From the PEN-nominated author of The Blueprint comes a moving novel about two women connected by music, memory—and murder.

Texas, 1983. Lola Jones is in prison for the death of her mother’s former lover, a man whose presence tangled itself through both their lives. After years of silence, Lola writes a letter to the dead man’s daughter—the “secret sister” from the better part of town in whose shadow Lola has lived most of her life.

As Lola reaches across time and memory, her story unfolds in two mirrored movements: the first, a chronicle of her mother, Camille, a blues singer shaped by love, ambition, and loss; the second, a recounting of Lola’s own coming of age in the echo of Camille’s legacy.

Braided with music, memory, and the weight of being misunderstood, Sweet Water explores inheritance, identity, and the ways women learn to survive what they cannot control. It is a story about Black women connected and separated by their experiences with each other, and with the men in their lives. Written as a letter, structured like a blues song—call and response, verse and refrain—the novel asks what it means to reclaim your voice when someone else’s pain has defined your existence.

From high fashion to everyday clothes, this book looks at the personal and political importance of Black style from the 1880s to the present.

Both during and after slavery in North America, “Sunday best” referred to clothes reserved for church or special occasions. Dressing in one’s Sunday best conveyed a sense of dignity and self-worth. Sunday best styling evolved after emancipation into the twentieth century, reflecting subsequent periods of Black cultural liberation, empowerment, and upward mobility. It is emblematic of the ways that self-fashioning in African-diasporic communities affirms humanity and communicates identity.

With examples from Canada, the Caribbean, the United States, and the United Kingdom, Sunday Best features archival and contemporary fashion alongside photography, painting, sculpture, and time-based media, looking at the significance of Black style. Essays by an interdisciplinary group of curators, designers, and scholars consider how communities throughout the African diaspora have used style as a reminder of one’s value, visibility, and agency, and the enduring influence of Sunday best dressing on artistic expression.

This richly illustrated volume is organized around the following themes:

• Origins, featuring fashion design by Christopher John Rogers and photography by James Van Der Zee
• Black church, with art by Coreen Simpson, Gordon Parks, and Laura Wheeler Waring
• Migration, through designers such as Foday Dumbuya
• Liberation, with fashion design by Spencer Badu and photography by Chantal Regnault
• Call and response, including fashion design by Patrick Kelly and photography by Melodie McDaniel

Published in association with the Art Gallery of Ontario and the Philadelphia Museum of Art

Exhibition Schedule

Art Gallery of Ontario
(October 6, 2026–February 28, 2027)

Philadelphia Museum of Art
(May 1, 2027–August 8, 2027)

From the author of the acclaimed novel, House of Cotton, comes an electric, haunting new Southern noir following the residents of Better Tomorrow Trailer Park in the aftermath of a gruesome murder.

Summer ’97. Deadly sins. Misguided obsessions.

When Better Tomorrow Trailer Park’s owner, Joe Candle, is found nailed to a cross in the center of the lot, the police have one question for the park’s eccentric residents: Who killed Candle?

No one is safe from suspicion. Not the pretty, calf-eyed cashier with a shadowed past, or the barber and his strange, altered demeanor, or the young son of a cop who harbors a volcanic temper.

As the investigation begins and satanic panic grips this small town in the heart of Appalachia, the low-grade paranoia spreads beyond the borders of the park. With the arrival of a lone, mysterious detective, a darker plot is soon unearthed. The questions that arise threaten the very existence of Better Tomorrow, and the community is tested to its breaking point.

Thundering towards the dreaded summer solstice, Lonesome Holler is a beautifully written exploration of loneliness, a blue-tuned elegy for community, and a comedic, devastating ode to the South.

From Pulitzer Prize and National Book Award-winning author Louise Erdrich, a novel about the collisions of youth—with want, with art, with rage—as experienced by a young Chippewa writer in politically fraught 1970s America.

“Where do we find a definition? Where do we find what a poet is?”

Fargo, 1971. Erdrich’s narrator spends her days sneaking pocketsful of lasagna home from waitressing, missing the author friends who have floated out of town again, and wondering half-seriously if the poetry of local third graders is outdoing her own. In search of more life, more inspiration, and—always—enough food to get through the next day, she embarks on a series of jobs, affairs, and travels that illuminate the wild eccentricities of the American national character as much as they do the injustices—and resistances—boiling around her in North Dakota.

I’m Hungry explores shocking violence, unearthly beauty, and voracious appetites of all kinds, from sexual hunger to the need for a life transfigured by poetry. It answers the question of “what a poet is” with an indelible portrait of a young woman in a fractured community who finds her voice even as she encounters lovers, hustlers, and specters whose own hungers threaten to pull her under.

A bold, gorgeously textured, and unforgettable moral fable, this compelling novel will be revelatory to her legions of fans.

We Made the World: Five Centuries of Queens, Warriors, and Other Foremothers traces five centuries of history through twelve extraordinary women of African descent—from queens and warriors to artists and activists—weaving together collective memory, oral tradition, and personal grief into a landmark work that places Black women at the center of world history.

In 1949, a seamstress from a small coastal town in the Gold Coast colony stood up in a room full of men and voted to split from the most powerful political party in the country. Her name was Hannah Kudjoe. She spent the next decade organizing the women who would win Ghana's first democratic election and help make it the first sub-Saharan African nation to gain independence from European colonial rule. When Nkrumah published his autobiography, she wasn't in it.

We Made the World does for twelve women what it does for Hannah Kudjoe. It finds the woman who was in the room, who was essential to the room, and whose name was removed from the record the moment her usefulness to powerful men was exhausted.

We're talking about Queen Njinga of Angola, who fought the Portuguese to a standstill for forty years and died at eighty still a sovereign. Wangarĩ Maathai, the Nobel Peace Prize winner who saved a Nairobi forest by walking upstream through a river at dawn to plant trees while the police watched. Brenda Fassie, the queer Black pop icon who sang South Africa through the end of apartheid and whose music still stops a room on any continent.

The author traveled to eleven countries to write this book. She gathered oral histories from descendants and community keepers across four continents. And she wrote it while experiencing great loss and grief which means this book knows in its bones what it costs to carry someone's memory, and what it costs not to.

We Made the World is five hundred years of history rewritten from the inside. It is the book that asks what we have lost by not knowing these women's names, and begins the important work of giving that back to us all.

From the 2025 Children’s Literature Legacy Award winner, New York Times bestselling, and multiple award-winning author Carole Boston Weatherford comes a powerful nonfiction picture book that follows the individual acts of courage behind the 1955 Montgomery Bus Boycott.

In Montgomery, everyone relied on the city’s buses, but only white riders could sit in the front. If white riders needed more seats, Black riders had to give theirs up. And the white bus drivers would call the police whenever they wanted to. How could the Black community fight for their rights?

With incredible coordination and planning, Black people across the city carefully planned a boycott. When Rosa Parks was arrested after refusing to give her seat up to a white rider, they were ready to act. But, as the months drew on, everyone found themselves wondering: What would it take to end the boycott?

Award-winning team Carole Boston Weatherford and Noa Denmon unite to tell the remarkable story of the 1955 Montgomery Bus Boycott and the people who achieved justice by working together.

* Important American History: This book spotlights the collective action of the Civil Rights Movement.
* Unsung Heroes: Strength in Numbers celebrates the many people who made the long bus boycott a success.
* Impressive Back Matter: This book features an extensive timeline, along with additional information about the Montgomery Bus Boycott.

A hidden history of twentieth-century American modernity that re-examines a mere twelve-block area on Manhattan’s Upper West Side with Thelonious Monk as its guiding star. 

The Jungles reclaims the largely forgotten world of San Juan Hill, a predominantly Black neighborhood on Manhattan’s West Side, was one of the most fertile centers of American cultural life in the twentieth century.

At once a biography, an urban history, and a cultural reckoning, Howard W. French’s The Jungles reveals how the neighborhood that would encompass Lincoln Center, previously known as the Jungles, fostered numerous pathbreaking Black artists, among them a young Thelonious Sphere Monk (1917–1982).

The story opens in Cuba in 1898, where we watch as Teddy Roosevelt’s forces triumph on San Juan Hill, with close to one-fifth of the overall invading force consisting of Black soldiers whose valor went largely unrecognized. After returning to the US, these veterans joined a broader wave of Black migrants moving northward, eventually settling in a Manhattan -neighborhood that would take the battle’s name. San Juan Hill became a lively, artistic Black community that preceded the Harlem Renaissance and inspired some of the highest twentieth- century creative triumphs―giving rise to the stride piano style and nurturing the genius of Monk, whose mold-breaking artistry struggled to gain traction in an industry then dominated by white producers.

As Robert Moses began tearing down the neighborhood under the guise of “urban renewal,” Monk became its most famous holdout, staying put in his cramped apartment in the Phipps Houses at 243 West 63rd Street, his upright piano protruding from his bedroom into the kitchen as he continued to make his iconic music.

By the late 1950s, Monk’s genius had finally been recognized, but the erasure already felt irreversible, extending even to the musical West Side Story, which reimagined the neighborhood’s streets as Latino gang territory, whitewashing the predominantly Black and Caribbean community that had actually lived there.

A compelling history from one of our finest American historians, The Jungles ultimately emerges as a new way of telling the history of music, of New York, and of America. The cradle of jazz was not only in New Orleans but also in San Juan Hill, and French’s magnificent recreation of that vanished world, and of the miraculous life of Thelonious Monk, restores to American cultural memory what erasure nearly stole for good.

12 illustrations

From the award-winning author Jared Lemus comes a novel where myth and danger collide in an isolated Guatemalan town

Huecotenango is a small town in a remote corner of Guatemala, where residents—outcasts, wanderers, and people running from the past—have gathered as if drawn by some unspoken calling. Behind Huecotenango’s daily rhythms, something has been silently approaching for fifteen years, and its inhabitants sense that their lives are about to change forever.

A crash on the outskirts brings two brothers into Huecotenango. The townspeople offer to help without knowing who the brothers are or what danger they might bring. Leo and Santiago see Huecotenango as a place to disappear and continue their illicit work, but their presence soon unsettles the community. Rumors spread and loyalties are tested as the town’s humble existence comes under threat. Extraordinary residents come into focus—a woman who can shapeshift into a jaguar, a healer who absorbs the ailments of others, a young woman with a debt to the god of the underworld—and their pasts, powers, and choices gradually converge with the brothers’ story in ways both dangerous and profound.

Jared Lemus has written a suspenseful, morally complex debut novel about survival, devotion, greed, and the inexorable pull of the past. In Magic in the Land of Eternal Spring, ordinary lives are tested by extraordinary forces, and the consequences of small decisions ripple fatally outward.

Together for the first time in this beautiful boxed set, the landmark Love Song to the Nation trilogy by the feminist icon bell hooks, includes the New York Times bestsellers All About Love, Communion, and Salvation.

All About Love: New Visions reveals how lovelessness results in a polarized society, and how we can do the work to heal these divisions. This book is a roadmap to understanding how we can build caring, compassionate, and loving spaces into our homes, schools, and workplaces.

Communion: The Female Search for Lovechallenges every woman to courageously claim the search for love as a heroic journey we must all choose to be truly free. It reveals how women of all ages can bring love into every aspect of their lives.

Salvation: Black People and Love Written from both historical and cultural perspectives, Salvation takes an incisive look at the transformative power of love in the lives of African Americans.

Celebrate the release of If This World We're Mine with Arriel Vinson!

EVENT DEETS

When: Thursday, January 28 @ 7 PM CST

Where: Kindred Stories (2310 Elgin St. Houston, TX 77004)

How: 

• RSVP ONLY to reserve your seat.

• RSVP WITH BOOK to reserve your seat and purchase a copy If This World We're Mine, supporting both the author and our store programming. The book will be available for pickup at the event.

Please Note: Books purchased from other retailers are not permitted in the bookstore and are not eligible for the signing or photo line. To participate in the signing and photo opportunity, you must purchase a copy from Kindred Stories.If you already have a copy from Kindred Stories feel free to choose the RSVP only option. 

If you purchase a ticket and are unable to attend the event, your ticket is non-refundable. If your ticket includes a book, an email will be sent to all attendees before and after the event with instructions on how to receive your book. Books must be claimed within 14 days following the event. If your book is not retrieved it will be returned to the publisher and will not be available for pick up in the future.

ABOUT THE BOOK

ABOUT THE AUTHOR

Arriel Vinson is a Midwesterner who writes about being young, Black, and in search of freedom. Her debut YA novel-in-verse, Under the Neon Lights, is a 2026 Coretta Scott King/John Steptoe New Talent Award winner, a Reese’s Book Club LitUp selection, and a Junior Library Guild Gold Selection. Arriel earned her MFA in Fiction from Sarah Lawrence College and is a Tin House YA Scholar, Highlights Foundation scholarship recipient, and Walter Grant recipient. Her sophomore novel, If This World Were Mine, is forthcoming in spring 2027. You can connect with her on social media at @arriwrites and find her work at arriwrites.com

ABOUT THE CONVERSATION PARTNER

LIARA TAMANI grew up in Houston, Texas, where every spring meant one thing: rodeo season. She loved getting decked out in her best cowgirl gear and soaking up the music, food, and electric energy of the rodeo, a joy she now shares with her daughter and husband. Her deep Texas roots shine through her storytelling, capturing the spirit and rhythms of the state in all her acclaimed novels: Calling My Name, All the Things We Never Knew, and What She Missed. Before becoming a writer, she attended Harvard Law School and worked as a marketing coordinator for the Houston Rockets and Comets, television production assistant, home accessories designer, floral designer, and yoga and dance teacher. She holds an MFA in writing from Vermont College of Fine Arts and a BA from Duke University.

The true story of an anticolonial movement, a political hope dashed, and an ordinary woman who became a firebrand for Puerto Rican independence -- told in breathtaking woodcut.

A transformative, practical guide to true wellness and a life of abundance and balance, from the renowned astrophysicist, TED Fellow, and working mother.

What would your life look like if you allowed yourself to rest?

Dr. Aomawa Shields is a lifelong overachiever. While working harder than everyone else led to career success and public accolades—from completing her six-year PhD program in five to presenting a celebrated TED Talk that has received 1.8 million views—when she became a mom, a crisis of mental and physical health forced her to question the cost of pushing herself to the brink—and look for a better way.

As an astronomer searching for life on other planets, Dr. Shields has long learned from the cosmos, and in these pages she shares her hard-won wisdom, structured over the course of a year of practice. With her expert guidance and the same rest tools she teaches her students, you can learn to:

* choose self-compassion over self-hatred and -critique
* pause and settle using techniques from yoga nidra, mindfulness, and journaling
* take action from a place of rest, which is far more productive than action born from chronic exhaustion, anxiety, and stress
* set boundaries with yourself and others
* unravel expectations around being a "good mother, "good daughter," "good friend," and "good worker"
* live seasonally and in relationship with nature

Dr. Shields' tools allow the body and mind to rest so overachievers can hear wisdom from within, often for the first time, about the unique fears that keep them striving for perfection, and the authentic pursuit of joy that can replace those fears. With mindful practices, prompts, and takeaways, Dr. Shields shows us how being realistic about our commitments can be a triumph, not a failure; why a 30 minute mini-vacation needs to be in your schedule; and what to say to ourselves when we feel that itch to do “one more thing” on our phone—even when we know it's a losing battle.

While Dr. Shields used to identify more with the heat and intensity of O-type stars, she now values the slow burn of M-type stars. It is time to release your old thinking and its path to burnout and instead embrace a way forward that nourishes your peace, wholeness, and connection to self and the universe.