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As our institutions and systems creak under the pressure of entrenched racism, renowned scholar Dr. Victor Ray explains how Critical Race Theory upholds truth amid misinformation to transcend backlash and uplift progress. On Critical Race Theory illustrates the centrality of race in American history and politics, and how the often mischaracterized intellectual movement became a political necessity.

Dr. Ray draws upon the radical thinking of giants such as Dr. Martin Luther King, Jr., Ida B. Wells, and W.E.B. Du Bois to clearly trace the foundations of Critical Race Theory in the Black intellectual traditions of emancipation and the civil rights movement. From this foundation, Dr. Ray explores the many facets that CRT interrogates, from deeply embedded structural racism to the historical connection between Whiteness and property, ownership, and more.

Dr. Ray argues that multicultural democracy is a recent and relatively fragile innovation that is under threat, in the face of the erosion of voting rights and attacks on speech at universities nationwide. He calls on readers to recall that it took the intervention of the National Guard to integrate schools as recently as 1960, that codifying racial subjugation has become the norm, and that populist demagoguery deployed racial insecurities to stir the January 6th insurrection and threaten the fabric of democracy.

In succinct and thoughtful essays, Dr. Ray explores how the conversation on CRT has expanded into the contemporary popular consciousness, showing why Critical Race Theory matters and why we all should care.

A collection of essential writings from the iconic foremother of Black women's intellectual history, feminism, and activism, who helped pave the way for modern social justice movements like Black Lives Matter and Say Her Name

Winner of the American Library Association Award for Best Historical Materials 

A Penguin Classic

The Portable Anna Julia Cooper brings together, for the first time, Anna Julia Cooper's major collection of essays, A Voice from the South, along with several previously unpublished poems, plays, journalism and selected correspondences, including over thirty previously unpublished letters between Anna Julia Cooper and W. E. B. Du Bois. The Portable Anna Julia Cooper will introduce a new generation of readers to an educator, public intellectual, and community activist whose prescient insights and eloquent prose underlie some of the most important developments in modern American intellectual thought and African American social and political activism.

Recognized as the iconic foremother of Black women's intellectual history and activism, Cooper (1858-1964) penned one of the most forceful and enduring statements of Black feminist thought to come of out of the nineteenth century. Attention to her work has grown exponentially over the years--her words have been memorialized in the US passport and, in 2009, she was commemorated with a US postal stamp. Cooper's writings on the centrality of Black girls and women to our larger national discourse has proved especially prescient in this moment of Black Lives Matter, Say Her Name, and the recent protests that have shaken the nation.

The iconic NAACP magazine’s most dynamic and daring African American voices gathered together for the first time in a groundbreaking literary collection, from founding editor W. E. B. DuBois and Jessie Fauset to today's modern day cultural critics, including June Shagaloff and Michael A. Lawrence.

The Crisis magazine is the official publication of NAACP. It was created in 1910 by renowned historian, civil rights activist, and NAACP co-founder W. E. B. DuBois. The magazine appeared three years before Conde Nast launched an American version of Vanity Fair and fifteen years before Harold W. Ross introduced The New Yorker to readers.

Du Bois started The Crisis in one room of the New York Evening Post building in New York City and edited the publication until 1934. A group of NAACP leaders adapted the name from James Russell Lowell's poem The Present Crisis, written at the height of the Civil War.

In the premier issue Du Bois made clear of the publication’s goals: "The Crisis will record important happenings and movements in the world which bear on the great problem of inter-racial relations, and especially those which affect the Negro-American. Secondly, it will be a review of opinion and literature, recording briefly books, articles, and important expressions of opinion in the white and colored press on the race problem. Thirdly, it will publish a few short articles. Finally, its editorial page will stand for the rights of men, irrespective of color or race, for the highest ideals of American democracy."

At the time, Du Bois noted, "it was the rule of most white papers never to publish a picture of a colored person except as a criminal and the colored papers published mostly pictures of celebrities who sometimes paid for the honor. In general, the Negro race was just a little afraid to see itself in plain ink." Everything changed with the advent of The Crisis.

Now, for the first time ever The Best of the Crisis will bring together the magazine’s previously published most dynamic and daring voices and stories from its founding until today in one extraordinary collection, including W. E. B. Du Bois, Thurgood Marshall, Bayard Rustin, Francis Grimke, J.A. Rogers, Stetson Kennedy, E. Franklin Frazier, Oswald Garrison Villard, Jessie Fauset and Arna Bontemps.

This edition will spotlight the first section devoted to Negro children, the first presentation of Negro artwork, the first feature stories about successful Negroes, the first full-fledged drive for Pan-Africanism, the first special numbers devoted to Negro educational advancement, the first articles on consumers cooperation all tied together with contemporary voices on where we stand on these issues today.

Choice Outstanding Book

African American intellectual thought has long provided a touchstone for national politics and civil rights, but, as Kimberly Smith reveals, it also has much to say about our relationship to nature. In this first singleauthored book to link African American and environmental studies, Smith uncovers a rich tradition stretching from the abolition movement through the Harlem Renaissance, demonstrating that black Americans have been far from indifferent to environmental concerns.

Beginning with environmental critiques of slave agriculture in the early nineteenth century and evolving through critical engagements with scientific racism, artistic primitivism, pragmatism, and twentiethcentury urban reform, Smith highlights the continuity of twentiethcentury black politics with earlier efforts by slaves and freedmen to possess the land. She examines the works of such canonical figures as Frederick Douglass, Booker T. Washington, W. E. B. Du Bois, and Alain Locke, all of whom wrote forcefully about how slavery and racial oppression affected black Americans' relationship to the environment

Smith's analysis focuses on the importance of freedom in humans' relationship with nature. According to black theorists, the denial of freedom can distort one's relationship to the natural world, impairing stewardship and alienating one from the land. Her pathbreaking study offers the first linkage of the early conservation movement to black history, the first detailed description of black agrarianism, and the first analysis of scientific racism as an environmental theory. It also offers a new way to conceptualize black politics by bringing into view its environmental dimension, as well as a normative environmental theory grounded in pragmatism and aimed at identifying the social conditions for environmental virtue.

Smith's work offers a new approach to established writers and thinkers and shows that they justly deserve a place in the canon of American environmental thought. African American Environmental Thought enriches our understanding of black politics and environmental history, and of environmental theory in general. Because slavery and racism have shaped the meaning of the American landscape, this body of thought offers us fresh conceptual resources by which we can make better sense of our world.

Focusing on Black Americans' participation in world’s fairs, Emancipation expositions, and early Black grassroots museums, Negro Building traces the evolution of Black public history from the Civil War through the civil rights movement of the 1960s. Mabel O. Wilson gives voice to the figures who conceived the curatorial content: Booker T. Washington, W. E. B. Du Bois, Ida B. Wells, A. Philip Randolph, Horace Cayton, and Margaret Burroughs. Originally published in 2012, the book reveals why the Black cities of Chicago and Detroit became the sites of major Black historical museums rather than the nation's capital, which would eventually become home for the Smithsonian's National Museum of African American History and Culture, which opened in 2016.

Centering Black culture and community for liberating, anti-racist therapeutic practice.

This innovative book lays out the journey of family therapist Makungu Akinyela in developing testimony therapy―a healing practice rooted in Black cultural traditions of testifying and storytelling. This book argues that traditional Eurocentric approaches to therapy often perpetuate colonial oppression in the lives of Black clients, and that decolonizing mental health requires centering African American cultural knowledge, history, and community.

Drawing from thinkers from the Black radical critical tradition like Frantz Fanon and W. E. B. Du Bois, Dr. Akinyela frames testimony therapy as a narrative practice grounded in Ubuntu (the African communal self) and the oral traditions of African diasporic peoples. Testimony Therapy maps out theory, practices, and supervision approaches that help therapists support clients in resisting internalized racism, reclaiming self-definition, and nurturing liberated Black identities. Ultimately, this work is a call for Black therapists and clients to engage therapy as cultural resistance―a pathway to repair our souls and build collective freedom beyond Eurocentric limitations.

The New York Times bestselling author of Begin Again confronts America’s unfinished story in this blistering reassessment of race, freedom, and the myths that bind us.

Celebrated public intellectual Eddie S. Glaude, Jr. presents a groundbreaking analysis of the vicious cycles of American history and the country’s enduring refusal to face its true nature—especially at the moments when national anniversaries steer us back toward the mythology meant to disguise the truth.

America, U.S.A., deliberately formulated and beautifully written, details a heart-wrenching exploration of America’s legacy. It is a magnificently complex combination of lessons and voices—from W.E.B. DuBois and John Dos Passos to Herman Melville and Martin Luther King, Jr.—that, together, paint a sprawling and honest tableau of the United States, its complicated past, and ever more tenuous future. Glaude’s is a powerful voice of conscience in our tumultuous world. He pulls no punches, calling on us to interrogate our conceptions of innocence and freedom and the stories we tell ourselves about our past and present.

Centered around the major celebrations of America’s milestone birthdays across 250 years of history, the book offers a riveting look at the battles over who has a stake in writing the American story. Devastatingly candid, profoundly moving, and deeply reflective, America, U.S.A. is a shining meditation on how we must reckon with a grim past in order to strive for the better angels of our future.

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Penguin announces a prestigious new series under presiding editor Arthur Schlesinger, Jr.

Many works of history deal with the journeys of blacks in bondage from Africa to the United States along the "middle passage," but there is also a rich and little examined history of African Americans traveling in the opposite direction. In Middle Passages, award-winning historian James T. Campbell vividly recounts more than two centuries of African American journeys to Africa, including the experiences of such extraordinary figures as Langston Hughes, W.E.B. DuBois, Richard Wright, Malcolm X, and Maya Angelou. A truly groundbreaking work, Middle Passages offers a unique perspective on African Americans' ever-evolving relationship with their ancestral homeland, as well as their complex, often painful relationship with the United States.

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This transformative collection advances new approaches to Black intellectual history by foregrounding the experiences and ideas of people who lacked access to more privileged mechanisms of public discourse and power. While the anthology highlights renowned intellectuals such as W. E. B. Du Bois, it also spotlights thinkers such as enslaved people in the antebellum United States, US Black expatriates in Guyana, and Black internationals in Liberia. The knowledge production of these men, women, and children has typically been situated outside the disciplinary and conceptual boundaries of intellectual history.
 
The volume centers on the themes of slavery and sexuality; abolitionism; Black internationalism; Black protest, politics, and power; and the intersections of the digital humanities and Black intellectual history. The essays draw from diverse methodologies and fields to examine the ideas and actions of Black thinkers from the eighteenth century to the present, offering fresh insights while creating space for even more creative approaches within the field.
 
Timely and incisive, Ideas in Unexpected Places encourages scholars to ask new questions through innovative interpretive lenses—and invites students, scholars, and other practitioners to push the boundaries of Black intellectual history even further.

It's raining Black holiday romances and women's fiction this year and we're here to celebrate it all!

EVENT DEETS

When: Sunday, November 24 @ 3:30 PM CST

Where: Virtual via Zoom. We'll send you the Zoom link!

How: RSVP here to let us know you're coming! Also, check out the cool book bundles to support the authors. 

The Grinch (includes Only for the Holidays by Abiola Bello, A Novel Christmas by Charity Shane and Christmas in Spite of You by K.C. Mills)

The Hallmark (I'll Be Gone for Christmas by Georgia Boone, The Christmas Catch by Toni Shiloh, Only for the Holidays by Abiola Bello) 

Home Alone (Christmas in Spite of You by K.C. Mills,  I'll Be Gone for Christmas by Georgia Boone, A Novel Christmas by Charity Shane) 

ABOUT THE AUTHORS 

Abiola Bello is a British-Nigerian author from London, England. She is the bestselling, award-winning author of the children’s series Emily Knight I Am and the YA novel Love in Winter Wonderland, as well as a contributor to The Very Merry Murder Club anthology. Abiola has won London’s BIG Read 2019, was a finalist for the People’s Book Prize Best Children’s Book and was nominated for the Yoto Carnegie Award.

Charity Shane holds a bachelor’s degree and a Juris Doctor degree. Author. Higher Education Leader. Legal Expert. Writing stories that create feelings through her words is her true passion. Her soul sings AA romance and urban romance fiction. To date, she has published twelve books, one of which became a #1 Bestseller in Urban Fiction on Amazon. Charity Shane’ is dedicated to giving readers robust and diverse stories centered around love.

K.C. Mills penned her first novel in July 2015. One of her many talents is the ability to move between multiple genres and fully execute stories which are whole, realistic and heart-warming that leave readers wanting more. Her soul tends to feel at home with contemporary adult romance and urban fiction novels. To date, she has over one hundred titles, thirty-seven of which were published independently. Mills’ goal as an author is to craft Romance with an Edge that displays love in all shades of brown, with beautifully flawed humans that deserve to find their happily ever after.

Toni Shiloh is a wife, a mom, and an award-winning Christian contemporary romance author. Her novel In Search of a Prince won the first ever Christy Amplify Award. It has also been praised by Oprah Daily, POPSUGAR, Library Journal, and Booklist and is a Parable bestseller. Her books have won the Christy Award and Selah Award and have been finalists for the Carol Award and the HOLT Medallion. As a member of American Christian Fiction Writers (ACFW), Toni loves connecting with readers and authors alike via social media. Learn more at ToniShiloh.com

Georgia K. Boone is a writer, a poet, and the daughter of storytellers. Sometimes, she writes songs she may one day share. Once, in a Brooklyn community center, she read James Baldwin’s quote “You can’t tell the children there’s no hope,” and she carries those words from the city to the desert and beyond. She lives on the West Coast with her family

ABOUT THE MODERATOR

Theresa Arline, is a Birmingham, AL native, graduate of Texas Southern University and the owner of Public Displays of Reading, a book accesories company based in Houston, Texas. Her lifelong passion for reading has evolved into a mission to promote books by Black authors across genres. 

Afrocentrism. Eurocentrism. Caribbean Studies. British Studies. To the forces of cultural nationalism hunkered down in their camps, this bold hook sounds a liberating call. There is, Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once, a black Atlantic culture whose themes and techniques transcend ethnicity and nationality to produce something new and, until now, unremarked. Challenging the practices and assumptions of cultural studies, The Black Atlantic also complicates and enriches our understanding of modernism.

Debates about postmodernism have cast an unfashionable pall over questions of historical periodization. Gilroy bucks this trend by arguing that the development of black culture in the Americas arid Europe is a historical experience which can be called modern for a number of clear and specific reasons. For Hegel, the dialectic of master and slave was integral to modernity, and Gilroy considers the implications of this idea for a transatlantic culture. In search of a poetics reflecting the politics and history of this culture, he takes us on a transatlantic tour of the music that, for centuries, has transmitted racial messages and feeling around the world, from the Jubilee Singers in the nineteenth century to Jimi Hendrix to rap. He also explores this internationalism as it is manifested in black writing from the “double consciousness” of W. E. B. Du Bois to the “double vision” of Richard Wright to the compelling voice of Toni Morrison.

In a final tour de force, Gilroy exposes the shared contours of black and Jewish concepts of diaspora in order both to establish a theoretical basis for healing rifts between blacks and Jews in contemporary culture and to further define the central theme of his book: that blacks have shaped a nationalism, if not a nation, within the shared culture of the black Atlantic.

Celebrate the release of If This World We're Mine with Arriel Vinson!

EVENT DEETS

When: Thursday, January 28 @ 7 PM CST

Where: Kindred Stories (2310 Elgin St. Houston, TX 77004)

How: 

• RSVP ONLY to reserve your seat.

• RSVP WITH BOOK to reserve your seat and purchase a copy If This World We're Mine, supporting both the author and our store programming. The book will be available for pickup at the event.

Please Note: Books purchased from other retailers are not permitted in the bookstore and are not eligible for the signing or photo line. To participate in the signing and photo opportunity, you must purchase a copy from Kindred Stories.If you already have a copy from Kindred Stories feel free to choose the RSVP only option. 

If you purchase a ticket and are unable to attend the event, your ticket is non-refundable. If your ticket includes a book, an email will be sent to all attendees before and after the event with instructions on how to receive your book. Books must be claimed within 14 days following the event. If your book is not retrieved it will be returned to the publisher and will not be available for pick up in the future.

ABOUT THE BOOK

ABOUT THE AUTHOR

Arriel Vinson is a Midwesterner who writes about being young, Black, and in search of freedom. Her debut YA novel-in-verse, Under the Neon Lights, is a 2026 Coretta Scott King/John Steptoe New Talent Award winner, a Reese’s Book Club LitUp selection, and a Junior Library Guild Gold Selection. Arriel earned her MFA in Fiction from Sarah Lawrence College and is a Tin House YA Scholar, Highlights Foundation scholarship recipient, and Walter Grant recipient. Her sophomore novel, If This World Were Mine, is forthcoming in spring 2027. You can connect with her on social media at @arriwrites and find her work at arriwrites.com

ABOUT THE CONVERSATION PARTNER

LIARA TAMANI grew up in Houston, Texas, where every spring meant one thing: rodeo season. She loved getting decked out in her best cowgirl gear and soaking up the music, food, and electric energy of the rodeo, a joy she now shares with her daughter and husband. Her deep Texas roots shine through her storytelling, capturing the spirit and rhythms of the state in all her acclaimed novels: Calling My Name, All the Things We Never Knew, and What She Missed. Before becoming a writer, she attended Harvard Law School and worked as a marketing coordinator for the Houston Rockets and Comets, television production assistant, home accessories designer, floral designer, and yoga and dance teacher. She holds an MFA in writing from Vermont College of Fine Arts and a BA from Duke University.