigid classifications. At its core, Interlocutor Goddess is an act of transfiguration, a celebration of girlhood, and a reclamation of wholeness for all who exist beyond imposed boundaries.

One World is proud to present THE 1619 PROJECT: A New Origin Story, a book that dramatically builds on the vision of the original magazine project with major expansions of the original essays, seven new essays by historians, and dozens of new poems and pieces of fiction. The book includes a significant elaboration of the project’s Pulitzer Prize-winning lead essay by Nikole Hannah-Jones and a new introduction that together offer a stirring rebuttal to critics. Hannah-Jones has also written a third essay that makes the case for reparative solutions to the legacy of injustice the project documents.

Edited by Hannah-Jones, along with New York Times Magazine editor-in-chief Jake Silverstein, features editor Ilena Silverman, and New York Times executive producer Caitlin Roper, the book offers work from some of the country’s most outstanding journalists, thinkers, historians and scholars, including: Michelle Alexander, Leslie Alexander, Carol Anderson, Jamelle Bouie, Anthea Butler, Matthew Desmond, Martha Jones, Ibram Kendi, Kevin Kruse, Trymaine Lee, Tiya Miles, Wesley Morris, Khalil Gibran Muhammad, Dorothy Roberts, Jeneen Interlandi, Bryan Stevenson, and Linda Villarosa.

Woven throughout the book are works of fiction and poetry that bring to life four hundred years of history with imaginative writing by Joshua Bennett, Reginald Dwayne Betts, Rita Dove, Camille Dungy, Cornelius Eady, Eve L. Ewing, Nikky Finney, Vievee Francis, Yaa Gyasi, Forrest Hamer, Terrance Hayes, Honorée Fanonne Jeffers, Barry Jenkins, Tyehimba Jess, Robert Jones, Jr., A. Van Jordan, Yusef Komunyakaa, Kiese Laymon, Jasmine Mans, Terry McMillan, Lynn Nottage, ZZ Packer, Gregory Pardlo, Darryl Pinckney, Claudia Rankine, Jason Reynolds, Evie Shockley, Tim Siebles, Clint Smith, Danez Smith, Patricia Smith, Tracy K. Smith, Nafissa Thompson-Spires, Natasha Trethewey, Jesmyn Ward and Sonia Sanchez.

The book also includes archival portrait photography of Black Americans paired with each essay, curated by Kimberly Annece Henderson.

This "highly-anticipated" (People) inaugural novel in the Well-Read Black Girl × Liveright series is a darkly whimsical debut about women daring to live and create with impunity.

Twin sisters Clara and Dempsey have always struggled to relate, their familial bond severed after their mother vanished into the Thames. In adulthood, they are content to be all but estranged, until Clara sees a woman who looks exactly like their mother on the streets of London. The catch: this version of Serene, aged not a day, has enjoyed a childless life.

Clara, a celebrity author in desperate need of validation, believes Serene is their mother, while Dempsey, isolated and content to remain so, believes she is a con woman. As they clash over this stranger, the sisters hurtle toward an altercation that threatens their very existence, forcing them to finally confront their pasts―together. In her riveting first foray into fiction, Yrsa Daley-Ward conjures a kaleidoscopic multiverse of daughterhood and mother-want, exploring the sacrifices that Black women must make for self-actualization. The result is a marvel of a debut novel that boldly asks, “How can it ever, ever be a crime to choose yourself?”

Women and weed--welcome to the revolution!

Good Weed Good Women is a bold collection of writing and photos celebrating the women who have taken the weed industry by storm, from cannabis entrepreneur and Buy Weed from Women founder Jasmine Mans. The book tells the full story of cannabis and how cannabis is being used both as a symbol and in its many physical forms by women in their journey towards greater mental, financial, sexual, spiritual, political, and societal freedom.

This book is a loud, feminist gathering of personal narratives, interviews, photos, illustrations, recipes, poetry, and more from many different intersections of the cannabis industry. Good Weed Good Women explores cannabis in relation to everything from spirituality and motherhood to money, race, and the law.

This beautifully packaged book features a vibrant mix of media, with author Jasmine Mans' voice threaded throughout to unify and cohere the collection. In addition to sharing the stories of other women through interviews and case studies, her personal essays and poetry appear in every chapter.

Written in a voice that’s alternately humorous, lacerating, and wise, Long Division features two interwoven stories. In the first, it’s 2013: after an on-stage meltdown during a nationally televised quiz contest, fourteen-year-old Citoyen “City” Coldson becomes an overnight YouTube celebrity. The next day, he’s sent to stay with his grandmother in the small coastal community of Melahatchie, where a young girl named Baize Shephard has recently disappeared.

Funny, thoughtful, inspiring, and deeply personal essays about yoga, wellness, and life from author of EVERY BODY YOGA, Jessamyn Stanley. Stanley explores her relationship (and ours) to yoga (including why we practice, rather than how); wrestles with issues like cultural appropriation, materialism, and racism; and explores the ways we can all use yoga as a tool for self-love. 

Finding self-acceptance both on and off the mat.
In Sanskrit, yoga means to “yoke.” To yoke mind and body, movement and breath, light and dark, the good and the bad. This larger idea of “yoke” is what Jessamyn Stanley calls the yoga of the everyday—a yoga that is not just about perfecting your downward dog but about applying the hard lessons learned on the mat to the even harder daily project of living.
In a series of deeply honest, funny autobiographical essays, Jessamyn explores everything from imposter syndrome to cannabis to why it’s a full-time job loving yourself, all through the lens of yoke. She calls out an American yoga complex that prefers debating the merits of cotton versus polyblend leggings rather than owning up to its overwhelming Whiteness. She questions why the Western take on yoga so often misses—or misuses—the tradition’s spiritual dimension. And reveals what she calls her own “whole-ass problematic”: Growing up Baháí, loving astrology, learning to meditate, finding prana in music.
And in the end, Jessamyn invites every reader to find the authentic spirit of yoke—linking that good and that bad, that light and that dark.

*Ships in 7-10 Business Days*

Black Girl Magic continues and deepens the work of the first BreakBeat Poets anthology by focusing on some of the most exciting Black women writing today. This anthology breaks up the myth of hip-hop as a boys’ club, and asserts the truth that the cypher is a feminine form.

Poet and vocalist Jamila Woods was raised in Chicago, and graduated from Brown University, where she earned a BA in Africana Studies and Theatre & Performance Studies. Influenced by Lucille Clifton and Gwendolyn Brooks, much of her writing explores blackness, womanhood, and the city of Chicago.

Mahogany L. Browne is a Cave Canem and Poets House alumna and the author of several books including Smudge and Redbone. She directs the poetry program of the Nuyorican Poets Café.

Idrissa Simmonds is a fiction writer and poet. Her work has appeared in Black Renaissance Noire, The Caribbean Writer, Fourteen Hills Press, and elsewhere. She is the 2014 winner of the Crab Creek Review poetry contest, and a New York Foundation for the Arts and Commonwealth Short Story Award Finalist.

DELUXE LIMITED EDITION first printing featuring stenciled edges

The LONG AWAITED adult debut novel by beloved NEW YORK TIMES BESTSELLING Dhonielle Clayton: a romantic contemporary fantasy novel set in New Orleans, about a woman pulled back into a forbidden love, kicking off a brand new series

Collette Marchand never wanted to return home to the immortal wards of New Orleans, let alone inherit her mother’s blood-soaked business. Collette left magic and a great love behind a decade ago, tucking herself away in Boston. But now, her mother, Lady Red, the living Conjure Saint and matriarch of the most notorious Conjure House, has died for the final time.

Back in New Orleans, Téo Baptiste is stuck. He’s working at the same hospital where, ten years ago, he lost everything – his sobriety and the love of his life, Collette. Nights at the busiest ER in the city help him bury his feelings and ignore his magical destiny to take over the undead immortal ward. But Lady Red’s death might be his chance to make things right with Collette again, and build a new future for himself.

When Collette is summoned back home to bury her mother, she uncovers Lady Red’s greatest secret: the true source of her power is a stolen card from the Deck of Life. A card that, along with the family business, passes to Collette. Determined to rewrite the past, Collette needs help from the last person she wants to see ever again: her former flame and the man who shattered her heart, Téo. Now, Collette must confront whether she’s destined to become the next Lady Red and rule over the immortal wards of New Orleans and beyond … or take a second chance at love.

Sometimes, the perfect match isn't the one you planned for. Fans of The Boyfriend Project by Farrah Rochon and One to Watch by Kate Stayman-London will love Weight for Me.

Julissa Sanders has it all--a thriving PR agency, a superstar NFL quarterback fiancé, and a picture-perfect life. But when a careless comment about her weight gain goes viral, Julissa's world crumbles. Determined to regain control, she hits the gym, only to find an unexpected ally in her fiancé's best friend, Malachi.

As Julissa navigates the pressures of planning a high-profile wedding and managing her image, she finds herself drawn to the man who's supposed to be just her trainer. With her carefully crafted life unraveling, Julissa must choose between the love she thought she wanted and the love that could change everything.

An award-winning young scholar explores how Black women have remade―and continue to remake―our understanding of the past.

Across centuries, Black women have invented means to preserve what official history could not: friendship albums, kitchen-table philosophy, blogs, playlists, oral histories, and archives held in the mind. In The Light Keepers, Jessica Marie Johnson traces this radical tradition through the centuries-long prism of American empire, from the holds of slave ships to contemporary digital worlds, showing that there is nothing finished or settled about how Black women understand time, trauma, and survival.

Blending personal narrative, archival fragments, and ancestral wisdom, Johnson reframes Black women not as subjects of history but as archivists and historians. Against erasure, against shame, against death itself, Black women have transformed the bitterest waters of history into tools for living, loving, and imagining freedom. The Light Keepers offers readers a daring new way to think about the past―and a powerful lesson in how knowledge is made when survival demands it.

88 illustrations